SYMPHONY Nr. 2 Sinfonia da Requiem

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1 David Whitwell SYMPHONY Nr. 2 Sinonia da Requiem Concert Band Flute 1.2, Oboe 1.2, Clarinet 1.2., Bass Clarinet, Bassoon 1.2 Alto Saxohone 1.2, Tenor Saxohone, Baritone Saxohone F Horn , Trumet 1.2., Trombone 1.2., Euhonium 1.2, Tuba Timani, Snare Drum, Bass Drum, Cymbals, Tam-Tam 1988 Full Score / Partitur Modern edition by David Whitwell

2 Coyright c 201 by David Whitwell. National Library o Australia Cataloguing-in-Publication entry Whitwell, David, 197- comoser. Symhony No. 2, Sinonia da requiem / David Whitwell. ISMN: Symhonies (Band) Scores and arts Cover image: Wolgang Amadeus Mozart by Joseh Lange, 1782 Published in Australia by Maxime s Music. MM0085 maximesmusic.com

3 Notes Sinonia da Requiem (1988) I Requiem aeternam (Rest eternal) II Tuba mirum (The trumet shall sound) III Dies Irae (Dreaded Day, Day o Ire) IV Lacrymosa (Mournul day) V Libera me (Deliver me rom everlasting death) In 198 my wie and I moved to Vienna in order or me to study conducting at the amous Akademie ür Musik. We both elt that i we were going to live in Vienna we wanted to live in Vienna, right in the middle and not out in the 25th district. We were ortunate to ind a small aartment on Kärtnerstrasse just one block and a hal rom the great cathedral, Steansdom, which is the heart o the city. From the irst moment I steed into this aartment I had a strong eeling o the resence o Mozart. O course I immediately attributed this to the basic excitement o being, on my irst tri to Euroe, in the city o Mozart, Haydn, Beethoven, Brahms and Mahler. But this eeling o the resence o Mozart in this aartment continued or the entire year. O course when my mind was otherwise involved in erhas conversing with my wie, or studying scores, etc., the Mozart Eect was not aarent. But in moments o relection the eeling returned. It was always there. Twenty years later, in 1988, I read a new small book by Robbins Landon called The Last Year o Mozart s Lie. In this book he had reroduced a ma o central Vienna dating rom about the time o Mozart s death. In these old Euroean cities the basic blocks o building remain the same but the streets tend to change names over the centuries. It was, thereore, only when I saw this older ma that I realized that my aartment was in the same building and on the same loor as the aartment in which Mozart died! The reader will understand the utter sense o shock as I thought back on those eelings o 198. Indeed or some weeks I had the circumstances o the death o Mozart constantly on my mind. To ree mysel rom this obsession I decided, as a kind o exorcism, to write a Requiem or Mozart, who did not have one erormed when he died. Fortunately I was on sabbatical the Sring o 1988 and could devote mysel comletely to the comosition o this my second symhony, the Sinonia da Requiem. There are a number o curious things about this work, beginning with the act that the act o comosition was almost without a sense o labor. Indeed some movements came to me aster than I could write them down. As an inexerienced comoser I ound this rather startling but I attribute it to the act that my eelings were so unusually ocused. It is when the eelings are not engaged that comosition becomes diicult. The erormance o this Sinonia da Requiem has always had a strong imact on the audience, esecially in concerts throughout Euroe. I attribute this to the music drawing uon the listeners own love o Mozart and thoughts o his early death. Indeed, on more than one occasion I have turned to ace the audience at the end o a erormance o this work in Euroe to ind numerous audience members crying. David Whitwell

4

5 SYMPHONY Nr. 2 Sinonia da Requiem (1988) Score David Whitwell Duration: 2:00 I. Requiem Aeternum Adagio ( = 72) m 4 m 1 Tam-Tam Cymbals Bass Drum Snare Drum Timani Tuba Euhonium 1.2 Trombone Trombone 2 Bassoon 2 Bassoon 1 Bass Clarinet Clarinet Clarinet 2 Clarinet 1 Oboe 2 Oboe 1 Flute 2 Flute 1 Trombone 1 B Trumet B Trumet 2 B Trumet 1 F Horn 4 F Horn F Horn 2 F Horn 1 Baritone Saxohone Tenor Saxohone Alto Saxohone m 4 4 Coyright 2014 David Whitwell

6 B a temo m oco rit. Andante ( = 7) A m m Euho. 1.2 Tbn. Tt. Tt. 2 Tt. 1 Tim. Cl. Fl. 2 Hn m m m Solo oco rit. a temo m Solo

7 a temo C Più mosso m m m m m m oco rit. m m m m m m oco rit. Tim. 45 Cl. Fl. 2 Tbn. Tt. Euho. 1.2 Hn. Tt. 1 Tt. 2 4 m oco rit. m a temo

8 4 a temo D m Solo oco rit. Tim. Euho. 1.2 Tbn. Tt. Tt. 2 Tt. 1 Cl. Fl. 2 Hn. 5 a temo m m m m m m oco rit. oco rit.

9 5 87 m m m m m m m m E a temo m T-T Tim. Euho Cl. Fl. 2 Tbn. Tt. Tt. 2 Tt. 1 Hn. m rit. F a temo

10 m m m m m m rit. oco a oco m oco a oco rit G m Solo Tim. Euho. 1.2 Tbn. Tt. Cl. Fl. 2 Tt. 2 Tt. 1 Hn m m m m m m m m m m m m m m m m

11 II. Tuba Mirum 7 Flute 1 Andante moderato ( = 92) A Flute 2 Oboe 1 Oboe 2 Clarinet 1 Clarinet 2 Clarinet Bass Clarinet Bassoon 1 Bassoon 2 Alto Saxohone 1.2 Tenor Saxohone Baritone Saxohone F Horn 1 F Horn 2 F Horn F Horn 4 B Trumet 1 B Trumet 2 B Trumet Trombone 1 Trombone 2 Trombone Euhonium 1.2 Tuba m m m Timani m m Snare Drum m Bass Drum m Cymbals Tam-Tam

12 8 B Fl. 2 Cl. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1.2 Tim. T-T

13 9 m m m m m m m m m 5 4 m m m m m m m m m m m Solo Tim. T-T Euho. 1.2 Tbn. Tt. Cl. Fl. 2 Tt. 2 Tt. 1 Hn m m m m m m m m m m m m

14 Fl. 2 Cl. 10 C iù mosso ( = 108) m m m m m m m m m D Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1.2 m m m m m m Tim. m m T-T m m

15 Fl. 2 E 11 Cl. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1.2 Tim

16 Fl. 2 Cl. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho Tim. T-T

17 1 Tt. 2 Tt. 1 Hn. Tt Cl Fl. 2 a temo F Largo ( = 9) oco rit. 77 rit. T-T Euho. 1.2 Tbn. Tim. oco rit. a temo

18 T-T Tim. Euho. 1.2 Tbn. Cl. Fl. 2 Tt. Tt. 2 Tt. 1 Hn m m m m m meno mosso Soli Temo I ( = 108) G Soli m molto rit.

19 Flute 1 Flute 2 Oboe 1 Oboe 2 Clarinet 1 Clarinet 2 Clarinet Bass Clarinet Bassoon 1 Bassoon 2 Alto Saxohone 1.2 Tenor Saxohone Baritone Saxohone F Horn 1 F Horn 2 F Horn F Horn 4 B Trumet 1 B Trumet 2 B Trumet Trombone 1 Trombone 2 Trombone Euhonium 1 Euhonium 2 Tuba Timani Snare Drum Allegretto ( = 84) III. Dies Irae 15 Bass Drum Cymbals Tam-Tam 1 2

20 Fl. 2 Cl. 1 Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 Tim. T-T 4 5 7

21 A 17 Fl. 2 Cl. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 Tim. T-T

22 Euho. 1 Tbn. Tt. Tt. 2 Tt. 1 T-T Tim. Euho. 2 Cl. Fl. 2 Hn B

23 Fl. 2 Cl. 19 molto rit. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 Tim. T-T

24 20 Tt. 2 Tt. Euho. 2 Euho. 1 Tim. Tbn. Hn. Tt m Fl Cl. meno mosso ( = ) C a temo oco rit. m m 2 0

25 21 Tt. 1 Hn. m Euho. 1 Euho. 2 Tbn. Tt. Tt. 2 m Cl. oco rit. Fl. 2 D a temo 1 m a temo Tim. m m m molto rit.

26 Tim. Euho. 2 Euho. 1 Tbn. Tt. Tt. 2 T-T Cl. Fl. 2 Tt. 1 Hn molto rit. m m m m Allegretto ( = 84) E Solo

27 Fl. 2 Cl. 2 Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 Tim. T-T

28 Fl molto rit. F meno mosso ( = 9) Cl. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 m Tim. T-T

29 rit. 25 Fl. 2 Cl. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 m Solo m Tim

30 2 a temo G Fl. 2 Cl. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 m m m m Tim

31 Fl. 2 rit. a temo rit. 27 H Allegretto ( = 84) Cl. Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 Tim. T-T

32 Fl. 2 Cl. 28 Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 Tim. T-T

33 Fl. 2 Cl. molto rit. 29 Hn. Tt. 1 Tt. 2 Tt. Tbn. Euho. 1 Euho. 2 Tim. T-T

34 0 IV. Lacrymosa m m m m m m Largo ( = 0) Alto Saxohone 2 Tenor Saxohone Baritone Saxohone 1 Alto Saxohone 1 19 Clarinet 2 Flute 1 Flute 2 Oboe 1 Oboe 2 Clarinet 1 Clarinet Bass Clarinet Bassoon 1 Bassoon 2 4 Solo m A 4

35 1 C iù mosso ( = 84) 24 Solo Solo oco rit. B a temo Alto Sax Fl. 2 Cl. Alto Sax. 1 41

36 2 oco rit. Solo Solo D E 42 Cl. Fl. 2 Alto Sax. 2 Alto Sax. 1

37 F Temo I ( = 0) molto rit m m m m m m m m m meno mosso m m m m m 82 4 Cl. Fl. 2 Alto Sax. 2 Alto Sax. 1 meno mosso

38 4 V. Libera me m m molto rit. m m m m m m m a temo m m m 10 9 m m m m Baritone Saxohone Tenor Saxohone F Horn 1 Alto Saxohone 1.2 Bassoon 2 F Horn 2 F Horn F Horn 4 B Trumet 1 Oboe 2 Oboe 1 Clarinet 1 Flute 2 Flute 1 Clarinet 2 Clarinet Bass Clarinet Bassoon 1 1 Tam-Tam Cymbals Trombone Trombone 2 Trombone 1 B Trumet B Trumet 2 Euhonium 1.2 Tuba Timani Snare Drum Bass Drum m m m m m m m Moderato ( = ) m rit.

39 5 Tim. Tbn. Euho. 1.2 m m m m Tt. Hn. Tt. 2 Tt Fl B Cl rit. Solo a temo Solo A a temo

40 accel. 41 Tim. Euho. 1.2 Tbn. Tt. Tt. 2 Cl. Fl. 2 Tt. 1 Hn m Solo C D m m m m m m m m m m m m m m m m m

41 7 E a temo rit rit rit. Temo I Tim. 4 Cl. Fl. 2 Tt. 2 Euho. 1.2 Tbn. Tt. Tt. 1 Hn. 5

42 8 G m m rit. a temo Tbn. Euho. 1.2 Tt. Tt. 2 Tt. 1 Tim. Cl. Fl. 2 Hn Più mosso ( = 80) F m m m m m m m m m m m rit. m m m m m a temo m m m m m

43 9 oco accel T-T 9 80 Fl. 2 Cl. Tbn. Euho. 1.2 Tim. Hn. Tt. 1 Tt. 2 Tt. H Maestoso

44 allargando molto allargando J Temo I ( = ) 8 Solo m Solo m Solo Solo m K T-T Tim. Euho. 1.2 Tbn. 81 Cl. Fl. 2 Tt. Tt. 2 Tt Hn. m L = 7

45 41 m Solo M = 0 Solo m m Solo Tim. Euho. 1.2 Tbn. Tt. Cl. Fl. 2 Tt. 2 Tt. 1 Hn. 9 11

46 N a temo ( = 7) m m m T-T Tim. Euho Cl. Fl. 2 Tbn. Tt. Tt. 2 Tt. 1 Hn. m m m m m m m m m

47 4 allargando T-T Tim. Euho Cl. Fl. 2 Tbn. Tt. Tt. 2 Tt. 1 Hn. Published in Australia by Maxime's Music

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