Tianyou Wang canto. Recital per il conseguimento del Master of Arts in Music Performance. SABATO Aula Magna. ORE 17:30 Entrata libera

Transcription

1 SABATO Aula Magna ORE 17:30 Entrata libera Tianyou Wang canto Recital per il conseguimento del Master of Arts in Music Performance Conservatorio della Svizzera italiana Scuola universitaria di Musica Via Soldino 9 CH-6900 Lugano T +41 (0) eventi@conservatorio.ch

2 Tianyou Wang Tianyou Wang, basso-baritono, 27 enne, è nato nel maggio del 1990, nella città di Binzhou (Cina). A 16 anni ha iniziato a studiare la musica vocale, sotto la guida di Dengying Zhao, professore del Conservatorio Centrale di Musica Cinese. Nel settembre 2009, è entrato nel Conservatorio Shenyang di Musica nella sezione di performance vocale, sotto tutela del Prof. Zhaoren Xu, capo del Dipartimento dell opera italiana e canzoni d arte tedesche. Durante questi 4 anni di college ha ottenuto la migliore borsa di studio offerta dalla scuola per 3 anni consecutivi e la migliore offerta dalla nazione Cinese. Dopo aver terminato gli studi universitari nel 2013, nel maggio 2014 si è trasferito ad Amburgo, in Germania, per studiare le esibizioni vocali con il Prof. Yvi Jaenicke nell Università di Musica e Teatro di Amburgo. Nel settembre 2015, è ammesso al Conservatorio della Svizzera italiana per frequentare il Master of Arts in Music Performance sotto la guida di Monica Trini. Durante gli studi, ha partecipato numerose volte agli oratori in chiesa, concerti didattici e quelli di musica da camera della Prof. Monica Trini, la stessa che l ha seguito per tre anni. Nel giugno 2017, ha ricevuto l invito da Svizzera Opera House di Basilea, a partecipare all Opera «Die Blume von Hawaii» come una parte del coro di basso, ottenendo un gran successo dopo un totale di 17 concerti.

3 Georg Friedrich Händel da Serse Ombra mai fu Wolfgang Amadeus Mozart da Don Giovanni Madamina Vincenzo Bellini da La sonnambula Vi ravviso, o luoghi ameni Franz Schubert Der Wanderer (Il viandante) op. 4 n 1 D. 489 Pyotr Ilyich Tchaikovsky Serenade Claude Debussy Beau Soir Hugo Wolf Auf ein altes Bild Zhu Qing Da Jiang Dong Qu Redjan Teqja pianoforte Classe di canto di Monica Trini

4 1 Ombra mai fu -- G.F. Händel "Ombra mai fu" (Ombra mai fu) is an aria in the opera "Serse" written by Handel. The contents tell the story of Serse, the king of Persia, who used various conspiracies to attempt to possess the love of his brother Artemis, but failed to succeed. The whole opera exhorted people to abandon evil and do good by exposing Serse s ugly deeds and his failure. "Largo" appears in the first scene of the first act. It shows how Serse is enjoying his life in the palace, admiring the greenery and the trees, singing in admiration of nature. 2 Madamina --W.A. Mozart The second act of the opera Don Juan (also known as "Don Giovanni") is composed by Mozart, written by Dante Pent, and performed for the first time at the National Theatre in Prague on October 29, Synopsis: The aristocrat young Don Giovanni is a lecher, he barges late at night into the room of Anna, who is the daughter of the old knight Don Pedro. Anna screams and Don Giovanni kills the old knight who comes to his daughter s rescue. Don Giovanni has ill intentions towards the village girl Zerlina but he is exposed by Elvira, Anna and her fiance, Otavio. In the graveyard by the church, Don Giovanni stands by the statue of the old knight and invites the statue to his house for dinner. The statue indeed arrives, with a loud bang and the ground cracking open, Don Giovanni is then dragged by the statue to the underworld. The Aria aria "Lady, please look at this list" is chosen from the second part of the first scene of the opera. In order to comfort the angry Elvira, Leporello took out a diary to show her and told her that she was not the only person who encountered this unlucky situation while singing this famous song 3 Vi ravviso, o luoghi ameni --V. Bellini La Sonnambula is the first of Bellini's major operas. The first performance took place in 1831 at the Teatro Carcano in Milan.The aria 'Vi ravviso, o luoghi ameni' is sung in the first act: Count Rodolfo visits the place in which he spent a happy childhood; virtually a land of lost contact. The aria demands suavity and smoothness in the melody line

5 4 Der Wanderer. Op.4.No.1 -- F. Schubert The lyrics to the songs of Schubert s Wayfarer, are taken from the poem The Late Songs of a Stranger by Georg Philipp Schmidt von Lübeck. In addition to this song, Schubert also written the piece "Fantasia of a Wayfarer. I came from the mountains, Walk through the turbulent valley, the raging sea I am quiet and stray, depressed and unhappy I can't help but sigh: Where is this? The sun here is cold. The flowers faded and their life was dry. What they said: Silent, Wherever I went, I was a stranger. Where are you, my sweetest land, I pursued, I imagined, I never knew you. The land is green and full of hope. In the land, my rose is blooming. That's where my friends are jealous. That's where the people I ve lost are raised. The land, speaking my language, Ah, my sweetest land, where are you... I am quiet and wandering, unhappy, I can't stop sighing and where to go? My soul whispers to me: Happiness is in the distance that has never been reached! 5 Serenade. --P. Tchaikovsky The serenade is usually a song sung at dusk or at night, and the music is saturated with a strong Russian folk style from beginning to end. "My song wafted through you through the night..." and under the guidance and contrast of the six-stringed violin that was played on the piano, a youthful sentiment was expressed to his beloved girl. As the feelings gradually sublimate and the tunes are pushed to the climax for the first time, the first paragraph ends in a mood of entreaty and expectation. After the lyrical and peaceful

6 interludes, the music was transferred into the major name of the same name. "Dear me, please tell me, and put my arms into my arms." The emotions are more exciting and form the climax of the whole song. Finally, it was a postscript from the second paragraph, as if the song of love echoed in the melody of nocturne. The piano interludes that appear between the phrases are echoes of the vocals, which means that the singers are expected to hear the echoes. The violin solo of the adapted piano accompaniment was chosen here, but it can also feel the sincere and warm feelings expressed in this serenade. 6 Béau Soir.--C. Debussy Beau Soir translates it into "beautiful nights" and is set to be a poem based on Paul Bourget. This poem depicts a beautiful night scene where the river turns rosy at sunset and the wheat field is blown by the breeze. Debussy uses a soft flowing trio rhythm in the accompaniment, which contrasts sharply with the little tones that drive Spiral. Piano and voice partners create a sense of peace, people can feel it in the night of nature, in line with the post-romantic style. However, with the lapse of any evening, the mood of this song is also the same, this song is transferred from E major to F minor. When the song reaches a high F-sharp, the music culminates and is paired with the word "beau". The combination of text and melody powerfully portrayed the beauty of the sun and once again demonstrated how Debussy uses music for color 7 Auf ein altes Bild.--H. Wolf The song was written on April 14, Wolff talked about this song in a letter to his friend: The song I just finished is undoubtedly the best of all my songs, and I am still immersed in it. The excitement that this song brings me, everything around it is still green. The green fields are full of summer flowers, and the cool stream is surrounded by reeds. See how innocent and innocent the boy is, playing happily on the Virgin's lap. In the beautiful forest, ah, the tree will The tree that became the cross has grown up

7 8 Da Jiang Dong Qu.--Zhu.Qing Through the poetic representations of the four seasons of spring, summer, autumn and winter, young people who fall in love with emotion sing and sing alone love the memory of friends - metaphors for the motherland. There are some clouds that float in the sky, a slight breeze on the ground Sigh... The breeze blows in my hair Teach me not to crave the mieles The moonlight loves the ocean The ocean loves the moonlight Sigh... This night of silver and like honey... Teach me not to want her The water falls slowly The fish underwater swim lazy Sigh... Swallow, domini what are you centering Teach me not to want her The tree is dry and shaken by the cold wind Violent weapons burn in the dusk Ah... There are still some sunsets, residues to the west. Teach me not to want her.