Recreation de Musique
|
|
- Esther Sparks
- 5 years ago
- Views:
Transcription
1 The Atlanta Baroque Orchestra John Hsu, Artistic Director & Conductor Recreation de Musique Chamber music for flutes and violins by Marais, Charpentier & Le Clair Daniel Pyle, Resident Director Sunday 21 October :00 p.m. Peachtree Road United Methodist Church 3180 Peachtree Road NW Atlanta, Georgia
2 Recreation de Musique: French Chamber Music made possible by the sponsorship of Janie R. Hicks Suite II in G minor, from Pièces en trio (1692) Marin Marais pour les Flûtes, Violons, et basse-continue ( ) Prélude Fantaisie 1er Sarabande & 2me Sarabande Rondeau Gigue Gavotte 1er Menuet & 2me Menuet Plainte Petitte Passecaille Air Gay Première Recreation de musique, œuvre VI Jean-Marie Le Clair for two violins and basse-continue ( ) Ouverture Gracieusement Forlanne 1er Menuet & 2me Menuet Gavotte 1er Passepied & 2me Passepied Sarabande Chaconne intermission Deuxième Recreation de musique, œuvre VIII Jean-Marie Le Clair for two flutes and basse-continue ( ) Ouverture Forlane: point trop vite Sarabande: lentement Menuet & autre Menuet Badinage Chaconne Tambourin Sonata à Huit Insturments Marc-Antoine Charpentier for two flutes, two violins. viole de gambe, basse de violon, theorbo, and harpsichord ( ) Grave Récit de la Viole seule - Sarabande Récit dela Basse de violon Bourée Gavote Gigue Passecaille - Chaconne
3 THE ATLANTA BAROQUE ORCHESTRA John Hsu, Artistic Director & Conductor Violin Violoncello Flute Martha Perry Brent Wissick Catherine Bull Ute Marks Janice Joyce Harpsichord Viole de gambe Daniel Pyle Martha Bishop Triple Harp Paula Fagerberg The Atlanta Baroque Orchestra was founded under the leadership of Lyle Nordstrom, along with founding-members Catherine Bull, Jeanne Johnson, Daniel Pyle, and Eckhart Richter, who felt the need for a permanent, professional, historical-instrument orchestra in the Southeast. The unique, transparent sheen of early instruments, coupled with their capability of a delightful variety of articulations, allows voices and instruments to blend into a unified, yet clear, sound that is very difficult to achieve with modern instruments. Since its founding in 1997, the ABO has been applauded for its freshness and verve, and for its delightful, convincing performances of a wide range of earlier works. The Orchestra received initial generous support from the Atlanta Early Music Alliance and a variety of individuals, and has also depended on donations of time and money from the musicians themselves. The ABO is a not-for-profit corporation based in Atlanta, and is 501(c)3 (tax-exempt). Contributions, which are tax-deductible, are greatly appreciated and are central to the survival of a venture such as this. If you would like to support the ABO and its future programming, please send checks made out to The Atlanta Baroque Orchestra, 303 Augusta Avenue SE, Atlanta, GA There is also a great opportunity for friends of the arts in the community to serve on the Atlanta Baroque Orchestra board. Please visit our website at for more information on the ABO. John Hsu is the Old Dominion Foundation Professor of Music Emeritus at Cornell University, where he taught for 50 years ( ). He was the founder and conductor of the erstwhile Apollo Ensemble (a period instrument chamber orchestra) and a renowned virtuoso player of the viola da gamba and baryton. As both a conductor and an instrumentalist, he has been awarded grants by The Fund for U.S. Artists at International Festivals and Exhibitions, a public/private partnership of the National Endowment for the Arts, the United States Information Agency, The Rockefeller Foundation, and the Pew Charitable Trusts. He has performed throughout North America and Europe, and made awardwinning recordings. Among them are his CD of Haydn Baryton Trios (with violist David Miller and cellist Fortunato Arico), which was chosen Winner in the Music Retailers Association's Annual Award for Excellence in London, 1989; and his CD Symphonies for the Esterhazy Court by Joseph Haydn (with the Apollo Ensemble), which was nominated for the 1996 International Cannes Classical Music Award. In recognition of his edition of the complete instrumental works of Marin Marais ( ), the most important composer of music for the viola da gamba, and for his performances and recordings of French baroque music for the viola da gamba, the French government conferred on him the knighthood Chevalier de l'ordre des Arts et des Lettres in May of He is a graduate of the New England Conservatory of Music, which awarded him the Honorary Doctor of Music degree in 1971, and the Outstanding Alumni Award in He is also Artistic Director Emeritus of the Aston Magna Foundation for Music and the Humanities, the pioneering musical organization in the historical performance movement in this country, founded by Albert Fuller in 1972.
4 Program Notes by Daniel Pyle Throughout the history of Western music, there is a tendency to alternate between periods during which each nation or major ethnic group had its own musical style and periods were one international style held sway over the whole continent. The Renaissance (ca ) and the Classical (ca ) were times when composers from all Western European regions were working in the same, international style; but the Baroque period (ca ) was a musical era marked by distinct national styles: the Italian, the French, the German, and (for the first part of the period, before the local style was completely swamped by the advent of Handel) the English. Of these four, the Italian and the French were the most widely known and influential. Musicians all over the continent were familiar with the Italian style because that, after all, was were the Baroque style originated. The French attitude towards the Italian-born Baroque style was ambivalent, all the way through the period until it waned and was supplanted by the Classic style. French musicians and music-lovers were deeply impressed by the musical and expressive power of the Italian Baroque, and they wished to emulate that power; but at the same time they were very conscious of being French and of the need to create a music that was distinctly French but matching the Italian in expressivity. Many Italian artists and musicians visited and worked in France, particularly during the regency of Anne of Austria (widow of Louis XIII, before her son Louis XIV came of age) and her favorite, Cardinal Mazarin who was Italian by birth (Mazarini). When Louis XIV did assume the government of France, choosing Jean- Baptiste Lully to be his chief musician, there was a strong reaction against Italian influence in music and the arts, and Lully achieved a lasting place in the history of music by creating a style of opera and of musical declamation of text that was peculiarly French and especially suited to the French language. Lully s position of pre-eminence was a musical reflection of his master s policy of concentrating all power in France in his own hands (remembering that during the reigns of his grandfather Henry IV and his predecessors, France s existence as a nation was almost ended by a series of disastrous civil wars). Lully had the authority to stifle the careers of any composers whom he might view as rivals, and did not hesitate to use this authority. Chief among those rivals was Marc-Antoine Charpentier. Charpentier was also mostly interested in composing opera, and had in fact spent a part of education in Rome as a student of Carissimi. Upon returning to Paris, however, Charpentier found that opportunities for producing operatic work was blocked by Lully, and he that the only venues for his output not under Lully s control were the Church for whom he wrote numerous oratorios, masses, and dramatic motets and the salon. The Sonata for Eight Instruments was likely composed around 1685 for an entertainment at the Paris residence of the Duchess of Guise for which he also composed the chamberopera Les Arts Florissant. In spite of the fact that Charpentier used an Italian designation sonata for this work, it is not at all in the form of a sonata, but rather a French dance-suite in every respect.
5 One excuse that was often used to justify thwarting Charpentier s ambitions was that he was too much influenced by Italian music, on account of his Roman training. This is especially ironical, in view of the fact that Lully was Italian by birth, having been baptized as Giovanni Battista Lulli, and only arrived in France as a young man but then made himself over to be more French than the French. Marin Marais was, unlike Charpentier, in every respect a French musician. At a time when Italian musicians had completely jettisoned the viola da gamba in favor of the violin family, he was a virtuoso performer on the gamba, and one of the select group of chamber-musicians who regularly played for Louis XIV and his family at Versailles. As a composer is best known for his five books of suites for viola da gamba with basso continuo. The only other chamber-music which he published was a set of six suites for two treble instruments (the title page suggests either flutes or violins) and bass. They appeared in 1692, a decade when many French composers were fascinated by the new Italian trio sonatas, in particular those by Corelli. One way they responded to this new genre was to adopt the texture two treble melodic parts with basso continuo but adapt it to the suite of dances: this is the course which Marais took. Other composers, like François Couperin, actually worked in the Italianate sonata form. But Couperin was so wary, even in the 1690 s, of being branded an Italophile that he published them only under a pseudonym and did not acknowledge them as his own work until 30 years later. By the 1720 s, French musicians no longer felt compelled to conceal there interest in Italian music. Jean-Marie Le Clair built his career as a virtuoso performer on an Italian instrument, the violin; in fact, the one musician to whom he was generally compared was an Italian, Pietro Locatelli. His bestknown compositions are his very Italianate sonatas for violin and basso continuo, which he openly published under his own name. The two Récréations de musique, on the other hand, are very much French in style, not only in being dance-suites, but also in the manner of writing for the violin and flute. What does mark them, however, is a very distinctly personal sense of harmony, using many unexpected progressions. Of course, the one story about Le Clair that is indispensable for all programnotes is that he died by another s hand: he was going home from an evening of billiards and was attacked and killed outside his own door. It is thought that the assailant was hired to kill him, probably either by his wife who was not overly fond of him, or by his nephew who felt that Uncle Jean-Marie was not doing enough to promote the nephew s career as a violinist. The case remains unsolved and open in the files of the Paris police.
6 These concerts are made possible in part by a gift from
7 Embellish A Melody! Bach Club ($ ) Vivaldi Club ($ ) An anonymous donor Anne P. Halliwell An anonymous donor Dr. & Mrs. Ephraim R. McLean An anonymous donor Cathy Callaway Adams Dr. & Mrs. David Bright Peter & Patricia DeWitt Telemann Club ($ ) Federal Home Loan Bank of Atlanta Joan Althouse Janie R. Hicks John & Linda Austin Martha J. R. Hsu Mr. & Mrs. Roger S. Austin Douglas A. Leonard Beth Bell William E. Pearson III Mr. & Mrs. Roy B. Bogue Lois Z. Pyle Stratton H. Bull Dr. & Mrs. Eckhart Richter Susan K. Card Donald E. Snyder Moncure and Sandy Crowder Larry Thorpe & Dr. Barbara Williams Jeffrey & Martha Freeman Susan Wagner Dymples E. Hammer Mr. & Mrs. Allan R. Jones Handel Club ($ ) Virginia Ware Killorin Donald N. Broughton & Susan L. Olson Hans & Christa Krause Dr. & Mrs. William P. Marks, Jr. Hans & JoAnn Schwantje Dr. George Riordan & Karen Clarke Season Sponsors ($5,000 or more) Anonymous Donor Anonymous Donor Dr. and Mrs. Peter DeWitt Janie R. Hicks Lois Z. Pyle Larry Thorpe & Dr. Barbara Williams The Atlanta Baroque Orchestra would like to thank the following persons and establishments For contributing their time, talents, and energy in regard to the details of ABO concerts. Atlanta Early Music Alliance (AEMA) Janice Joyce & Chris Robinson Janie Hicks Peter and Patricia DeWitt Martha Bishop Peachtree Road United Methodist Church: Scott Atchison And Camilla Cruikshank Eckhart & Rosemary Richter Russell Williamson Valerie Prebys Arsenault Sid & Linda Stapleton Susan Wagner Linda Bernard & RyeType Design Cathy Adams & The Federal Home Loan Bank of Atlanta The ABO would also like to acknowledge the several thousand dollars worth of rehearsal time that has been graciously given to the orchestra by its members. These concerts could not be given without their enthusiasm and support.
8 ABO Board of Directors President: Eckhart Richter Vice President: Cathy Adams Vice President for Development: Janie Hicks Secretary: Susan Wagner Treasurer: Peter DeWitt Resident Director: Daniel Pyle Ephraim McLean William E. Pearson III John Lemley Melanie Punter Scott Atchison Come Hear our other Concerts! 11 November 2007, 2:30 pm Symphonies for Strings by German composers from Bach to Mendelssohn 18 February 2008, 3:00 pm Program music by Italian Composers music by Sammartini, Locatelli, & Geminiani sponsored by Mrs. Lois Z. Pyle 30 March 2008, 3:00 pm Bach s Cantata 82 Ich habe genug plus concerto For Two Violins & Brandenburg Concerto nos. 3 & 5 sponsored by an anonymous donor 11 May 2008, 3:00 pm Classical Chamber Music for Strings and Winds sponsored by Peter & Patricia DeWitt Visit our new web-site at
The Atlanta Baroque Orchestra John Hsu, Artistic Director & Conductor. Descriptive Music. Italian Composers
The Atlanta Baroque Orchestra John Hsu, Artistic Director & Conductor Descriptive Music By Italian Composers Sunday 17 February 2008 3:00 p.m. Peachtree Road United Methodist Church 3180 Peachtree Road
More informationHandel & Haydn with Arietha Lockhart, soprano and Peachtree Road United Methodist Chamber Singers Scott Atchison, director
The Atlanta Baroque Orchestra John Hsu, Artistic Director & Conductor Handel & Haydn with Arietha Lockhart, soprano and Peachtree Road United Methodist Chamber Singers Scott Atchison, director Sunday 13
More informationThe Atlanta Baroque Orchestra. Concerto Grosso: a Cameo of Contrasts
The Atlanta Baroque Orchestra Presents Concerto Grosso: a Cameo of Contrasts John Hsu, Artistic Advisor & Guest Director Concerto Grosso: A Cameo of Contrasts Sunday 26 September 2004 at 3:00 p.m. Peachtree
More informationMusic from Albion s Shore Music from the English Baroque Masters
The Atlanta Baroque Orchestra Music from Albion s Shore Music from the English Baroque Masters Edwin Huizinga, Violinist & Guest Director Sunday 17 May 2009 3:00 p.m. Peachtree Road United Methodist Church
More informationWolfgang Amadé Mozart 250 th Anniversary Celebration II
The Atlanta Baroque Orchestra John Hsu, Artistic Director & Conductor Wolfgang Amadé Mozart 250 th Anniversary Celebration II Friday 22 September 2006 8:00 p.m. Peachtree Road United Methodist Church 3180
More informationMusica Transalpina Italians in 18th-Century London
Musica Transalpina Italians in 18th-Century London Julie Andrijeski, Artistic Director Sunday, 22 May 2011 4:00 p.m. Roswell Presbyterian Church 755 Mimosa Boulevard S Roswell, Georgia RPROGRAM Concerto
More informationThe Austrian Connection A Revelation of Baroque Music and Dance
The Atlanta Baroque Orchestra The Austrian Connection A Revelation of Baroque Music and Dance Julie Andrijeski, Violinist & Guest Director Paige Whitley-Bauguess, Baroque Dancer Sunday 22 March 2009 3:00
More informationWolfgang Amadé Mozart 250 th Anniversary Celebration
The Atlanta Baroque Orchestra John Hsu, Artistic Director & Conductor Wolfgang Amadé Mozart 250 th Anniversary Celebration Saturday 11 March 2006 8:00 pm SEHKS Conclave Rome City Auditorium Rome, Georgia
More informationThe Atlanta Baroque Orchestra Presents. Overtures. With Guest Director. Gesa Kordes, Baroque violin
The Atlanta Baroque Orchestra Presents Overtures With Guest Director Gesa Kordes, Baroque violin Saturday 27 September 2003, at 8:00 p.m. Peachtree Road United Methodist Church Atlanta, Georgia Overtures
More informationBach at Zimmermann s Café
Bach at Zimmermann s Café Daniel Pyle, Resident Director & Harpsichordist Sunday 23 October 2005 3:00 p.m. Peachtree Road United Methodist Church 3180 Peachtree Road NE Atlanta, Georgia Bach at Zimmermann
More informationJulie Andrijeski, Artistic Director Judith Overcash, soprano Bruce Sellers, tenor Roswell Presbyterian Church Chamber Singers Bruce Graham, Director
Music Then, Music Now Julie Andrijeski, Artistic Director Judith Overcash, soprano Bruce Sellers, tenor Roswell Presbyterian Church Chamber Singers Bruce Graham, Director Sunday 13 February 2011 4:00 p.m.
More informationMusic of Johann Sebastian Bach
The Atlanta Baroque Orchestra John Hsu, Artistic Director & Conductor Music of Johann Sebastian Bach Sunday 30 March 2008 3:00 p.m. Peachtree Road United Methodist Church 3180 Peachtree Road NW Atlanta,
More informationSaturday, 22 January 2005, 8:00 pm (this performance is co-sponsored by Oglethorpe University and the Atlanta Baroque Orchestra)
Into the High Woods: the Song of the Oboe The Atlanta Baroque Orchestra Matthew Peaceman, guest director and oboe soloist Judith Overcash, soprano Saturday, 22 January 2005, 8:00 pm (this performance is
More informationBach & his Contemporaries Session Five: France. Session Plan
Bach & his Contemporaries Session Five: France A LIFE Institute Course Bob Fabian Spring 2015 [LIFEcourses.ca] Session Plan Session Six Discussion Le Roi Danse (movie about Lully & Luis XIV) Jean-Baptiste
More informationBAROQUE MUSIC. the richest and most diverse periods in music history.
BAROQUE MUSIC the richest and most diverse periods in music history. WHEN? Approximately from 1600 to 1750 WHEREDOESTHEWORD BAROQUE COME FROM? There are two hypothesis Baroque(french)= whimsical Barroco
More informationABSTRACT PIECES DE VIOLE, TROISIEME LIVRE (1711) William James McClain, Doctor of Musical Arts, Professor Edward Maclary School of Music
ABSTRACT Title of dissertation: PIECES DE VIOLE, TROISIEME LIVRE (1711) William James McClain, Doctor of Musical Arts, 2009 Dissertation directed by: Professor Edward Maclary School of Music I was first
More informationChamber Music Traced through history.
Chamber Music Traced through history. Definition What is Chamber Music? Webster definition: instrumental ensemble music intended for performance in a private room or small auditorium and usually having
More informationAtlanta Baroque Orchestra
The Atlanta Baroque Orchestra Lyle Nordstrom, Artistic Director Presents Concerto! October 25, 2002 Peachtree Road United Methodist Church Atlanta, Georgia Concerto! performed by The Atlanta Baroque Orchestra
More informationIntroduction to Music
Introduction to Music Review Music in Baroque Society Fugue Baroque Dance Concerto Grosso and Ritornello Form Opera an art form in which singers and musicians perform a dramatic work combining text (called
More informationThe SCJBF 3 year, cyclical repertoire list for the Complete Works Audition
The SCJBF 3 year, cyclical repertoire list for the Complete Works Audition Students may enter the Complete Works Audition (CWA) only once each year as a soloist on the same instrument and must perform
More informationFollia. William Summers: Baroque Flute Diane Moore: Baroque Violin Ibrahim Aziz: Viola da Gamba Yeo Yat-Soon: Harpsichord
Follia William Summers: Baroque Flute Ibrahim Aziz: Viola da Gamba ç Follia William Summers: Baroque Flute Ibrahim Aziz: Viola da Gamba Evening in the Palace of Reason Johann Sebastian Bach at the court
More informationExam 2 MUS 101 (CSUDH) MUS4 (Chaffey) Dr. Mann Spring 2018 KEY
Provide the best possible answer to each question: Chapter 20: Voicing the Virgin: Cozzolani and Italian Baroque Sacred Music 1. Which of the following was a reason that a woman would join a convent during
More informationConcert Season
2013-2014 Concert Season BAROQUE MUSIC AND DANCE Sunday, September 15, 2013 4 p.m. This concert joins exceptional period instrument musicians performing Baroque music with the historical steps and gestures
More information15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding)
15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding) Background information and performance circumstances Arcangelo Corelli (1653 1713) was one of the most
More informationLecture Notes - Music Owen J. Lee - day 9-1. Descent from the Cross (Raphael, 1507) - Renaissance
Lecture Notes - Music 110 - Owen J. Lee - day 9-1 Descent from the Cross (Raphael, 1507) - Renaissance The Entombment of Christ (Caravaggio, 1603) - Baroque Lecture Notes - Music 110 - Owen J. Lee - day
More informationTrio de M r Charpentier
Trio de M r Charpentier ed. by John S. Powell Jan van Bijlert (1597/98-1671), The Concert Trio de Mr Charpentier, ed. John S. Powell, January 2005 (2d ed.) Introduction, p. i INTRODUCTION The Trio de M
More informationThursday, November 2, :00 p.m. Jason Moy. Shirley Hunt. Faculty Recital with Guest Artist. DePaul Concert Hall 800 West Belden Avenue Chicago
Thursday, November 2, 2017 8:00 p.m. Jason Moy Shirley Hunt Faculty Recital with Guest Artist DePaul 800 West Belden Avenue Chicago Thursday, November 2, 2017 8:00 p.m. DePaul Jason Moy, harpsichord Shirley
More informationThe Classical Period (1825)
The Classical Period 1750-1820 (1825) 1 Historical Themes Industrial Revolution Age of Enlightenment Violent political and social upheaval Culture 2 Industrial Revolution Steam engine changed the nature
More informationNORVIS XLIX Music List 27th July to 3rd August 2019
NORVIS XLIX Music List 27th July to 3rd August 2019 The daily programme is as follows, except on Wednesday, when the afternoon is free: 1st morning session technique class on your chosen instrument or
More informationMUSIC HISTORY Please do not write on this exam.
MUSIC HISTORY Please do not write on this exam. 1. Which of the following characterize Baroque music? a. Music based on Gregorian Chant b. The figured bass (Basso continuo) (the writing out of the bass
More informationMusic Burkholder Reading Questions
Music 332 - Burkholder Reading Questions Free Advice: Begin by reading each chapter without the questions at hand. Next, read each question and begin to reread the chapter, jotting down your answers as
More informationInstrumental Sonatas of Antonio Bertali ACRONYM
PAR ADI S E Instrumental Sonatas of Antonio Bertali Antonio Bertali was born in 1605 in Verona. In 1624 he moved to Vienna, where he was hired as a violinist and composer at the Habsburg Court and eventually
More informationPARISH CHURCH OF ST. ANNE, KEW SUNDAY AFTERNOON RECITAL SERIES
PARISH CHURCH OF ST. ANNE, KEW SUNDAY AFTERNOON RECITAL SERIES Season Programme May - July 2017 Every Sunday afternoon from May - September this beautiful and historic church offers a platform for emerging
More informationEARLY MUSIC AREA PRACTICAL EXAM REQUIREMENTS. General Regulations and Requirements for Examinations and Recitals
EARLY MUSIC AREA PRACTICAL EXAM REQUIREMENTS General Regulations and Requirements for Examinations and Recitals General Information Examinations Normally, students should sit a practical exam at the end
More informationBrandenburg Concerto No. 5 Mvmt 3
Brandenburg Concerto No. 5 Mvmt 3 Key words 1) Instrumentation and Sonority 2) Structure 3) Tonality 4) Harmony 5) Rhythm, Metre and Tempo 6) Melody 7) Texture At the top of your Bach Score write each
More informationThe Baroque Period. Better known today as the scales of.. A Minor(now with a #7 th note) From this time onwards the Major and Minor Key System ruled.
The Baroque Period The Baroque period lasted from approximately 1600 1750 The word Baroque is used to describes the highly ornamented style of fashion, art, architecture and, of course Music. It was during
More information25 Name. Grout, Chapter 12 Music in the Early Eighteenth Century. 11. TQ: What does "RV" stand for?
25 Name Grout, Chapter 12 Music in the Early Eighteenth Century 1. (373) What were Pluche's two categories of music? What kind of music represented each? TQ: What is a Concert spirituel? 11. TQ: What does
More informationChapter 10. Instrumental Music Sunday, October 21, 12
Chapter 10 Instrumental Music 1600-1750 Instruments of the Baroque Era The Violin Baroque violin was similar to the modern violin but differed in ways that gave it a sweeter, more rounded tone Instruments
More informationIntroduction to Music Chapter 4 - Music of the Baroque Period ( )
Introduction to Music Chapter 4 - Music of the Baroque Period (1600-1750) The term Baroque is used to indicate a particular style in the arts. This style tends to fill space with movement and action. Artists
More informationChapter 16 Sacred and Secular Baroque Music
Chapter 16 Sacred and Secular Baroque Music Illustration 1: Excerpt from "Kyrie" of the B Minor Mass by J. S. Bach--felt by many music historians to be the greatest piece of music written in the West (courtesy
More information3 against 2. Acciaccatura. Added 6th. Augmentation. Basso continuo
3 against 2 Acciaccatura One line of music may be playing quavers in groups of two whilst at the same time another line of music will be playing triplets. Other note values can be similarly used. An ornament
More informationMaterials. Sheet music of the arranged studies, arranged and distributed by the instructor.
Graphic Organizer of a Unit Plan Note: An overview of unit plan to provide "unit at a glance." Chamber Strings 11-12; Baroque Music for String Instruments Lesson # 1 Topic Bowing Technique; Rhythm patterns
More informationEric O. Hanson Double Bassist/Educator Curriculum Vitae
Eric O. Hanson Double Bassist/Educator Curriculum Vitae Address: Contact information: 104 Kimberly Dr. Cell 706-506-8516 Dalton, GA 30720 ericohanson@gmail.com Education Shenandoah Conservatory, Winchester,
More informationSEASON THE SPECTACULAR AT YOUR FINGERTIPS! LIVE THE ADVENTURE WITH ARION AND ITS BRILLIANT GUEST ARTISTS! arionbaroque.com
2016 2017 SEASON LIVE THE ADVENTURE WITH ARION AND ITS BRILLIANT GUEST ARTISTS! THE SPECTACULAR AT YOUR FINGERTIPS! arionbaroque.com CLAIRE GUIMOND Artistic director, Arion Baroque Orchestra Since its
More informationSPECIALISATION in Master of Music Professional performance with specialisation (4 terms, CP)
University of Music Franz Liszt Weimar Special requirements for the audition SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, 90 + 30 CP) Specialisation Early Music
More informationSCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec READ ONLINE If you are looking for a ebook SCHOTT BOISMORTIER
More informationVivaldi: Concerto in D minor, Op. 3 No. 11 (for component 3: Appraising)
Vivaldi: Concerto in D minor, Op. 3 No. 11 (for component 3: Appraising) Background information and performance circumstances Antonio Vivaldi (1678 1741) was a leading Italian composer of the Baroque period.
More informationMusic Appreciation Final Exam Study Guide
Music Appreciation Final Exam Study Guide Music = Sounds that are organized in time. Four Main Properties of Musical Sounds 1.) Pitch (the highness or lowness) 2.) Dynamics (loudness or softness) 3.) Timbre
More informationUniversity of West Florida Department of Music Levels of Attainment piano
University of West Florida Department of Music Levels of Attainment piano Entry level: Incoming students are required to prepare two contrasting pieces from different periods. At the audition they are
More informationHOMEWORK CHAPTER Which of the following letter schemes best represents the formal play of a da-capo aria a. AAAAA b. ABCA c. AAB d. ABA e.
Julianne Baird, Music History II HOMEWORK CHAPTER 17 1. Which of the following letter schemes best represents the formal play of a da-capo aria a. AAAAA b. ABCA c. AAB d. ABA e. AABB 2. Which of the following
More informationThe Baroque Period
1 The Baroque Period-1600-1750 The Baroque Style -definition of word baroque -Paintings changed how? - Age of Absolutism -what was it? -religious institutions used what to make it more appealing? What
More informationLully, Jean-Baptiste - Gavotte In Rondeau - Two Violins And Viola - Arranged By Susan Post - Medici
Lully, Jean-Baptiste - Gavotte In Rondeau - Two Violins And Viola - Arranged By Susan Post - Medici If you are searching for a book Lully, Jean-Baptiste - Gavotte in Rondeau - Two Violins and Viola - arranged
More informationCONTACT: Suzanne Rousso, Artistic Director office: 919/ cell: 919/
www.mallarmemusic.org FOR IMMEDIATE RELEASE: TUESDAY, DECEMBER 1, 2015 CONTACT: Suzanne Rousso, Artistic Director office: 919/560-2701 cell: 919/413-3120 suzanne@mallarmemusic.org 2016 NORTH CAROLINA HIP
More informationTafelmusik Baroque Summer Institute 2012
1 SCHEDULE SUMMARY All events are at the Faculty of Music, University of Toronto, unless otherwise noted. Note: Private lessons for vocalists are scheduled throughout the Institute. Private lessons for
More informationHappy Birthday Church Street! CeleÁating 200 Years. Master Arts Series 2016 / Church Street United Methodist Church Knoxville, Tennessee
Happy Birthday Church Street! CeleÁating 200 Years Master Arts Series 2016 / 2017 Church Street United Methodist Church Knoxville, Tennessee Coming Home ~ the 200 th Anniversary CeleÁation Sunday, September
More informationMu 101: Introduction to Music
Attendance/Reading Quiz! Mu 101: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Spring 2018 Sections H2 (T 2:10-5), H3 (W 2:10-5), L3 (W 5:10-8) Reading quiz Repetition,
More informationThe purpose of the Pacific Symphony League when it was established in 1990:
Pacific Symphony League, 3631 S. Harbor Blvd, Suite 100. Santa Ana, CA 92704 September 2009 Betty Everett, editor; send submissions to bettyeverett@usa.net, 949 462 0912 The purpose of the Pacific Symphony
More informationSuite III For Saxophone Solo By J.S. Bach READ ONLINE
Suite III For Saxophone Solo By J.S. Bach READ ONLINE Download Air On The G String (from Suite No.3 in D Major) sheet music for Alto Saxophone by J.S. Bach. 2 J.S. Bach: Air On The G String (from Suite
More informationSaskatoon Music Festival 2018 Supplementary Classes to the Provincial Syllabus
Saskatoon Music Festival 2018 Supplementary Classes to the 2016-2018 Provincial Syllabus Understanding the Three Levels of Competition within the SMF. Saskatoon Music Festival (Local) Competitors, teachers
More informationHUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2014 Fall
HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2014 Fall INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT AND OFFICE INFORMATION: mtommasini@ust.hk
More informationCourse Outline. TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018
5055 Santa Teresa Blvd Gilroy, CA 95023 Course Outline COURSE: MUS 1A DIVISION: 10 ALSO LISTED AS: TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018 SHORT TITLE: MUSIC HISTORY/LIT LONG TITLE:
More information6 Concertos, Op.2 (Concerto No.4 In D Major): Full Score [A3284] By Francesco Geminiani
6 Concertos, Op.2 (Concerto No.4 In D Major): Full Score [A3284] By Francesco Geminiani Arcangelo Corelli - Wikipedia, the free encyclopedia - such as Francesco Geminiani, a portion of the Christmas Concerto,
More informationPROGRAM NOTES Lally and the Development of Baroque Dance Jean-Baptiste Lully was the composer traditionally credited with creating a distinct French Baroque style, as opposed to the Italian style which
More informationLevel performance examination descriptions
Unofficial translation from the original Finnish document Level performance examination descriptions LEVEL PERFORMANCE EXAMINATION DESCRIPTIONS Accordion, kantele, guitar, piano and organ... 6 Accordion...
More informationThe Music of the 17th & 18th Centuries.
The Lin & Ted Arison Israel Conservatory of Music, Tel-Aviv The 2nd International Tel- Aviv Early Music Seminar The Music of the 17th & 18th Centuries. Tel Aviv, Hanukkah, December 21-30, 2011 Music Director:
More informationBridgehampton Chamber Music Festival. spring 16. Marya Martin, Artistic Director. 3 Saturdays at 6pm February 27 April 9 May 14
Bridgehampton Chamber Music Festival Marya Martin, Artistic Director 3 Saturdays at 6pm February 27 April 9 May 14 spring 16 Dear Friends, We re back! Our dream of bringing a spring series to life came
More informationThe Baroque ( ): Cultural Background
MSC 1003 Music in Civilization Fall 2017 Prof. Smey Session 7 (Tues Sept 19) After we finished our first quiz we started our new historical unit. The Baroque (1600-1750): Cultural Background Up until now
More informationPart IV. The Classical Period ( ) McGraw-Hill The McGraw-Hill Companies, Inc. All rights reserved.
Part IV The Classical Period (1750-1820) Time-Line Seven Years War-1756-1763 Louis XVI in France-1774-1792 American Declaration of Independence-1776 French Revolution-1789 Napoleon: first French consul-1799
More informationCONCERT MUSIC ( ) GERALD ABRAHAM EDITED BY
CONCERT MUSIC (1630-1750) EDITED BY GERALD ABRAHAM OXFORD NEW YORK OXFORD UNIVERSITY PRESS 1986 ILLUSTRATIONS INTRODUCTION TO VOLUMES V AND VI XU xiii EDITOR'S NOTE I. ODE AND ORATORIO IN ENGLAND. (a)
More informationThe Baroque Period: A.D
The Baroque Period: 1600-1750 A.D What is the Baroque Era? The Baroque era was a time in history where much of what we know about our surroundings are being discovered. There is more focus on the human
More informationMu 101: Introduction to Music
Attendance/Reading Quiz! Mu 101: Introduction to Music Queensborough Community College Instructor: Dr. Alice Jones Spring 2018 Sections H2 (T 2:10-5), H3 (W 2:10-5), L3 (W 5:10-8) Reading quiz Brass and
More informationNEW HAMPSHIRE TECHNICAL INSTITUTE. After successfully completing the course, the student will be able to:
NEW HAMPSHIRE TECHNICAL INSTITUTE Title: FA105 Introduction to Music Credit Hours: Total Contact Hours: 3 Instructor: Susan K. Kinne skinne@ccsnh.edu Course Syllabus Course Description Introduction to
More informationChapter 17: Enlightenment Thinkers. Popular Sovereignty: The belief that all government power comes from the people.
Chapter 17: Enlightenment Thinkers Popular Sovereignty: The belief that all government power comes from the people. Thomas Hobbes If people were left alone they would constantly fight To escape the chaos
More informationA History of Western Music
A History of Western Music 9 th Edition J. Peter Burkholder Donald Jay Grout Claude V. Palisca Chapter 22 Instrumental Music: Sonata, Symphony, and Concerto Instruments and Ensembles Mid-to-late-eighteenth-century
More informationMichael Haydn Born in Austria, Michael Haydn was the baby brother of the very famous composer Joseph Papa Haydn. With the loving support of
Michael Haydn 1737-1805 Born in Austria, Michael Haydn was the baby brother of the very famous composer Joseph Papa Haydn. With the loving support of his older brother, Michael became a great singer and
More informationNEW HAMPSHIRE TECHNICAL INSTITUTE
NEW HAMPSHIRE TECHNICAL INSTITUTE Title: FA105 Introduction to Music Credit Hours: Total Contact Hours: 3 Instructor: Susan K. Kinne skinne@ccsnh.edu Course Syllabus Course Description Introduction to
More informationSymphony No. 101 The Clock movements 2 & 3
Unit Study Symphony No. 101 (Haydn) 1 UNIT STUDY LESSON PLAN Student Guide to Symphony No. 101 The Clock movements 2 & 3 by Franz Josef Haydn Name: v. 1.0, last edited 3/27/2009 Unit Study Symphony No.
More informationThe following review by Michael O Loghlin appeared in the Journal of the Viola da Gamba Society of America, volume XL, 2003, p.
The following review by Michael O Loghlin appeared in the Journal of the Viola da Gamba Society of America, volume XL, 2003, p. 67f Königliche Gambenduos [Royal Gamba Duets]: 23 sonatas by French and Italian
More informationMUSIC FOR THE PIANO SESSION FOUR: THE PIANO IN VICTORIAN SOCIETY,
MUSIC FOR THE PIANO SESSION FOUR: THE PIANO IN VICTORIAN SOCIETY, 1830-1860 As mentioned last week, today s class is the second of two on piano music written by the generation of composers after Beethoven.
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Queensborough Community College Instructor: Dr. Alice Jones Fall 2017 Sections J2 (Tuesdays 3:10-6) and C3A (Wednesdays (9:10-12) Recap Melody (most
More informationLIVE EMOTION BAROQUE ORCHESTRA AND CHAMBER CHOIR 16 /17. Fabulous! The best I ve heard in eons TAFELMUSIK AUDIENCE FEEDBACK SAVE UP TO 30%
B / LIVE EMOTION JOY BAROQUE ORCHESTRA AND CHAMBER CHOIR 16 /17 Fabulous! The best I ve heard in eons TAFELMUSIK AUDIENCE FEEDBACK SAVE UP TO 30% SUBSCRIBE TODAY! 416.964.6337 / Tafelmusik.org Hard to
More informationYEAR-ROUND PROGRAMS SEASON AFATEXAS.ORG. 1718A Lubbock Street. Houston, Texas UNDERWRITING SUPPORT PRESENTING PARTNERS ARTS PARTNERS
YEAR-ROUND PROGRAMS 1718A Lubbock Street Houston, Texas 77007 PHONE 713.522.9699 F A X 713.522.9631 AFATEXAS.ORG PRESENTING PARTNERS ARTS PARTNERS UNDERWRITING SUPPORT AFA is funded in part by grants from
More information7th - 21th July 2018
SUMMER ACADEMY 7 th - 21 th July 2018 SUMMER ACADEMY 7 th - 21 th July 2018 It s with joy that La Petite Bande, the world-renowned baroque orchestra, born back in 1972 and still nowadays particularly appreciated
More informationMusic 111: Music Appreciation 1
Music 111: Music Appreciation 1 Course Information: Los Angeles Pierce College January 2 to February 4, 2018 Section 14921 3 units Canvas online Instructor: Jon Titmus E-mail: titmusjg@piercecollege.edu
More informationInformation about the Music History Portion of the Graduate Student Entrance Exam
Information about the Music History Portion of the Graduate Student Entrance Exam The exam has 2 sections: 1) Music before 1750 (Medieval, Renaissance, and Baroque eras) 2) Music after 1750 (Classical,
More informationYEAR-ROUND CURRICULUM & AFA IN SCHOOLS
YEAR-ROUND CURRICULUM & AFA IN SCHOOLS 2016 2017 SEASON 1718A Lubbock Street Houston, Texas 77007 PHONE 713.522.9699 F A X 713.522.9631 AFATEXAS.ORG AFA PROGRAMS ARE PRESENTED IN COLLABORATION WITH AFA
More informationLULLY CAMPRA. Raymond Leppard. Pièces de Symphonie. L Europe Galante. English Chamber Orchestra
Eloq uence LULLY CAMPRA Pièces de Symphonie L Europe Galante English Chamber Orchestra JEAN-BAPTISTE LULLY (1632-1687) Pièces de Symphonie 1 Marche pour le combat (Amadis, 1684) 1 51 2 Premier air pour
More information12 Concerti Grossi, Op.6 (Concerto No.9 In F Major): Full Score [A1139] By Arcangelo Corelli READ ONLINE
12 Concerti Grossi, Op.6 (Concerto No.9 In F Major): Full Score [A1139] By Arcangelo Corelli READ ONLINE Arcangelo Corelli Sheet Music - Looking for Arcangelo Corelli sheet music? Corelli: Sonata, Op.
More informationBANK OF AMERICA CHAMBER MUSIC
BANK OF AMERICA CHAMBER MUSIC GEOFF NUTTALL, THE CHARLES E. AND ANDREA L. VOLPE DIRECTOR OF CHAMBER MUSIC ARTISTS Composer in residence/cello Countertenor Tenor Flute/Piccolo Oboe Clarinet Bassoon French
More informationCOURSE SYLLABUS MUSIC APPRECIATION MUS 1113 FALL 2014
I. PRELIMINARY INFORMATION: A. Department: Music COURSE SYLLABUS MUSIC APPRECIATION MUS 1113 FALL 2014 B. Title: Music Appreciation - Mus 1113 (ACTS - Equivalent #MUS 1003) Note: This course fulfills specific
More informationThe Heart of Baroque Season. Frank Nowell Harpsichordist-Artistic Director Cynthia Miller Freivogel Violinist-Leader
The Heart of Baroque Frank Nowell Harpsichordist-Artistic Director Violinist-Leader Welcome to our 2013-2014 Season! A BCOC board member recently suggested that our group is on a continuous adventure of
More informationJoshua Salvatore Dema Graduate Recital
Saturday, April 8, 2017 1:00 p.m Joshua Salvatore Dema Graduate Recital DePaul Concert Hall 800 West Belden Avenue Chicago Saturday, April 8, 2017 1:00 p.m DePaul Concert Hall PROGRAM Joshua Salvatore
More informationHow to Write about Music: Vocabulary, Usages, and Conventions
How to Write about Music: Vocabulary, Usages, and Conventions Some Basic Performance Vocabulary Here are a few terms you will need to use in discussing musical performances; surprisingly, some of these
More informationKari Olamaa violin Johanna Kilpijärvi viola da gamba Anna-Riikka Santapukki Harpsichord
Jesus College Music Society & Piccola Accademia Montisi present Kari Olamaa violin Johanna Kilpijärvi viola da gamba Anna-Riikka Santapukki Harpsichord IN THE THIRD OF THREE RECITALS BY INTERNATIONAL ARTISTS
More informationMovements from the Bach Cello Suites
Movements from the Bach Cello Suites Realized for Harpsichord ~ Organ ~ Piano Realizations ~ noel Jones dedicated to Fred & Janet Schweitzer. Fifteen Movements from the Bach Cello Suites Realized for Keyboard
More informationBINGO. Divide class into three teams and the members of each team with one of the three versions of the Bingo boards.
BINGO Copy information cards onto cardstock paper, or glue them on to 3x5 cards. Divide class into three teams and the members of each team with one of the three versions of the Bingo boards. Supply beans
More informationSCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec
SCHOTT BOISMORTIER J.B. DE - CONCERTO G MAJOR OP.21/3 - TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO Partition Classique Bois Flûte à Bec Boismortier J. B. de. Cantates 'Les 4 saisons'. Moderators:
More informationGreen Lake Festival of Music. established th ANNIVERSARY
Green Lake Festival of Music established 1979 40th ANNIVERSARY L E G A C Y F U N D A P P E A L Green Lake Festival of Music The Green Lake Festival of Music, Inc. is a non-profit corporation whose mission
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Spring 2017 Sections F1 (Mondays 12:10-3) and F4 (Thursdays 12:10-3) Recap from last week
More informationMu 101: Introduction to Music
Attendance/Reading Quiz! Mu 101: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2018 Sections F2 (T 12:10-3) and J2 (3:10-6) Reading quiz Religion was the most important
More information