Music 111: Introduction To Music
|
|
- Philip Goodman
- 5 years ago
- Views:
Transcription
1 Music 111: Introduction To Music Spring 2019 (M-W-F, 11:00-11:50) Steve Saunders Office: 235 Bixler/Phone: x5677/ Class Homepage: Class Moodle Page: Office Hours: MW 9:00-10:00 (but drop by any time!) Overview Music 111 is an overview of Western art music from the earliest surviving examples of notated music through classical compositions of the present. The first two weeks of the course furnish an introduction to fundamentals of music theory and develop a technical vocabulary for discussing music. The remainder of the course unfolds chronologically, covering the so-called Medieval, Renaissance, Baroque, Classical, Romantic, and Modern/Post-Modern periods. Music 111 is, in part, a history course: you will study composers' biographies and the cultures in which various musical compositions arose. Yet the emphasis will be less on facts about music, than on musical works themselves--above all on music's mysterious power to move us. Much of the time you devote to the course will be spent in an activity that should be enriching, and often, thrilling: listening to some of the greatest masterworks of Western music! While conventional study skills will come in handy in this course, it will be equally critical for you to develop your ability to listen analytically. In other words, plan on spending lots of time listening. Textbook Purchases R. Larry Todd, Discovering Music (Oxford: Oxford University Press, 2018). Be sure to purchase a copy of the textbook with an access code to the publisher s Dashboard feature whose silver coating has not been removed. Most of the listening assignments are on-line and require access via Dashboard. After purchasing your textbook, register your copy here: Once you have Dashboard credentials, you can login here: Links to both sites are also found on the class web page: 1
2 Requirements and Evaluation You will integrate information from a variety of sources in MU111: from lectures, from assigned readings in the text and on e-reserve, from listening assignments on the textbook website, and from other listening assignments available as streaming audio from our class webpages, The web-based assignments will guide your listening to assigned works, augment information from the text or lectures, and help you to improve your listening skills. You are responsible for all assigned reading and listening on exams. You may also want to use the study aids on our class web page and on the Discovering Music website. Your grade will be based on: 1. Scores from four (4) hour exams (60%). The listening portion of the exams will contain some identification questions (i.e., identifying the composer and work after hearing an excerpt, not always the beginning!). There will also be questions that allow you to demonstrate your awareness of music's style, form, salient melodic and harmonic features, etc. Be certain to work through the listening exercises in the text and online carefully. 2. The score on a final exam (30%). The final is cumulative. 3. Concert requirement and short research paper (10%). See detailed description on the following page. Class Attendance Regular attendance is crucial to your success; you are responsible for obtaining lecture notes for any missed lectures. Powerpoint presentations are also available from the class webpage. I will generally allow one make-up exam per student for hour exams missed because of athletic events, illness, or personal emergencies, provided that you notify me by the class before the exam. There are no excused absences from the final exam. Please turn off cell phones before coming to class the penalty is that I get to answer if it rings or see whom you re texting or what website you re surfing. Academic Honesty Plagiarism, cheating and other forms of academic dishonesty are serious offences; sanctions may include failure on the assignment, failure in the course, or suspension or expulsion from the College. The library has valuable resources about common forms of academic dishonesty: 2
3 Concert Requirement and Research Paper A. CONCERT ATTENDANCE: Attendance at five concerts. Four of the concerts should be of Western Art Music; you will receive a copy of the Colby Concert Calendar early in the semester and updated lists later in the semester. The fifth concert can be of any type music. You can also count one concert in which you are a performer. You receive credit for the five concerts by turning in a program that includes your name and, in the margins, brief notes on one or two salient features of each work on the concert. See me if you attend a concert for which there is no program. B. CONCERT REPORT/RESEARCH PAPER: Select a single work (or movement) that you particularly enjoyed from one of the concerts. With my OK, you can also choose a recorded work, as long as it is one that we have not studied. The ideal length is a work that lasts 3-7 minutes. Listen to the piece in several performances; follow a score if you read music. Then write a 3-4 page (doublespaced) essay about the work modeled on the treatment of works in the Todd Discovering Music text. Your paper should have two parts: 1) A brief historical introduction to the composer, the background of the work; and/or the historical context. Avoid plagiarism: be sure to footnote all your sources; do not use sources from the web without evaluating their quality. Begin by consulting the major scholarly encyclopedia for music the Grove Dictionary of Music and Musicians. Print version in the Bixler library; available online via Oxford Music Online in the catalogue or via 2) a listening guide that captures what you hear in the piece that seems important to convey to other listeners. Your listening guide should identify the recording that you used and include timings. It can be similar to the ones found in the text. Exemplary reports typically: Clarify the overall form of the piece; Divide the work into logical sections; Make note of important structural features (e.g., returns of major themes; variation; climaxes; tempo changes, transitions; sequences, etc.); Use technical musical terms accurately. Concert report is due at the last class meeting of the semester. 3
4 Music 111: Course Syllabus DATE TOPIC ASSIGNMENT (To be completed before each class) A Vocabulary for Music W Feb. 6 Music, Why Bother? F Feb. 8 M Feb. 11 W Feb. 13 F Feb. 15 Music's Horizontal Dimension: Pitch, Intervals, Scales, and Melody Music's Temporal Dimension: Rhythm, Meter, and Tempo Music's Vertical Dimension: Harmony, Tonality, and Texture Other Musical Parameters: Color, Dynamics, and Form Read Syllabus/Visit Web Page Todd: 2-16 L: MU 111, Assignment #1 (on class web pages) Todd: L: MU 111, Assignment #2 (on class web pages) Todd: 26-31; reread L: MU 111, Assignment #3 (on class web pages) Todd: 32-48; L: MU 111, Assignment #4 (on class web pages) M Feb. 18 Exam 1: Musical Vocabulary W Feb. 20 F Feb. 22 Music in Medieval Europe Chant: Music and Liturgy in the Middle Ages Alternate assignment for Unit 1 Due The Beginnings of Polyphony: Organum and the Notre Dame School Todd: 48-51; Taruskin: Persistence (e-rsrv) L: All the Ends of the Earth (3) Hildegard: O Greenest Branch (4) Todd: Taruskin Notre Dame (e-rsv) L: All the Ends (3, again) Leonin: Viderunt omnes (5) M Feb. 25 Machaut and the Ars Nova Todd: L: Machaut, Since You Have Forgotten Me (6) Machaut, When I Was First Visited by Love (MU111, Web Assignment #5) 4
5 W Feb. 27 F March 1 The Renaissance Renaissance Rebirth: Dufay and His Contemporaries "The Notes Must Do as He Wills": Josquin des Prez and the Music of the High Renaissance Todd: L: Dufay, Missa se la face ay pale, Kyrie (7) Todd: Atlas: Inventions in Style & Transmission (e-reserve) L: Josquin, Ave Maria (8) M March 4 Renaissance Sex and Sensuality: The Madrigal Todd: L: As Vesta Was (10) The Cricket (Web Assign. #7) The White and Sweet Swan (MU 111 Web Assign. #7) W March 6 Moral Dilemmas and Perfect Art: Palestrina and Todd: ; The Counter-Reformation L: Palestrina, Kyrie (9) F March 8 Exam 2: Medieval and Renaissance M March 11 The Baroque Era The Early Baroque: Music in an Age of Excess Todd: L: (All on Web Assignment #8) Gabrieli, Blow the Trumpet Caccini, Amarilli, mia bella Monterverdi, Beatus vir W March 13 Monody, Monteverdi, and the Birth of Opera Todd: L: Monterverdi, Powerful Spirit (12) Purcell, When I Am Laid in Earth (13) F March 15 M March 18 W March 20 Instrumental Music of the Baroque and Stories without Words The Music of J. S. Bach and the Idea of Artistic Greatness Hallelujah!: The Music of George Frederic Handel Todd: L: Corelli, Trio Sonata (14) Vivaldi, Spring (15) Todd: L: Fugue in G minor (16) Brandenburg Cto. 5 (17) Wachet auf, 1 st mvmt. (18) Todd: L: Water Music-Hornpipe (20) Rejoice Greatly (21) Hallelujah Chorus (22) 5
6 The Classical Period F March 22 Music in the Age of Enlightenment Todd: L: Little Night Music III (25) Emperor Quartet II (28) March Spring Break: No Classes M April 1 The Sonata and Other Forms of the Classical Era Todd: L: Little Night Music I, (23) W April 3 The Joke as Art, or The Music of Franz Josef Haydn Surprise Symphony, II (24) Todd: L: Surprise Symphony, IV (27) Symphony 88, IV (Web Assignment #10) F April 5 No Class M April 8 Mozart the Myth/Mozart the Man Todd: L: Concerto in A, 1 st mvt. (29) Se a casa madama (30) Queen of the Night Aria (32) W April 10 Exam 3: The Baroque and Classical Eras F April 12 Beethoven: The Composer as Hero Todd: L: Symphony #5 (34-37) The Romantic Era and Beyond M April 15 Schubert and the Dawn of Romanticism Todd: L: Erlking (38) If You Love for Beauty (40) Gretchen at the Spinning Wheel (Web Assignment W April 17 F April 19 Music, Drugs, and Inspired Madness: Berlioz and Romantic Program Music Music as Religion: The Music Dramas of Richard Wagner #11) Todd: L: Sym. fantastique IV (46) Todd: L: La donna é mobile (47) Gods Entrance into Valhalla (48) Sat April 20 Met Simulcast of Die Walkurie at Waterville Opera House-noon (attendance optional; details TBA) M April 22 The Romantic Piano Todd: L: Nocturne in Eb (41) Prelude in D minor (42) Petrarch Sonnet 104 (43) The Roman Saltarello (44) W April 24 Brahms the Conservative? Todd: ; L: Violin Concerto III (49) Sympbony #4 IV (Web Assignment #12 F April 26 Impressionism in France Todd: L: Afternoon of a Faun (57) M April 29 Exam 4: Beethoven, Romanticism and Impressionism 6
7 From Modernism to Post-Modernism W May 1 Modernism and the Crisis of Tonality Todd: ; L: Mahler, Song No. 2 (55) Bartok, Music for Strings, Percussion/Celesta, III (62) Shostakovich 5 th II (64) Ives, General Booth (66) F May 3 NO CLASS: Colby Liberal Arts Symposium M May 6 Early Modernism I: The Music of Igor Stravinsky W May 8 F May 10 Early Modernism II: 3 S's: Schönberg, Serialism, and the Second Viennese School Whither Music? Music in a Post-Modern World Todd: ; L: Rite of Spring (58) Symphony of Psalms II (61) Todd: (again); L: Valse de Chopin (59) Trio from Suite for Piano (both on Web assignment #13) Concert Papers Due Todd: L: Appalachian Spring (69) Poème èlectronique (76) 4 33 J (77) Concerto grosso I (78) Short Ride in a Fast Machine (79) 7
8 LISTENING REQUIREMENTS FOR EXAMS Exam #2 Composer Title Recording* Medieval Anonymous Chant: Vidernunt omnes (All the Ends of the Earth) (3) Hildegard of Bingen O viridissima virga (O Greenest Branch) (4) Leonin Organum:Viderunt omnes (All the Ends of the Earth) (5) Machaut Since You Have Forgotten Me (6) Quant en Moy(When I was first visited by Love) LISTENING #5 Renaissance Dufay Missa se la face ay pale, Kyrie (7) Josquin des Prez Ave Maria (8) El grillo (The Cricket) LISTENING #7 Weelkes As Vesta Was from Latmos Hill Descending (10) Arcadelt The White and Sweet Swan LISTENING #7 (Il bianco e dolce cigno) Palestrina Pope Marcellus Mass, Kyrie (9) *Numbers in parentheses refer to the numbering of pieces in the textbook. Listening assignments (e.g., LISTENING #5), can be accessed from the MU111 class web page: 8
9 Exam #3 Baroque Gabrieli, G. Blow a Trumpet in the New Moon LISTENING #8 Caccini, G. Amarilli, mia bella LISTENING #8 Monteverdi Happy is the Man (Beatus vir) LISTENING #8 Monteverdi Powerful Spirit (Possente spirtu) (12) from Orfeo Purcell When I Am Laid in Earth from (13) Dido and Aeneas Corelli Trio Sonata in A minor (14) Vivaldi Concerto in E Maj., "The Spring" (15) First Movement Bach, J. S. Fugue in G minor (16) Brandenburg Concerto #5 (17) (1st movement) Cantata, Awake, a Voice is Calling (18) (opening chorus) Handel Water Music (Hornpipe) (20) Messiah (Rejoice Greatly) (21) (Hallelujah Chorus) (22) Classical Mozart Piano Concerto in A Major (29) 1st Movment Se a casa madama, aria from (30) The Marriage of Figaro A Little Night Music (23 and 25) 1st and 3rd Movements Queen of the Night Aria from (32) The Magic Flute Haydn Symphony #94, "The Surprise" (24) 2nd Movement Symphony #94, "The Surprise" (27) 4th Movement Symphony #88 in G Major LISTENING #10 4th Movment String Quartet Op. 76, no. 3 (28) "The Emperor," 2nd Movement 9
10 Exam #4 Beethoven Symphony #5 (complete) (34-37) Schubert Erlkönig (The Erl-King) (38) Gretchen at the Spinning Wheel LISTENING #11 Schumann, C. If You Love For Beauty (40) Berlioz Symphonie Fantastique (IV) (46) Dream of a Witches Sabbath Chopin Nocturne in E flat Major (41) Prelude No. 24 in d minor (42) Liszt Petrarch Sonnet 104 (43) Hensel The Roman Saltarello, Op. 6, no. 4 (44) Wagner The Gods entrance into Valhalla (48) from Das Rheingold Verdi La donna é mobile (47) Brahms Violin Concerto, III (49) Symphony No. 4, IV, Allegro energetico LISTENING #12 Debussy Prelude to The Afternoon of a Faun (57) New for Final Exam (in addition to a selection of earlier works) Mahler Ging heut morgen über s Feld (55) Songs of a Wayfarer, No. 2 Bartók Music for Strings, Percussion & (62) Celesta, III Shostakovich Symphony No. 5 (II) (64) Ives General Booth Enters into Heaven (66) Stravinsky Le sacre du printemps (58) (Intro and Augurs of Spring) Symphony of Psalms II (61) Schönberg Valse de Chopin (59) from Pierrot lunaire Trio from Suite for Piano (1924) LISTENING #13 Copland Appalachian Spring (excerpt) (69) Varèse Poème életronique (opening) (76) Zwilich Concerto grosso, I (78) Adams Short Ride in a Fast Machine (79) 10
Music 001 Introduction to Music. Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55 pm
Instructor: Andrew Pau Fall 2006 Office: Music Building 207 Office Hours: T/Th, time TBA E-mail: apau@gc.cuny.edu Music 001 Introduction to Music Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55
More informationMusic 1A: Exploring Western Music Fall 2014 MW 2:00 3:20pm
Music 1A: Exploring Western Music Fall 2014 MW 2:00 3:20pm Instructor: Seth Coluzzi, Slosberg 222; ext. 63329; coluzzi@brandeis.edu Office Hours: MW, 3:30 4:30pm, and by appointment Teaching Assistant:
More informationTHE ENJOYMENT OF MUSIC T&TH 9:00 AM to 10:15AM Office: PAC - M129 Phone: OFFICE HOURS: TBA or by appointment
MUL 2010 FALL/2010 Mr. Roy Pickering THE ENJOYMENT OF MUSIC T&TH 9:00 AM to 10:15AM Office: PAC - M129 E-mail: rpickeri@mail.ucf.edu Phone: 823-5966 OFFICE HOURS: TBA or by appointment REQUIRED: Kamien,
More informationIntroduction To Music Bard High School Early College 2010/2011
Introduction To Music Bard High School Early College 2010/2011 Instructor: Mr. Matthew Barnson E-mail: mbarnson@bhsec.bard.edu Course Description & Objectives This class introduces students to the history,
More informationMusic 001 Introduction to Music Section CT3FA T/F, 12:15-1:30 pm Room 226
Instructor: Paul Riker Fall 2008 Office/Office Hours: Room 211 Hours TBA E-mail: paulwriker@gmail.com Music 001 Introduction to Music Section CT3FA T/F, 12:15-1:30 pm Room 226 Course Description. This
More informationMusic Appreciation, Dual Enrollment
East Penn School District Secondary Curriculum A Planned Course Statement for Music Appreciation, Dual Enrollment Course # 770D Grade(s) 9, 10, 11, 12 Department: Music Length of Period (mins.) 40 Total
More informationCOURSE SYLLABUS MUSIC APPRECIATION MUS 1113 FALL 2014
I. PRELIMINARY INFORMATION: A. Department: Music COURSE SYLLABUS MUSIC APPRECIATION MUS 1113 FALL 2014 B. Title: Music Appreciation - Mus 1113 (ACTS - Equivalent #MUS 1003) Note: This course fulfills specific
More informationCOURSE OUTLINE MUS103
COURSE OUTLINE MUS103 Course Number Intro to Music Course title 3 3 lecture/0 lab Credits Hours Catalog description: Designed to enhance the student's knowledge and enjoyment of music of a variety of styles
More informationQueens College, Aaron Copland School of Music Introduction to Music, spring 2011 Music 001, Section 9M3WA Room 226
Queens College, Aaron Copland School of Music Introduction to Music, spring 2011 Music 001, Section 9M3WA Room 226 Monday and Wednesday 9:25-10:40 am Office hours: Wednesday, 10:45-11:45, room 211 Instructor:
More informationThe Graduate Entrance Examination in Music History School of Music University of Illinois at Urbana-Champaign. STUDY GUIDE for FALL 2017
The Graduate Entrance Examination in Music History School of Music University of Illinois at Urbana-Champaign STUDY GUIDE for FALL 2017 The Graduate Entrance Exam in Music History is required of all entering
More informationNEW HAMPSHIRE TECHNICAL INSTITUTE
NEW HAMPSHIRE TECHNICAL INSTITUTE Title: FA105 Introduction to Music Credit Hours: Total Contact Hours: 3 Instructor: Susan K. Kinne skinne@ccsnh.edu Course Syllabus Course Description Introduction to
More informationNEW HAMPSHIRE TECHNICAL INSTITUTE. After successfully completing the course, the student will be able to:
NEW HAMPSHIRE TECHNICAL INSTITUTE Title: FA105 Introduction to Music Credit Hours: Total Contact Hours: 3 Instructor: Susan K. Kinne skinne@ccsnh.edu Course Syllabus Course Description Introduction to
More informationANGELO STATE UNIVERSITY SYLLABUS FOR MUSI 1306 MUSIC APPRECIATION
ANGELO STATE UNIVERSITY SYLLABUS FOR MUSI 1306 MUSIC APPRECIATION Semester Hours Credit: 3 Susan Reynolds, Instructor Office Hours: 4:00-5:00 s.reynolds@goldisd.net 325-451-0232 (3:30pm-9:00pm) I. INTRODUCTION
More informationHUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2017 Spring
HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2017 Spring INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT AND OFFICE INFORMATION: mtommasini@ust.hk
More informationHUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2014 Fall
HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2014 Fall INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT AND OFFICE INFORMATION: mtommasini@ust.hk
More informationQueens College, Aaron Copland School of Music Introduction to Music, fall 2010 Music 001, Section 9M3WA Room 226
Queens College, Aaron Copland School of Music Introduction to Music, fall 2010 Music 001, Section 9M3WA Room 226 Monday and Wednesday 9:25-10:40 am Office hours: Monday and Wednesday, 10:40-11:15 Office:
More informationMusic 302H History of Music II Lower Division Writing Course: 3 Credits Spring 2012 TR 11:10-12:30, Music 105
Music 302H.00-02 History of Music II Lower Division Writing Course: 3 Credits Spring 2012 TR 11:10-12:30, Music 105 Instructor: Dr. James Randall E-mail: james.randall@umontana.edu Office/phone: 214 Music
More informationHUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring
HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT INFORMATION: mtommasini@ust.hk
More informationArt of Listening (MUAR ) p. 1
Art of Listening MUAR 211, Section 001 McGill University Fall 2014 Class Meetings Monday & Wednesday: 4:35-5:55 p.m., Adams Auditorium Professor Dr. Jerry Cain New Music Building, room A622 Office Hours:
More informationNone. Just bring an open mind.
Course MUSI 1306.003 Understanding Music Professor Lori Gerard Term Fall 2015 Meetings TTh 2:30 3:45 p.m. AH2 1.204 Professor s Contact Information Office Phone 972-883-6007 Other Phone Office Location
More informationGuide to the Exam in Music History for Entering Graduate Students University of Louisville
P a g e 1 Guide to the Exam in Music History for Entering Graduate Students University of Louisville The music history exam for entering graduate students tests knowledge of musical styles and genres covering
More informationTerms/Forms/Styles Representative. Machaut. Arcadelt. Farmer
HISTORY 5 A. Medieval See the Enjoyment of Music, 12 th Edition, Prelude 2 AND Chapters 13 14 Terms/Forms/Styles 1) Sacred Plainchant Liturgy Gregorian chant Syllabic, neumatic, melismatic Modes Polyphony
More informationSCHOOL OF FINE ART & MUSIC Winter Semester 2016 MUSC* CRITICAL THOUGHT AND MUSIC
SCHOOL OF FINE ART & MUSIC Winter Semester 2016 MUSC*1060-01 CRITICAL THOUGHT AND MUSIC INSTRUCTOR: Shannon Carter TIME: Monday and Wednesday 10:00-11:20 LOCATION: MacKinnon Building, Rm. 107 OFFICE: MacKinnon
More informationMusic 154: Music Appreciation 3 cr. hrs.; 3 lecture hours; 0 lab hours per week.
Black Hawk College http://www.bhc.edu Spring 2018 Music Apprec. S-2018 TR class - p. 1. Music 154: Music Appreciation 3 cr. hrs.; 3 lecture hours; 0 lab hours per week. TR 11:00 a.m. 12:14 p.m. Bldg. 4,
More informationMUS 111: Music Appreciation
Instructor Dr. Tobin Sparfeld, Assistant Professor Office CSB #103 (door by the elevator); 818.364.7890 Drop-In Hours Monday 1:45-3:30 pm Wednesday 1:45-3:30 pm Thursday 10:00 am-12:00 pm Email tobin.sparfeld@gmail.com
More informationMusic 105: Music Appreciation Spring 2011
105: Appreciation Spring 2011 Instructor: Dr. Brian Cobb E-mail: brian.cobb@bellevuecollege.edu Phone: 425 564-2403 Office location: A156 Office Hours: 1:00-2:00pm Class Website accessible through your
More informationMusic History Medieval to Baroque
Music History Medieval to Baroque Alyson Payne alysonpayne@yahoo.com (269) 930-0658 Objective: A survey of music history beginning with Medieval through the Baroque period with emphasis on preparing the
More informationI. ASCRC General Education Form. Dept/Program
I. ASCRC General Education Form Group I.2/VI/IX Dept/Program Course # 325H Music Course Title History of Music II Prerequisite MUS 135L Credits 3 II. Endorsement/Approvals Complete the form and obtain
More informationUniversity of Arkansas-Monticello Division of Music Fall MUS 1113 Music Appreciation Online Syllabus
University of Arkansas-Monticello Division of Music Fall 2014 MUS 1113 Music Appreciation Online Syllabus Instructor: Email: Office Hours: Claude Askew askew@uamont.edu Via E-mail Music Appreciation- 3
More informationUNDERGRADUATE MUSIC THEORY COURSES INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC
UNDERGRADUATE MUSIC THEORY COURSES INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC CONTENTS I. Goals (p. 1) II. Core Curriculum, Advanced Music Theory courses, Music History and Literature courses (pp. 2-3).
More informationMusic 554 Music Literature: Orchestral Orchestral Literature San Diego State University Fall Semester 2013 MW 1:00-1:50, Music Room 261
Music 554 Music Literature: Orchestral Orchestral Literature Fall Semester 2013 MW 1:00-1:50, Music Room 261 Course Syllabus Instructor: Prof. Michael Gerdes Office: Music 222 Phone: (619) 594-4681 Office
More informationHS Music Theory Music
Course theory is the field of study that deals with how music works. It examines the language and notation of music. It identifies patterns that govern composers' techniques. theory analyzes the elements
More informationInformation about the Music History Portion of the Graduate Student Entrance Exam
Information about the Music History Portion of the Graduate Student Entrance Exam The exam has 2 sections: 1) Music before 1750 (Medieval, Renaissance, and Baroque eras) 2) Music after 1750 (Classical,
More informationLevel 10 History. Practice Paper 1
Level 10 History Practice Paper 1 1 of 8 Maximum Marks Your answers must be written in pencil in the space provided. Il faut que vous écriviez vos réponses au crayon dans l espace donné. Confirmation Number
More informationSCHOOL OF FINE ARTS AND MUSIC Fall Semester 2015 MUSC* GENRE & STYLE IN WESTERN ART MUSIC
SCHOOL OF FINE ARTS AND MUSIC Fall Semester 2015 MUSC*2330-01 GENRE & STYLE IN WESTERN ART MUSIC INSTRUCTOR: Dr. Colleen Renihan TIME: Tuesday & Thursday; 2:30-3:50pm LOCATION: MacKinnon Building, Rm.
More informationCourse Outline. TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018
5055 Santa Teresa Blvd Gilroy, CA 95023 Course Outline COURSE: MUS 1A DIVISION: 10 ALSO LISTED AS: TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 03/26/2018 SHORT TITLE: MUSIC HISTORY/LIT LONG TITLE:
More informationMusic: An Appreciation, Brief Edition Edition: 8, 2015
Music: An Appreciation, Brief Edition Edition: 8, 2015 Roger Kamien Connect Plus Music (All Music, ebook, SmartBook, LearnSmart) o ISBN 9781259154744 Loose Leaf Text + Connect Plus Music o ISBN 9781259288920
More informationMUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS
ECU MUSC 2208 299 (2002/03 F) Meets Tu Th at 14:00 in 200 Fletcher 201 Fletcher / (252) 328-1250 / mollk@mail.ecu.edu MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS ONLINE VERSION: http://core.ecu.edu/music/mollk/
More informationMusic Appreciation Grades 6-8 Curriculum Map
Music Appreciation Grades 6-8 Curriculum Map Month: August (January) Music in daily life What to listen for in music/elements of music -melody& musical line -rhythm & meter: musical time -harmony: musical
More informationMUAR 211 Midterm I Prep. Dido and Aeneas Purcell Texture: imitative polyphony + homophony + word painting (homophonic) Genre: opera Language: English
Midterm 1 Listening Guide Columba aspexit Hildegard of Bingen Texture: monophonic throughout Genre: plainchant Language: Latin Performance: responsorially Form: AA BB MUAR 211 Midterm I Prep Dame, de qui
More informationQueens College, Aaron Copland School of Music Rudiments of Music 1, fall 2010 Music 060, Section BM2WA or 1M2WA Room 363
Queens College, Aaron Copland School of Music Rudiments of Music 1, fall 2010 Music 060, Section BM2WA or 1M2WA Room 363 Monday and Wednesday 11:15-12:05 pm or 1:40-2:30 pm Office hours: Monday and Wednesday,
More informationMusic 281: Music Theory III
Music 281: Music Theory III Fall 2017 (T-Th, 9:30-10:45, Bixler 150) Steve Saunders Office: 235 Bixler Phone: x5677; email: sesaunde@colby.edu Class Web Site: http://www.colby.edu/music/saunders/mu281
More informationHistory 2: Middle Ages to Classical
History 2: Middle Ages to Classical December 2014 Maximum Marks Confirmation Number 1 of 12 Total Marks 20 1. Give the musical term for ten of the following definitions. Provide one composition title for
More informationMUSIC APPRECIATION FALL 2003 Music 1003
MUSIC APPRECIATION FALL 2003 Music 1003 INSTRUCTOR: Dr. Steve Cooper Office BH 2310 NWACC scooper@nwacc.edu 1 College Drive fax: 479/619-4290 Bentonville, AR 72712 479/619-4261 OFFICE HOURS: Mon/Wed 11-1:45,
More informationTexas Tech University School of Music
Texas Tech University School of Music DOCTORAL QUALIFYING EXAM IN MUSIC THEORY Study guide This guide is meant to help current graduate students prepare for the Music Theory portion of the DMA and PhD
More informationMUS 1010, Introduction to Music Appreciation Course Syllabus. Course Description. Course Textbook. Course Learning Objectives.
MUS 1010, Introduction to Music Appreciation Course Syllabus Course Description This course is designed to give students the tools to listen to Western art music with increased perception. The course consists
More informationMasterpieces of Western Art Music*
Music 6 Masterpieces of Western Art Music* Instructor: William Summers [http://www.dartmouth.edu/~wsummers/] Office hours Tu at 1pm, W at 3pm and by appointment. [Office, Hopkins Center, room H64a: ext.
More informationHistory 2: Middle Ages to Classical
History 2: Middle Ages to Classical December 2014 Maximum Marks Confirmation Number 1 of 12 Total Marks 20 1. Give the musical term for ten of the following definitions. Provide one composition title for
More informationMUSIC 105, MUSIC APPRECIATON - Section Syllabus and Orientation Letter
MUSIC 105, MUSIC APPRECIATON - Section 12211 Syllabus and Orientation Letter Instructor: Bernardo Feldman. Born in Mexico City Dr. Feldman attended there the Conservatorio Nacional de Musica before traveling
More informationMS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna
MS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna DESCRIPTION: An overview of musical style and its intersections with the culture of Late Modern Europe and the Americas (ca.
More informationMusic Appreciation Spring 2005 Music Test: Music, An Appreciation, Fourth Brief Edition by Roger Kamien (with CD s)
Music Appreciation Spring 2005 Music 1003 Instructor: Jo Ann Schwader, e-mail jschwade@nwacc.edu NWACC One College Drive Bentonville, Arkansas 72712 479-619-2236 Office hours: Monday & Wednesday 8:00-9:00a.m.
More informationSophorr~ore Exarn: Student Study Guide for
Sophorr~ore Exarn: Student Study Guide for 2010-2011 i. Overview The sophomore e)(am is intended to assess your ollerail learning and retention of central concepts and skills in music theory, sight-singing,
More informationTest Bank for Listening to Western Music 7th Edition by Wright
Test Bank for Listening to Western Music 7th Edition by Wright Link full download: https://digitalcontentmarket.org/download/test-bank-forlistening-to-western-music-7th-edition-by-wright/ CHAPTER 2 RHYTHM,
More informationFall 2015 Instructor reserves the right to change this syllabus FOUNDATIONS OF MUSIC MUSI 1304 Online Fall 2015
FOUNDATIONS OF MUSIC MUSI 1304 Online Fall 2015 WEEK DATES Readings Quizzes Assignment Week 1 Aug. 24-30 1. Welcome 2. Syllabus 3. Self-Intro 4. Record introduction 5. Download Firefox 6. Song or Dance?
More informationNOTES ON BASIC REPERTOIRE
NOTES ON BASIC REPERTOIRE WOLFGANG AMADEUS MOZART (1756-1791) Single pieces you may find: Eine Kliene Nachtmusic (for string orchestra), the Clarinet Quintet in A, Piano Concertos - (any you may have).
More informationMUS 1010, Introduction to Music Appreciation Course Syllabus. Course Description. Course Textbook. Course Learning Outcomes. Credits.
MUS 1010, Introduction to Music Appreciation Course Syllabus Course Description This course is designed to give students the tools to listen to Western art music with increased perception. The course consists
More informationBergen Community College Division of Arts & Humanities Department of Performing Arts Course Syllabus MUS-107 History of Western Music Before 1750
1 Bergen Community College Division of Arts & Humanities Department of Performing Arts Course Syllabus MUS-107 History of Western Music Before 1750 Semester and year: Course and Section Number: Meeting
More informationMusic 3753: History of Music from Classical Antiquity to 1600 Fall 2017
Music 3753: History of Music from Classical Antiquity to 1600 Fall 2017 Class meeting: Monday/Wednesday/Friday 8:30-9:20 a.m. 123 SCPA Instructor: Course description: Topical outline: Required texts: Allen
More informationMusic 241: Music History I From the Middle Ages to the Early Baroque
Music 241: Music History I From the Middle Ages to the Early Baroque Fall 2018: M-W (2:30-3:45) Steve Saunders Office: 235 Bixler Phone: x5677; e-mail: sesaunde Office Hours: M and W 10:00-11:00 (but drop
More informationVienna: The Capital of Classical Music
Vienna: The Capital of Classical Music DIS Fall 2017 European Humanities 1 Credit Course Fridays 14:50 16:10 F24 406 Course starts September 29 th Introduction A music appreciation course focusing on selected
More informationKennan, Counterpoint (fourth edition): REQUIRED Kostka and Payne, Tonal Harmony (sixth edition): RECOMMENDED
Melody and Rhythm (Music 21) Fall 2010 @ 10 (Mondays, Wednesdays, and Fridays, 10:00-11:05 a.m.; lab at x-hour, Thursdays, 12:00-12:50 p.m.) Prof. Steve Swayne, instructor (office: 646-1204; home: 802-296-5939;
More informationThe Senior Learning Community in Music, : Music 400 (Senior Reflective Tutorial) and Music 491 (Senior Seminar):
Music 491 (fall 2011), p. 1 The Senior Learning Community in Music, 2011 12: Music 400 (Senior Reflective Tutorial) and Music 491 (Senior Seminar): Class meetings: Mondays and Wednesdays, 2:40 4:10 Instructor:
More informationThe Basics of Reading Music
The Basics of Reading Music CHAPTER 1 SUPPLEMENTARY MATERIAL Composers from Each Style Period The folloing lists provide names and dates of birth and death. The names are presented in chronological order
More information1 Elements of Music: Sound, Rhythm, Melody, and Harmony 4 Sound 4 Rhythm 6 Melody 8 Harmony 9
Contents Prelude: The Fundamentals of Music 2 1 Elements of Music: Sound, Rhythm, Melody, and Harmony 4 Sound 4 Rhythm 6 Melody 8 Harmony 9 2 Elements that Structure Music: Key, Texture, and Form 11 Key
More informationMUSIC Hobbs Municipal Schools 6th Grade
Date NM State Standards I. Content Standard 1: Learn and develop the essential skills and technical demands unique to dance, music, theatre/drama, and visual art. A. K-4 BENCHMARK 1A: Sing and play instruments
More informationTHREE-SUMMER MASTER OF MUSIC IN CHORAL CONDUCTING
THREE-SUMMER MASTER OF MUSIC IN CHORAL CONDUCTING MUS 530A ADVANCED STYLE ANALYSIS CHRONOLOGICAL SURVEY TO 1700 Monday/Wednesday - 9:30am - 11:50am Room : TBA Instructor: Joseph Schubert E-mail: josephschubert@earthlink.net
More informationMUSIC HISTORY Please do not write on this exam.
MUSIC HISTORY Please do not write on this exam. 1. Which of the following characterize Baroque music? a. Music based on Gregorian Chant b. The figured bass (Basso continuo) (the writing out of the bass
More informationMusic 111: Music Appreciation 1
Music 111: Music Appreciation 1 Course Information: Los Angeles Pierce College January 2 to February 4, 2018 Section 14921 3 units Canvas online Instructor: Jon Titmus E-mail: titmusjg@piercecollege.edu
More informationGRADUATE PLACEMENT EXAMINATIONS - COMPOSITION
McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required
More informationGRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY
McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required
More informationLyndhurst High School Music Appreciation
1.1.12.B.1, 1.3.12.B.3, 1.3.12.B.4, 1.4.12.B.3 What is? What is beat? What is rhythm? Emotional Connection Note duration, rest duration, time signatures, bar lines, measures, tempo connection of emotion
More informationMUSIC 57283: FALL 2010 MUSIC HISTORY I SECTION A
MUSIC 57283: FALL 2010 MUSIC HISTORY I SECTION A Professor Stephen Schultz Lectures: M/W 1:30-2:50pm Room: CFA A2 Office: Studio for Creative Inquiry, CFA 111 Office Hours: M/W 12:30-1:20pm Telephone:
More information2010 Kendall Hunt Publishing. Contents
Foreword Preface Acknowledgments Acknowledgments for the Second Edition A Note about the CD Recordings and Listening Guides xi xii xiv xv xvi Chapter 1-The Basic Elements of Classical Music 1 A Few of
More informationGrade 6 Music Curriculum Maps
Grade 6 Music Curriculum Maps Unit of Study: Form, Theory, and Composition Unit of Study: History Overview Unit of Study: Multicultural Music Unit of Study: Music Theory Unit of Study: Musical Theatre
More informationMusic History. Middle Ages Renaissance. Classical Romantic Impressionist 20 th Century
Music History Middle Ages Renaissance Baroque Classical Romantic Impressionist 20 th Century Middle Ages Two types of music: (Church music) (Non-Religious music) Middle Ages Sacred Music All (Plainchant
More informationMedieval and Renaissance
Name: ANSWER KEY Class Period: Medieval and Renaissance Middle Ages: c. 500 1450 Renaissance: c. 1450 1600 Life in the Medieval: (please match) Clothing: Monk Nobleman Peasant Noble-Women Peasant Nun Female
More informationKindergarten: Peer Gynt- Grieg Babes in Toyland- Herbert The King and I- Rodgers Carnival of the Animals- Saint Säens. 1 st Grade
2016-17 Classroom Music Curriculum Scope and Sequence Kindergarten: Musical Elements Tuneful Singing Beat Motions High vs Low Pitch Slow vs Fast Tempi Loud vs Soft Dynamics Short vs Long durations Smooth
More informationLargo Adagio Andante Moderato Allegro Presto Beats per minute
RHYTHM Rhythm is the element of "TIME" in music. When you tap your foot to the music, you are "keeping the beat" or following the structural rhythmic pulse of the music. There are several important aspects
More informationTeam Name: Score / Minnesota High School Listening Contest Regional Contest Round 1, Musical Identification
Team Name: Score /20 2017 2018 Minnesota High School Listening Contest Regional Contest Round 1, Musical Identification You will hear 10 musical excerpts of works from the Study Guide. Each will last from
More informationSAMPLE COURSE OUTLINE MUSIC WESTERN ART MUSIC ATAR YEAR 11
SAMPLE COURSE OUTLINE MUSIC WESTERN ART MUSIC ATAR YEAR 11 Copyright School Curriculum and Standards Authority, 2014 This document apart from any third party copyright material contained in it may be freely
More informationSURVEY OF MUSIC HISTORY I: MUH University of Florida School of Music, Spring 2016 M/W/F 4 (10:40-11:30), MUB 121 INSTRUCTOR
SURVEY OF MUSIC HISTORY I: MUH 3211-0306 University of Florida School of Music, Spring 2016 M/W/F 4 (10:40-11:30), MUB 121 INSTRUCTOR Dr. Jennifer Thomas Office: 306 MUB Office hours: M, W: 11:30-12:30
More informationILLINOIS VALLEY COMMUNITY COLLEGE Course Syllabus for Music 1000
ILLINOIS VALLEY COMMUNITY COLLEGE Course Syllabus for Music 1000 Course Title and Section: MUS 1000: Music Appreciation Time and Location: MWF 9AM /10AM, TTH 9:30AM / 2PM, D223 Instructor: Mr. Michael
More informationMusic 384 History of Music: J.S. Bach through the 20th Century
Music 384 History of Music: J.S. Bach through the 20th Century Instructor: Dr. Jonathan Sturm Office: Music 211 Phone: 4-7399 E-mail: jsturm@iastate.edu Office Hours: MWF: 8-9 a.m. or by appointment Prerequisite:
More informationTEXAS MUSIC TEACHERS ASSOCIATION Student Affiliate World of Music
Identity Symbol TEXAS MUSIC TEACHERS ASSOCIATION Student Affiliate World of Music Grade 11 2012-13 Name School Grade Date 5 MUSIC ERAS: Match the correct period of music history to the dates below. (pg.42,43)
More informationHigh School Music Listening Contest Championship Contest Round 1, Musical Identification. 1. Composer: Title: 2.
Championship Contest Round 1, Musical Identification You will hear 10 musical excerpts of works from the Study Guide. Each will last from 10 to 30 seconds. You will have approximately 15 seconds between
More informationCURRENT COURSE TITLE: SEMINAR IN HISTORICAL STYLES CHANGE PREFIX FROM CHANGE COURSE NO. FROM. Date:
Florida Atlantic University Graduate Programs COURSE CHANGE REQUEST DEPARTMENT NAME: MUSIC COLLEGE OF: ARTS AND LETTERS UGPC APPROVAL _ UFS APPROVAL SCNS SUBMITTAL CONFIRMED BANNER POSTED ONLINE MISC COURSE
More informationHistory of Western Music II
History of Western Music II Course Code MSC 174 Spring 2012 Room 250 Tuesday 8:40-10:30/ Thursday 10:40-12:30 Onur Türkmen Room 325 oturkmen@bilkent.edu.tr Phone: 0 530 403 88 06 Course Material: J. Peter
More informationQuality of group participation and of presentation is paramount. In-class informed, verbal presentation is required. Tuesday/Thursday Fall 2013
1 Course Description Evidence of music has been found in the world's most ancient civilizations and consistently throughout world cultures to the present. In many cultures it has invested heroic stature
More informationContact Information (409)
Syllabus Lamar University, a member of The Texas State University System, is accredited by the Commission on Colleges of the Southern Association of Colleges and Schools to award Associate, Baccalaureate,
More informationChelmsford Public Schools Fine and Performing Arts Department Middle School General Music Curriculum Map by Standard Standard 1: SINGING
Standard 1: SINGING Students will sing, alone and with others, a varied repertoire of music. Sing alone & with others maintaining accurate intonation, steady beat, rhythmic accuracy, and appropriate expression
More informationMusic Appreciation Final Exam Study Guide
Music Appreciation Final Exam Study Guide Music = Sounds that are organized in time. Four Main Properties of Musical Sounds 1.) Pitch (the highness or lowness) 2.) Dynamics (loudness or softness) 3.) Timbre
More informationForm as a Standardized Pattern. strophic form (A A A ) ternary form (A B A) fugue baroque dance form (a a b b) sonata form
Form as a Standardized Pattern strophic form (A A A ) ternary form (A B A) fugue baroque dance form (a a b b) sonata form!1 A B A Form statement, contrast, return nesting can create more complicated forms:
More informationEntrance Examination in Theory (for all departments except Musicology) Application procedures for Musicology please see p. 5.
Further details on our internet site: www.tau.ac.il/arts/music E-mail address for inquiries: tovazu@tauex.tau.ac.il Entrance Examination in Theory (for all departments except Musicology) Application procedures
More informationMu 101: Introduction to Music
Are you new to class today? Pick up a syllabus and fill out a student information sheet Attendance/Reading Quiz! Mu 101: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College
More informationMUSIC. Paper 1 Practical Test 15% about 10 minutes Paper 2 Listening Test 25% 1½ hours Paper 3 Theory & History of Music % 3 hours
MUSIC AIMS The aims of this syllabus are to encourage the habit of listening intelligently to music, to develop music literacy and to have a general understanding of Western and Chinese music culture.
More informationNEW YORK STATE TEACHER CERTIFICATION EXAMINATIONS
NEW YORK STATE TEACHER CERTIFICATION EXAMINATIONS June 2003 Authorized for Distribution by the New York State Education Department "NYSTCE," "New York State Teacher Certification Examinations," and the
More informationHistory of Music II: Late Baroque and Classical MUS 133b, Spring 2016 Tuesday/Friday 11:00 a.m. to 12:20 p.m. Slosberg 212
Brandeis University Instructor: Minji Kim, Ph.D. Music Department Office: Slosberg 225 mkim@brandeis.edu TF: Charles Stratford chs@brandeis.edu Office Hours: By appointment History of Music II: Late Baroque
More informationCARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS FALL 2011
CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS 57408 FALL 2011 Class times: Tuesday, Thursday 9:30-10:20, MM #127 Tuesday, Thursday 10:30-11:20, MM #127 INSTRUCTOR Dr. Marilyn Taft Thomas
More informationBreaking Convention: Music and Modernism. AK 2100 Nov. 9, 2005
Breaking Convention: Music and Modernism AK 2100 Nov. 9, 2005 Music and Tradition A brief timeline of Western Music Medieval: (before 1450). Chant, plainsong or Gregorian Chant. Renaissance: (1450-1650
More informationSAMPLE COURSE OUTLINE MUSIC WESTERN ART MUSIC ATAR YEAR 12
SAMPLE COURSE OUTLINE MUSIC WESTERN ART MUSIC ATAR YEAR 12 Copyright School Curriculum and Standards Authority, 2015 This document apart from any third party copyright material contained in it may be freely
More information