Lord of Glory A Musical Celebration of Christ s Incarnation

Transcription

1 30/2983SF Comanion to Full Orhestra Sore Pno, Fl, O, Cl, Hn (su A Sax), Tt, Per, Tim, 2 Vln, Vla (su Cl), Cello, Bass Lord of Glory A Musial Celeration of Christ s Inarnation Dan Forrest Distriuted y The Lorenz Cororation

2 Tale of Contents Prefae.. 1 One In Royal David s City I 4 On Christmas Night (Sussex Carol). 15 Of the Father s Love Begotten.. 33 Emmanuel Shall Come.. 53 esus, Name of Wondrous Love God and Father, We Adore Thee. 85 One In Royal David s City II 101 Cradled Mid The Oxen Angels Song. 125 O Come Rejoiing 141 Thou Didst Leave Thy Throne /2983SF-1

3 Lord of Glory Instrumentation Song List: 1) One In Royal David s City I 2) On Christmas Night 3) Of The Father s Love Begotten 4) Emmanuel Shall Come 5) esus, Name of Wondrous Love 6) God and Father, We Adore Thee 7) One In Royal David s City II (short) 8) Cradled Mid The Oxen 9) Angels Song 10) O Come Rejoiing 11) Thou Didst Leave Thy Throne Ativity y Instrument: Flute All ut 4 and 7 (3 is short) Ooe All ut 4 B-flat Clarinet 1, 2, 5, 6, 10, 11 Horn 1, 2, 3, 5, 6, 9, 11 B-flat Trumet 3, 4, 5 (short), 6, 11 Perussion All ut 8 Timani 4, 6, 11 Violin 1 All ut 4 Violin 2 All ut 4 Viola All ut 4 Cello All ut 4 Doule Bass All ut 4 and 7 Piano All movements Listing y Song: 1) All ut trumet 2) All ut trumet 3) All ut larinet 4) Horn, trumet, glok, tim. 5) All ut larinet (trumet has a tiny art) 6) All (with ongregation) 7) Strings (without doule ass), erussion, and ooe 8) Strings, flute, and ooe 9) All ut larinet and trumet 10) All ut horn and trumet 11) All (with ongregation) 30/2983SF-2

4 LORD OF GLORY ORCHESTRAL SCORE Lord of Glory is sored for a hamer orhestra of Flute, Ooe, Clarinet, Horn, Trumet, Perussion (Glokensiel and Chimes), Timani, and Strings. The orhestration is fairly simle, and is as flexile as ossile; the soring is linear and soloisti, so that the asene of any artiular instrument(s) won t hinder an effetive orhestral resentation. Piano: Should lay along with all songs as originally notated, sine this is a hamer orhestration. Condutor may ask iano to dro out in a few laes (e.g. the wind solos at the very eginning and very end) at his/her disretion. Winds: Only one of eah wind is alled for, and many solos an easily e layed y another instrument. (For examle, the rominent ooe solos an e layed effetively y a flute, reading from the ooe art.) Brass: The horn lays a fair amount throughout, ut none of its arts are indisensale if a horn isn t availale. The trumet lays in only a few of the numers, and otional lower notes are inluded where the tessitura gets high. Perussion: Glokensiel and himes, if availale, will add nie olor. Timani, if availale, will add good resene to the ottom end on the three igger songs. Strings: String arts are fairly simle and are never divisi, so very small string setions (even one layer on a art) will work. Other instruments: Low rass (tromone, euhonium, tua) and assoon aren t used in the soring, ut they may easily lay along from some viola, ello, or doule ass arts if neessary for alane. Low rass should e used saringly, omitting softer numers, and striving for areful lend with the rest of the ensemle in other numers where used, so as not to drown out the solo winds or a small string setion. (Larger orhestras may freely inlude low rass on the louder numers.) If a har (or a quality synthesized/samled har) is availale, it may lay along with iano on Emmanuel Shall Come and instead of the iano on Cradled Mid The Oxen. The har may imrovise from the iano art on several other numers as well. Organ may e effetively used as quiet (almost inaudile) reinforement of the horal arts on soft songs and a aella setions, as well as in a rilliant registration on God and Father, We Adore Thee and the final numer, One in Royal David s City. Of the Father s Love Begotten ontains meter hanges that aren t notated in the horal sore, true to its lainhant origins. Don t e afraid of it! Choir memers will simly follow the eighth notes and the text, without ounting eats. In the orhestral sore and arts, meter hanges are notated, and ues are inluded efore entranes. However, listening to the demo reording will e the est way for all to intuitively feel the iee; it won t e diffiult to learn. Emmanuel Shall Come ontains shifting grous of eighth notes - 2x3 and 3x2. This song will e intuitive and easily learned y ear, though. The ondutor may ondut in 1, (swith to four for the molto rit. in m. 97) and emhasize a steady eighth note throughout, regardless of hanging grouings. 30/2983SF-3

5 4 Ceil Franes Alexander Largo q» One in Royal David's Ci" - I Henry ohn Gauntle# Arr. Dan Forrest (ASCAP) SATB Piano P molto esressivo legato Flute Ooe. molto legato. Clarinet in B Horn in F Trumet in B Perussion Chimes w Violin 1 Violin 2 Viola B Cello Contraass /2983SF Lorenz Pulishing Comany, a division of The Lorenz Cororation. All rights reserved. Printed in U.S.A.

6 5 SATB Pno.. j. j. j Fl. O. B Cl. Hn. P. simile.. w simile B Tt. Per. w Vln. 1 Vln. 2 Vla. B Vl. C /2983SF-5

7 6 SATB Pno. Fl j. j One in roy - al Da - vid's i - ty, O. w B Cl. Hn. B Tt. Per. Vln. 1 Vln. 2 Vla. B Vl. C /2983SF-6