Representation,!Industry,!Politics!!! An!ECREA!Film!Studies!Section!Conference!!! 10 11!November!2017! University!College!Cork,!Ireland!
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1 MultivoicednessinEuropeanCinema Representation,Industry,Politics AnECREAFilmStudiesSectionConference 10 11November2017 UniversityCollegeCork,Ireland
2 ECREA European Communication Research and Education Association ECREAisthelearnedsocietyforcommunicationscholarsacrossEuropeandbeyond.Individuals,institutionsandassociationshavechosentobecomemembersof ECREAtojoinalargecommunitydevotedtothedevelopmentandthequalityofcommunicationresearchandhighereducationinEurope. ECREAhoststhreenetworks(CentralandEastDEuropean;Women sandyoungscholars;)aswellas17thematicsections,eachdevelopingtheirownactivities. Everyyear,PhDstudentsgathertogetherwithleadingscholarsduringtheECREASummerSchool.ECREAhasitsownBookSerieswhichpublishesatleastone volumeoforiginalandinnovativeacademicworkeveryyear. AllactivitieswithinECREAaredevelopedandorganizedtoservethecommunity,enhancethequalityofcommunicationresearchandhighereducation,provide opportunitiestoexchange,shareandcollaborate,andtopromotetheinterestsofcommunicationscholars.moreimportantly,ecreaisabottomuporganization wherevariousprojectsandideasareemergingandmaterialising,drivenbytheenergyandenthusiasmofthemembers. ECREA Film Studies Section ChairGertjanWillems(GhentUniversity) ViceEChairSergioVillanuevaBaselga(UniversitatdeBarcelona) ViceEChairLauraRascaroli(UniversityCollegeCork) TheFilmStudiesSectionofECREAbelievesthatthemediumoffilmdeservesfullacademicattentioninacommunicationscontext.Rangingfromearlycinema experiencesineuropeanmetropolis,tothecontemporaryblockbustermultiplexes,filmhasalwaysbeenattheforefrontofeuropeanpopularculture.dvdand theinternet,digitalcamerasandprojectionurgeustoreconsiderandrenewtheexistingtheoriesandresearchonfilm,cinemaandthemovingimage. Weapproachthephenomenonoffilminitsbroadestsense:filmascontent,as cultural artefact, as commercial product, as lived experience, as cultural and economicinstitution,assymbolicfieldofculturalproduction,asmediatechnology,etc.onamethodologicallevel,westrivetowardsopennessandmultilevel approaches to the study of historical and contemporary cinema: film text, context, production, representation and reception. Cultural studies perspectives, historical approaches, political economy, textual analysis, audience research all find their place within the section. We want to leave behind the institutional tensionsbetweenhumanitiesandsocialsciencesapproaches. The Film Studies Section wants to broaden the visibility for film studies in other communication studies fora, connecting with international film studies organisations.weconvenepanelsatinternationalconferences,providescholarlyinformationandfosterdebateandexchangeonmattersrelevanttothesection members.
3 University College Cork Establishedin1845,UniversityCollegeCork,(UCC)isoneofthepremierresearchinstitutionsinIreland.AsIreland sfirstfivedstaruniversity(qs),uccboastsa vibrant,modern,environmentallysustainablecampusandatopdrankedstudentexperience.supportingapproximately20,000studentspursuingundergraduate andpostgraduatestudies,theuniversityprovidesthefullrangeofacademicdisciplinesandplaysacrucialroleinthedevelopmentofireland'sknowledgedbased society.recognisedinternationallyforthequalityofitsresearch,uccisrankedinthetop2%ofuniversitiesworldwidebasedonthequalityofourresearchoutput andpeeresteem.ourresearcherscollaboratewithcloseto700oftheworld stopuniversitiesacross110countries. Film and Screen Media at UCC TheDisciplineofFilmandScreenMediaatUniversityCollegeCorkisavibrantcommunityoflecturers,researchersandgraduatestudents;itpublishesthepeerD reviewed,opendaccessalphaville:*journal*of*film*and*screen*mediaanditregularlyorganizestalksbyscholarsandfilmmakers,masterclasseswithprofessionals, conferencesandworkshops.filmandscreenmediaatuccishousedinstatedofdthedartfacilitiesfortheteachingandlearningoffilmandoffilmmaking,including adigitalcinemaandtwoeditinglabs. FilmandScreenMediaatUniversityCollegeCork: Alphaville:*Journal*of*Film*and*Screen*Media: Special panels TheconferenceincludestwoHoMER History of Moviegoing, Exhibition, and Reception Project panels.theprojectwasfoundedbyaninternationalgroupofcinemascholarsinjune2004.itaimsto promote understanding of the complex, international phenomena of film going, exhibition, and reception.see:homernetwork.org The conference also hosts two FFRN panels. The Film Festival Research Network (FFRN) is a loose connection of scholars working on issues related to film festivals,foundedbymarijkedevalckandskadiloistin2008.see: Conference Organisers AndersMarklund(UniversityofLund) LauraRascaroli(UniversityCollegeCork) SergioVillanuevaBaselga(UniversitatdeBarcelona) GertjanWillems(GhentUniversity) MULTIVOICEDNESS IN EUROPEAN CINEMA ECREA FILM STUDIES 2017 CONFERENCE p.3
4 Conference Venue TheconferencetakesplaceintheO RahillyBuilding(ORB)UniversityCollegeCork,inroomsandpublicareasontheGroundFloorandontheSecondFloor. MULTIVOICEDNESS IN EUROPEAN CINEMA ECREA FILM STUDIES 2017 CONFERENCE p.4
5 FRIDAY10NOVEMBER 12:00 13:20 REGISTRATION BLOCKB,GROUNDFLOOR,SOCIALAREA 13:30 14:45 WELCOME&KEYNOTE1 BLOCKB,GROUNDFLOOR,G27 Welcomeaddress:DrGertjanWillems(GhentUniversity) Chair:ProfessorLauraRascaroli(UniversityCollegeCork) ProfessorEwaMazierska(UniversityofCentralLancashire) FromMultivoicednesstoSolipsism:VoicesofAnimalsinContemporaryArtEhouseEuropeanCinema 15:00 16:30 PANELS1,2 BLOCKA,2NDFLOORROOMS PANEL1 REPRESENTINGWOMEN SVOICES Chair:AbigailKeating(UCC) Room:ORB201 VesiVukovic(Antwerp):MultivoicednessSilenced: RepresentationofRapeasaPatriarchal PunishmentforEmancipationofWomenin YugoslavNewFilms FionaHandyside(Exeter):VoicesFromtheMargin? EuropeanGirlhoodinBande*de*filles (Sciamma,2014)andMustang(Ergüven, 2015) PANEL2 THEMARGINSOFINDUSTRIALPRACTICES Chair:LauraRascaroli(UCC) Room:ORB212 StefanoBaschiera(Queen'sUniversityBelfast): LocationHubs,ProductionMobilityand FiscalIncentives:InwardsInvestmentin EuropeandtheCinemaoftheMargins CristinaFormenti(Milan):FromCentreStageto themargins:theinvolutionoftheitalian AnimatedDocumentary ChristelTaillibert(NiceSophiaAntipolis):Internet, anewwayforthedistributionof Documentaries?TheExampleofTënk MULTIVOICEDNESS IN EUROPEAN CINEMA ECREA FILM STUDIES 2017 CONFERENCE p.5
6 COFFEEBREAK BLOCKA,2NDFLOOR,SOCIALAREA PANELS3,4,5 2NDFLOORROOMS Panel3 WOMENFILMMAKERSBRIDGINGTHEGAP Chair:HelleKannikHaastrup(Copenhagen) Room:ORB201 JennyJansdotter&StinaBergman(Karlstad): HearthatHeart:SwedishFemale FilmmakersNegotiationsoftheInDbetween AndreaVirginás(Sapientia):WorkingWomen s VoicesinEasternEuropeanCinema:A ComparativeAnalysisofCharacter IconographyandCareerPaths MelanieBell(Leeds):Women svoices,women s Histories:SpeakingfromtheMarginsof BritishFilmProduction MarBinimelisEAdell(UVICEUCC)&ElenaOroz (CarlosIII,Madrid):BridgingtheGap BetweenTrainingandProfessionalizationin WomenFilmmakers Panel4 TRANSNATIONAL,COSMOPOLITAN,GLOBAL Chair:AidanPower(UCC) Room:ORBG27B HumbertoSaldanha(UCC):TheCosmopolitan WorldsofPortugueseCinema:Imagining the(postd)nationasaprocessofworlding RenataŠukaitytė(Vilnius):TheBirthoftheNation andthepoliticsofdissensusinjonas Mekas DocumentaryLithuaniaandthe CollapseoftheUSSR AyşeToyPar(Galatasaray):FilmLecturersand TheirAudiencesinTurkishCinemainthe 1940s WINE&FINGERFOODRECEPTION Panel5 ACONTINENTINMOTION Chair:AndersMarklund(Lund) Room:ORB244 JamieSteele(BathSpa):Transnationaland TransculturalApproachestoBelgian Cinema:AnalysingRepresentationsof Belgium sdiasporiccommunities MichaelGott(Cincinnati):RepresentingEurope s Margins:Silence,SolidarityandSpeaking withonevoiceinindignados JamesMulvey(UCC):TheSilenceofBecomingD Migrant SabineHaenni(Cornell):VoiceswithoutBorders BLOCKB,2NDFLOOR,SOCIALAREA MULTIVOICEDNESS IN EUROPEAN CINEMA ECREA FILM STUDIES 2017 CONFERENCE p.6
7 SATURDAY11NOVEMBER ADDITIONALREGISTRATION BLOCKB,GROUNDFLOOR,SOCIALAREA PANELS6,7,8 GROUND&2 ND FLOORROOMS PANEL6(FFRN) FILMFESTIVALSANDENGAGEMENT: AUDIENCES,COMMUNITYAND RESPONSIBILITY Chair:SkadiLoist(Rostock) Room:ORBG27 MarijkedeValck(Utrecht):WinningHeartsand Minds:InnovatingAudienceEngagementat HumanRightsFilmFestivals CarmenHerrero(ManchesterMetropolitan):The BeyondBabelMultilingualFilmFestival TanjaC.Krainhöfer(Independentscholar)& ThomasWiedemann(LMUMunich):The Berlinale:APathtowardsUnityin Diversity?ExaminingtheContributionof theberlininternationalfilmfestival towardspromotingthediversefilmculture oftheeuropeancommunity( ) PANEL7 POLICY,IDENTITY,DIVERSITY Chair:GertjanWillems(Ghent) Room:ORB212 MiguelÁngelCasadoEdelERío(Basque),María JesúsDíazGonzález(Coruña)&Almudena GonzálezdelValle(PontificiaComillas): CentralizationandPeripheriesin ContemporaryFilmPolicies:Spainandthe UnitedKingdomasaCaseStudy JaapVerheul(NewYork):TheMulticultiFarce:Film PolicyandCulturalDiversityinthe Netherlands AndreaMoránFerrés(CarlosIII,Madrid):Europa Cinemas:WheretheEuropeanIdentity Lies? PANEL8(HoMER) CINEMATICFOREIGNNESS,FILMPOPULARITY ANDAUDIENCES Chair:ClaraPafortEOverduin(Utrecht) Room:ORB244 DanielaTreveriGennari(OxfordBrookes) ClaraPafortEOverduin(Utrecht)& PierluigiErcole(DeMontfort) willpresentacomparativepaperintegratingthe workofthepresenters COFFEEBREAK BLOCKB,GROUNDFLOOR,SOCIALAREA MULTIVOICEDNESS IN EUROPEAN CINEMA ECREA FILM STUDIES 2017 CONFERENCE p.7
8 PANELS9,10,11 GROUND&2NDFLOORROOMS PANEL9(FFRN) FILMCIRCULATIONONTHEFESTIVALCIRCUITS Chair:MarijkedeValck(Utrecht) Room:G27 SkadiLoist(Rostock):WorldCinema,FilmFestivals andthepoliticsofcirculation MariaLuna(UniversitatAutònomadeBarcelona): ColombiainCannes:AFrenchPassportto theworldcinemadreamland ' PANEL10 CULTURES&IDENTITIES Chair:BarryMonahan(UCC) Room:G27B EmreÇağlayan(Middlesex):Parablesof Imprisonment:40*Quadratmeter* Deutschlandaspoliticalallegory NicholasO'Riordan(UCC):AftertheCrash: MovementsinAccentRepresentationin PostDCelticTigerIrishFilm TemmuzGürbüz(NUIGalway):PunkHeritageand itseffectsineuropeancinema LUNCH ECREA'BUSINESS'MEETING' PANEL11 CROSSINGBORDERS Chair:JillMurphy(UCC) Room:244 HelleKannikHaastrup(Copenhagen):TheCaseof Haneke samour:artcinemaandawards CrossingBoundaries HuwJones(York):ListeningtotheMultipleVoices ofaudiences:thereceptionofnond nationaleuropeanfilminbulgaria, Germany,Italy,PolandandtheUK AnaVinuela(ParisDiderot):ChangingtheImageof FrenchCinemaintheUS:TheRoleofthe YoungFrenchCinema Programme BLOCKB,GROUNDFL.,SOCIALAREA BLOCK'B,'GROUND'FLOOR,'G27B' ' MULTIVOICEDNESS IN EUROPEAN CINEMA ECREA FILM STUDIES 2017 CONFERENCE p.8
9 PANELS12,13,14 GROUND&2NDFLOORROOMS PANEL12 CINEMASINTRANSNATIONALEUROPE Chair:CiaraChambers(UCC) Room:G27 LorettaGoff(UCC): IGetVeryTerritorialAboutMy Identity :RuthNeggaasa NewIrish TransnationalStar KyleBarrett(Waikato):ReDthinkingScotlandasa TransnationalCinema:SocialRealism, CreativePracticeandMicroDBudget Production AndrewHigson(York):TheResilienceofPopular NationalCinemasinContemporaryEurope EduardCuelenaere,GertjanWillems&StijnJoye (Ghent):TranslatingCultureswhileCrossing Borders:AnExplorationofCultural IdentitiesintheLowCountriesthroughthe PrismoftheMonolingualRemake PANEL13 OTHERVOICES Chair:MaryNoonan(UCC) Room:G27B AndreiGadalean(StAndrews):Desiringin Tongues:QueernessandtheRejectionof IntersectionalityinContemporaryEastern EuropeanCinemas EleniVarmazi(Bahcesehir):TheWeirdnessof ContemporaryGreekCinema LydiaPapadimitriou(LiverpoolJohnMoores): BeyondNationalisms?Μultivoicednessin Matanic sthe*high*sun* AndersMarklund(Lund):PopularPolyglossia: IntegratingForeignLanguagesand IdentitiesinContemporarySuccessful NationalEuropeanFeatureFilms PANEL14 RETHINKINGEUROPEWITH/THROUGHTHE ESSAYFILM Chair:BrendaHollweg(Leeds) Room:244 BrendaHollweg(Leeds):EssayingEurope:NonD fictionfilmpractice,voiceandthearchive IgorKrstic(Reading):ReconsideringSudeuropa: EssayismandtheFigureoftheMigrant LauraRascaroli(UCC):TheLyricalVoiceofthe Inaudible:PietroMarcello scinemaandthe PoeticArgument COFFEEBREAK BLOCKB,GROUNDFLOOR,SOCIALAREA KEYNOTE2 BLOCKB,GROUNDFLOOR,G27 Chair:DrAndersMarklund(UniversityofLund) ProfessorChrisWahl(FilmUniversityBabelsbergKonradWolf) OntheVisibilityandAudibilityofDiversity:FilmHeritagePoliticsandPolyglotFilms ConcludingRemarks:AndersMarklund(Lund),LauraRascaroli(UCC),GertjanWillems(Ghent) MULTIVOICEDNESS IN EUROPEAN CINEMA ECREA FILM STUDIES 2017 CONFERENCE p.9
Representation,!Industry,!Politics!!! An!ECREA!Film!Studies!Section!Conference!!! 10 11!November!2017! University!College!Cork,!Ireland!
MultivoicednessinEuropeanCinema Representation,Industry,Politics AnECREAFilmStudiesSectionConference 10 11November2017 UniversityCollegeCork,Ireland FRIDAY10NOVEMBER 12:00 13:20 REGISTRATION BLOCKB,GROUNDFLOOR,SOCIALAREA
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