~ ~ published in the following arrangements. m. ~ VOGAL ~ SONG and CHORUS. H. P. Danks.SO

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Cuthbert Hood
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$~~~~ ~ ~ m "SL~ii:~;:;~~;ong m i ~ AMONG THE GOLD" ~ is published in the folloing arrangements. m ~ VOGAL ~ SONG and CHORUS. H. P. Danks.SO U\'ALE QUARTETTE. (Octavo). A. Phillips.$

2 ~~~~ ~ ~ m "SL~ii:~;:;~~;ong m i ~ AMONG THE GOLD" ~ is published in the folloing arrangements. m ~ VOGAL ~ SONG and CHORUS. H. P. Danks.SO U\'ALE QUARTETTE. (Octavo). A. Phillips.20x U\'XED QUARTETTE. (Octavo}. A. Phillips.20x SONG C& CHORUS ith Guitar accompaniment. H. Tucker.SO ~ PANO EASY ARRANGEMENT. (no octaves). A. Phillips.2S TRANSCRPTON. H Maylath.50 V ARA TO NS. H: Maylath.50 ~ TRANSCRPTON DE CONCERT. A. H Pease 1.00 FANTASE DE CONCERT. T. H. Hinton 1.00 ALTZ. H. Maylath.SO FOUR HANDS m ALTZ. H. Maylath,50 m ~ NSTRUMCNTAL ~ ~ VOLN C& PANO. Sep inner.50 ~ ~ FLUTE ~ PANO. Sep inner.so ~ U\'ANDOLN C& PANO. Sep inner.so VOLN C& PANO. (Variations) m. J. Carle.60 CORNET. PANO. (Variations). J. Carle.60 VOLN C& PANO. (Orch. form) E. J. Evans.25 ~ Bflat CORNET C& PANO. E. J. Evans.25 TROMBONE or CELLO C& PANO. E. J. Evans.25 CORNET C& PANO. E. J. Evans.30 m VOLN, ORGHCSTRA ~ PARAPHRASE, ls nst's. it.b Violin solo and Piano acc. Evans.SO ~ ls nst's ith Bflat Cornet solo and Piano acc. ft.60 Ditto. ith trombone or cello solo C& piano acc TOSTEP, ouldn't you like to flirt ith me?1 introducing silver Threads. 12 nst's C& Piano. m. J. Carle.50 ALTZ, 15 nst's ith Violin solo and Piano acc. m. J. Carle.50 BRASS BAND ~ PARAPHRASE, 21 lnst's ith solo for Bflat Cornet. E. J. Evans.SO 21 nst's ith solo for Bflat Clarinet. E. J. E_vans.60 ~ Any of the :~ :v:,::::; h:~:~;:: :::ept E~~:n '' i ~ marked ith an X. Ask your dealer for them. ~ 110 3::.!~~0N s. G~~ 0 :ark City. m

3 3 S1LVER THREADS AMoNG THE jjold. SOXG AND CHORUS. ORDS BY EBEN E.REXFORD. MUSC BY H.P. DANKS. Andante cantabfle. ~ ' "'..... ' ~ l l,_.. y '. 41 r " _ 1. Dar ling, amgroing olti, Sil ver threads amongthe gold, 2. hen your hair is sil verhite,_~ And your cheeks no longer bright, (~.~~~~~~~~~~~~~~~~~~~~~~~E ~~~~~~~~~~~~ i ~~~=ri~~:~l~ ~... :;... :; ~... ~~ ~~ ~ ~ ~.. ~ ~ ::::...9 ::::;;;.. ;~.,... ' Shine ith up on my bro to day; t.he ros es of the May, Life is fad ing fast a ay; ill kiss yourlips, and say: E ntl' e d accol'clin~to.\.ct of Congpess, A.D.1873,by C..HARRS,in the Office of tile Lib1'al'ian of Congl'ess,at ashin~ton. U5143 Copyrig11t1so1; by H:P.Danks.

4 4 my darling,you ill be, my darling;mine a lone, a lone, You ays youngandfair o me, have nev er older gron. Yes! Yes! my dar ling, you ill my dar ling;mine a lone,... Al ays youngand fair to me. You have nev er old er gron. CHORUS. Alto. Teno1. U5143

$5.... _,...... l'j ' l. ' f:\i ~ " ". ~... ~ ~ v...... 'J r, ""... 'J ' r ".. r. ' Shine up. on my bro to day; Life is fad: ing fast a ay. (';'\ rall. ~... r,, v.$

5 5.... _, l'j ' l. ' f:\i ~ " ". ~... ~ ~ v 'J r, ""... 'J ' r ".. r. ' Shine up. on my bro to day; Life is fad: ing fast a ay. (';'\ rall. ~... r,, v i ~ u Shine up on my bro to day; Life is fad ing fast a ay. (J ai ra/l ,,. v... ' u '.. _... Shin~ up on my bro to day; Life is fad ing fast a ay. f:\i ratz., r '......, v (j r ~ rail., T T.,..... v ''L' '~ ~... ". ~ t t. t r r r i r r...j... > 0.,......, J.....,,, '... ~ ~ r r,.,. \,.. " " 3. Love can nevermore gro old, Locks may 10.se their bron and gold; Cheeks may fade and hollo gro; But the hearts that love 7 ill kno Never, never inter>s frost and chill; Summer armth is in them still, Never inter's frost and chill, Summer armth is in them still. Clrus. 4. Love is alays young and fair, hat to us is silver hair, Faded cheeks or steps gron slo, To the hearts that beat belo? Since kissed you, mine alone, alone, You have never older gron, Since kissed you,mine alone, You have never older gron. Clzorus TELLER, St"Nc; &.DORNER. NEYOR<.

6 R THS ON Y U PANO MY CREOL~ SUE. Chorus. rd nd Music y GUS~E L. DAVS 8ue, love you all o you my Cr ri Copyr1 t, MDCCCXCV, b Hnm1 t n Gord E11gti.~ll ('op11rrght seeu ed. GET THS PECE AT YOU DEALER OR END 5 CENTS F R TO, HA L TON S. GORDON, th St.. Ne York. t

The lines and spaces of the staff are given certain letter names when the treble clef is used.

The lines and spaces of the staff are given certain letter names when the treble clef is used. TREBLE CLEF Name TREBLE CLEF The treble clef is used for notes of higher pitch. It is also called the G clef because the curl of the treble clef circles the G line on the treble staff. G The lines and