MUSIC FROM THE HEART. by Robert Casteels

Transcription

1 MUSIC FROM THE HEART by Robert Casteels

2 Cover: Design by Neol Leung Yick Chuen [2013] Copyright 2013 by Robert Casteels All rights reserved. No part of this publication may be copied or reproduced in any form or any means without prior permission of the composer ISMN

3 Robert Casteels MUSIC FROM THE HEART song cycle for eight voices, eight instruments and heartbeats opus 88

4 Robert Casteels song cycle for eight voices, eight instruments and heartbeats opus 88 / duration: 40 / score in C I. k Heb Vaak in Stilte (opus 4 # 4) for alto voice and clarinet in A, page 1 II. Krus Ng Aking Ina (opus 88 # 1) for male voice and acoustic guitar, page 3 III. Se Ora (opus 88 # 2) for soprano voice and vibraphone, page 6 IV. Song of the Open Road (opus 62) for countertenor voice and piano, page 10 V. Féline Colère (opus 69) for soprano voice and horn, page 16 VI. By the Temple (opus 88 # 3) for tenor voice and piccolo flute, page 21 VII. Kyawulsarang (opus 88 # 4) for soprano voice and violoncello, page 22 VIII. In Praise of Sake (opus 88 # 5) for baritone voice and percussion, page 25 IX. Happy End tutti, page 32 Music from the Heart is a cycle of eight happy songs that explore different facets of human love. Most love songs deal with pain, absence and bereavement. I chose to explore positive expressions of human love. Each poem is sung in its original language. I went a literal step further by alternating the songs with sequences of sounds of human heartbeats. As shown by their opus numbers, the first, fourth and fifth song already existed beforehand and were incorporated in this cycle. It is possible for one player to play the vibraphone and percussion parts (in which case, the single percussionist chooses which part he speaks in bar 743, 745, 749 and 753 of the finale). Music from the Heart was premiered on 15-VII-2012 in the Esplanade Recital Studio, Singapore.

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6 Ann Missorten langzaam 58 = 0 Alto voice 1 The whole cycle starts with a first sequence of recorded heartbeats; start playing when you see the blue light signal from behind the audience 1. 'k Heb Vaak in Stilte for alto voice and clarinet in A [literal translation] Robert Casteels 'k heb vaak I have often poco Clarinet (in C in this score) Sequence 1 of heartbeats 6 in stil-te naar mijn kind ge ke in silence at my child looked (= I have often in silence looked at my child) - - ken en va - ker nog mijn and more often still my 11 un poco più mosso molto sostenuto ziel ont - roerd ge - we -ten om soul moved known by (= and more often still I have known my soul to be moved) 't hel the clear ge- 15 zang song più waar -mee het vrij vrij de dag be - gon het with which it free the day started the (= I have known my soul to be moved by the free song with which my child started the day) RC

7 19 los ge-bab-bel met de free babble with the zon sun en and en and zo-veel klei-ne din gen so many small things waar-mee het with which it 22 tempo primo ma sostenuto blij zijn kon dat sla-pend zach - ter happiness could that sleeping softer (= I have known my soul to be moved by so many little things which made my child happy) senza rit. bro - zer more fragile 26 was was più mosso en mooi - er zelfs and more beautiful even dan 't lied than the song 30 poco a poco rall dat dui - zend vo - - gels zon - gen that thousand birds sang (= the sleep of my child is softer, more fragile, even more beautiful than the song sung by thousand birds) e dim calmando 2

8 34 tempo primo 'k heb I have vaak in stil - te often in silence voor mijn kind ge-be - den for my child prayed 39 nooit mijn ziel zo dicht bij God ge - we - ten never my soul so close to God known (= I have often prayed in silence for my child and never known my soul to be then so close to God) 42 Vorst oktober Sequence 2 of heartbeats Franco Coralde Sangreo 2. Krus Ng Aking Ina for male voice and classical guitar Robert Casteels 50 Tempo rubato Tenor voice (the prosody of the language dictates the rhythms) start playing when you see the blue light signal from behind the audience Guitar Si - yam na Nine for bu - wan months mo a -kong ta-ngan-ta-ngan i - ni - nga-tan you me bore taking care (= You bore me for nine months) sa of ba -wat i - kot at every turn and RC

9 51 = 88 rit-mo. rhythm 56 Tempo rubato norm. sul tasto ponticello A Du Came -ma-ting ang the tak -dang a- raw, pi-kit ma-ta assigned day closed eyes (= The day came with my eyes still closed) 58 nang when u - na first accelerando kong I ma - si caught sight - la - yan i of - tong mun - worlddo. 59 B subito U - ma - l i -n g a w -ngaw ang a -king pag -pa - la- haw, echoed the my wailing VII pitch bend Agitato hud yat ng a-king si - si -mu-lang kal - ba -ryo. sign of my starting calvary (= My wailing echoed a sign of my calvary that was about to start) 4

10 60 Ma - hi - rap pa arduous 61 C = 88 bay pizz. p - for ra sa a - kin ang me the a mag - lak - travel 62 = 92 cresc. pa- tu - ngo sa sa - ngan - da - an ng to the crossroads of (= It is an arduous task for me to travel to the crossroads of Golgotha) ponticello i Gol - g o -t a ; Golgotha 64 Tempo rubato Da-tap-wat na - r i -y a n But there ka you espress. ma-hal kong i - na, pa-san ang dearest mother carrying the krus cross ko my ha-bang while di not ko I pa still 65 cresc. ka - ya. can (= But you are there, my dearest mother, carrying my cross while I still cant) Sequence 3 of heartbeats Hong Kong 18-V-2012 Singapore 28-V

11 Patrizia Cavalli Lento 66 Soprano voice 3. Se Ora Song for soprano voice and vibraphone Robert Casteels Vibraphone Motor on, highest speed, hard mallets start playing when you see the blue light signal from behind the audience (same pedal until bar 18) dolce 67 Vivace Se accel Se cresc. al 73 RC 2012 o - ra 6

12 75 tu 77 poco rit. 79 Moderato 80 Allegro Se o - r a t u S e o - r a t u S e poco cresc. gradually damp these pitches with the palm of the hand until only these 4 pitches continue to resonate accel. o più cresc. - ra tu... Se o - ra tu bus -sas - si al - la mi - a por - ta e ti to - glies - s i g l i o c - (= If now you were to knock at my door and would take off your spectacles) lightly hit the side of the bar with a glockenspiel mallet to produce harmonics espress. 82 chia - li e i - o to - glies - si i miei che so - no u - gua - li (= And if I would take off my spectacles which are identical) espress. 7

13 84 87 Lento Motor on, middle speed, soft/hard mallets dolce (same pedal until the end of bar 93) Vivace E poi tu cresc. molto 89 Meno vivace 91 espress. boc e poi tu en-tras-si den-tro alla mi - a (= And if then you would enter in my mouth) gradually damp these pitches espress. - ca sen - z a t e - m e - r e b a - ci these 4 pitches continue to resonate Pitch bend: with a xylo mallet, press the ringing bar at its nodal point and slide the mallet out towards the middle or edge of the bar Irregularmente dis - e - gua - l i (= And if you would kiss me fearlessly and unevenly) 94 Irregularmente staccato without pedal 96 rall. 8

14 Lento 98 Misurato e mi di - ces - s i A - mor mi - o, ma che è suc - legato espress. (= And if you would tell me: My beloved, what happened?) Motor on, slow speed, soft mallets (same pedal till the end of bar 102) dolce 102 Parlando ces- so? Motor off sarebbe Hard mallets sarebbe un pezzo sarebbe un pezzo di te a - tro sarebbe un pezzo di Allegro 106 un pezzo di teatro di sarebbe un pezzo di teatro di cresc. molto Moderato suc-ces-so suc- ces-so (= It would be a magnificent piece of theatre) Largamento suc - ces so. secco Singapore 12-V Sequence 4 of heartbeats 9

15 Walt Whitman 111 Countertenor voice Piano start playing when you see the blue light signal from behind the audience without pedal 4. Song of the Open Road for high male voice and piano A - foot and light-hear -ted, I clearly articulated Robert Casteels 115 take to the o-pen road, Heal thy, free, the world be-fore RC 2008 me, The long brown path be-fore me, lea - ding wher-e-ver I choose. Hence -forth I ask not good for tune, I my-self am 3 10

16 130 good for -tune; Hence-forth I whim-per no more, post pone - no more, need no-thing, Strong and con-tent I tra - vel the o pen road. subito sub sub All espress. cresc. seems beau - ti - ful to me; 11

17 149 I can re-peat o - ver to men and wo- men, You have done such good to 153 me, I would do the same to you dim. ef-flux of the Soul (without crescendo) arpeggiando tremolando is hap-pi-ness Here is hap-pi -ness; I think it per- The 12

18 vades the o - pen air, wai-ting at all times; Now it flows un - to us We are right ly a tempo poco accelerando - charged. The Soul tra - vels; The without expression legato (1 pedal for 12.5-bars) 181 bo-dy does not tra-vel as much as the soul; The bo-dy has just as great a work as the soul, (no crescendo) (no crescendo) and 13

19 187 parts a-way at last for the jour-neys of the (no crescendo) soul The road is be - fore us! It is safe I have tried it my own feet have tried it well. I give you my hand! sustained 201 I give you my love, more pre-cious than 14

20 205 mo- ney, I give you my - self, be - fore prea ching or law; e Will you give me your - self? will you come tra- vel with me? Shall we as long as we live? g stick by each o -ther live by each o - ther as long as we live! a effluent We shall emphatical l.v. Kapellen 31-XII Sequence 5 of heartbeats 15

21 Nathalie Racine angrily 224 Soprano voice A 5. Féline Colère pour corps en rut et en cor en fa 225 fast 226 percussive (accidentals remain valid for the whole 'bar') very fast B Fé Horn (in C in this score) (spoken) - line (= Feline wrath) raging (the rehearsal letters correspond to the strophes of the poem) (sung) et tant pis si tout le mon -de me voit!! (= i bang the glass door of your office and too bad if everybody sees me!!) Co - lère (within the context of an agogic marking, the horn player determines the rhythm) je claque (within the context of an agogic marking, the singer determines the rhythm) Robert Casteels la porte de ton bu - reau de verre (accidentals remain valid for the whole 'bar') je plan-te mes yeux dans les tiens et d'un re-vers du bras dé -ga - ge tous les dossiers sur le sol! (= i plant my eyes into yours and with the back of my hand i throw all the files on the floor!) 233 fast 234 moderately C slow 238 RC pas de vais-selle à cas- ser!!! pas gra ve, D - le P - C fe - ra l'af - faire... (= No plates and dishes to smash!!! No worries, the PC will do...) thoughtful tiens et si je me met-tais à hur- ler!!! (= so, and what about starting to scream!!!) en gar-dant le sou -ri - re et (an arrow pointing to the right indicates an accelerando) (a vertical arrow indicates a simultaneity) 239 le re-gard en feu (= whilst keeping a smile on my face and fire in my eyes) (stopped) sudden cresc. E (open) (a vertical arrow indicates a rest or a pitch that has to occur at a specific moment in relation to the voice line) agitated 16

22 moderately agitated 243 dans 244 l'a - gi - ta-tion qui m' a -ni-me (= in my state of agitation) moderately agitated 248 senza cresc. cresc. mon che-mi-sier a glis-sé dé-cou-vrant la nais-san-ce d e espress. (= my blouse slipped) (= uncovering the birth of my breasts) agitated very fast (spoken) (sung) 254 F mes seins des gout-te - let -tes de ra - ge per-lent ironical G (= droplets of rage pearl) en - tre leur sil- lon!!! espress. (= in between their groove!!!) je prends pos - ses - sion du bu - reau dé - bar - ras - sé de tout le su - per - flu (= i take possession of the desk) (= disencumbered of all the superfluous) et mon re-gard de ti -gres-se en fu-rie se plan-te dans le tien (= i plant my look of tigress in fury into your eyes) j' waltzing accelerating 264 at-tendstou-jours le soi -di-sant jo - li mail... ha oui pas le temps!! (= i am still waiting for the supposedly pretty mail...) (= oh yes, no time!!) 17

23 very fast tiens il res-te bien u-nelam-pe ou je ne sais quoi à ba-lan-cer ra- geu-se-ment sur le sol!!! furious 268 (= so, there must be a desk lamp left, or I don't know what i can ragingly throw on the floor!!!) et le p' tit coup de fil pas le temps non plus!!! (= and the little phone call) (= no time either!!) H meticulous là c' est toi que je ba - lan-ce dans le fau -teuil... (= there it's you that i throw in the chair...) I 272 moderately meticulous less fast 273 ironical still slower cajoling ma ju -pe droi-te lar -ge- ment fen - du -e est re-mon té-e le long de mes jam-bes of-frant à la vu-e des cu -rieux (= my right skirt largely split) (= hitched up along my legs) (= offering to the sight of the curious) (change pitch when the singer sings the word "jambe") qui l' air de rien (= who, as if nothing happened) (echo exactly the rhythm of the soprano of the previous bar) la dé - li - ca - te den-tel-le d' un tri an (= at the delicate triangle of lace) jet - tent un oeil a - mu - s é p a r le ver-re qui nous en - tou-re, (= look amused) (= through the glass that surrounds us) soprano: fast and agitated cor: regularly at = gle. J je (silence when the singer sings the word "triangle") (keep repeating, independently from the voice's rhythm) suis sur toi, en plus à moi-tié nu-e (= i am on top of you, furthermore half-naked) 18

24 et fu-rieu-se du temps qui pas-se et (= and furious of time passing) que tu ne prends ja-mais de (= furious of time that you never take) tou-tes ces pa -ro -les que tu lan-ces, (= furious of all those empty words you throw) quand tu as le temps (= when you have time) et que tu pen-ses au mo-ment où elles sont di-tes et (= and that you think the moment you say them) (slow down) que tu ou-blies L' in-stant d' a - près... (= and that you forget the next moment...) (slow considerably to a standstill after the voice) 298 K very slow very slow ominous a little less slow than very slow 299 (parlé) (chanté) 300 alors mon-sieur le la - pin pres - sé qui (= well then, mister hurried rabbit) again a little less slow n' a (= who never has any time) - vez ja - mais le temps 301 moderately 302 pri - son -nier sous mon corps (= prisoner under my body) less moderately still less moderate 303 (together with the horn player) a little fast là à pré - sent sous les dé - bris de ma co - lè - r e j e vous tiens (= here, at this very moment) (= under the debris of my wrath) (= i hold you) cuivré alla caccia (play these four notes, together with the soprano) 306 faster et very fast 307 ne vous re - lâ - che - rez Qu' (= and will only release you) a -près vous a - voir fait ra - geu - se - ment (= after ragingly have made with you) out of control 308 (pavillion en l' air) wild l' a- mour... (= love) 19

25 là L i - ci (= there) (= here) et main - te- nant!!!!! (hold the pitch until the fifth glissando) (= and now!!!!) 314 calm = M le temps (= time) with mute dans mes che-veux (= through my hair) legato N de re - met-tre de l' or -dre à mes vê - te - ments et de pas-ser u- n e m a i n (= to readjust my clothes) (= and to pass a hand) satisfied :-) 336 mute je me lè - ve, vous lais-santsur le sol (= i stand up,) (= leaving you on the floor) claquela portevi-trée (= bang the glass door) tra -verse le cou-loir en sou - ri - ant à vos col - l a - b o - ra - teurs Le (= cross the corridor) (= whilst smiling) (= to your colleagues) (murmured) (sung) ta-xi est en bas... je re - pars.. dim. Fé - line (= feline wrath) Co-lère (end together) (= The taxi is downstairs...) (= i's off..) still with mute (end together) 337 Sequence 6 of heartbeats 20

26 Wang Wei 过香积寺 6. By the Temple for tenor voice and piccolo flute serene Tenor voice Piccolo flute start playing when you see the blue the light signal from behind the audience Robert Casteels [Not know incense store temple] (= I did not now the incense storage temple) poco a poco cresc. shu li ru yun feng [Few enter cloud peaks] (= I walked a few miles into the clouded peaks.) gu [Ancient cresc. mu wu ren jing shen shan he chu zhong trees no person path] [Deep hills what place bells] (= No man on the path between the ancient trees,) (= A bell rang somewhere deep among the hills.) subito 351 cresc. 352 quan [Spring 353 cresc a piacere 357 RC 2012 sheng ye wei shi sound choke sheer rock] (= I walked a few miles into the clouded peaks.) ri se leng qing song [Sun colour cold green pines] (= The deep pines chilled the sunlight s colour rays. Sequence 7 of heartbeats bo mu kong tan qu an [Dusk empty pool bend] peace (= Come dusk, at the bend of a deserted pool,) 21

27 Moon Jung-hee Soprano voice 358 Tempo giusto 7. Kyawulsarang for soprano voice and violoncello (spoken) Robert Casteels Kyulsarang Moon Jeong Hee Violoncello non vib. start playing when you see blue light signal from behind the audience poco a poco vib. vib. trem. from slow to fast accel. 366 continuous uninterrupted glissando from slow to fast to slow rit. tremolando from slow to fast to slow senza vibrato Calmo Nun Son - gi chaw pizz. L.H. like 391 rawm, RC

28 395 con vibrato Naw - e - ge ga - go ship - da Misterioso con rubato 415 you ship - da. towards come sul tasto accel. norm. Maw-mut gaw -ri - ji ship - da. (= I wish to come to you like snowflakes) arco mal- go, Saw Sawng dae wish - ji mal- go, 417 Vivo hesitate Sum-gi - ji mal- go. do not (= without hesitating, without meandering, without hiding) meander do not Gn - yang, 422 hide do not ne Ha simply yan Seng - e Sog - e tui - e - dl - your white life inside (= To simply leap into your white life) jump into 23

29 427 raw (senza rall.) 434 Da - se - ha Gyaw - eu - ri döi - go ship - da. ship - da. 440 rit. warm trem. from slow to fast winter become sul tasto trem. from fast to slow wish Calmo cresc. Chawn pizz. L.H. 452 thousand year old nyen Bek white - saw snow 457 i, döi - go ship - da. (= I want to become winter's warmth and ancient snow) become wish Hong Kong 17-V

30 462 Sequence 8 of heartbeats tomo Tabito Baritone voice Percussion start playing when you see the blue light signal from behind the audience 8. In Praise of Sake for baritone voice and percussion Robert Casteels Shi - ru - shi - na - ki Mo -no - o - mo - wa - zu - wa Hi - to - tsu - ki - no avail no, worry not (= It is no use to worry. It seems I'd better drink a cup of sake.) two small bongos 467 Ni - go - re - ru sa ke o No - mu - be - ku - a - ra - shi suspended small triangle sudden cresc. sudden 473 wood block suspended small cymbal RC 2012 Sa ke no - na - o Hi - ji - ri - to - o - se - shi (= A great sage called sake sage in ancient times. How he was sagacious!) dim. 25

31 481 I - ni - shi - e - no O - o - ki hi - ji - ri - no Ko - to no - - yo - ro - shi - sa (= What did the Seven Sages want in ancient times? It seems sake.) I - ni -shi - e - no Shi-chi -no - sa - ka - shi - ki Hi - to - ta - chi -mo 497 Ho - ri - se shi - - mo - no - wa Sa ke ni - shi - a - ra - shi Sa - ka - shi - mi - to Mo -no -yu - u - yo - ri - wa (= It is much better to drink in tears rather than pretending to be smart.) sudden 26

32 512 sudden Sa - ke no - mi - te E sudden - i - na - ki - su - ru - shi Ma - sa - ri - ta ru - - ra - shi I - wa-mu - su -be Se-mu su -be shi -ra - ni Ki-wa-ma- ri - te (= I know no way to mention and no way to do with it. The mosty precious thing seems sake.) 526 To - o - to - ki - mo - no - wa Sa ke ni - shi - a - ra - shi Na - ka - na - ka - ni Hi - to - to - a - ra - zu - wa Sa - ka - tsu - bo - ni (= I wish I were a sake jar rather than a man so that I would immerse myself in sake.) 27

33 540 6 Na - ri - ni - te - shi - ka - mo Sa - ke ni - shi - mi - na - mu A - na - mi -ni - ku Sa -ka-shi -ra - wo-su - to Sa (= How ugly he is! When I watch a person who does not drink sake and stays sober, he looks like a monkey!) - ke no-ma-nu 556 Hi -to - o - yo - ku - mi ba - Sa - ru - ni ka -mo - ni - mu dim. A - ta - i - na - ki Ta (= Even a priceless treasure can never win a cup of white sake.) - ka - ra - to - yu - u - mo 28

34 573 Hi - to - tsu - ki no - Ni - go - re - ru - Sa - ke ni - A - ni - ma - sa -me - ya-mo Yo - ru - hi - ka - ru Ta - ma - to - yu - u - to - mo (= A jewel shines at night, but drinking sake shines my heart much better.) 589 sudden Sa - ke no - mi - te Ko - ko - ro o - - ya - ru - ni A cresc. - ni - shi - ka-me - ya-mo cresc (= Everywhere in this human world, the best amusement seems to be drinking in tears.) Yo - no - na - ka - no A - so - bi no - - mi - chi - ni 29

35 602 A - ma - ne - ki - wa E - i - na - ki - su - ru - shi A - ru - be - ka - ru - ra - shi Ko - no - yo - ni - shi Ta - no - shi -ku - a - ra - ba Ko -mu - (= If I can enjoy this world, I shall become a worm or a bird in the next world.) 616 yo - ni - wa Mu - shi - ni - to - ri - ni mo - Wa - re - wa - na - ri - na - mu cresc. U - ma - ru - re - ba Tsu - i ni - mo - shi - nu - ru Mo - no - a - re - ba 12 (= Things are born and will die at the end anyway, then, I should enjoy myself in this world.) 30

36 631 Ko - no - yo - na - ru - ma - wa Ta - no - shi - ku - a - ra - na Slowing down Mo - da - o - ri - te Sa - ka - shi - ra - su - ru - wa 13 (= Staying silent and sober cannot come close to drinking in tears.) 642 Sa - ke no - mi - te E - i - na - ki - su - ru - shi Na - o - shi - ka -zu - ke - ri 647 Slowing down Hong Kong 17-V-2012 Singapore 8-VI

37 Soprano 1 Violoncello Allegro giocoso = Happy End = 6' finale [until bar 712, the singers vocalise on a vowel of their choice] Robert Casteels Soprano 2 Horn in F Soprano 3 Vibraphone Alto Clarinet in A Countertenor Piano Tenor 1 Piccolo flute Tenor 2 Acoustic Guitar Baritone Percussion Heartbeat RC

38 Vib. Alt. 658 A Cl. Vib. Alt. A Cl. 662 Vib. Alt. A Cl dim. leggiero leggiero Tnr. 2 Gtr. Vib. Alt. A Cl. Pno. Tnr. 2 Gtr

39 Sop legatosostenuto Vib. Alt. A Cl. Cntnr. legato dolce Tnr. 2 Gtr. Sop cresc. Vib. Alt. A Cl. Cntnr. legatosostenuto Pno. Tnr. 2 Gtr. 34

40 Sop. 1 Vlc. 676 Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. 35

41 Sop Vlc. Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. 36

42 Sop. 1 Vlc Sop. 2 F Hrn. espress. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 legato Picc. Tnr. 2 Gtr. Brtn. Perc. sul pont. normal, quasi legato 37

43 Sop. 1 Vlc. 687 Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. legato Cntnr. Pno. legato Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. 38

44 Sop. 1 Vlc Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. 39

45 Sop Vlc. Sop. 2 subito F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. subito Tnr. 1 Picc. Tnr. 2 Gtr. subito Brtn. Perc. 40

46 Sop. 1 Vlc. Sop. 2 F Hrn. 697 subito Sop. 3 Alt. Pno. Gtr. subito subito Sop Vlc. Sop. 2 F Hrn. Sop. 3 Alt. Pno. Gtr. Brtn. Perc. wood block 41

47 Sop Vlc. Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. 42

48 Sop Vlc. Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. 43

49 Sop cresc. cresc. cresc. Vlc. Sop. 2 F Hrn. Sop. 3 Vib. cresc. cresc. cresc. cresc. cresc. cresc. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc. l.v. 44

50 Sop. 1 Vlc. 708 sostenuto non dim. 8 Sop. 2 F Hrn. sostenuto non dim. Sop. 3 Vib. Alt. A Cl. sostenuto non dim. sostenuto non dim. Cntnr. Pno. sostenuto non dim. Tnr. 1 Picc. sostenuto non dim. Tnr. 2 Gtr. sostenuto non dim. Brtn. Perc. sostenuto non dim. l.v. suspended small cymbal 45

51 Sop. 1 Vlc. Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. 714 legato (1 pedal for 12 bars) pizz. Tnr. 2 Gtr. Brtn. Perc. ben articolato wood block 46

52 Sop Vlc. arco pizz. arco pizz. arco Sop. 2 F Hrn. Sop. 3 con sord. Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. 47

53 Sop Vlc. pizz. arco pizz. arco pizz. arco Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. 48

54 Sop. 1 Vlc. Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr pizz. arco Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. suspended small triangle l.v. 49

55 Sop. 1 Vlc. 727 Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 legato (1 pedal for 12 bars) Picc. Tnr. 2 Gtr. like 8 small bells mu - Brtn. Perc. like 8 small bells On

56 Sop. 1 Vlc. Sop like 5 small bells pizz. arco pizz. arco pizz. F Hrn. Mu si - - Sop. 3 like 6 small bells Vib. Mu si ca Alt. A Cl. Cntnr. like 5 small bells Mu Pno. Tnr. 1 Picc. Tnr. 2 Gtr. si ka ga - Brtn. Perc. ga ku Ka

57 Sop. 1 Vlc. 732 like 4 small bells Maum e arco pizz. arco pizz. Sop. 2 F Hrn. que Sop. 3 Vib. del Alt. A Cl. ziek uit Cntnr. Pno. like 5 small bells Mu sic Tnr. 1 Picc. Tnr. 2 Gtr. ling sa Brtn. Perc. ra Ko

58 Sop. 1 Vlc. 735 arco pizz. u arco pizz. - arco - mak Sop. 2 F Hrn. du coeur Sop. 3 Vib. cuo re Alt. A Cl. het hart Cntnr. Pno. Tnr. 1 Picc. like 3 small bells from Yue cong xin the Tnr. 2 Gtr. pu Brtn. Perc. ko ro 53

59 Sop. 1 Vlc. Sop. 2 F Hrn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 Gtr. Brtn. Perc. Heartbeat 739 m m m m heart 10 m m sa m m last sequence of heartbeats has started; lights on stage are dimmed until complete darkness; from here, perform from memory in the dark, reacting to the light signals from behind the audience; hold this pitch D as long as you wish and reasonably can; all perfomers end at different times. Sequence 8 of heart beats 54

60 Sop. 1 Sop. 2 Sop All singers: when you see the light signal, sing this bar but articulate clearly Kyul Pez - sa - rang mun Jeong - hee Fé - line Co - lère - zo di te - a - tro di suc - ces - s o Alt. Cntnr. Tnr. 1 Tnr. 2 Nooit mijn ziel zo dicht bij God ge - we - ten We shall live by each o - ther as long as we live Peace meditation control fierce dragon Brtn. Heartbeat Krus ng A - king I - na Sa - ké no - mi - te Vlc. F Hn. Vib. A Cl. Pno. Picc. Gtr. Perc. Heartbeat 743 when you see the light signal, play pizz. secco and clearly articulated when you see the light signal, play bouché and clearly articulated when you see the light signal, play dead strokes and clearly articulated when you see the light signal, play and clearly articulated when you see the light signal, play and clearly articulated, without pedal when you see the light signal, play air sound but clearly articulated when you see the light signal, play pizz. mute but clearly articulated when you see the light signal, play dead strokes and clearly articulated 55

61 Vlc. F Hn. Vib. A Cl. Pno. Picc. Gtr. Perc. 745 All players: when you see the light signal, murmur this bar but articulate clearly Kyul Pez - sa - rang mun Gyeu - ri Fé - line Co - lère - zo di te - a - tro di suc - ces - s o Nooit mijn ziel zo dicht bij God ge - we - ten We shall live by each o - ther as long as we live Peace meditation control fierce dragon Sa Krus Ng A - king I - na - ké no - mi - te Sop. 1 Sop. 2 Sop. 3 Alt. Cntnr. Tnr. 1 Tnr All singers: when you see the light signal, sing this bar Kyul Pez - sa - rang mun Jeong - hee Fé - line Co - lère - zo di te - a - tro di suc -ces - so Nooit mijn ziel zo dicht bij God ge - we - ten We shall live by each o - ther as long as we live Peace meditation control fierce dragon Krus Ng A - king I - na Brtn. Heartbeat Heartbeat Sa - ké no - - mi - - te 56

62 Sop. 1 Sop. 2 Sop. 3 Alt. Cntnr. Tnr. 1 Tnr. 2 Brtn. 748 All singers: when you see the light signal, sing this bar gently maum e u - mak mu - sique du coeur mu - si - ca del cuo - re mu - ziek uit het hart mu - sic from the heart yue cong xin mu on - si - ka ga - ling sa pu - sa - ga - ku ka - ra ko - ko - ro Vlc. F Hn. Vib. A Cl. Pno. Picc. Gtr. Perc. Heartbeat Heartbeat 750 All players: when you see the light signal, play this bar gently 57

63 Sop On the light signal, all singers and players start to murmur indinsticnly, not synchronised and slowing down Vlc. maum e u - mak Sop. 2 F Hn. Sop. 3 Vib. Alt. A Cl. Cntnr. Pno. Tnr. 1 Picc. Tnr. 2 maum e u - mak mu mu mu mu mu mu - sique du coeur - sique du coeur - si - ca del cuo - re - si - ca del cuo - re mu mu - ziek uit het hart - ziek uit het hart - sic from the heart - sic from the heart yue cong xin yue cong xin Gtr. mu - si - ka ga - ling sa pu - sa mu - si - ka ga - ling sa pu - sa Brtn. Perc. on - ga - ku ka - ra ko - ko - ro Heartbeat on - ga - ku ka - ra ko - ko - ro Ha Long Bay 21-VI

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65 Publisher Robert Casteels Graphic Designer Neol Leung Yick Chuen Printer Forum Graphic Production No part of this publication may be copied or reproduced in any form or by any means without prior permission. ISMN

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