CHINESE MUSIC AS CROSS-CULTURE

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1 21 st CHIME International Conference European Foundation for Chinese Music Research Chinese Music and Musical Instruments: 3 rd Lisbon Conference 中国民乐与乐器 : 里斯本第三届研讨会 CHINESE MUSIC AS CROSS-CULTURE Program Committee Frank Kouwenhoven François Picard Helen Rees Shao Xiao Ling Enio de Souza 9 13 May 2018 Centro Científico e Cultural de Macau Rua da Junqueira, 30, Lisboa Portugal

2 Program Wednesday, 9 th May 17h00 Registration Opening ceremony Welcoming address Musical Intermezzo Xia Yuyan [pipa] & Jiang Shaofeng [dance] He Yi [vocals and qin] Johannes Möller [guitar] Keynote presentations 17h30 18h15 Qupai in Sizhu: Intracultural Rejection of Prevailing Models Alan Thrasher, University of British Columbia, Vancouver, keynote speaker The Silk Road and Buddhist Music [presented in Chinese] Tian Qing, Intangible Cultural Heritage Research and Protection Centre in Beijing Thursday, 10 th May Cultural Cross-roads [Chair: David Hughes] [Auditorium, 2 nd Floor all morning plenary session] 09h00 09h30 11h10 Pain and Pleasure of a Sonic Souvenir: Rose, Rose I love You and the Legacy of China s First International Hit-Song Andreas Steen, Aarhus University, Denmark The Corneta China Diaries: The Cross-Cultural Adventures of the Chinese Suona in Cuba Edwin Porras, Ethnomusicology Department, UCLA, Los Angeles, USA Gendering China s New Female pianists: Yuja Wang and Zhu Xiao-mei Tan Shzr Ee, University of Royal Holloway, London Musical intermezzo Johannes Möller [guitar] Panel Revisiting Colonial Practices in China: Three Case Studies from Macau and Shanghai [Chair: Michael Saffle, Virginia Polytechnic Institute and State University, USA] 11h30 Watching the Band Go By: Protecting Portuguese Cultural Integrity in Macau, Oswaldo da Veiga Jardim Neto, Independent scholar, Macau, China 12h00 12h30 A Foreign Devil Writes Chinese Music: The Piano Works of Fr. Áureo Castro, Portuguese Priest in Macau Margaret Lynn, Independent scholar, Great Britain The Chinese Soloists of the Municipal Orchestra in Shanghai Hon-Lun Helan Yang, Hong Kong Baptist University

3 Parallel sessions Innovation and Cross-Culture in Traditional Music (1) [Chair: Mercedes Dujunco] Nanguan Performing Style of the Past and Present. Cross-cultural Problems around the Tradition and Modernity Anna Krysztofiak, Arthur Rubinstein Philharmonic of Lodz, Poland Historical Connection and Disjunction: Christian Doctrine in Taiwanese Gezaixi Celia Lee Ya-Chen, Nanhua University, Taiwan Analyses and Interpretations of Chaozhou music: The Case of the Lion Playing Ball Clara Sit Fung Kwan, Chinese University of Hong Kong Contemporary Chinese Composition (1) [Chair: Jonathan Kramer] Talking on the Bashu School phenomenon Hu Xiao, Sichuan Conservatory of Music, Chengdu, China Taking Sounds as Cultural Symbol Discussion in One Integration Way of Chinese Traditional Culture and Contemporary Electronic-acoustic Music Lu Minjie, Electronic Music Department, Sichuan Conservatory of Music, Chengdu, China Materiality of Sonic Imagination: Signifying China, or Not Nancy Rao, Rutgers University, New Brunswick NJ, USA Innovation and Cross-Culture in Traditional Music (2) [Chair: Celia Lee] Who is Miss Dong ( 董小姐 )? The Wenyiqingnian and their identification through Chinese urban folk Zhang Wenzhao, Chinese University of Hong Kong Film Documentaries Nora Yeh, American Folklife Center (AFC), Library of Congress (LC), USA, briefly introduces 1.The Alois-SHIH Wei-Liang Archive: "Music Thoughts and Sound A Gift from Faraway 樂思響起- 來自遠方的禮物 (15 mins) 2. 聽 1967 or Listen 1967 (17 mins) Contemporary Chinese Composition (2) [Chair: Nancy Rao] 18h00 Zhu Jian-Er and his Symphonic World Shao Xiao Ling, University of Aveiro, Portugal Tan Dun s Banquet Concerto in Music Cross-cultural Perspective Xue Jing (& Shao Xiao Ling), University of Aveiro, Portugal Film Playing the Flute in Shanghai: The Life and Art of Dai Shuhong (86 mins) Helen Rees, Ethnomusicology Department, UCLA, Los Angeles, USA

4 Friday, 11 th May [Auditorium, 2 nd Floor, all morning: plenary session] Modern Music Life and Media [Chair: Andreas Steen] 09h30 Singing the Chinese Dream: Building a Cult of Personality through Music Videos David Ludden, Psychology Department, Georgia Gwinnett College, USA New Mobilities and Musical Cosmopolitanism in Guangzhou Adam Kielman, Chinese University of Hong Kong Excursions in qin music, Chinese music philosophy and music theory [Chair: Alan Thrasher] 11h00 11h30 12h00 12h30 The Deep Listening in Chinese Guqin Music: A Discussion of Xi Shan Qin Kuang through the Lens of Ecomusicology Deng Haiqiong, Florida State University, USA Remembering the Past through Music: The Transmission of Chinese Qin Songs in 17 th -19 th Century Japan Wu Zeyuan, Department of East Languages and Literatures, Ohio State University, USA Remaking Music Theory: Seventeenth-Century Speculative Music in China Chow Sheryl Man-Ying, Department of Music, Princeton University, USA Musical intermezzo He Yi [vocals and qin] Jonathan Kramer [cello] Parallel sessions Early 20th Century Music and Westernization [Chair: Tan Hwee-San] The Role of School Songs in The Modernization of Chinese Music Lenka Cvrčková, East Asian Studies, Charles University, Prague, Czech Republic Western Art Music Education and Cultural Encounters at the McTyeire School, Fu Xuejiao, SOAS, University of London, England Chinese music in late-nineteenth and early-twentieth century postcards Claire Chantrenne, Musical Instruments Museum MIM, Brussels, Belgium Historical issues in Chinese Traditional Music (1) [Chair: Frederick Lau] The origin and development of Matouqin music Qi Burigude, International Qi Baoligao Matouqin Institute of Xilingol Vocational College of Inner Mongolia, China

5 Between Literati and Folk Culture: Pipa Anthologies in the 19 th and Early 20 th Centuries Hu Qifang, Chinese University of Hong Kong Rhythms of Tang and Song Lyrics, from Dunhuang to Jiang Kui Marnix Wells, private scholar, London, England Music of China Today [Chair: Tan Shzr Ee] [Multipurpose room, 4 th Floor] The Cultural Images of Chinese Music in the American Opera Dream of the Red Chamber Fang Bo, Chinese University of Hong Kong Cross-cultural Dissemination of the Beauty and Connotation of Traditional Chinese Music Culture Diana Zhang Chunyan, College of Chinese Language & Culture, Beijing Normal University Xiaoyong Chen and Shi-Rui Zhu as representatives of contemporary Chinese music at intercultural events in Darmstadt Joevan de Mattos Caitano, Hochschule für Musik Carl Maria von Weber, Dresden, Germany Innovation & Cross-Culture in Traditional Music (3) [Chair: Frank Kouwenhoven] Soundscape World of Water - The Research on the Ritual Music of Temple Fair in Ningbo Area Liao Songqing, Ningbo University, China Historical issues in Chinese Traditional Music (2) [Chair: François Picard] Central Asian Music as adopted by Court Music Xu Duo, Hamburg University, Hamburg, Germany Music for the Sogdian Whirl: Instruments, Ensembles, and Dancers in Buddhist Art of the Tang Dynasty Stewart Carter, Wake Forest University, Winston-Salem, USA China and its Asian Neighbours (1) [Chair: Deng Haiqiong] [Multipurpose room, 4th Floor] 17h00 Huayue and Chinese Cultural Identity in Melaka Mi Peng Xuan, Chinese University of Hong Kong A study on the exchange of music and culture between Korea and China: with reference to the gayageum and zheng Kim Jung Yea, Asian Music Research Institute, Korean Association of Music Critics, Korea The Acculturation of Chinese Music in Korea Sheen Dae-Cheol, Academy of Korean Studies, Korea

6 21h00 Concert He Yi [qin], China & Jonathan Kramer [cello], USA Xia Yuyan [pipa], China Jiang Xiaofeng [tap dancer], China Red Chamber Ensemble, Canada Venue: Faculdade de Letras, Universidade de Lisboa, Anfiteatro 1, Alameda da Universidade Saturday, 12 th May Chinese Pop and Rock [Chair: Adam Kielman] 09h00 Return to Beijing: Chinese Rock Music in Catherine Capdeville-Zeng, Département Études chinoises, INALCO, France 09h30 Ershou Meigui [Second Hand Roses]: Chinese New Rock music of the 2000s Frederick Lau, Chinese University of Hong Kong Chinese Hip Hop, Self-Expression and Popular Youth Culture Carla Tang Hai, School of Film Media and Music, University of Sussex, England China and its Asian Neighbours (2) [Chair: Helen Rees] 09h00 09h30 Samniang Jin: Chinese Exoticism in Thai Classical Music Terry E. Miller, Professor Emeritus, Kent State University, Kent, Ohio, USA Can the Exotic Sound?: Muted India on a Chinese Stage Huang Rujing, Music Department and Fairbank Center for Chinese Studies, Harvard University, USA Chaozhou-Kejia Musical Interculturation: the role of agency, administrative zoning and cultural inclination Mercedes Dujunco, Suzhou University of Science & Technology, China Panel Claiming the music relationship between China and Japan [Chair: Zhao Weiping, Shanghai Conservatory of Music, Shanghai, China] 11h00 The reception and transculturation of Chinese ancient music in Japan: in the case of Onnagaku ( 女乐 ) Zhao Weiping, Shanghai Conservatory of Music, Shanghai, China The transformation and localization of Chinese Qin Music in Japan from the view of Gyokudou Qin Notation Zhang Mengshi, Shanghai Conservatory of Music, Shanghai, China Observe the accepting and changing of ancient Japan to Chinese music from the Pipa pieces which were introduced to Japan Zhang Chenjie, Shanghai Conservatory of Music, Shanghai, China

7 The Music Instrument of Ruan Xian in Shosoin museum and its Principle of tune in Tang and Song Dynasty of China Zhang Xiaodong, Shanghai Conservatory of Music, Shanghai, China Theory of Transposition during Sui-Tang Period, as Evidenced by Surviving Notated Music for Five-stringed Pipa Pu from The Tang Court Wen He, Conservatory of music, Hangzhou, China Parallel sessions China and its Asian Neighbours (3) [Chair: Huang Rujing] China and Japan in Late 19th- and Early 20th-Century Anglo-American Sheet Music Michael Saffle, Virginia Polytechnic Institute and State University, USA From regional strengths to international cooperation cultural integration and innovation at the China-ASEAN Music Festival Zhang Xiyue, Sichuan Conservatory of Music, Chengdu, China Macau, Portugal and Brazil Musical connections [Chair: Catherine Capdeville-Zeng] Chinese Music and the Diaspora: Portugal and Brazil Enio de Souza, Instituto de Etnomusicologia, Centro de Estudos em Música e Dança/FCSH/UNL, Centro Científico e Cultural de Macau Lost in Lusofonia: Locating and Hearing Macau in a Lusophone World Music Festival Victor A. Vicente, Chinese University of Hong Kong Europe, China, Japan, Macau, Manilla, the adventures of the harp François Picard, Sorbonne University, Paris, France The choir as a musical instrument and its relation with the contact between Portuguese and Chinesa cultures Carlos Santos Silva, Conductor of Portuguese Choir MoLiHua, Lisbon, Portugal Poster session Carbon Fiber Guqin, generation 1: The Half Hundun, and generation 2: The WHO Natasha Shuen-git Chow, research-creation Contemporary Chinese Buddhist Music of the Tzu Chi Vesak ceremony in Taiwan Sylvia Huang, Sydney Conservatorium of Music, University of Sydney, Australia Playing the Flute in Shanghai: The Life and Art of Dai Shuhong [backgrounds to the film project] Helen Rees, Ethnomusicology Department, UCLA, Los Angeles, USA Presentation on Duan Yaocai Bernard Kleikamp, PAN Records, Leiden, The Netherlands Cello and the Kunqu Opera Band Wei Mei, Shanghai Theatre Academy, Shanghai, China

Shakuhachi in ancient visual source Wang Jinxuan, College of Music, Ningbo University, China Traditional Chinese

Cross-culture Lu Hongwei, Asian Studies, University of Redlands, California, USA 18h30 Silk Road Concert Qi Burigude

(lute)], Israel Johannes Möller [guitar] Venue: FCSH, Universidade Nova de Lisboa, Auditório 1, Avenida Berna 26 C

Music on Erhu and a Review of Improvisation Tradition in Erhu Music Li Cheong, independent scholar, Lisbon, Portugal

of Liberal Arts, Georgia Gwinnett College, USA Modern Music Life & Media in China [Chair: Han Mei] 11h30 12h00 The

Life on a String, 命若琴弦 and Chen Kaige s Singing while walking, 边走边唱 Melinda Pirazzoli, Chinese Literature, University

Kramer, North Carolina State University and Duke University, USA 12h30 Closing session of the 21 st CHIME Lisbon

8 Shakuhachi in ancient visual source Wang Jinxuan, College of Music, Ningbo University, China Traditional Chinese Music in a New Media Environment Yang Guang, Sichuan Conservatory of Music, Chengdu, China Chinese Rock n Roll as Cross-culture Lu Hongwei, Asian Studies, University of Redlands, California, USA 18h30 Silk Road Concert Qi Burigude [matouqin (morinkhuur, Mongolian horsehead fiddle)], China Gao Hong [pipa], Minnesota, USA Yair Dalal [Arabian ud (lute)], Israel Johannes Möller [guitar] Venue: FCSH, Universidade Nova de Lisboa, Auditório 1, Avenida Berna 26 C Sunday, 13 th May Creation and Improvisation [Chair: Randy Raine-Reusch] 11h00 Performing Turkish and Hindustani Music on Erhu and a Review of Improvisation Tradition in Erhu Music Li Cheong, independent scholar, Lisbon, Portugal As the Composer Wrote It: Re-evaluating the Musical Innovations in Tang Xianzu s Peony Pavilion Yawen Ludden, School of Liberal Arts, Georgia Gwinnett College, USA Modern Music Life & Media in China [Chair: Han Mei] 11h30 12h00 The Healing Power of Music: A Comparison between the Different Representation of Musical Performance in Shi Tiesheng s Life on a String, 命若琴弦 and Chen Kaige s Singing while walking, 边走边唱 Melinda Pirazzoli, Chinese Literature, University of Bologna, Italy CHIME and China in a World Music Undergraduate Curriculum: From Local to Global Relevance Jonathan Kramer, North Carolina State University and Duke University, USA 12h30 Closing session of the 21 st CHIME Lisbon Conference ORGANIZATION Centro Científico e Cultural de Macau, I.P. CIÊNCIA, TECNOLOGIA E ENSINO SUPERIOR MAIN SPONSOR SPONSORSHIP SUPPORT DISCLOSURE

Sound, Noise and the Everyday: Soundscapes in China August 21 24, 2014

Aarhus University / CHIME Sound, Noise and the Everyday: Soundscapes in China August 21 24, 2014 Aarhus University Nobelparken Building 1483 Rooms: 244, 251, 354 and Building 1482 Auditorium: 105 All food