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1 By Lou Donaldson Arranged y Terry White INSTRMENTATION 1st E Alto Saxophone 2nd E Alto Saxophone 1st B Tenor Saxophone 2nd B Tenor Saxophone (Optional) E Baritone Saxophone (Optional) 1st B Trumpet 2nd B Trumpet 3rd B Trumpet (Optional) 1st Tromone 2nd Tromone (Optional) 3rd Tromone (Optional) Guitar Chords Guitar (Optional) iano Optional/Alternate arts C lute B Clarinet Viraphone Tua (Doules ) Horn in (Doules 1st Tromone) Baritone Horn TC/B Tenor Saxophone (Doules 1st Tromone)

2 NOTES TO THE CONDCTOR In 1967, alto saxophonist Lou Donaldson reorded an alum entitled The tune on the alum y the same name as atually a ri tune omposed on the spot to ill out three minutes remaining on the alum The style is a omination o hard op and soul jazz The term oogaloo is used or a style o musi in the 1960s that as a usion o Arian Amerian rhythm and lues soul musi ith the mamo Latin style This arrangement is strutured around the tomeasure rhythmi pattern in the introdution The staato notes should really pop and the assline should ontrast ith the legato quarter notes on eats 3 4 o the seond measure o the pattern The melody provides an exellent opportunity to have students learn to ghost notes Ghost notes typially our on the + o the eat, here the ind player ingers the note as usual, ut only provides aout 65% o the air lo ehind it In addition, have the students play the note eore the ghost note as long as possile The resulting sound is a musial phrase that is less sti This onept is also utilized in sing interpretation as ell n Sometimes the noteheads ill e replaed ith an to indiate a ghosted note n Regarding artiulation, staatos are short, ut not lipped or too short The marato or rootop aent is detahed and aented thin daht Tenutos o ourse mean ull value Speaing o ull value, alays give ull length to notes, espeially hal, dottedhal, and hole notes Releases are equally important Mae sure the ensemle and setions release together and ith a lean release It ill deinitely mae your and sound more polished and mature Notie that although this a 12ar lues orm, unlie many orms o lues, the harmony does not go to the IV7 hord (B 7) in m 2 The I7 hord (7) is played or the irst our measures This is an exellent tune or eginning improvisers eel ree to open up the solo setions as needed The ull ensemle at m 57 gives the ensemle a hane to streth and taes the tune rom eing a omo vehile to a traditional ig and There are optional ues or the melody in this arrangement and it gives almost everyone an opportunity to learn the melody to Enjoy the musi o Lou Donaldson! Terry White Terry White Terry White is a retired musi eduator having taught instrumental musi at all levels rom eginning and to ollege jazz ensemles or over 34 years He has een a omposer, perormer, and andleader in the ortland, Maine area Terry has ritten or many idioms inluding the ortland Symphony Orhestra, marhing and, jazz ensemle, and onert and His musi has een perormed at the Midest Clini in Chiago, listed on the NYSMA list, and is a pulished omposer Terry presently rites and perorms ith the ortland Jazz Orhestra and is an ative adjudiator and estival ondutor Visit: thitemusiom

3 CONDCTOR 46147S C lute (Optional) BÑ Clarinet (Optional) 1st EÑ Alto Saxophone 2nd EÑ Alto Saxophone 1st BÑ Tenor Saxophone 2nd BÑ Tenor Saxophone (Optional) EÑ Baritone Saxophone (Optional) 1st BÑ Trumpet 2nd BÑ Trumpet 3rd BÑ Trumpet (Optional) 1st Tromone 2nd Tromone (Optional) 3rd Tromone (Optional) Guitar (Optional) iano Jazz Ro å = 136 n n 7 B! 9 7 Chord hanges shon in part n 1 n 2 n ALLIGATOR BOOGALOO n n n 7 B! 9 7 n 3 ill n 4 n n n n 7 B! 9 7 n 5 n 6 E! 7 DÈ n n n a n N N Cñ By Lou Donaldson Arranged y Terry White n 7 n n 1958 (Reneed) EMI NART CATALOG, INC All Rights Controlled and Administered y EMI NART CATALOG, INC (ulishing) and ALRED MSIC (rint) This Arrangement 2017 EMI NART CATALOG, INC All Rights Reserved inluding uli erormane (/Tpt) (/Alto) 8

4 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no ~9} n 7 B! 9 7 n n n n 7 B! 9 7 n 2 n n n n B! 7 n n n N 7 B! 9 7 n

5 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no N Cñ n N B! ñ 7 B! 9 7 N n 3 n n n n n {21} n n 7 B! 9 7 n n n n n n n n n n 7 B! 9 7 n n n n n n n

6 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no B! 7 25 n n n n n 26 N n n N n N 7 B! 9 7 n n N Cñ N 29 n n B! ñ N 30 N n N n N 7 B! 9 7 n 31 Alligator Boogaloo n n a n a n n n n n 32 9 G! 9

7 {33} lute Clar Solo 1st Time D9 n Solo 2nd Time G9 n n Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 ; Gtr no N 33 n 34 (Bgrds) (Bgrds) (Bgrds) (Bgrds) n n n (Bgrds) ( Bgrds ) (Bgrds) ( Bgrds ) n (Bgrds) (Bgrds) (Bgrds) n 9 35 n n 36 5 n G; n C; N N B! ; n 37 n 38 D9 G9 n n n N n N 9 n N 39 n a n 40

8 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no A; D; n n n n n a N C; n n n n n n N G; C; a B! ; n n D9 a G9 N n N n 9 N Añ n Dñ n n Cñ N 6 Opt repeat or additional solos {45} ill End solo End solo ( Bgrds ) ( ) n ( Bgrds ) n ( Bgrds ) (Bgrds) (Bgrds) (Bgrds) Solo 1st Time G9 Solo 2nd Time 9 n ÿ n ÿ n n n n n

9 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no N C; B! ; B! ; n n n N G9 9 9 N n a a D; C; C; n N C; B! ; B! ; n n n n N G9 9 N 9 N N N n D9 n C9 C9 End solo End solo ill

10 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no {57} n n n n n ñ N n n n n N n n n n n n n n n n n n N n ill ill ill ill n n n N n a N B! 7 n N n N n N n n N n n n ñ N N

11 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no n n a n N N Cñ N n n N B! ñ N n n n N n n n n N N n N 7 G! 7 n n n n n A 7 () () () 9 n n n {69} n n n n n n n n n n n n n n n n n n n n n n

12 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no 73 n n n n n n 74 n N n n N 75 n a N Cñ 77 n n N B! ñ 78 n n n N n lay lay N lay ñ G 7 N n 79 ill 80

13 lute Clar Bari Tpt 1 Tpt 2 Tpt 3 Tn 1 Tn 2 Tn 3 Gtr no n N Cñ n N B! ñ n n n n N N n ñ G! 7 n 11 ill n N Cñ n B! ñ N n n n n n N N n n ñ Cñ ñ æ

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16 46147S S $800 (a38081*mnm(