From the editor... Raymond Sprague. Translation:
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1 2 From the editor... Pierluigi da Palestrina (ca ) is the acknoledged ster of the sixteenthcentury sacd lyphonic style, and his music psents the epitome of the classic Renaissance ideals of straint, concordance, and alance. Palestrina orked most of his life in Rome, and the ority of his orks e comsed as service music for the Ron atholic hurch. Reved in his lifetime, his music has ecome the asis for ny texts on sixteenthcentury counterint in the 400+ years since his death. This setting of Redemptoris Mater first appead in a collection of motets (Motectorum lier sendus) pulished in Venice in The ases for this edition a several collections of collected orks that include this motet. For this edition the original mensuion sign has een changed from to c, the note values have een halved, and arlines and a tem suggestion have een added. It should e noted as ell that the pitch has een raised a or third from the source terials. Suggested accidentals a indicated y rackets [ ] over notes in the sco. The prospective performer ill notice a lack of dynamic rkings in this sco. Rather than clutter the sco, the editor ould like to suggest that hen performing this ork the conductor memer those Renaissance ideals of straint an d alance, and ork ithin a suggested dynamic range of piano to mezzo forte. Understated shaping of phrases and a sutle emphasis on entrances and peated ints of imitation ill also intain clarity of textu hile alloing the listener to cognize the structural signsts of this motet. One final rk concerning appropriate choral tone: the psentday concept of straighttone ould seem to have little asis in fact. While extensive vio ould in fact muddy the textu of this music and ke it unintelligile to the listener, a udicious amount ill impart a vocal armth that ill enhance the overall effect of the music. Raymond Sprague Translation: Loving Mother of Our Saviour, ho opens our ay to heaven; Thou star of the sea, look on us and grant thy grace to those ho seek thy grace; Thou ho gave irth, natu is in ae of thee, thou most lessed. Thou a virgin, then and fover mo, ho as told y Gariel Getings to thee, Hail! have mercy on our sins. 15/2443R2
2 3 Redemptoris Mater* SSAA a cappella Anonymous, 13th century Giovanni Pierluigi da Palestrina (ca ) Edited y Raymond Sprague Soprano 1 [antus I] Soprano 2 [antus II] W Adagio in 2 h = ca. 54 Pri Pars c c to 1 [antus III] c to 2 [tus] c 3 demp to ris.. demp to Duion: 5:15 * This is the third of The Marian Antiphons for Tle hoir. The first is Salve Regina (15/1853R) and the second is Ave Regina oelorum (15/2165R) Roger Dean Pulishing ompany, a division of The Lonz orion. l rights served. Printed in U.S.A. Reproduction of this pulication ithout permission of the pulisher is a criminal offense suect to prosetion. 15/2443R3 THE LI LIENSE DOES NOT GRANT PERMISSION TO PHOTOOPY THIS MUSI..lonz.com SW
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4 /2443R5 coe. r li r ta nes, r coe ta li r ta a coe li r ta et.. nes,.. ta nes, et stel la stel nes, et stel la stel. la nes, et stel la ris, et stel la ris, et stel la ris, suc.. stel la ris, suc r. ris, ris, la et et 5
5 /2443R6 ris, suc r nes, r,. suc ca den ti, suc r ca r suc,. ca den den. ca ti,. suc r den ti, sur ca, suc r ca den. ti, sur ge. den ti, sur sur ge, sur ge sur. ge ge, sur ge.. ge, sur ge. ti,
6 pu. pu lo, pu lo, pu lo, pu lo,. lo,.. lo,., pu lo,. pu lo, pu. pu pu pu lo, pu lo;. pu /2443R7
From the editor... Ray Sprague. Translation:
2 From the editor... Giovanni Pierluigi da Palestra is the acknoledged master of the sixteenthcentury sacred polyphonic style, and his music represents the epitome of the classic Renaissance ideals of
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