PV 10AT PV 10BT Compact Mixer

Transcription

1 PV AT PV BT Compat Mixer /4 -Hi-Z CH.4 Only.5mm STEEO USB A FS MAIN OUTPUTS DIECT OUT DIECT OUT DIECT OUT DIECT OUT 4 5/6 7/8 5 6 PAIING 9 SEND STEEO IN PV AT INPUT STEEO MIXE WITH DIGITA EFFECTS, MEDIA PAYBACK AND BUETOOTH 9/ Operating Manual AT omp AT omp Auto-TUNE EECTIC GUITA PE-SHAPE PHANTOM POWE 48V USB B USB A Bluetooth 9/ STEEO IN CONTO OOM SOO/MAIN A/B SEECT PV A COMP COMP A/B EC B/EC B/ EC ECOD TO CONTO OOM USB low high MID-MOPH low high MID-MOPH low high MID-MOPH low high MID-MOPH MID MID Press to Selet MEDIA SEECT EFFECts media SEECT Press to Selet or edit EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS Auto- TUNE USB MEDIA PAYBACK DIGITA EFFECT/MEDIA PAYBACK SOO MASTE SOO ANAOG MEDIA CHANNE DIGITA MEDIA CHANNE ETUN TO MAIN ETUN TO left right left right left right left right left right left BA right BA 4 5/6 7/8 STEEO MIC MONO (SUM) ENABE KOSMOS-C HEADPHONE/ SOO/MAIN SOO SOO SOO SOO SOO SOO SOO 4 5/6 7/8 MAIN + SOO/MAIN

2 FCC/ICES Compliany Statement This devie omplies with Part 5 of the FCC rules and Industry Canada liense-exempt SS Standard(s). Operation is subjet to the following two onditions: () this devie may not ause harmful interferene, and () this devie must aept any interferene reeived, that may ause undesired operation. e présent appareil est onforme aux CN d lndustrie Canada appliables aux appareils radio exempts de liene. exploitation est autorisée aux deux onditions suivantes: () I appareil ne doit pas produire de brouillage, et () I utilisateur de I appareil doit aepter tout brouillage radioéletrique subi, même si le brouillage est suseptible d en ompromettre le fontionnement. Warning: Changes or modifiations to the equipment not approved by Peavey Eletronis Corp. an void the user s authority to use the equipment. Note This equipment has been tested and found to omply with the limits for a Class B digital devie, pursuant to Part 5 of the FCC ules. These limits are designed to provide reasonable protetion against harmful interferene in a residential installation. This equipment generates, uses, and an radiate radio frequeny energy and, if not installed and used in aordane with the instrutions, may ause harmful interferene to radio ommuniations. However, there is no guarantee that interferene will not our in a partiular installation. If this equipment does ause harmful interferene to radio or television reeption, whih an be detered by turning the equipment off and on, the user is enouraged to try and orret the interferene by one or more of the following measures. eorient or reloate the reeiving antenna. Inrease the separation between the equipment and reeiver. Connet the equipment into an outlet on a iruit different from that to whih the reeiver is onneted. Consult the dealer or an experiened radio/tv tehniian for help. Caution The equipment omplies with FCC radiation exposure limits set forth for an unontrolled environment. Features and speifiations are subjet to hange without notie. Peavey Eletronis Corporation 7 A Street Meridian, MS 9 (6) FAX (6) EX

3 ENGISH PV AT and PV BT Compat Mixers Congratulations on purhasing the Peavey PV AT or PV BT Compat Mixer. The PV AT and PV BT are studio-quality mixing onsoles designed to meet diverse needs while oupying a small spae. These are the perfet onsoles for small venue performanes or home reording environments. PV series mixers feature built-in DSP effets that are useful in real-world reording and sound reinforement, while parameter ontrols allow you to tailor eah effet to meet your needs. The PV BT inludes 4 hannels of referene-quality mi preamps, 4 diret outputs for reording, a stereo hannel, media hannel with Bluetooth wireless input, high quality digital effets with CD display, streag USB out, MP playbak via USB A input, Peavey's exlusive Kosmos audio enhanement, 48 volt phantom power, dual seletable ontrol room outputs, hannels of ompression, one hannel of on board seletable guitar preamp, -band EQ per hannel with bypass, hannel mute buttons, aux send, signal lip indiators, and a stereo master ED meter bridge. This amazingly versatile mixer is at home both in the studio as well as live appliations. Its modern features suh as Bluetooth allow seamless onnetion to almost any "smart" devie. 4 diret outs allow easy onnetion to most DAW interfaes for reording; in addition, the PV BT an stream audio diretly to a PC. MP playbak is also available, just plug a flash drive with MP files on it into the USB A port and use the CD to selet and playbak musi. The PV series Solo feature allows the user to listen to individual hannels via headphone or ontrol room outputs and the EQ bypass allows the user to ompare the EQ'd signal to the original signal with the push of a button. Channels of ompression keep signals with diffiult levels under ontrol, and Peavey's exlusive guitar-shape adjusts the EQ and preamp speifially for guitar. Hi pass filters on every hannel remove unwanted rumble and noise, and balaned and Master outputs ensure a lean noise free signal to your powered speakers or power amplifier. The all new PV series non-powered mixers represent the pinnale of performane and value. Combine Peavey's legendary reliability and our 5 year warranty and you an be assure of years of quality reliable servie, we guarantee it. In addition to all of these features, the PVAT features hannels of Antares world-famous Autotune, whih an be set to subtly tighten up voal harmonies, or it an be set for roboti voal effets heard in today's popular musi. Peavey's exlusive ustom key feature makes it a snap to auto-tune to any sale you an think of, in a live performane. It is so easy and fast, you an set it up between songs, right in the middle of a set. Please read this guide arefully to ensure your personal safety as well as the safety of your equipment. FEATUES: 4 Combination /4" and X low noise mi preamps Stereo /4", CA or.5mm input hannel Bluetooth wireless onnetivity -band EQ on all hannels 4 Channels of Peavey's Exlusive Mid-Morph 5 Hz low-ut swith on all mi inputs ED lip and signal present indiation Individual hannel mutes EQ Bypass per mi hannel On board studio quality digital effets with individual hannel ontrol Effets and playbak CD display One pre-fader send Preision 6 mm faders on master Dual seletable ontrol room outputs / eord out with independent level Global 48V phantom power Main stereo outputs with balaned /4" and X onnetors ugged onsole design Installation Note: hannels of built-in ompression Stereo pan ontrol per hannel On-board USB-A MP playbak 4 Channels of diret out Kosmos -C bass and treble enhanement Channel 9/ stereo return/input Individual Solo funtion Stereo USB-B streag audio in and out High quality master ED meter bridge Master mi mute Studio quality headphone output Peavey's exlusive on-board Meg guitar input Antares Auto-Tune with Peavey's exlusive Custom Key feature This unit must have the following learanes from any ombustible surfae: top: 8", sides: ", bak: "

4 PVAT Front Panel (hannels and ) MIC/INE INPUT (CH.-8) This ombination input jak aepts a ¼ or X balaned plug. The X balaned input is optimized for a mirophone or other low impedane soure. The ¼ input is a TS balaned type, and also aepts ordinary TS guitar ables. DIECT OUT DIECT OUT PV A DIECT OUT 4 5 DIECT OUT This impedane-balaned TS output signal is taken after the mi preamp, hi pass filter, and ompressor, but before the EQ stage. AUTO-TUNE ACTIVATION BUTTON AND ED (PVAT only) Pressing this button ativates the PVAT's onboard AUTO-TUNE feature. The button illuates when in AUTO-TUNE mode (SEE Effets Selet {5} and the following page). The Input Gain ontrol is used to establish proper gain struture in the hannel. For best results, use the Solo system (9) to monitor the hannel while you set the gain. The goal is imum gain without distortion. Both the main ED meters (during Solo) and the hannel s Signal/Clip indiator (6,7) an be used for adjusting gain. If the lip ED (6) omes on and remains lit, try reduing the gain. 5 Hz FITE 7 DIECT OUT omp AT AT omp AT 4 5 6AT Auto-TUN Auto-TUNE 6 The hi pass filter has a orner frequeny of 5 Hz. When engaged it an improve larity by removing low frequenies that make a mix sound muddy. This feature is espeially useful when playing outside on a windy day or on a hollow-sounding noisy stage. These kinds of ambient noises an rob your sound system of power. Engaging this swith will remove those frequenies from the system and restore power where needed. COMPESSION CONTO (Channels and only) COMP COMP Adjusting this knob lokwise lowers the threshold of the ompressor, thereby inreasing the amount of ompression. The ompressor ratio is in the 4: range, varying with signal levels and the amount of ompression. This is useful for ontrolling peak levels from live soures, and has been designed to subtly tame the levels of live voals without notieable artifats. The ompressor is after the gain ontrol (5) and the hi pass filter (4), but before the diret out (), so it an be pathed to external equipment. Compressor ED low high MID-MOPH low high MID-MOPH low hig MID-MOPH EQ BYPASS EQ BYPASS EQ BYPASS 8 This ED illuates when the ompressor is atively ompressing a signal. Hi EQ This ative tone ontrol (shelving type: ±5 db) varies the level of the high frequeny range. 9 MID-MOPH EQ (CH. -7) Where most mid-range ontrols work at just one frequeny, the Mid-Morph works at two. When turned ounterlokwise, it uts at 5Hz to redue frequenies that muddy the sound. When turned lokwise, it boosts at 4kHz to add intelligibility to voals. Either way, improved voal or instrument definition an be ahieved. ow EQ This ative tone ontrol (shelving type: ±5 db) varies the level of the low frequeny range. Caution: Exessive low frequeny boost auses greater power onsumption and inreases the possibility of speaker damage. 6 7 left right left 4 right 5 left righ EQ BYPASS Engaging this button bypasses the equalization of the hannel, allowing you to easily hear the effet of the EQ settings. SEND This ontrol adjusts the level of the hannel signal sent to the Aux output. The signal is taken before the hannel level (8) but after the hannel EQ, meaning that hanges to the EQ settings will affet the aux mix, but hanges to the hannel level ontrol won't. Typial use for the Aux bus is to feed stage monitors, when used in a live performane, or to feed headphone amplifiers in a reording situation. 8 9 SOO SOO SOO m

5 PVAT Front Panel (hannels and ) SEND This ontrol adjusts the level of the hannel signal added to the effets mix. The signal is sent to the internal effets proessor. Turning the knob to the left () will turn off effets on the assoiated hannel, while turning the knob to the right will inrease the amount of the seleted effet. The effets send signal is taken after the hannel level (8) so that adjustments made to the fader will also affet the send level. CONTO This knob ontrols the plaement of the signal in the stereo field. When rotated ompletely ounterlokwise the signal is present only on the left hannel; when rotated ompletely lokwise only in the right hannel. This ontrol funtions as a balane ontrol to adjust the relative level of the left and right signals on stereo hannels 5/6 and 7/8. (Note /4" inputs on h 5-6 and 9- are mono unless both are onneted, then they swith to stereo) SWITCH Pressing this swith will silene the hannel signal going to the main mix, aux send, and effets. The mute swith will not affet the signal sent to the solo system. / ED This ED normally indiates that the hannel signal level is near lipping (distortion), but it also lights when mute is engaged. The lip indiator iruit monitors the signal after the gain ontrol, after the EQ, and after the main level; beause lipping an be aused by high settings of any of these ontrols. It illuates at +5 dbu with a stati signal (test tone), and orresponds to audible lipping with a highly dynami signal (i.e. piano). When lit, it warns that the gain or EQ boost should be redued. When it lights, roughly 5 db of headroom remains. An optimized setting of input gain + EQ will result in this ED flashing briefly on the loudest peaks. ED The signal ED lights when the hannel level reahes approximately - dbu. This not only indiates whih hannels are ative, but also serves as a i level meter. Beause its illuation varies with the signal soure, it is useful in identifying whih hannel is arrying a partiular soure. CHANNE CONTO This is the hannel's output ontrol, whih sets the signal level sent to the left and right mix and the effets send ontrol. The gain is db (unity gain) when set to the detent at mid-rotation (:). db of boost is available at the gain setting. Normal operation is to start with this knob at the detent, and set the input gain and EQ with the soure playing suh that normal levels are seen at the signal /lip ED's and the main meter array. As additional soures are added, it is normal to turn this knob down slightly to prevent overdriving the main mix bus. SOO SWITCH AND ED When the Solo swith is engaged, the yellow ED lights, as does the yellow Solo ED under the main / meter array in the master setion, indiating that the Solo system is now ative. The Solo system is a separate mix bus that routes the soloed hannel(s) at unity gain to the level meters for preise input level setting, and to the ontrol room monitor and headphone outputs for ritial listening to the seleted soure(s). When the Solo system is ative, the omplete mix will no longer be heard through the ontrol room or headphones; only the soloed hannel(s). PVAT Front Panel (hannel 4) MIC/INE INPUT (CHANNE 4 ONY) This input is the same as hannels - unless Guitar Shape is pressed. When EECTIC GUITA PE-SHAPE is on, the /4" input hanges to a high impedane ( MegΩ), like a AX7 vauum tube guitar amplifier input. Eletri Guitar Pre-Shape Engaging this button optimizes the on board equalization for eletri guitar. /4 -Hi-Z CH.4 Only PV BT DIECT OUT DIECT OUT DIECT OUT /4 -Hi-Z CH.4 Only DIECT OUT.5mm STEEO 4 5/6 EECTIC GUITA PE-SHAPE INPUT STEEO PV BT WITH DIGITA EFFECT 5 6 U P EECTIC GUITA PE-SHAPE

6 PVAT/PVBT Front Panel (hannels 5, 6, 7 and 8) mm STEEO INPUT The.5mm input to hannel 5/6 aepts a stereo input from the output of an MP player, CD player, tape dek or other similar devie. This input is optimized for portable handheld devies and therefore has very high sensitivity. STEEO INPUTS to the very beginning of the list and selet the <FODES> omp option. omp PV BT DIECT OUT COMP EECTIC GUITA PE-SHAPE The Bluetooth Pairing Button is used to turn on/off the Bluetooth. One turned on, the EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS The CA inputs to hannel 5/6 aept a stereo soure suh as an MP player, CD player, tape dek or other similar devie. This input is optimized for portable handheld devies and therefore has very high sensitivity. DIECT OUT DIECT OUT Channels 5 and 6 also feature /4" inputs. If only one jak is used, it behaves as a mono soure with a pan ontrol. When both jaks are onneted, these onnetions serve as a stereo soure with a balane ontrol; 5 is eft and 6 is ight. USB MEDIA JACK DIECT OUT.5mm STEEO 4 5/6 7/8 PV BT A-type USB onnetor that a removable data storage devie an be onneted to playbak musi USB PAYBACK: First, slide the input seletion swith (7) to the USB A position. The bottom of the CD display will say Insert USB drive. Insert your USB drive EECTIC into the GUITA USB Media PE-SHAPE Jak (4) at the top of hannel 7/8. The Media Player will now enter "Folder Navigation Mode". In this mode, you an sroll through a list of all folders on the USB drive. One you selet a folder, the Media Player will enter "Song Navigation Mode" whih allows you to sroll through a list of all songs ontained in the seleted folder. If there are no songs in the seleted folder, the CD will display "No Songs". To return to Folder Navigation Mode, sroll One a song is finished playing, the Media Player will automatially start playing the next song. One the Media Player reahes the last song, it will automatially loop bak to the beginning of the list. BUETOOTH PAIING BUTTON AND ED COMP Bluetooth will automatially enter pairing mode. You an pair any Bluetooth-enabled devie with the mixer using the PIN The blue Bluetooth Ative ED indiates the status of the Bluetooth onnetion. If the ED is off, low - the + Bluetooth high low - module + is high low - powered + high off. If the ED is slowly flashing, the PV mixer is not MID-MOPH paired with MID-MOPH any devie, MID-MOPH but is available for onnetion. When the ED is lit solid, the soure devie is properly paired to the mixer and ready to play. To lear the paired devie memory, make sure Bluetooth is on and press and hold the Bluetooth Pairing Button for 5 seonds. The PV mixer will ask if you would like to lear the Bluetooth memory. Selet "Y" using the Media Selet knob to lear the memory. The PV mixer will go through the proess of learing the memory, whih should take approximately 5 seonds. CA MEDIA INPUTS /4 -Hi-Z CH.4 Only low high MID-MOPH ANAOG MEDIA CHANNE USB A USB B Bluetooth USB A Bluetooth MID + MID left ANAOG right BA USB B MID + MID DIGITA MEDIA CHANNE left right BA MEDIA CHANNE MEDIA CHANNE 4 5/6 7/ DIGITA USB A PAIING SEND PHANTOM POWE 48V A/B ECOD Press to Selet FS SOO MEDIA SEECT MASTE ETUN TO MAIN SOO 9/ STEEO IN INPUT STEEO MIXE WITH DIGITA EFFECTS, MEDIA PAYBACK AND BUET / 9/ 9/ ma STEEO IN EV ma EC ma TO CONTO O SOO SOO E m 7 8 DIGITA SOUCE SEECTO left right left right left right This swith selets between USB A (4), USB B (68), and the internal Bluetooth reeiver. MID CONTO Stereo hannels' midrange is +/- 44Hz ; the (8) and () ontrols are desribed above. left right left SOO right BA left right BA 5/6 SOO 7/8 4 5/6 7/8 STEEO MIC MONO (SUM) SOO SOO SOO SOO SOO SOO SOO

7 PVAT/PVBT Front Panel (hannel 4) /4 -Hi-Z CH.4 Only FS MAIN OUTPUTS SEND STEEO IN 9 9/ ANAOG BAANCE CONTO Controls the balane between the analog hannels 5/6. DIGITA BAANCE CONTO Controls the balane between the digital hannels 7/8. POWE SEND X and /4" OUT Ground ompensated balaned output fed by the SEND master level (5). The X is internally in parallel with the TS. You will get better hum and noise rejetion by using balaned interonnets (either X or TS), but unbalaned Tip Sleeve (TS) ables will also work. FOOTSWITCH This TS jak is designed for use with Peavey's Button Speial Use Momentary Footswith, Item # 47. The tip of this TS jak, swith, remotely atuates the Mute swith. The ring of the TS jak, swith, remotely turns off the Auto-Tune on AT models. This makes the use of Auto-Tune inonspiuous; by using the footswith, your between-songs spoken banter won't be Auto-Tuned. /4" STEEO INPUTS Channel 9 and are a stereo pair of /4" jaks that an be used for an aux input, or effets return from an external proessor. If only one jak is used, it behaves as a mono soure. One both jaks are onneted, it behaves as a stereo soure; 9 is eft and is ight. 4 /4" STEEO OUTPUTS Ground ompensated balaned output fed by the master and Faders (6). The TS jaks are internally in parallel with the X's. You will get better hum and noise rejetion by using balaned interonnets (either X or TS), but unbalaned Tip Sleeve (TS) ables will also work. 5 X STEEO OUTPUTS Ground ompensated balaned output fed by the master and Faders (6). The X jaks are internally in parallel with the TS's. You will get better hum and noise rejetion by using balaned interonnets (either X or TS).

8 PVAT Front Panel 6 7 Auto-TUNE EECTIC GUITA PE-SHAPE PHANTOM POWE 48V 9/ STEEO IN CONTO OOM SOO/MAIN A/B SEECT PV A 4 A/B EC B/EC B/ EC PHANTOM POWE This Swith applies +48 VDC voltage to the input X onnetors to power mirophones requiring phantom power. If phantom power is used, do not onnet unbalaned dynami mirophones or other devies to the X inputs that annot handle this Voltage. STEEO IN 9/ Controls the level of input jaks 9 and. If only one jak is onneted, it is sent to both and. If both jaks are onneted, 9 is and is. The Aux output ould be fed to an external effets proessor, and these jaks ould be used as the effets return. Or a seond mixer ould be daisy-hained in here. A/B SOO Controls the level of both A and B ontrol room outputs. The ative output is seleted with A/B SEECT swith (4), when B/EC swith (4) SOO is up. When B/EC swith is down, only output A is ontrolled. EC When B/EC swith is down, ontrols the level at the B/EC outputs. Note: When B/EC swith is up, this ontrol is inative. 44 Auto- TUNE IP IGNA 4 A/B SEECT When this swith is up, output A is on and output B is off. When this swith is down, output B is on and output A is off. Use this swith to evaluate a mix on different pairs of monitors, suh as near field and far field monitors. By setting the level ontrols on both monitoring systems the same, a rapid A/B omparison an be made. Overall monitor level is ontrolled by A/B. NOTE: When the B/EC swith (4)is down, this swith is disabled, and the A output remains on at all times, fed by A/B (9). 4 B/EC SWITCH Deteres the funtion of the B/EC output. When up, B/EC jak funtions as monitor B output, seleted by A/B selet and ontrolled by A/B. When down, B/EC jak is an independent reord output, with level ontrolled by EC. 4 CONTO OOM MONITO OUTPUT A Connet powered monitors, or an amplifier feeding monitor speakers here. Set the volume ontrols on the monitors A and B to be equal when the A/B swith is toggled. The signal sent to this output is normally the eft/ight mix. The USB "To Control oom" pot (47) feeds the USB return signal to these Monitor Outputs for use in a DAW reording setup. When the Solo ED is lit (6), only the soloed soure(s) will be heard. NOTE: When the B/EC swith is down, the A/B SEECT swith beomes disabled, and this output is output is ontrolled by the A/B ontrol.

9 Auto-TUNE PVAT Front Panel A/B EC ECOD TO CONTO OOM USB 48 Press to Selet EFFECts media Press to Selet or edit 49 MEDIA SEECT SEECT USB MEDIA PAYBACK Auto- TUNE DIGITA EFFECT/MEDIA PAYBACK CONTO OOM MONITO OUTPUT B / ECOD OUT This pair of outputs an either serve as your "B" eord Monitor Output; or, with the B/EC swith (4) down, as an independently ontrolled eord Output. NOTE: When the B/EC swith is down, the A/B SEECT swith beomes disabled, and this output is output is ontrolled by the B/EC ontrol. USB ECOD KNOB Controls the level of signal sent to the USB B onnetor on the bak of the mixer. The reommended setting is near :, but a wide range is available to aommodate varying levels and sensitivites. CONTO OOM Controls the level of signal returning from the USB B onnetor on the bak of the mixer. The signal is routed to the ontrol room and headphone outputs, for multitrak reordings on a DAW. The reommended setting is near :. MEDIA AND EFFECTS CD DISPAY The top row of this CD displays the urrently seleted Effet and the bottom row displays the statusof the MP Player, whih an be used for navigating the folders on the USB drive or displaying the urrent song playing. The bottom line will also briefly display the Bluetooth status during power on, power off, and memory learing. MEDIA SEECT One a USB devie is onneted in hannel 8, you an use the Media Selet enoder to navigate through the folders/songs on the drive. One the desired file is displayed on the sreen, press the Media Selet knob to ue that file. Use the ontrols on the mixer for play, pause, forward and reverse. SEECT KNOB See detailed desription on the following page. 5 5 MEDIA PAYBACK CONTOS These ontrols allow you to play, pause and sroll though digital media via USB jak. 5 AUTO-TUNE MODE BUTTON (PVAT ONY) Pressing this swith hanges the top line of the CD between Auto-Tune Edit Mode and Edit Mode. This funtion is not available in the PVBT.

10 PVAT Front Panel Selet Knob: Mode: In Edit Mode (see Auto-Tune Swith), the Selet knob is used to navigate through the presets. Turning the knob hanges the preset in the display. The new seletion will be blinking in the display; push the Selet knob to hoose the new effet. One the effet has been seleted, you an now edit the effet. To do this, press the Selet knob and the display will hange to the urrent parameter setting of the preset. Turn the Selet knob to edit the parameter. Press the knob again to exit preset edit mode. To restore the presets bak to fatory settings, press and hold the Selet knob for 5 seonds and selet "Y" when prompted. Auto-Tune Mode: In Auto-Tune Edit Mode (see Auto-Tune Swith), the Selet knob is used to navigate through the Auto-Tune presets. Turning the knob hanges the Auto-Tune preset in the display. The new seletion will be blinking in the display; push the Selet knob to hoose the new Auto-Tune preset. One the preset has been seleted, you an edit the preset by pressing the Selet knob. The display will hange to the urrent Key setting. Turn the Selet knob to hange the key and push the Selet knob when you have hosen the key you desire. The Key setting deteres whih notes are enabled in the Auto-Tune proess. For example, in the key of CMaj, the notes C, D, E, F, G, A, and B are enabled, and all other notes are disabled. To see whih notes are enabled or disabled for eah key, see the Key Table below. Note: If Custom Key is seleted, the display will enter Custom Key Edit Mode. In this mode, you an reate a ustom Auto-Tune Key. Use the Selet knob to selet the oot (labeled "T"). This will be the note off whih the ustom key is based. Then use the Media Selet knob to move the ursor and use the Selet knob to ativate or deativate the notes in the key. One you have finished editing the ustom key, press the Selet knob to exit Custom Key Edit Mode. The mixer is apable of storing 9 different ustom keys, one for eah preset slot. The sale degrees are numbered aross the top, with half-steps indiated by a dash. T=oot or Key T * *indiates the root or key is C "+" indiates the note will be allowed. "-" indiates the note will not be allowed. By looking at the sequene of allowed and disallowed notes above, this is a whole tone sale. There are only two of those, so you an have the other one just by hanging the root to C# or B. *This sreen ap shows an A blues sale. You don't have to edit the whole sale to hange keys - just hange the root. One you have seleted the key and pressed the Selet knob, the display will hange to the urrent Speed setting. Turn the Selet knob to hange the Speed setting. The Speed setting deteres how quikly and aggressively the Auto-Tune will orret the pith. The range for this setting is to 5, where is the quikest and 5 is the slowest. Push the Selet knob when you are done editing the speed parameter.

11 The display will now hange to the urrent Detune setting. Turn the Selet knob to hange the Detune setting. The Detune setting deteres how the Auto-Tune pith orretion is alibrated. When the Detune setting is ents, this means the Auto-Tune is alibrated to the standard A44, or where the note A4 equals 44 Hz. The range of the Detune setting is -64 to 6 ents, a width of 8 ents. The distane between two notes, or semitones, is ents, whih means that the Auto-Tune an be detuned to fit any possible environment. Note: Detuning the Auto-Tune an be very useful, espeially when being used in onjuntion with an instrument that is not easily tuned on-the-fly. For example, if a piano is aompanying Auto-Tuned voals and the piano is slightly out of tune from the A44 stan dard, simply hange the Detune setting in the Auto-Tune setting. This is muh easier and takes muh less time than having some one tune the entire piano! Also, although the Detune setting is hanged in the Auto-Tune preset edit mode, this is a global param eter. This means if you hange the Detune setting and then later hange the Auto-Tune preset, the Detune setting will not hange. One you have seleted the appropriate Detune setting, press the Selet knob to exit Auto-Tune preset edit mode. To restore all Auto- Tune presets bak to fatory settings, press and hold the Selet knob for 5 seonds and selet "Y" when prompted. Note: Preset 9 is hromati with speed set to 7. It is reommended for general purpose, safe, easy use of Autotune, without having to adjust any settings. The slower speed setting does not produe a roboti effet on the voie, and all twelve semitones are allowed. Just remember to use footswith # to bypass Autotune between songs, otherwise your speaking will be Autotuned! Auto-Tune Key Table Auto-Tune Key Table Key Display Note Number (n)= Key Chrom C C# D D# E F F# G G# A A# B C Maj C D E F G A B C Mnr C D D# F G G# A# C#Maj C C# D# F F# G# A# C#Mnr C# D# E F# G# A B D Maj C# D E F# G A B D Mnr C D E F G A A# D#Maj C D D# F G G# A# D#Mnr C# D# F F# G# A# B E Maj C# D# E F# G# A B E Mnr C D E F# G A B F Maj C D E F G A A# F Mnr C C# D# F G G# A# F#Maj C# D# F F# G# A# B F#Mnr C# D E F# G# A B G Maj C D E F# G A B G Mnr C D D# F G A A# G#Maj C C# D# F G G# A# G#Mnr C# D# E F# G# A# B A Maj C# D E F# G# A B A Mnr C D E F G A B A#Maj C D D# F G A A# A#Mnr C C# D# F F# G# A# B Maj C# D# E F# G# A# B B Mnr C# D E F# G A B

12 PVAT Front Panel DIGITA EFFECT/ME SOO MASTE ETUN TO MAIN ETUN TO STEEO SOO MONO (SUM) 57 E 59 MIC SOO MAIN + 5 MASTE CONTO KNOB Controls the overall level of the signal og out of the Aux Output (). This Auxiliary output is typially fed to a power amplifier to drive stage monitors so singers an hear themselves amidst amplified instruments, or to a headphone amplifier to give voalists a monitor feed that will not be piked up by mirophones while reording. 5 MASTE SOO BUTTON AND ED Allows you to listen to just the Auxiliary mix. The setting of the MASTE knob deteres the level you will hear when this button is pressed. 54 ETUN SOO BUTTON AND ED Allows you to listen to just the effets return. The setting of the eturn to Main knob deteres the level you will hear when this button is pressed. 55 ETUN TO CONTO KNOB This ontrol deteres the level of the internal digital effets proessor being sent to the Aux output. One possible use is to put reverb in the headphones of a voalist, to give them a onfidene boost for reording, without putting any reverb on the atual reorded trak. Or in a live situation, the same an be done by feeding a delay or reverb to the monitors. 56 ETUN TO MAIN This ontrol deteres the level of the internal digital effets proessor being sent to the main and outputs. 57 BUTTON AND ED/ ED When depressed, the output of the internal digital effets is shut off. Muting the effets is an easy way to detere what a partiular effet is doing to your mix. ED remains lit when is engaged. When is not engaged, this ED funtions as a lip indiator for the internal digital effets. If the digital effets are lipping, redue the level of the SEND pots.

13 PVAT Front Panel STEEO/MONO MODE SWITCH In the mono position, the left and right buses are summed together after the faders. In this position, the fader ontrols the level of the bus, and the fader ontrols the level of the bus, allowing you to use the and buses as groups. For example, all voals ould be panned and all instruments panned. Then the fader beomes the voal master level and the beomes the instruments master level. MIC BUTTON AND ED Depressing this button mutes all of the mi inputs hannels (-4) and the effets return. The media input hannels are still "live". This allows you to play break musi, while muting all of the mirophone inputs. MAIN FADES The Master Faders ontrol the levels sent to the Main eft/ight outputs (4, 5). Best results are obtained when these ontrols are set near the midpoint of the enlosed retangle. MAIN + METE AAY Displays the level of the and outputs, or, when solo is ative, displays the soloed hannel(s). The top green ED orresponds to an output level of +4dBu. The red ED is a lip warning indiator. The range of the meter is from -7 dbu to + 5 dbu. MAIN SOO ED ights when any solo button is pushed, to indiate that the solo system is ative.

14 PVAT Front Panel KOSMOS-C CONTO A very seletive high frequeny filter with a high Q. The effet varies with soure material, so some experimentation is required for optimum results. KOSMOS-C CONTO This Kosmos-C ow enhanement works by reating harmonis of signals in the bottom oave, where speakers are usually ineffetive. The harmonis are more easily reprodued, resulting in a pereption of stronger bass. The effet is soure dependent; obviously a soure with little energy in the bottom otave will not reate boog bass. KOSMOS-C ENABE Allows you to easily A/B the effets of your Kosmos Settings. HEADPHONE SOO/MAIN Controls the level of the headphones. The headphone is normally fed by the main outs, unless the solo system is ative. Always start with the headphone level at "" to avoid hearing damage. ENABE KOSMOS-C HEADPHONE/ SOO/MAIN SOO/MAIN

15 PVAT/PVBT POWE DIGITA AUDIO POT ON COMPUTE 67 DC POWE INET Use to onnet the inluded power supply. Be sure the power supply is onneted to the PV before onneting to a power soure. Use 5VDC, A adapter only. eplae only with Peavey part number POWE SWITCH This is the main power swith. 69 USB POT TYPE B The USB port is used to onnet the PV Series USB mixer to a omputer for reording or playing bak digital audio to/from your omputer. The USB port sends the mixer s main/tape stereo out to the omputer. The USB port reeives digital audio from the omputer; it an then be assigned through the seletor swith (7) to the main left/right output, if the omputer is being used for playbak only. For reording, use the USB TO CONTO OOM ontrol (47), to avoid reating a loop. Compatible with Windows Vista, Windows 7, & Windows 8, Ma OS X. or later, and ios devies.

16 Blok Diagram-PV AT & PV BT ON/OFF INE CHANNE 5/6 IGHT EFT IGHT A B C D +48V O 8Hz MID-MOPH 4kHz 4Hz HI khz MIC EFT OUT IGHT OUT Guitar COMP Ch - Only O 8Hz EQ MID-MOPH 4kHz 4Hz HI khz EQ Bypass ON/OFF AUTO-TUNE Gain Threshold Diret Output eord B/ evel eord Out Solo eord evel EQ OUT O MID HI BAANCE Solo EQ EQ Mute eturn To Mains Solo MEDIA SEECTO SEECTO DEFEAT O MID HI BAANCE Peavey Eletronis Corp. 5 Hartley Peavey Drive Meridian, MS 95 Title: CONFIDENTIA Sheet Title: D Sheet Date: 4 A B C D of 4 X INE X EFT EFT IGHT.5mm In STATUS BUETOOTH INPUT MIC PE COMP Ch - Only EQ EQ Bypass ON/OFF AUTO-TUNE Mute KOSMOS ENABE KOSMOS - C Mono Gain Threshold Diret Output MIC PE EQ Guitar EQ Mute Solo EFFECTS MEDIA PAYE Input Seletor Solo In eft -4 ight -4 eft ight SOO CHANNE - PHANTOM CHANNE 4 PHANTOM CHANNE 7/8 USB A Media Player Input USB B Streag Input CHANNE 9/ eft Master CH - ONY Solo ight Master Headphone evel Solo Headphone CH - ONY Mute Control m evel A/B Selet Control m A Control m B/ eord Out To USB B Streag Output MIC Out In FOOTSWITCH T = Mute = AutoTune Bypass (AT Models) eturn To PV_BOCK 4-9-5_:6

17 Inputs Funtion PV AT & PV BT Series Speifiations Mi pre EIN = -6 gain with 5 ohm soure Mirophone (5 ohms) ine ( k ohms) ine 4 TS, GT SHAPE ON Stereo Input 5/6 Input Z (ohms ) Input Gain Input evels Setting Min** Noal* Max kω Max Gain (59 db) kω Meg Hz, like AX7 input. kω Min Gain (4 db) Max Gain (4 db) Min Gain (-5 db) Max Gain (8 db) Noal -7 dbu -7 dbu -5 dbu + dbu - dbu - dbu -5 dbu +5 dbu - dbu + dbu - dbu +6 dbu -9 dbu +6 dbu - dbu > + dbu + dbu +9 dbu Bal/ Unbal Bal Bal Unbal Connetor X Pin Gnd Pin (+) Pin (-) /4" TS; Tip (+) ing (-) Sleeve Ground /4" TS; Tip (+) Sleeve Ground Stereo Input 9/ 6.8 kω Max Gain ( 8 db) - dbu - dbu +dbu Noal.5mm, CA.8 kω Max Gain (8 db) dbu=.775 V (MS) Noal -5 dbu -4 dbu -4 dbu -5 dbu - dbv -5 dbu + dbu - dbu +8 dbu Unbal.5mm; Tip=, ing =, Sleeve Ground CA: Tip (+), Sleeve Ground ** Min Input evel (sensitivity) is the smallest signal that will produe noal output (+4 dbu) with hannel and master faders set for imum gain. * Noal settings are defined as all ontrols set at db (or 5% rotation for rotary pots) exept the gain adjustment pot whih is as speified. Outputs Funtion Min oad Z (ohms) Output evels Noal Max Bal/ Unbal Connetor Main eft/ight 6 +4 dbu + dbu Bal X Pin Ground Tip Pin (+), Pin (-) Effets and Monitor Sends /4" TS: Tip (+), ing (-) Sleeve Ground 6 +4 dbu + dbu Bal /4" TS: Tip (+), ing (-) Sleeve Ground Control oom 6 +4 dbu + dbu Unbal CA: Tip (+), Sleeve Ground Headphone 8 +4 dbu (no load) + dbu Unbal /4" TS; Tip eft, ing ight Sleeve Ground dbu=.775 V (MS)

18 Gain Mi Input Gain Adjustment ange: Mi Input to eft/ight Balane Output ine Input Gain Adjustment ange: ine Input to eft/ight Balane Output Stereo 5/6 /4" Gain Adjustment ange: Stereo 5/6 /4"to eft/ight Output Stereo 5/6.5mm / CA Gain Adjustment ange: Stereo 5/6.5mm / CA to eft/ight Output: Stereo 9/ Gain Adjustment ange: Stereo 9/ to eft/ight Output 4 db to 59 db 79 db ( gain) -6 db to 4 db 6 db ( gain) Off to +8 db 4 db ( gain) Off to +8 db 47 db ( gain) Off to +8 db 8 db ( gain) Frequeny esponse Mi Input to eft/ight Output, Max Input Gain Mi Input to eft/ight Output, input gain : 4 Hz to 5 khz + db/- db 9.5 Hz to 9 khz + db/-.8 db Total Harmoni Distortion <.6% Typial, Mi to eft/ight Output ( Hz to khz BW) Hum and Noise Output esidual Noise S/N atio (ef: +4dBu) Test Conditions Master eft/ight -97 dbu db Master Fader Down, Channel evels Down -9 dbu 94 db Master Fader Noal, Channel evels Down -8 dbu 87 db Master Fade Noal, Channel Faders Noal, Panned Odd Channels (left), Even Channels (right) Monitor Send -95 dbu 99 db All ontrols off -8 dbu 84 db All hannel sends noal, masters noal (Hum and noise measurements: Hz to khz BW) Equivalent Input Noise -8 dbu (input terated with 5 ohms, bandwidth khz)

19 Crosstalk/Attenuation Adjaent Input Channels ( khz) >9 db eft to ight Outputs ( khz) >7 db Mute Button Attenuation ( khz) >9 db Channel Fader Kill ( khz) >85 db Common Mode ejetion atio (Mi Input) 5 db imum ( Hz to khz) 7 db khz Meters Signal/Overload Indiators 6 segment, peak reading ( db = +4 dbu) ed ED lights 5 db below lipping Dimensions.75" wide x 5." deep x.875" high (.9 m x 8.5 m x 5.56 m) Weight Power equirements PVBT: 8. lbs (.7 kg) PVAT: 8.6 lbs (.75 kg) -4 VAC 5/6 Hz 5 Watts

20 Warranty registration and information for U.S. ustomers available online at or use the Q tag below Features and speifiations subjet to hange without notie. Peavey Eletronis Corporation 5 Hartley Peavey Drive Meridian, MS 95 (6) FAX (6) ogo referened in Diretive /96/EC Annex IV (OJ()7/8,.. and defined in EN 549: 5 The bar is the symbol for marking of new waste and is applied only to equipment manufatured after August 5