Solomon Grundy. for SATB, 3'30" by Donal Mac Erlaine
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1 Solom Grundy or SATB, 3'30" by Dal Mac Erlaine
2 2 Durati ca. 3'30" Text: Taken rom the traditial nursery rhyme, Solom Grundy: Solom Grundy, Born a Mday, Chris'ened Tuesday, Married Wednesday, Took ill Thursday, Grew worse Friday, Died Saturday, Buried Sunday, This is the tale o, Solom Grundy. PERFORMANCE NOTES X-noteheads: Notes marked with an x should be soken, rather than sung. The itch itsel is unimortant and is let to the discreti o the erormers, but it should be noted that the relative itch should be adhered to. I signiied with a line to a regular note ollowing it, or examle it should rise, or all to the note and move as gradually as ossible rom a soken sound to a sung e. Prunciati: 'Sss' like the ss in hiss, '' and 'rrr' like a growl o a dog, 'Chrr' like the cr in crunch, 'Mmm' humming like the m in drum, 'tk' - a very short, ercussive orm o took, the word ill to gradually close to a muted ll sound 'we' (bar 13 Sorano) like the we in Wednesday, 'w' like the w sound in 'e', 'th' like the th in 'Thursday', 'Thurs ' : the extenti over the melisma should be rounced as the z in zebra, 't' - a short t without vowel. Feathered Beams (bars 14-16): An increase in temo leading u to the minim in bar 16. The amount o notes to be sung is not imortant nor should the grou strive to erorm them in rhythmic unis. Ad libitum: The arts are all marked without noteheads. Each individual should be imrovising roughly around what is written, rather than striving to stay with their grou. Things which are to be taken into account, however are: Rhythm - the tulets should be adhered to i at all ossible, or i not, they should be estimated; Pitch - the seciic itch is unimortant, but it is desirable to use heavy chromaticism and generally movement to small intervals such as anything less than a minor third. Directi - Perormers are asked to roughly ollow the ctour o the beams in this secti. It is imortant to cstantly change directi within the beams too. The changes should be ket to a minimum o every our notes or so. Range - the range in any given beat is rarely greater than a erect ourth. This interval is a guideline rather than the seciic o a rule. Solo and Tutti: Tutti is distinguished rom unis. in that the latter signiies the end o a, tutti marking the end o a divisi secti.
3 3 Sorano q=100 Ss o lo - m - un - dy Born born m Alto m So - lo - m - un - dy Tenor Ss o m - lo - m - un - dy m Bass m So - lo - m Gru - n - dy Born m 7 m subito M m Chrr ri - s'ened Tue - - sday cresc. subito a M - day, ris ris ri ri ri ri ri - s'ened Tue - sday cresc. subito a M - day, ris ris ri ri ri ri ri - s'ened Tue - sday m subito a M - day, Chrr ri - s'ened Tue - sday
4 4 13 ma ma ma ma d d d d We 1 ma ma ma ma ma ma ma ma ma-rie rie div. rie 1 Mmm div. Mmm Mmm 1 16 tutti (div) d d w w w w w w w w We w w w w w w w w accel. accel. w w w w w w w w accel. w w w w w w w w 1 w w tutti accel. w w w w w w w w w w w-rie w w w w w w w w accel. w w w w w w w w w w w w w w w w
5 19 a temo e molto decresc. c. 3" - dne - sda - y Tk tk tk tk i - ll 1 i - - ll tutti a temo e - dne - sda molto decresc. c. 3" div. - y i - - ll 1 i - ll a temo c. 3" molto decresc. We - dne - sday - tk div. tk i - ll 1 i - ll molto decresc. a temo c. 3" We - dne - sda - y tk div. div. tk tk tk i - ll
6 marcato Th - th - Thurs day 1 marcato Th - th - Thurs da y marcato Th - th - Thurs da y 1-1 Th
7 1 27 * 7 rrr cresc oo 1 rew rrr cresc. grr 1 m rew rrr cresc. rew oo 1 m () molto rall. rrr ew w w w w w 29 unis. w w-worse - Fri unis. w w worse Fr - i rubato w w w w w w w w w w w w w w w w erdendosi
8 bur - ied cresc. div. 6 6 day Died - Sa 1 cresc. 7 Sa div. Bur - ied 1 Fri Bur ied cresc. 3 Sa 1 cresc. Sa Bur ied a unis. temo 3 ah oh Sa
9 1 33 Sun 6 6 ca. " te y ca. " 1 te day ca. " ca. " Su n y 1 ca. " Su y 3 3 ca. " te r y 1 Su n da y ca. " te y ca. "
10 m Bur-ied Sun-day Bur-ied Sun-day this tutti ss this ss ss this ss is 1 m Bur-ied Sun-day tutti Bur ied - Sun-day This this ss ss this this ss the 1 1 m Bur ied - Sun-day tutti Bur ied - Sun day - This Bur-ied Sun-day this ss this ss this ss ss ss ss ss ss ss m Bur-ied Sun day - tutti ss ss this this this this ss ss ss 43 tale tale tale the ss tale t t t t tale tale tale ss tale ss t t t t ss tale ss ss ss ss So ss ss ss ss So
11 46 t t t t t t t t t t t t t t t t t t t t - ale ca 2" 11 t t t t t t t t t t t t t t t t t t t t - ale ca 2" ca 2" lo lo ca 2" 3 cresc. tale l o m m o n ss ss ss ss ss ss ss ss ss ss So so lo lo mo mo no no u u n n dy
12 12 7 o m So lo - m So mo un 61 molto decresc. et rall. erdendosi r molto decresc. et rall. erdendosi un m erdendosi molto decresc. et rall. * r m molto rall. decresc. erdendosi dy
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2 Gather at the Mercy Tree The invitation to come, gather at the mercy tree is heard throughout this tender anthem y Lee and Susan Dengler Singers and listeners alike are called to the place here love,
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Based on salm 19 Har* VERSE 1 O?? SAMLE 1992, 2000, Bernadette arrell. ublhed by OC, 556 NE Hassalo, ortl, OR 972 All rights reserved. *Keyboard may be used in lace of har. O God, Search Me NTRO eacefully
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2 SONG O ISAIAH is a dramatic settig o various Scritures dra rom the ook o Isaiah, as ell as the ook o Revelatio. The athem is suitale or use throughout the church year, ut is esecially aroriate or the
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