Preview Only. Legal Use Requires Purchase. Blues March JAZZ. BENNY GOLSON Arranged by TERRY WHITE INSTRUMENTATION
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1 a division o Alred JAZZ BENNY GOLSON Arranged y TERRY WHITE INSTRMENTATION Conductor 1st E Alto Saxophone 2nd E Alto Saxophone 1st B Tenor Saxophone 2nd B Tenor Saxophone E Baritone Saxophone (Optional) 1st B Trumpet 2nd B Trumpet rd B Trumpet 4th B Trumpet (Optional) 1st Tromone 2nd Tromone rd Tromone (Optional) 4th Tromone (Optional) Guitar Chords Guitar (Optional) iano Optional/Alternate arts C lute B Clarinet Viraphone Tua (Doules ) Horn in (Doules 1st Tromone) 1st Baritone TC/B Tenor Saxophone (Doules 1st Tromone) 2nd Baritone TC/B Tenor Saxophone (Doules 2nd Tromone) revie Only Legal se Requires urchase
2 NOTES TO THE CONDCTOR Benny Golson is a orldrenoned composer/arranger and tenor saxophonist ho has composed several very important compositions that are considered jazz standards, along ith iller Joe, I Rememer Cliord, Stalemates, and Whisper Not are only a e o his important jazz compositions that all jazz musicians should have in their lirary o standard repertoire is unique in that it has elements o a traditional march rhythm, ut also the orm is a 12ar lues ith some harmonic alterations One o the ey elements o a good perormance is to mae sure there is a distinction eteen the sixteenth notes in the melody, as illustrated in this irst example Example 1 No chec out the recurring triplet igure in Example 2 Mae sure that they are interpreted dierently triplets vs sixteenths The sixteenth notes should e played in the same style as a traditional march and the triplet igure should have more o a sing eel to it Snap the sixteenths and the triplets should lilt or ounce Example 2 The introduction to this arrangement is important ecause it introduces some ey elements rhythmically and harmonically that reoccur throughout the arrangement The crescendo under the staccato quarter notes is very important, so that this igure, as it occurs throughout the chart, has some contrast and shape Articulation is critical, as alays Staccato notes are short ut not clipped, and rootop or marcato accents are detached thin daht Measure is a ig ensemle sendo into the tenor sax solo At measure 45, there is solo space or the tenor sax to continue, and also or additional solos or alto saxophone and trumpet i desired Additional solos may e added The acgrounds ehind the solos should e rass acgrounds or any sax solos and saxophone acgrounds or any rass solos The chord changes in the solo section are the traditional and asic lues changes A ull ensemle shout chorus taes place at measure 57, olloed y a ourmeasure drum solo, taing the and ac to the melody The drum solo may mimic a traditional marchlie solo or play a singstyle solo In measure 76, there is a ghosted note indicated y an x note This is a note that is played much soter than the notes around it sort o elt more than heard It does have a speciic rhythmic value ut little or no distinguishale pitch it s ghosted The ull and comes ac ith a ull ensemle melodic statement eore returning to the original melody, perormed y the trio o alto and tenor saxophones and trumpet or the rhythm section, the piano, ass, and drum parts are ellnotated The guitar part has mostly rhythmic slashes These slashes indicate to play the ritten chord in that rhythmic pattern Simple slash mars indicate asic quarternote comping I ould urge directors and students to listen to the music o Benny Golson oth his compositions and his playing It ould also aid in the interpretation o the music o a living legend I hope you enjoy Terry White Terry White revie Only Terry White is a retired music educator having taught instrumental music at all levels rom eginning and to college jazz ensemles or over 4 years He has een a composer, perormer and andleader in the ortland, Maine area Terry has ritten or many idioms including the ortland Symphony Orchestra, marching and, jazz ensemle and concert and His music has een perormed at the Mid West clinic in Chicago, listed on the NYSMA list and is a pulished composer Terry presently rites and perorms ith the ortland Jazz Orchestra and is an active adjudicator and estival conductor Visit: thitemusiccom Legal se Requires urchase
3 CONDCTOR 4050S C lute 1st EÑ Alto Saxophone 2nd EÑ Alto Saxophone 1st BÑ Tenor Saxophone 2nd BÑ Tenor Saxophone EÑ Baritone Saxophone (Optional) 1st BÑ Trumpet 2nd BÑ Trumpet rd BÑ Trumpet 4th BÑ Trumpet (Optional) 1st Tromone 2nd Tromone rd Tromone (Optional) 4th Tromone (Optional) Guitar (Optional) iano c c c n c c c c c c c c c c c c c c c Jazz march å = 120 c n B 7 E 7 E E 7 E n n 1 N n n n n n BLES MARCH n B 7 B 7 D 7 B7 B 7 B 7 Aï N B 7 D 7 B7 B n n N A 7 Aï n n N n A (Reneed) TIME STE MSIC This Arrangement 201 TIME STE MSIC All Rights Reserved including ulic erormance sed y ermission N A N n N n A N n A 9 Gï A 9 Gï A N n revie Only Legal se Requires urchase 6 By Benny Golson Arranged y í Terry White í í í N í í í í í í N í Cñ í Cñ í 7 Aí n n 7 7
4 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no Solo æ 8 ~9} æ 9 E 7 E 7 æ 10 N N N N æ 11 2 n ë ë ë æ 12 n Tn n Tn 4 n n E 7 A 7 E 7 A 7 1 n n n n D 7 G 7 D 7 G 7 n n revie Only Legal se Requires urchase 14 n n GÌ A 7 A GÌ A 7 N æ 15
5 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no n N A A N B õ B õ N æ 16 n æ 17 a N N N 7 7 N N æ 18 play n play n D 7 B 7 D 7 n 19 R n n r r r r A n G 7 G 7 A n B7 B7 n 20 {21} R N r R r r r N R R N R A æ 21 R R r r r r r R R R E 7 E 7 revie Only æ Legal se Requires urchase 22 R N N N N N N N A N N N N æ 2
6 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no ( ) ë N N N N n ë n n ë ë ë ë ë ë ë ë ë ( B 7) ë ë ë æ 24 n n N N n N n E 7 A 7 E 7 A 7 æ 25 n 4 n n D 7 G 7 D 7 G 7 n n æ 26 n N N N n N GÌ A 7 A GÌ A 7 N æ 27 n N a A A revie Only N N æ 28 B õ B õ Legal se Requires urchase n N A æ 29
7 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no N a N N N N N 7 7 N N 0 n D ; B 7 D ; n 1 A N õ õ A 2 {} 5 N N B 9 E 7B 9 B 9 E 7 B 9 Wal N n n E 9 E 9 E E 9 E E 9 n n 4 n n n n N n n n revie Only N n 5 Legal se Requires urchase n n 6
8 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no 7 E 7 E 7 Solo A 7 8 N N N 9 Aï Gï Gï n N 40 6 DÈ N A n 41 N 7 7 A 42 n E ; n D D revie Only n Legal se Requires urchase 4 Blues March DÈ a n N n õ Gõ n 44 õ
9 [Opt open or additional solos] Conductor {45} lay 1st time only lute lay 1st time only Optional solo lay 1st time only n Solo 2nd time lay 1st time only lay 1st time only Bari N lay 1st time only Solo 1st time Tpt 1 N Tpt 2 lay 1st time only lay 1st time only Tpt lay 1st time only Tpt 4 lay 1st time only Tn 1 lay 1st time only Tn 2 lay 1st time only Tn lay 1st time only Tn 4 Gtr no N Wal [Br Bgds ehind sax solos/sx gds ehind Tpt solo] A 45 n 7 n 7 E 7 E 7 46 N N 47 n N N 48 7 n n 7 7 E 7 E 7 49 n 50 n N n n N N n N revie Only Legal se Requires urchase 51 A7 E7 N A7 N n n n 52
10 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no AÈ ó ó DÈ N ó ó DÈ A n D7 54 EÈ AÈ AÈ 55 GÈ GÈ 8 AÈ DÈ N DÈ n N N D7 {57} E 7 E 7 N Wal A n N n n n n n n n n revie Only N 59 Legal se Requires urchase ill N N 60
11 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no E 7 E n n N n n n n n n n n n N 6 ill 9 n n N n n n n n 64 n n n n N A n n n n n revie Only 67 n D 9 G ; D 9 G ; Legal se Requires urchase n n N N B; B; A N ill 68
12 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no {69} N N 69 Solo 70 æ æ end solo {7} Wal 7 E 7 E 7 74 N N N revie Only N 75 Legal se Requires urchase ë n ë ë ë ë n ë ë ë ë ë ë ë ë ë 76
13 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no n n E 7 A 7 E 7 A 7 77 n n D 7 G 7 D 7 G 7 n n 78 n N n GÌ A 7 GÌ A 7 A 79 N 11 N N a A A n 80 N n 81 N N N N N N N N n n N n n n E 7 E E 7 E revie Only n n n Legal se Requires urchase 8 Solo æ 84
14 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no {85} æ 85 E 7 E 7 æ 86 N N N N æ 87 n ë ë ë æ 88 n Tn n Tn 4 n n E 7 A 7 12 E 7 A 7 89 n n n n D 7 G 7 D 7 G 7 n n 90 n lay lay N n N GÌ A 7 GÌ A 7 revie Only N æ Legal se Requires urchase 91 N a N A A B õ N N æ 92 B õ
15 lute Bari Tpt 1 Tpt 2 Tpt Tpt 4 Tn 1 Tn 2 Tn Tn 4 Gtr no n N æ 9 N a N N N N N N N 7 7 æ 94 n B 9 B 9 D 9 D 9 n æ 95 1 N n n N G 9 G 9 n A n n æ 96 B9 B9 n n n n n Dï Dï D 9 N n n revie Only N D 9 97 a n N n n n N N A N n n Cñ B9 B ñ Cñ B9 B ñ n A 98 n Legal se Requires urchase æ æ u 99
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Correlates ith Orchestra Exressions, ook Grade Level: 1½ ORCHESTRA Exressions Series Danza Aricana Victor Lóez (ASCA) NSTRMENTATON 1 Conductor 8 1st Violin 8 2nd Violin 5 3rd Violin (Viola TC) 5 Viola
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Conuctor 1st E% Alto Saxophone 2n E% Alto Saxophone 1st B% Tenor Saxophone 2n B% Tenor Saxophone E% Baritone Saxophone 1st B% Trumpet 2n B% Trumpet r B% Trumpet 4th B% Trumpet Wors by HENRY CREAMER Music
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Y JH YOUNG AND LUS Grade layable by ull band, symphony orchestra, or band and strings combined! 686 EAGLES AMONG US rian almages - Conductor s ull Score 8 - lute - Oboe - assoon 5 - Clarinet 5 - Clarinet
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