THE THREE MUSKETEERS Audition Packet

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1 THE THREE MUSKETEERS Audition Packet Alexander Drama Club s Production of THE THREE MUSKETEERS will run April 21 st, 22 nd, 28 th, 29 th and 30 th. Auditions will be held Tuesday Jan 10 th from 6pm to 9pm and Thursday Jan 12 th from 6pm to 9pm. Please sign up for EITHER Tuesday or Thursday on the Alexander Drama Board. Please be prepared to stay the entire time from 6pm to 9pm on the day you have chosen. If necessary callbacks will be on Friday Jan 13 th from 6pm to 9pm. If for some reason you cannot make it to the audition times but would still like to audition, please contact Amy Brinkley at What you will need to bring to the audition: A completed Audition Form A signed copy of the Alexander Drama s Actor s Contract A headshot (attached to your audition form) A prepared 1-2 minute monologue (memorized). The monologue cannot be from the play. When filling out the audition form please list ANY and EVERY conflict. We will be keeping track of excused and unexcused absences during the play and we will use this form as the primary source of excused absences. Please take a copy of the rehearsal schedule before auditioning to determine your availability! Please note that during the audition we will provide you with a script and ask you to read from a section of the play. The material that will be used during auditions can be found at the locations below. School website: Alexander Drama Facebook Page:

2 THE THREE MUSKETEERS AUDITION FORM Name: Age: Grade: Phone #: Address: I am PARTICULARLY interested in the role/s of: Would you be willing to take a different role if NOT cast in the role you auditioned for? YES NO What position(s) would you do behind the scenes if NOT cast in a role? (CIRCLE ALL THAT APPLY) NONE STAGE MANAGER CREW TECH MAKEUP/HAIR COSTUMING PROPS ADVERTISING Are you willing to do a stage kiss? YES NO Are you or your parent/guardian able to insure reliable transportation to and from ALL rehearsals and performances? YES NO Some roles may dictate that an actor change his/her appearance. If the role requires would you: Cut/grow hair or facial hair? YES NO Temporarily dye hair? YES NO Previous Theatre Experience (if any): Do you have any particular or unusual skills? (Can you dance, juggle, do acrobatics, play an instrument, etc.?)

3 CONFLICTS [Please list ALL times when you are NOT available for weekday evenings 4pm and onwards and ALL weekend commitments.] Monday Tuesday Wednesday Thursday Friday Saturday Sunday ONE TIME CONFLICTS [events, vacation, games ect..] CONFLICT DATE(S) TIME Anything else we should know? Possible changes in schedule, potential jobs, driving school or other activities you might become involved with during the show?

4 Alexander Drama Actor s Contract 1. Professionalism will be required at all rehearsals and meetings. This includes no foul language, respecting others and their belongings, and respecting the theatre space, props and costumes. Actors may be removed from cast or crew at the director s discretion if they exhibit unprofessional behaviors. 2. No one shall use drugs or alcohol during rehearsals or meetings, or allow drugs or alcohol to inhibit their performance. You shall be removed from the cast immediately if found in violation of this rule. 3. It is expected that you will attend all rehearsals for which you are scheduled, unless excused in advance. Pre-excused absences must be arranged by either written or verbal contact between the director and parent/guardian. Messages sent via another person are not excused. Actors may be recast at anytime if the director feels the actor is limiting the ability of the cast to progress at rehearsal. 4. Lines are to be memorized by the deadline indicated on the rehearsal schedule. If lines are not memorized, expect to write them for the act(s) not memorized and submit them to the director the following rehearsal. Other ways of ensuring line accuracy may also be employed at the director s discretion. 5. Rehearsal is a time for fun while being focused on the task at hand. It is expected that cast members will work on their lines or bring homework/school materials to rehearsals in the event they are not needed for the rehearsal s entirety. Above all, stay focused. 6. All members of the cast are expected to be passing all of their classes. If it is found that a cast member is in academic jeopardy, they will either be placed on a plan of assistance or be removed from the cast, on the director s discretion. Signing below signifies that you agree to these policies. If additions/deletions to these policies occur, you will be notified. (Student Name Printed) (Your signature) (Parent signature)

5 THE THREE MUSKETEERS Character List (Please note that many of these roles can and may be doubled based on audition turnout.) D ARTAGNON: The Young Cub. Idealistic, ambitious, heroic and naive. Life long dream is to be a Musketeer. Willing to plunge head first into any seemingly honorable cause usually without thinking. However he learns quickly along the journey what true honor means. Excellent swordsman but inexperienced in life and death dueling. ATHOS: The Mountain. Courage of a lion and a bit dark and dangerous because of a secret past. Might be the best swordsman in all of France. PORTHOS: Lives large and lavishly. Loves clothes and women and is as good fighting with a turkey leg as with a sword. ARAMIS: The Saint. Handsome to a fault. Trying to atone for past sins but cannot resist earthly temptations, especially woman. Has a hot temper that flares in an instant. Superior swordsman, fights like a surgeon. SABINE: D'Artagnon's younger sister. Precocious and very bright but a bit of a pest. Wants to embrace the world of adventure and experience all that it has to offer. A flower ripe and ready to burst into full bloom. Since she is D'Artagnon's sister, she also happens to be very good with a sword. CARDINAL RICHELIEU: Ultimate evil politician. He is dark and manipulative and looks out for no one but himself. Powerful, intelligent and very dangerous. ROCHEFORT: Henchman to Richelieu. Wears an eye patch and has a scar on his cheek, most likely from duels of the past that went bad. But still very agile with a sword. Use caution when approaching him. MILADY: Beautiful, brilliant, precise and the most dangerous woman in all of France. Has no problem kissing a man and then killing him. Surprises up her sleeve and can duel with the best of men. TREVILLE: Captain of the Musketeers and the Kings's Guard. An excellent leader, commanding and fair. A superb swordsman and soldier respected by all.

6 CONSTANCE: Lady in Waiting to Queen Anne and fiercely loyal to her a Queen. She will do anything to protect her. The only thing that distracts her from her duty to the Queen, is her love at first sight with D'Artagnon. She has the truest character and purest heart in the play. THE KING: A petulant entitled King. Relatively self consumed and doesn't want to rock the boat. He listens to Richelieu but holds his ground. Enjoys a good party. THE QUEEN: Anne is Queen by political marriage. Therefore seeks affections elsewhere with the Duke of Buckingham nearly causing the downfall of the King. While she does not really love the King, she wants to protect him at all costs. Her natural enemy in the court is Richelieu who is trying to reveal her affair. D ARTAGNON S FATHER: Loving father who has taught D artagnon everything he knows about sword fighting. Has a significant fight scene in the beginning of the show. ENSEMBLE ROLES (Most roles have small speaking parts and several require sword fighting.) ABBESS INKEEPER MOTHER SUPERIOR D ARTAGNON S MOTHER DEBRIS ELISE ADELE FACHE BASILLE SISTER SERVANT OLD WOMAN YOUNG WOMAN TAVERN KEEPER WENCH #1 WENCH #2 GUARD #1 GUARD #2 GUARD #3 GUARD #4 GUARD #5

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