...and then we were left
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1 and then e ere let aritone, guitar and cello JH - V008 Jocelyn Hagen and then e ere let or aritone, guitar and cello $1800
2 and then e ere let I Bareoot I as in the ields ith my rother We alked and alked or more than one month and a hal Bareoot, e didn t have shoes We survived y eating ild oods I as ith my rother I as our years old Wherever e ent, my rother held my hand ecause I as so young We ust ent in any direction We lived in the desert You could not see a single tree as ar as you could see There as no other place to go II agot, agot ~Joseph Jok Kuol Wel, adapted y J Hagen agot, agot hich mean in English sit don, sit don I ell don and cral on my stomach, arms and knees The attle as over in ust thirty-seconds They shot three times and those shots killed ten oys and three security guards At that time, I kne that lie as one percent and death as close to my nose III Sometime in the uture I ant to go ack That s hat I ant; to oin hands, go ack there, make a etter lie IV The Rainy Season ~Michael Aang Bol, adapted y J Hagen ~Duot Aguer, adapted y J Hagen It as the rainy season We ran ack to Sudan It as diicult ecause the river eteen Ethiopia and Sudan had overloed, ecause it as the rainy season Most o us didn t kno ho to sim We needed to run so that e could survive, so e umped into the ater Thousands o people ere let in the ater, droned, and e o us got out I have never seen anything like that eore ~Duot Aguer, adapted y J Hagen
3 rogram Note ~ and then e ere let It as not the irst time that I had crated my on poetry or a piece o music, ut it as the irst time I had ever adapted a text ith such a poerul emotional perspective I rememer the moment hen I as reading through the text o hat ecame the irst song: "Bareoot" Joseph Jok Kuol Wel says "I as ith my rother I as our years old" At the time, my irst child, a son, had ust turned our, and I as dumounded y the strength and vitality that this young oy exhiited in the ace o extreme violence and starvation At that point the material came to lie in a hole ne ay and I as inspired to create music that as simplistic and naive, rought ith strong emotion and a sense o uncomprehensiility The suect matter made this piece a diicult one to compose ecause I had to take mysel into an emotionally draining artistic space I hope this song cycle transports the musicians and audience into a similar state ull o emotional extremes such as ear, loss, devastation and hope For cello and guitar parts to and then e ere let, contact Jocelyn Hagen via ocelyn@ocelynhagencom
4 Full Score Joseph Jok Kuol Wel, ad J Hagen commissioned y Tadd Sipes and then e ere let I Bareoot aritone, guitar cello Jocelyn Hagen B Andante q = 76 Gtr Vc U U p U U 7 π I as in the ields ith my roth-er ith my roth-er
5 11 U F U We alked and U and then e ere let / I Bareoot / Hagen alked > or more than one month and a 1 N hal > 18 Bare-oot, e did-n't have shoes > > F snap J 2 J > > J snap J r J > r F > r J > > J 2 2 2
6 Gtr 2 Sloly q = 50 calmly and then e ere let / I Bareoot / Hagen We sur - vived y eat - ing ild oods simile J R I as ith my roth-er I as our years old p 2 2
7 5 8 1 Wher-ev - er e ent, my roth-er held my hand e - cause I as so young We ust ent in an - y di - rec - p tion 2 L L U U U p We lived in the de-sert You could not see a sin-gle and then e ere let / I Bareoot / Hagen tree Freely π as ar as you could see N π There as no oth - er place to g o π
8
9 10 1 J hich mean in Eng - lish n n F ƒ > > ƒ 16 ~~~ arms and knees ~~~~~ J sit don, sit don # n > > J F and then e ere let / II agot, agot / Hagen ~~~~~~ > n n I ell don and cral on my stom- ach, p suito The at-tle as o-ver in ust thir-ty-sec-onds 19 ƒ ƒ 6 ~~~~~~ ~~~~~~ ~~~~~~ ~~~~~~
10 22 F poco a poco cresc F poco a poco cresc 25 ~~~~ > killed They shot three and then e ere let / II agot, agot / Hagen > times > ten > oys and those shots and three 28 > guards Ÿ i > 5 5 # ~~~~~~~~~~ 7
11 0 ƒ 2 ~~~ and then e ere let / II agot, agot / Hagen n n ƒ ƒ shouting! R J # n # n n "a - got, a - got" n n # n # n n J J J hich mean in Eng-lish sit nn don, sit don # n# nn # nn 7 Ÿ i > > > 5 5 # n > 5 > # n 5
12 and then e ere let / II agot, agot / Hagen 0 Suddenly Sloer q = 60 U At that time, J I kne that lie J as one J per-cent i Ÿ U Ÿ Ÿ Ÿ p 5 and death p n n J J as close 9 to my r > nose π hispered R π π ~~~ "a-got, a - got" J 9
13 Full Score Duot Aguer, ad J Hagen Guitar calm and steady q = 69 LV throughout 0 1 # 2 0 # # L 5 III Sometime in the uture L2 Jocelyn Hagen # # # Gtr Vc Gtr Vc # # # 2 2 # # # # # 1 # # L L Gtr Vc # 1 L 0 0 # # 1 # # # #
14 and then e ere let / III Sometime in the uture / Hagen B Gtr # J # I ant to go # # ack # # Vc 15 2 B 19-2 # I ant to go ack That's hat I Gtr 19 # # # # 2 # # Vc 19 2 N B 2 N Gtr Vc 2 2 ant; # # # J N N # 11
15 and then e ere let / III Sometime in the uture / Hagen B Gtr # J to oin hands, # # # # J go ack there, # Vc 26 B 29 2 make a Gtr 29 # # 2 # # Vc 29 2 B 2 et - ter lie Gtr Vc 2 2 # # # # # # 12
16 and then e ere let / III Sometime in the uture / Hagen Gtr Vc 6 6 # # # # # # Gtr Vc 0 0 # # # p ȯ p # # ȯ # 1
17 IV The Rainy Season Duot Aguer, ad J Hagen Jocelyn Hagen B q = 8 5 F It as the Gtr Vc 5 F 5 J J J J rain - y sea - son We ran 1
18 and then e ere let / IV The Rainy Season / Hagen 7 ack to Su - dan J 10 1 It as di-i-cult e-causethe J riv - er e - teen E-thi - o - pi - a and Su - dan 5 15
19 16 18 F 20 had o - ver - J 1 0 VI 1 6 loed, lightly p 5 e - cause it as the rain - y sea - son and then e ere let / IV The Rainy Season / Hagen J 5 > > > > F legato
20 22 2 > > > > did - n't kno ho to sim and then e ere let / IV The Rainy Season / Hagen > F Most o us > > F > > > > 26 > > > > > > We need - ed to run > > > > > > > F 17
21 28 We need - ed to and then e ere let / IV The Rainy Season / Hagen > run > > > > 0 > > > > > > > J so that e could sur > > p > > p > > > > > - vive, so that e could sur - > > > > J > > > > 18
22 and then e ere let / IV The Rainy Season / Hagen 6 vive, > > > > > > > > > > 9 p N 2 5 π N N 5 so e umped in - to the a-ter π slight rit U 6 N U U q = 69 N Thousands o peo-ple ere let ȯ (actual pitch) in the 19
23 and then e ere let / IV The Rainy Season / Hagen 5 a-ter, ȯ ȯ droned, ȯ J and e o us J got out 50 q = 8 5 N 5 p J 55 It as the rain J - y sea - son J J 20
24 and then e ere let / IV The Rainy Season / Hagen 58 I have J I have nev - er 61 I have nev - er seen an- y - thing J 6 like that e - J J 21
25 and then e ere let / IV The Rainy Season / Hagen 67 slight rit - ore U U 22
26 Jocelyn Hagen Jocelyn Hagen (1980), a native o Valley City, North Dakota, composes music that has een descried as dramatic and deeply moving (Star Triune, Minneapolis/St aul) Her irst orays into composition ere via songriting, and this is very evident in her ork The maority o her compositional output is or voice: solo, chamer and choral In 2012 she collaorated ith choreographer enelope Freeh to create Slippery Fish, a quartet or 2 dancers, soprano and viola, and the piece as revieed as completely original in all respects (Star Triune, Minneapolis/St aul) Currently she is Artist-in-Residence at the North Dakota State University School o Music, here she teaches, rites curriculum and rings in collaorators to perorm her ork Jocelyn holds degrees in Theory, Composition, and Vocal Music Education rom St Ola College, as ell as a Masters degree in Composition rom the University o Minnesota Jocelyn has received grants and aards rom ASCA, the American Composers Forum, Minnesota Music Educators Association, the McKnight Foundation, the Jerome Foundation, VocalEssence, the Yale Glee Clu, the Lotte Lehman Foundation, the Sorel Medallion Competition, the Cincinnati Camerata, the University o Minnesota, and the San Francisco Song Festival Her commissions include the American Choral Directors Association, Texas, Georgia and Connecticut Choral Directors Associations, the North Dakota Music Teacher s Association, The Singers Minnesota Choral Artists, Trio Callisto, the Murasaki Duo, Cantus, the Houston Chamer Choir, the Metropolitan Symphony Orchestra, the St Ola Band, NDSU Gold Star Band, the ND Army Band, and the Copper Street Brass Quintet Her music is independently pulished through her esite as ell as through Graphite ulishing, Santa Barara Music ulishing and Boosey and Hakes Independently pulished vocal orks y Jocelyn Hagen: and then e ere let Dear Theo: Letters rom Vincent Van Gogh Hope Kiss love songs love songs Songs o Fields and rairies The Seetness o my Dreams The Time o Singing Has Come song cycle or aritone, cello, and guitar extended song or tenor and percussion song cycle or high voice and piano song cycle or soprano and piano song cycle or aritone and piano song cycle or soprano and piano song cycle or soprano and piano song cycle or mezzo-soprano and piano song cycle or soprano, tenor, and piano The Floer o the Field rom Songs o Fields and rairies high voice and piano Gendolen s Dream soprano, clarinet in A, and cello i carry your heart rom love songs voice and piano In My Soul rom amass aritone, cello, and guitar Inventing Truths rom amass tenor and cello Love Song aritone and violin ara mi corazòn medium-high voice and piano Silver Wing rom Test ilot soprano and viola To My Daughter, Ater a Fight voice and piano The Wedding is the romise rom The Time o Singing Has Come voice and piano Recordings availale at JocelynHagencom:
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2 erformance Notes for THE SERVANT SONG: articularly useful for dedication services or any servant-emphasis service, this fresh setting of The Servant Song is also useful for general orship all year long
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2 Perormance Notes Precision in ringing ill help convey the maestic nature o this arrangement Preparing on the and eore each note ill help ells ring together on the eat or smaller rhythm values, ringers
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