Con sord. KOPUM / COMMON

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2 KOPUM / COMMON - Altercijas zmes attiecas uz katru konkrto noti izemot salgotas notis. Ja pirms sekojošs skaas nav ne altercijas atsaukuma zmes ne altercijas, altercija tiek atsaukta jebkur gadjum. Alteration signs reer to each pitch. I there is no call-back sign ater the alteration, the alteration is called back in every case (that does not reer to breaklined and tied pitches) - Visas akcentcijas zmes nozm asu skaas skuma akcentciju. Ja akcentta tiek pdj skaa skau salgojum, tiek asi akcentts pats skaas nobeigums. All the accents mean sharp accent on the beginning o sound. I an accent is put on the last sound in a tied pith, the very end o the sound is accented. PIANO SOLO - Oktvas paaugstinjuma vai pazeminjuma zmes attiecas uz katru sistmu atseviši. Ar gadjumos, ja viena balss sadalta divs sistms. octave signs lowering or highering pitches reer to each separate system also in case o cross staed pitches. L.H. - kreis roka - let hand R.H. - lab roka - right hand Pedalizcija var tikt modiicta mksliniecisku mru labad, tau vlams pedli nelietot vairk k nordts. All pedalisation in the piece could be modiied or artistic purposes. Using pedale more than written is not recomended. Skadarba atskaošanai nepieciešamas klavieres ar sostenuto pedli Instrument with sostenuto pedale is required or perormance Pianista rtbas labad atauts maint roku izkrtojumu un pielietojumu dažds nerts viets For comort o pianist, it is allowed to change disposition and use o hands in all uncomortable points PŠAMINSTRUMENTI / WIND INSTRUMENTS Con sord. Mežrags 1 lieto parasto surdni, metlisko, Troetes (1 ) tikai metlisks (wah wah) - French horn 1 is using straight mute, metalic, truets (1 ) just metallic (Wah-wah)

3 STGU INSTRUMENTI / STRING INSTRUMENTS - stgu instrumentu pakpeniska, klusa skaošans, lni velkot lociu bez vibrato, veidojot skau mksliniecisk kvalitt SITAMINSTRUMENTI / PERCUSSION -sple ar lociu velkot pa švja malu - playing by bow on the edge o cymbal - sple ar rokm. Ja apzmjums atrodas pc skaas (švji u.c.), ar to apzm skaas slpšanu ar roku. playing by hand. I this sign apears ater the sound (piatti sospesi etcr.) it means muting o sound by hand var bt vajadzgi vairki viena instrumenta kolekti sakar ar prvietošanos starp instrumentiem. Mzii drkst ar izmaint doto instrumentu sadaljumu starp mziiem There may be multiple sets o the same instruments necessary because o switching between instruments. Musicians are welcome to change division o the instruments between players i necessary. MALLETS AND BEATERS FOR PERCUSSION VLTES UN KOCII SITAMINSTRUMENTIEM - bungu vltes / drumsticks - cieta vlte / hard mallet - vidji mksta vlte / medium sot mallet - mksta vlte / sot mallet - maza, cieta vle / small hard beater - maza, mksta vle / small sot beater - liela, cieta vle / big hard beater - liela, vidji cieta vle / big, medium hard beater

4 - liela, mksta vle / big sot beater - metla stientis, kociš / metallic stick - metla slotia vai plastmasas, salmu slotia, ja nordts / metallic brush or plastic or haulm brush i pointed in the score - sple ar rokm / playing by hand - sple ar lociu / playing by bow IESPJAMAIS INSTRUMENTU SADALJUMS STARP SPLTJIEM (PC IESTŠANS SKADARBA LAIK) POSSIBLE ALLOCATION OF PERCUSSION INSTRUMENTS BETWEEN PLAYERS (IN ORDER OF APPEARANCE) ESECUTUORE I Tiani 4 Tom tomi Tam tam Triangolo ESECUTUORE II Marimba Vibraono Frusta Tam tam 4 Tom tomi Caanelli ESECUTUORE III Gran Cassa Vibraono Piatto sospeso Wood blocki Frusta Wind chimes ESECUTUORE IV Caanelli Tam tam Piatti ordinari Gran cassa Piatto sospeso

5 Flauto Piccolo (I) Flauto I Flauto II Flauto III Oboe I Oboe II Oboe III Clarinetto in Bb I Clarinetto in Bb II Clarinet to in Bb III Clarinetto basso in Bb (III) Fagotto I Contraagotto II Corno in F I Corno in F II Corno in F III Corno in F IV Tromba in Bb I Tromba in Bb II Tromba in Bb III Trombone I Trombone II Trombone basso III Tuba Tiani Triangolo Gran cassa Piatto sospeso e ordinari Tam-tam 4 Tom - tomi Frusta Wind Chimes 4 Wood Blocks Caanelli Marimba Vibraono Piano solo Andris Dzentis A Pensieroso, pesante ma parlando q = 90 (*1978) III Arpa Violini I (I) Violini I (2) Violini II (1) Violini II (2) Viole (1) Viole (2) Violoncelli (1) Violoncelli (2) Contrabassi (1) Contrabassi (2) Molto recitando, liberamente sz m 5 A Pensieroso, pesante ma parlando q = 90 Musica Baltica, 2010 MB 1084

6 8 Fl. picc. Ob. III Cl.in Bb I Cl.in Bb II Cl.in Bb III C-ag. II Cor. in F I 12 m m m m m m Cor. in F II Cor. in F III Cor. in F IV Tr-ne I Tr-ne II Tr-ne basso Tuba Gr. C. m Piano solo sz sz Cl.in Bb I Cl.in Bb II Cl.in Bb III C-ag. II Più agitato, quasi rubato 20 Muta in clarinetto basso m Cor. in F I Cor. in F II Cor. in F III Cor. in F IV Tr-ne I Tr-ne II Tr-ne basso Tuba Piano solo m m m m m m m m m m m m m MB 1084 m