Guidance on co-teaching

Size: px
Start display at page:

Download "Guidance on co-teaching"

Transcription

1 Guidance on co-teaching This resource gives you some ideas for co-teaching our and Music specifications (7271, 7272) which are designed to sit very comfortably together. The specifications are structured in such a way that: and students both cover the compulsory Area of study 1 (Western classical tradition ) o students choose one of two strands (Baroque solo concerto, the operas of Mozart) o students choose two of three strands (Baroque solo concerto, the operas of Mozart, piano of Chopin, Brahms and Grieg) students cover one other area of study (which can be carried forward to ) and prepare a performance of at least six minutes duration. students cover two other areas of study, and prepare a performance of at least 10 minutes duration. For composition, and students both create two compositions with a combined duration of at least 4.5 minutes, one to an and one free composition, so the composition techniques taught to students will also benefit students. Co-teaching and Year 1 1 year/alevel year 1 Autumn term Spring term Summer term and Area of study 1 (Western classical tradition ) Introduction to one of two strands and associated set work and in depth study and analysis of one strand and set work. Reference to other movements/arias of set work for context for and for Complete analysis of set work for one strand and knowledge of unfamiliar repertoire for both strands.

2 with exploration of al elements, al context and al language. unfamiliar from one strand. preparation for A- level. unfamiliar from both strands. study of additional movements/arias. and and Introduction to one optional Area of study and knowledge of al elements and al contexts for unfamiliar repertoire of all composers in the Area of study: Selection for indepth. in-depth and knowledge of at least two works per artist/composer. in-depth study of three and knowledge of at least two works per artist/composer. and two works; sit externally set exam (May/June). study of three artists/ composers, consideration for second optional Selection for indepth study of three. and Discussion of practice goals. Refinement of material and timings of performance. Practice of performance. complete performance of at least six minutes (1 March 31 May). study, exploration and refinement of

3 Component 3: Selection of (released on or as near as possible to 15 September) for composition 1 and discussion of aims. selection of an brief. composition 1; work on composition 2 (free composition). two compositions of at least 4.5 minutes with written evidence. compositions by 31 May. work on composition 1 and ideas for composition 2 (free composition). composition 1 ( brief) and continued work on composition 2. Year 2 year 2 Autumn term Spring term Summer term Area of study 1 (Western classical tradition ): Selection of second strand and associated set work; continued study of strand one with additional movements/arias; further development of al elements, context and language for both strands. Continuation of in depth analysis of two strands and knowledge and understanding of al elements, context and language. analysis of two strands and set works. Revision of al elements, context and language. Further listening to unfamiliar repertoire for both strands. study of first optional Area of study and selection of second optional in-depth optional Areas of study and three artists/ optional Areas of study; sit

4 Area of study and associated three. composers and their works. externally set exam (May/June). unfamiliar repertoire for in both Areas of study. refinement of Decision on practice of performance and recordings. complete performance of at least 10 minutes (1 March 31 May) Component 3: Selection of for composition 1 (released on or as near as possible to 15 September). work on composition 2 free composition. work on composition 1 including teacher feedback. Refinement of composition 2. Consider recording composition 2. two compositions of at least 4.5 minutes with written evidence. compositions completed by 31 May. Teaching a two-year course year 1 Autumn term Spring term Summer term Area of study 1 (Western classical tradition ): Introduction to one strand and part of associated set work with exploration of al elements, al context and al language. Introduction of unfamiliar repertoire for one strand. study and analysis of one strand and set work with any additional arias/movements introduced. Introduction of optional Area of study and selection of one artist/composer and one work of two to be study of selected strand and optional Area of study. Further listening to unfamiliar repertoire of selected strand and composers in selected Area of study.

5 studied. unfamiliar repertoire for named artist/composer and other named artist/composer in selected Area of study. Discussion of practice goals. practice of Refinement of Component 3: Selection of an for composition 1 to practice learning compositional techniques and discussion of aims. composition 1 including teacher feedback. Consideration for ideas for free composition. practice composition to an externally set brief. work on free composition. year 2 Autumn term Spring term Summer term Revision of Area of study 1 and one strand. in-depth study of set works and addition of second chosen artist/composer and their work for selected optional listening to unfamiliar repertoire for both strands of Area of study 1 and all composers for indepth study and analysis of set work for strand of Area of study 1. indepth study for two selected and at least two of their works for selected optional listening to unfamiliar repertoire for both strands of Area of study 1 and all Revision of work and sitting of paper (May/June).

6 selected optional composers for selected optional Revision of timings for performance. Practice for recording of performance. complete performance of at least six minutes (1 March 31 May) Component 3: Selection of to be assessed and continued work on free composition. Refinement of free composition and recording. composition. 2 compositions of at least 4.5 minutes with written evidence. compositions completed by 31 May.

Scheme of work: 2 years (AS and A-level)

Scheme of work: 2 years (AS and A-level) Scheme of work: 2 years (AS and A-level) This scheme of work suggests how the AS and A-level Music specifications may be taught over two years, with the AS content taught in the first year and the A- level

More information

Scheme of work: Co-teaching AS and A- level (1 year)

Scheme of work: Co-teaching AS and A- level (1 year) Scheme of work: Co-teaching AS and A- level (1 year) This Scheme of work provides ideas on teaching our A-level Music specification over two years. It also includes advice to help you co-teach the AS Music

More information

Scheme of work: 2 years (A-level)

Scheme of work: 2 years (A-level) Scheme of work: 2 years (A-level) This scheme of work suggests how the A-level Music specification may be taught over two years. Year 1 Half term Component 1: Listening and appraising Component 2: Performing

More information

Vademecum Violin. Academic year Version September AP Hogeschool Koninklijk Conservatorium Antwerpen Vademecum Violin 1

Vademecum Violin. Academic year Version September AP Hogeschool Koninklijk Conservatorium Antwerpen Vademecum Violin 1 Vademecum Violin Academic year 2017 2018 Version September 2017 AP Hogeschool Koninklijk Conservatorium Antwerpen Vademecum Violin 1 Content 1. BACHELOR S 1... 3 INSTRUMENT 1... 3 AUDITION PREPARATION

More information

Vademecum Violin. Academic year AP Hogeschool Koninklijk Conservatorium Antwerpen Vademecum Violin 1

Vademecum Violin. Academic year AP Hogeschool Koninklijk Conservatorium Antwerpen Vademecum Violin 1 Vademecum Violin Academic year 2018-2019 AP Hogeschool Koninklijk Conservatorium Antwerpen Vademecum Violin 1 Content 1. BACHELOR S 1... 3 INSTRUMENT 1... 3 AUDITION PREPARATION 1... 4 2. BACHELOR S 2...

More information

Music at Cox Green Key Stage 4 Curriculum Plan Year 9

Music at Cox Green Key Stage 4 Curriculum Plan Year 9 Music at Cox Green 2018-2019 Key Stage 4 Curriculum Plan Year 9 Term 1 Term 2 Term 3 Term 4 Term 5 Term 6 The Blues historical and political context, composition and Musical letters composition. Musical

More information

Key Stage 4 Music at Robert Smyth Academy

Key Stage 4 Music at Robert Smyth Academy Key Stage 4 Music at Robert Smyth Academy Students currently in Year 11 study one of two GCSEs, offered by the examination boards AQA and Edexcel. AQA GCSE Music (subject code 4272) Content indicated by

More information

This document provides an overview of the specifications approved by Ofqual for the new AS and A-level Music qualifications.

This document provides an overview of the specifications approved by Ofqual for the new AS and A-level Music qualifications. AS and A-level Music (for first teaching in Sept 2016) This document provides an overview of the specifications approved by Ofqual for the new AS and A-level Music qualifications. The and A-level are two

More information

A Level Music 2-year course

A Level Music 2-year course A Level Music 2-year course Contents Overview Error! Bookmark not defined. Year One 3 Year Two 6 This document is based on the latest information in the accredited Pearson Edexcel A Level Music qualifications.

More information

GCSE MUSIC OCR 9-1

GCSE MUSIC OCR 9-1 GCSE MUSIC 2017-2020 OCR 9-1 AN OVERVIEW Learners will have to complete: A Performance on their chosen instrument A composition in a style chosen by them including a score An ensemble performance A composition

More information

Music through History The Western Classical Tradition. Song Writing. Assessment: Song writing project. Solo Performance

Music through History The Western Classical Tradition. Song Writing. Assessment: Song writing project. Solo Performance Music at Cox Green 2017 2018 Curriculum Plan Key Stage 4 Year 9 GCSE Skills development Term 1 Term 2 Term 3 Term 4 Term 5 Term 6 Getting to grips with music Song Writing Assessment: Solo performance on

More information

Syllabus and Course Outline for Lit & Rep: Percussion , section B. Carnegie Mellon University

Syllabus and Course Outline for Lit & Rep: Percussion , section B. Carnegie Mellon University Syllabus and Course Outline for Lit & Rep: Percussion 57-437, 57-737 section B Carnegie Mellon University 2012-2013 Course Objective: Each student should gain working knowledge and practical skills to

More information

Harding University Department of Music. PIANO PRINCIPAL HANDBOOK (rev )

Harding University Department of Music. PIANO PRINCIPAL HANDBOOK (rev ) Harding University Department of Music PIANO PRINCIPAL HANDBOOK (rev. 08-18-2015) Intended for those music majors whose principal instrument is piano, this handbook provides more specific details than

More information

Postgraduate pre-admission and audition requirements

Postgraduate pre-admission and audition requirements Postgraduate pre-admission and audition requirements Table of Contents Composition... 1 Master of Music (Composition)... 1 Doctor of Musical Arts (DMA)... 1 Doctor of Philosophy (PhD)... 1 Conducting...

More information

PIANO ~ 1 ~ RULES FOR PIANO CLASSES

PIANO ~ 1 ~ RULES FOR PIANO CLASSES PIANO The Co-Section Heads for Junior Piano are Andrea Warner (250-382-2781 or agwarner@telus.net) and Cathy Savage (250-598-5707 or casavage1@gmail.com). The Section Head for Intermediate Piano is Lara

More information

Syllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Music

Syllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Music Syllabus Snapshot by Amazing Brains Exam Body: CCEA Level: GCSE Subject: Music 2 Specification at a Glance The table below summarises the structure of this GCSE course. Assessment Weightings Availability

More information

SUNY Potsdam Student Learning Outcomes Assessment Plan Music Performance. Date Submitted and Academic Year: October 2011 for AY

SUNY Potsdam Student Learning Outcomes Assessment Plan Music Performance. Date Submitted and Academic Year: October 2011 for AY Department Name: Music Performance Date Submitted and Academic Year: October 2011 for AY 2011-2012 School of Music Mission Statement: The Crane School of Music is a community of musician-educators committed

More information

LEVEL DESCRIPTIONS, CLASSICAL INSTRUMENTS AND VOCAL

LEVEL DESCRIPTIONS, CLASSICAL INSTRUMENTS AND VOCAL 2017-18 LEVEL DESCRIPTIONS, CLASSICAL INSTRUMENTS AND VOCAL INDEX ACCORDION, KANTELE, GUITAR, PIANO, FORTEPIANO AND ORGAN Accordion Performance, Level C Accordion Performance, Level B Accordion Performance,

More information

ROSEDALE HEIGHTS SCHOOL OF THE ARTS

ROSEDALE HEIGHTS SCHOOL OF THE ARTS ROSEDALE HEIGHTS SCHOOL OF THE ARTS Course Of Study Instrumental Music Band Grade 9 Open AMI10 January 2002 Prerequisite: Students who are registered for grade 9 beginner band have had little to no experience

More information

MUSIC 105, MUSIC APPRECIATON - Section Syllabus and Orientation Letter

MUSIC 105, MUSIC APPRECIATON - Section Syllabus and Orientation Letter MUSIC 105, MUSIC APPRECIATON - Section 12211 Syllabus and Orientation Letter Instructor: Bernardo Feldman. Born in Mexico City Dr. Feldman attended there the Conservatorio Nacional de Musica before traveling

More information

General Examination in Historical Musicology. Monday, August 9, Wednesday, August 11, 2010

General Examination in Historical Musicology. Monday, August 9, Wednesday, August 11, 2010 (9-11 a.m.) Topic 1: Medieval (12-2 p.m.) Topic 2: Renaissance (3-5 p.m.) Topic 3: Baroque (9-11 a.m.) Topic 4: Classical (12-2 p.m.) Topic 5: 19 th Century (3-5 p.m.) Topic 6: Ethnomusicology Instructions:

More information

Saskatoon Music Festival 2018 Supplementary Classes to the Provincial Syllabus

Saskatoon Music Festival 2018 Supplementary Classes to the Provincial Syllabus Saskatoon Music Festival 2018 Supplementary Classes to the 2016-2018 Provincial Syllabus Understanding the Three Levels of Competition within the SMF. Saskatoon Music Festival (Local) Competitors, teachers

More information

SYLLABUS MUS 161: Piano Literature Prepared by Dr. Nancy Zipay DeSalvo Days/Time: MWF 3:10 4:10 PM Patterson Hall

SYLLABUS MUS 161: Piano Literature Prepared by Dr. Nancy Zipay DeSalvo Days/Time: MWF 3:10 4:10 PM Patterson Hall SYLLABUS MUS 161: Piano Literature Prepared by Dr. Nancy Zipay DeSalvo Days/Time: MWF 3:10 4:10 PM Patterson Hall Dr. Nancy Zipay DeSalvo Patterson Hall, Studio G Campus phone: #7023 e-mail: desalvnj@westminster.edu

More information

CCCS Music Mastery Skills and Knowledge for Progression

CCCS Music Mastery Skills and Knowledge for Progression Foundation (G-E/1-2) Candidates sing and/or play music with some fluency the resources used. They compose music which shows some ability to organise musical ideas and use resources in response to a brief.

More information

School of Creative Arts Conservatorium of Music AUDITION INFORMATION

School of Creative Arts Conservatorium of Music AUDITION INFORMATION School of Creative Arts Conservatorium of Music AUDITION INFORMATION Page 2 Index Undergraduate Courses Course Page Number Bachelor of Music with Honours F4O (4 year) 3 Bachelor of Music 13O (3 year) 3

More information

Subject: Ternary Form Year Group: 7

Subject: Ternary Form Year Group: 7 Subject: Ternary Form Year Group: 7 1) Understand what a melody is. 2) Understand what question and answer phrasing is and why it is important to music. 3) Understand what ternary form structure is. 4)

More information

SUBJECT: YEAR: Half Term:

SUBJECT: YEAR: Half Term: Music 9 1 Baroque 1 To understand the key features of Baroque music. Listening activity. Basic context of Baroque era. Fact finding mission. Feedback to class. Baroque 2 To understand what ornaments used

More information

Music A-Level Summer Course

Music A-Level Summer Course Music A-Level Summer Course Name: Things to learn before September Notes/Keys Chords & Other Listening Major Scales Key Signatures Circle of Fifths Minor Scales Tones & Semi-tones Major & Minor Triads

More information

Music Appreciation: The Enjoyment of Listening

Music Appreciation: The Enjoyment of Listening Course Syllabus Music Appreciation: The Enjoyment of Listening Course Description Music is part of everyday lives and reflects the spirit of our human condition. To know and understand music, we distinguish

More information

Music Appreciation Final Exam Study Guide

Music Appreciation Final Exam Study Guide Music Appreciation Final Exam Study Guide Music = Sounds that are organized in time. Four Main Properties of Musical Sounds 1.) Pitch (the highness or lowness) 2.) Dynamics (loudness or softness) 3.) Timbre

More information

APPLIED PIANO SYLLABUS

APPLIED PIANO SYLLABUS APPLIED PIANO SYLLABUS General Requirements for all Applied Piano Students: Students will schedule lessons with their individual instructor. Students will need to acquire their own copies of the music

More information

Western Classical Tradition. The concerto

Western Classical Tradition. The concerto Western Classical Tradition The concerto Classical! The word classical is often used in a general way to refer to any music that is not pop music! However, the term also has a more precise meaning, and

More information

Unit Outcome Assessment Standards 1.1 & 1.3

Unit Outcome Assessment Standards 1.1 & 1.3 Understanding Music Unit Outcome Assessment Standards 1.1 & 1.3 By the end of this unit you will be able to recognise and identify musical concepts and styles from The Classical Era. Learning Intention

More information

SYLLABUS. Valid from Until further notice. Issued by authority of

SYLLABUS. Valid from Until further notice. Issued by authority of Yamaha Grade Examination System Violin Grade Grade 9 SYLLABUS Valid from 2015 Until further notice Issued by authority of Copyright 2014 by YAMAHA MUSIC FOUNDATION All Rights Reserved. International Copyright

More information

Year 13 Summer Homework. Music

Year 13 Summer Homework. Music Year 13 Summer Homework Music Deadline: Monday 12th September 2016 A2 Music Edexcel Music Objectives: The overall aims and objectives of this qualification are to enable students to: actively engage in

More information

Handbook for Applied Piano Students

Handbook for Applied Piano Students University of Southern Mississippi School of Music Handbook for Applied Piano Students GENERAL INFORMATION This handbook is designed to provide information about the activities and policies of the piano

More information

Checks for Understanding State Performance Indicators Assessments

Checks for Understanding State Performance Indicators Assessments Course: Class Piano Level One Unit: Unit 4 - Performing the Piano Course Level Expectations: 2.1 Demonstrate, with expression and technical accuracy, a varied repertoire of piano literature,early elementary

More information

SCHEDULE. Awards Ceremony: July 21 st, 2018; immediately after the final concerto concert.

SCHEDULE. Awards Ceremony: July 21 st, 2018; immediately after the final concerto concert. SCHEDULE DATE: July 15 th to 21 st, 2018 VENUE: Music Auditorium and Prince Mahidol Hall, College of Music, Mahidol University Salaya, Phuttamonthon, Nakhon Pathom, Thailand Application and Tape Deadline:

More information

Key Stage: 4. Subject: Music. Aims of the subject:

Key Stage: 4. Subject: Music. Aims of the subject: Key Stage: 4 Subject: Music Aims of the subject: Whether we are listening to our ipods, watching the TV or playing computer games, music is everywhere. Some people really enjoy making music as singers

More information

Component 1: Performing

Component 1: Performing Component 1: Performing Internal and External Assessed Performances Over the next two years at King Edward VI, you will follow a programme of assessed s that will help you to prepare your final A Level

More information

University of Music FRANZ LISZT Weimar

University of Music FRANZ LISZT Weimar University of Music FRANZ LISZT Weimar International LOUIS SPOHR Competition for Young Violinists > University of Music... > Retrospective > 3rd International LO... Prize winners Jury Jost Witter (Head

More information

Getting ready to teach

Getting ready to teach Getting ready to teach Agenda Specification structure and content overview Planning for the new course The three components: structure and assessment Learning aims During the day you will: Consider the

More information

MU 100 INTRODUCTION TO MUSIC LITERATURE SPRING 2004 DR. MARGERY WHATLEY OFFICE: B208 ROBERTS HALL PHONE: ,

MU 100 INTRODUCTION TO MUSIC LITERATURE SPRING 2004 DR. MARGERY WHATLEY OFFICE: B208 ROBERTS HALL PHONE: , MU 100 INTRODUCTION TO MUSIC LITERATURE SPRING 2004 DR. MARGERY WHATLEY OFFICE: B208 ROBERTS HALL PHONE: 824-2579, E-MAIL: mcduffm@uah.edu Course Purpose: This course is designed as a historical overview,

More information

Music Standards Grades PK-2. Anchor Standard 1. Generate and conceptualize artistic ideas and work.

Music Standards Grades PK-2. Anchor Standard 1. Generate and conceptualize artistic ideas and work. Music Standards Grades PK-2 Anchor Standard 1 Generate and conceptualize artistic ideas and work. Creating The creative ideas, concepts, and feelings that influence musicians work emerge from a variety

More information

Violin Audition Guidelines

Violin Audition Guidelines Violin Audition Guidelines Bachelor of Music, Bachelor of Arts (not including Music Performance Degree) 1. Applicants should prepare two solo works, one slow, one fast. Suggestions: - movement at the level

More information

MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS

MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS ECU MUSC 2208 299 (2002/03 F) Meets Tu Th at 14:00 in 200 Fletcher 201 Fletcher / (252) 328-1250 / mollk@mail.ecu.edu MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS ONLINE VERSION: http://core.ecu.edu/music/mollk/

More information

SOLOIST PROGRAMME Solist / Advanced Postgraduate Diploma in Music

SOLOIST PROGRAMME Solist / Advanced Postgraduate Diploma in Music SOLOIST PROGRAMME Solist / Advanced Postgraduate Diploma in Music ORCHESTRAL CONDUCTING CURRICULUM (VOL. II) Teaching and examination regulations August 2011 CONTENTS Preface... 3 Schema (ECTS and the

More information

Regulations and Conditions for Registration

Regulations and Conditions for Registration Musicians like Fritz Kreisler, Sergei Prokofjew, Jascha Heifetz and Yehudi Menuhin admire Goldstein s play Regulations and Conditions for Registration 1. Competition 1.1 Schedule 22 nd 25 th January 2015

More information

Please refer to the section READ ME FIRST for complete registration information.

Please refer to the section READ ME FIRST for complete registration information. Piano Please refer to the section READ ME FIRST for complete registration information. 1. In Test Pieces, repeats shall NOT be played unless specifically stated in the Syllabus. Da Capo repeats SHALL be

More information

MARK SCHEME for the May/June 2010 question paper for the guidance of teachers 9800 MUSIC

MARK SCHEME for the May/June 2010 question paper for the guidance of teachers 9800 MUSIC UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Pre-U Certificate MARK SCHEME for the May/June 21 question paper for the guidance of teachers 98 MUSIC 98/42 Paper 42 (Advanced Recital), maximum raw

More information

Mandy Campbell s Book Lists

Mandy Campbell s Book Lists 1 Mandy Campbell s Book Lists VIOLIN For Beginner Violin: Learn to Play a Stringed Instrument Violin, Book 1 Essential Elements 2000 (CD and DVD optional) Violin, Book 1 Learn to Play a Stringed Instrument

More information

DUNGOG HIGH SCHOOL CREATIVE ARTS

DUNGOG HIGH SCHOOL CREATIVE ARTS DUNGOG HIGH SCHOOL CREATIVE ARTS SENIOR HANDBOOK HSC Music 1 2013 NAME: CLASS: CONTENTS 1. Assessment schedule 2. Topics / Scope and Sequence 3. Course Structure 4. Contexts 5. Objectives and Outcomes

More information

use individual notes, chords, and chord progressions to analyze the structure of given musical selections. different volume levels.

use individual notes, chords, and chord progressions to analyze the structure of given musical selections. different volume levels. Music Theory Creating Essential Questions: 1. How do artists generate and select creative ideas? 2. How do artists make creative decisions? 3. How do artists improve the quality of their creative work?

More information

Music Appreciation: The Enjoyment of Listening

Music Appreciation: The Enjoyment of Listening Course Syllabus Music Appreciation: The Enjoyment of Listening Course Code: EDL023 Course Description Have you ever heard a piece of music that made you want to get up and dance? Cry your heart out? Sing

More information

University of West Florida Department of Music Levels of Attainment piano

University of West Florida Department of Music Levels of Attainment piano University of West Florida Department of Music Levels of Attainment piano Entry level: Incoming students are required to prepare two contrasting pieces from different periods. At the audition they are

More information

Level performance examination descriptions

Level performance examination descriptions Unofficial translation from the original Finnish document Level performance examination descriptions LEVEL PERFORMANCE EXAMINATION DESCRIPTIONS Accordion, kantele, guitar, piano and organ... 6 Accordion...

More information

Department Curriculum Map

Department Curriculum Map Department Curriculum Map 2018-19 Department KS3 Subject Specific Skills Students will build on their previous knowledge and skills through performing, composing and listening. They should develop their

More information

SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, CP)

SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, CP) University of Music Franz Liszt Weimar Special requirements for the audition SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, 90 + 30 CP) Specialisation Early Music

More information

MUSIC KEY STAGE 3 YEAR 7

MUSIC KEY STAGE 3 YEAR 7 MUSIC KEY STAGE 3 The music syllabus is designed to provide a course of study which will allow every child to develop a greater understanding of music through direct experience and participation in performing

More information

Requirements for the aptitude tests at the Folkwang University of the Arts

Requirements for the aptitude tests at the Folkwang University of the Arts Requirements for the aptitude tests at the Folkwang University of the Arts Faculty 1 / Master of Music Notice: There is no music theory test for Master study programmes, apart from contemporary music.

More information

MASTER OF FINE ARTS (Music Performance) RECITAL REQUIREMENTS

MASTER OF FINE ARTS (Music Performance) RECITAL REQUIREMENTS MASTER OF FINE ARTS (Music Performance) RECITAL REQUIREMENTS The MFA program requires three recitals during the course of the degree: one solo recital, one chamber recital, and one terminal recital that

More information

Cleveland International Piano Competition: conversations with the four finalists

Cleveland International Piano Competition: conversations with the four finalists Cleveland International Piano Competition: conversations with the four finalists by Mike Telin Now that the four finalists of the Cleveland International Piano Competition have completed their chamber

More information

MUSIC 57283: FALL 2010 MUSIC HISTORY I SECTION A

MUSIC 57283: FALL 2010 MUSIC HISTORY I SECTION A MUSIC 57283: FALL 2010 MUSIC HISTORY I SECTION A Professor Stephen Schultz Lectures: M/W 1:30-2:50pm Room: CFA A2 Office: Studio for Creative Inquiry, CFA 111 Office Hours: M/W 12:30-1:20pm Telephone:

More information

Materials. Sheet music of the arranged studies, arranged and distributed by the instructor.

Materials. Sheet music of the arranged studies, arranged and distributed by the instructor. Graphic Organizer of a Unit Plan Note: An overview of unit plan to provide "unit at a glance." Chamber Strings 11-12; Baroque Music for String Instruments Lesson # 1 Topic Bowing Technique; Rhythm patterns

More information

Easy Classical Flute Solos: Featuring Music Of Bach, Beethoven, Wagner, Handel And Other Composers By Javier Marcó READ ONLINE

Easy Classical Flute Solos: Featuring Music Of Bach, Beethoven, Wagner, Handel And Other Composers By Javier Marcó READ ONLINE Easy Classical Flute Solos: Featuring Music Of Bach, Beethoven, Wagner, Handel And Other Composers By Javier Marcó READ ONLINE A presentation of the Classical period of classical music, with its composers

More information

Vocal Arts, Opera, Opera Coaching and Collaborative Piano

Vocal Arts, Opera, Opera Coaching and Collaborative Piano 2017-18 Vocal Arts, Opera, Opera Coaching and Collaborative Piano Degree structure Index Course descriptions Bachelor of Music (180 ECTS) Vocal Arts as a main subject, minimum 90 ECTS Vocal music Piano

More information

THE GCSS CONCERTO COMPETITION 2018 FOR PIANO AND INSTRUMETAL Prize for the Ten Winners: Performance with GCSS Orchestra

THE GCSS CONCERTO COMPETITION 2018 FOR PIANO AND INSTRUMETAL Prize for the Ten Winners: Performance with GCSS Orchestra Gulf Coast Steinway Society THE GCSS CONCERTO COMPETITION 2018 FOR PIANO AND INSTRUMETAL Prize for the Ten Winners: Performance with GCSS Orchestra The Gulf Coast Steinway Society is a non-profit organization

More information

AUDITION PROCEDURE. Audition repertoire

AUDITION PROCEDURE. Audition repertoire AUDITION PROCEDURE Students accepted into the Music Major Program at ORU are required to pass an audition in the major area of performance as listed on this application form. Once the music department

More information

AS LEVEL Specification MUSIC. H143 For first assessment in Version 1.4 (August 2018) ocr.org.uk/alevelmusic

AS LEVEL Specification MUSIC. H143 For first assessment in Version 1.4 (August 2018) ocr.org.uk/alevelmusic AS LEVEL Specification MUSIC H143 For first assessment in 2017 Version 1.4 (August 2018) ocr.org.uk/alevelmusic YOUR CHECKLIST Our aim is to provide you with all the information and support you need to

More information

2019 JUNIOR AND INTERMEDIATE COMPETITION RULES AND REGULATIONS

2019 JUNIOR AND INTERMEDIATE COMPETITION RULES AND REGULATIONS ELIGIBILITY 2019 JUNIOR AND INTERMEDIATE COMPETITION RULES AND REGULATIONS 1. The 2019 Junior Division of the Virginia Waring International Piano Competition is open to pianists of any nationality born

More information

KINDERGARTEN-CURRICULUM MAP

KINDERGARTEN-CURRICULUM MAP CREATING Anchor Standard 1: Generate and conceptualize artistic ideas and work. Imagine: Generate musical ideas for various purposes and contexts. Enduring Understanding: The creative ideas, concepts,

More information

SCHEME OF WORK College Aims. Curriculum Aims and Objectives. Assessment Objectives

SCHEME OF WORK College Aims. Curriculum Aims and Objectives. Assessment Objectives SCHEME OF WORK 2017 Faculty Subject Level ARTS 9703 Music AS Level College Aims Senior College was established in 1995 to provide a high quality learning experience for senior secondary students. Its stated

More information

DANCE FOR CREATIVITY. Outcomes and Indicators: P.D.H.P.E:

DANCE FOR CREATIVITY. Outcomes and Indicators: P.D.H.P.E: DANCE FOR CREATIVITY Stage 2: The following activities have been planned to integrate PDHPE and Creative Arts outcomes providing opportunities for creativity, body awareness and fitness, with a focus on

More information

Year 11 SOW MUSIC Autumn Week. Lesson Objectives/ PLC Activities Assessment / key questions Week 1 Recap Handle Mozart

Year 11 SOW MUSIC Autumn Week. Lesson Objectives/ PLC Activities Assessment / key questions Week 1 Recap Handle Mozart Year 11 SOW MUSIC Autumn Week. Lesson Objectives/ PLC Activities Assessment / key Week 1 Recap Handle Mozart Week 1 lesson 2 Coursework- Brief To explore the orchestral work of Mozart and key classical

More information

University of Arkansas-Monticello Division of Music Fall MUS 1113 Music Appreciation Online Syllabus

University of Arkansas-Monticello Division of Music Fall MUS 1113 Music Appreciation Online Syllabus University of Arkansas-Monticello Division of Music Fall 2014 MUS 1113 Music Appreciation Online Syllabus Instructor: Email: Office Hours: Claude Askew askew@uamont.edu Via E-mail Music Appreciation- 3

More information

BIGGAR MUSIC FESTIVAL ASSOCIATION EXTRA VOCAL CLASSES 2018

BIGGAR MUSIC FESTIVAL ASSOCIATION EXTRA VOCAL CLASSES 2018 BIGGAR MUSIC FESTIVAL ASSOCIATION EXTRA VOCAL CLASSES 2018 FEES FOR ALL EXTRA CLASSES ARE $14.00 PER CLASS (SOLOS & DUETS). ENSEMBLE OR GROUP ENTRY OF THREE OR MORE - $32.00. FEES MUST ACCOMPANY ENTRIES.

More information

BIGGAR MUSIC FESTIVAL ASSOCIATION EXTRA PIANO CLASSES 2019

BIGGAR MUSIC FESTIVAL ASSOCIATION EXTRA PIANO CLASSES 2019 EXTRA PIANO CLASSES 2019 FEES FOR ALL EXTRA CLASSES ARE $14.00 PER CLASS (SOLOS & DUETS), ENSEMBLE OR GROUP ENTRY OF THREE OR MORE FEE $32.00. FEES MUST ACCOMPANY ENTRIES. ABSOLUTELY NO PHONE ENTRIES WILL

More information

Jury Examination Requirements

Jury Examination Requirements Jury Examination Requirements Composition Students are required to submit all works composed during the current academic year and will scored on productivity, creativity/originality, use of musical materials,

More information

Grade HS Band (1) Basic

Grade HS Band (1) Basic Grade HS Band (1) Basic Strands 1. Performance 2. Creating 3. Notation 4. Listening 5. Music in Society Strand 1 Performance Standard 1 Singing, alone and with others, a varied repertoire of music. 1-1

More information

Rachel Hocking Assignment Music 2Y Student No Music 1 - Music for Small Ensembles

Rachel Hocking Assignment Music 2Y Student No Music 1 - Music for Small Ensembles Music 1 - Music for Small Ensembles This unit is designed for a Music 1 class in the first term of the HSC course. The learning focus will be on reinforcing the musical concepts, widening student repertoire

More information

VCASS MUSIC CURRICULUM HANDBOOK

VCASS MUSIC CURRICULUM HANDBOOK VCASS MUSIC CURRICULUM HANDBOOK Victoria s Premier School for the Training and Education of Talented Young Dancers, Musicians, Theatre and Visual Artists 2017 COURSE CONTENT MUSIC PROGRAM YEARS 7, 8 &

More information

Component 2: Performing music assessment guide

Component 2: Performing music assessment guide Component 2: Performing music assessment guide This resource gives you technical guidance for Component 2: Performing music to help you prepare for GCSE Music (8271). There are no recordings to accompany

More information

Music 2 and. Music Extension Stage 6. Syllabuses

Music 2 and. Music Extension Stage 6. Syllabuses Music 2 and Music Extension Stage 6 Syllabuses Original published version updated: April 2000 Board Bulletin/Offical Notices Vol 9 No 2 (BOS 13/00) The Board of Studies owns the copyright on all syllabuses.

More information

MASTER OF MUSIC PERFORMANCE

MASTER OF MUSIC PERFORMANCE Revision: December 2017 MASTER OF MUSIC PERFORMANCE Following acceptance into the Performance degree program, each applicant will take music placement exams in piano (vocal students only), music theory

More information

CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS FALL 2011

CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS FALL 2011 CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS 57408 FALL 2011 Class times: Tuesday, Thursday 9:30-10:20, MM #127 Tuesday, Thursday 10:30-11:20, MM #127 INSTRUCTOR Dr. Marilyn Taft Thomas

More information

Qualification Accredited. GCSE (9 1) Scheme of Work MUSIC J536. For first teaching in Three year scheme of work. Version 1.

Qualification Accredited. GCSE (9 1) Scheme of Work MUSIC J536. For first teaching in Three year scheme of work. Version 1. Qualification Accredited GCSE (9 1) MUSIC J536 For first teaching in 2016 Three year scheme of work Version 1 www.ocr.org.uk/music GCSE (9 1) Music GCSE (9 1) MUSIC Composing and performing activities

More information

Easy Classical Cello Solos: Featuring Music Of Bach, Mozart, Beethoven, Tchaikovsky And Others. By Javier Marcó READ ONLINE

Easy Classical Cello Solos: Featuring Music Of Bach, Mozart, Beethoven, Tchaikovsky And Others. By Javier Marcó READ ONLINE Easy Classical Cello Solos: Featuring Music Of Bach, Mozart, Beethoven, Tchaikovsky And Others. By Javier Marcó READ ONLINE It's the instrument that inspired solo masterpieces from Bach to Bartók,. Mozart,

More information

2017 The 5 th GOCAA YOUTH PIANIST COMPETITION SYLLABUS AND APPLICATION

2017 The 5 th GOCAA YOUTH PIANIST COMPETITION SYLLABUS AND APPLICATION 2017 The 5 th GOCAA YOUTH PIANIST COMPETITION SYLLABUS AND APPLICATION The GOCCA YOUTH PIANIST COMPETIOTION is an international competition hosted by the GOCAA and A.C. ORANGE. Aiming to discover and promote

More information

Keyboard Music (Dover Music For Piano) Books

Keyboard Music (Dover Music For Piano) Books Keyboard Music (Dover Music For Piano) Books The renowned Bach-Gesellschaft, founded in 1850 to collect, edit, and publish all the known works of J. S. Bach, devoted fifty years to its monumental task.

More information

UNDERGRADUATE COURSE OPTIONS BRIEF DESCRIPTIONS

UNDERGRADUATE COURSE OPTIONS BRIEF DESCRIPTIONS UNDERGRADUATE COURSE OPTIONS BRIEF DESCRIPTIONS 2018-19 2nd- and 3rd-year option courses are generally limited to 28 students per class, selected on a first-come first-served basis, unless stated otherwise

More information

Music 111: Music Appreciation 1

Music 111: Music Appreciation 1 Music 111: Music Appreciation 1 Course Information: Los Angeles Pierce College January 2 to February 4, 2018 Section 14921 3 units Canvas online Instructor: Jon Titmus E-mail: titmusjg@piercecollege.edu

More information

SYLLABUS. Valid from Until further notice. Issued by authority of

SYLLABUS. Valid from Until further notice. Issued by authority of Yamaha Grade Examination System Violin Grade Grade 13 SYLLABUS Valid from 2015 Until further notice Issued by authority of Copyright 2014 by YAMAHA MUSIC FOUNDATION All Rights Reserved. International Copyright

More information

OCR GCSE Music at The Bulmershe School Key Stage 4 Curriculum Plan Year 9. Term 1 Term 2 Term 3 Term 4 Term 5 Term 6.

OCR GCSE Music at The Bulmershe School Key Stage 4 Curriculum Plan Year 9. Term 1 Term 2 Term 3 Term 4 Term 5 Term 6. OCR GCSE Music at The Bulmershe School 2018-2019 Key Stage 4 Curriculum Plan Year 9 Term 1 Term 2 Term 3 Term 4 Term 5 Term 6 Rock n Roll (AoS5) Video Game Music (AoS4) Baroque Concerto (AoS2) World Music

More information

Theme and Variations

Theme and Variations Sonata Form Grew out of the Baroque binary dance form. Binary A B Rounded Binary A B A Sonata Form A B development A B Typically, the sonata form has the following primary elements: Exposition: This presents

More information

Bach: 47 Selections From Concertos, Chamber Works, Cantatas And Keyboard Works (World's Great Classical Music)

Bach: 47 Selections From Concertos, Chamber Works, Cantatas And Keyboard Works (World's Great Classical Music) Bach: 47 Selections From Concertos, Chamber Works, Cantatas And Keyboard Works (World's Great Classical Music) If searched for the ebook Bach: 47 Selections from Concertos, Chamber Works, Cantatas and

More information

Students will be able to echo tonal patterns. echo rhythmic patterns. echo combined tonal and rhythm patterns.

Students will be able to echo tonal patterns. echo rhythmic patterns. echo combined tonal and rhythm patterns. 5 th Grade Instrumental Creating Essential Questions: 1. How do artists generate and select creative ideas? 2. How do artists make creative decisions? 3. How do artists improve the quality of their creative

More information

CONCERT ORCHESTRA AND SYMPHONIC ORCHESTRA

CONCERT ORCHESTRA AND SYMPHONIC ORCHESTRA Curriculum Development In the Fairfield Public Schools FAIRFIELD PUBLIC SCHOOLS FAIRFIELD, CONNECTICUT CONCERT ORCHESTRA AND SYMPHONIC ORCHESTRA Board of Education Approved 04/24/2007 Concert Orchestra

More information

Stratford School Academy Schemes of Work

Stratford School Academy Schemes of Work Number of weeks Content of the unit (overall.. what do they learn in this unit?) Assumed prior learning (tested at the beginning of the unit) 16 weeks Music theory the basics continued and set work analysis:

More information

Indicator 1A: Conceptualize and generate musical ideas for an artistic purpose and context, using

Indicator 1A: Conceptualize and generate musical ideas for an artistic purpose and context, using Creating The creative ideas, concepts, and feelings that influence musicians work emerge from a variety of sources. Exposure Anchor Standard 1 Generate and conceptualize artistic ideas and work. How do

More information

Anton-von-Webern-Platz 1, 1030 Vienna, Tel.: ext INFORMATION SHEET

Anton-von-Webern-Platz 1, 1030 Vienna, Tel.: ext INFORMATION SHEET Anton-von-Webern-Platz 1, 1030 Vienna, Tel.: +43-1-711 55 ext 6917 studienabteilung@mdw.ac.at www.mdw.ac.at INFORMATION SHEET MASTER PROGRAMME CHAMBER MUSIC Application deadline for the entrance exam in

More information