Au Arias. Laberinto de Daphne. Dramatic scene for baritone and orchestra. Based on the Daphne et Chloe text fragment by Longus. Duration c. 5 min.

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1 Au Arias Laberint de Dahne Dramatic scene r baritne and rchestra ased n the Dahne et Chle text ragment by Lngus Duratin c. min. Instruments Flute in C (dubles Piccl) Flute in G (dubles Flute in C) Obe English Hrn Clarinets in b ( nd b ass Clarinet) assns ( nd dubles Cntrabassn) Hrns Trumets in C Trmbnes ( nd ass Trmbne) ercussinists I Vibrahne, triangle, marimba, l susended cymbal II Gng, gran cassa (bass drum), tam tam, ind chimes Timani Celesta/Pian (nly layed n ) Har Strings Laberint de Dahne is an aria rm the era Gruta de inas and is als art the rk titled Libr R. It can be errmed as art the era r as an indeendent cncert iece. In additin t the riginal chamber versin r baritne and seven instruments, it is available in this rchestral versin. Cyright August Arias 01.augustarias.net/au.arias.musique@gmail.cm

2 Laberint de Dahne Orchestral versin Imrtant nte abut using the natural resnance instruments: Sme textures are created by the use resnance and ther sunds hich emerges rm the resnance. S, the cnductr and errmers must take int accunt that letting the vibrate r resnate lays an imrtant rle in this iece. GEERAL REMARKS * When Liber is indicated, the cnductr must ll a ree tem that ill give the musical events time t devel. * The dtted barlines in Mlt liber are there t acilitate the reading the scre. These assages must be layed accrding t the idea the Liber assages and ithut any accent n the irst beats. * Trills shuld be layed a semitne u. * Glissands shuld be layed smthly as ssible, ithut any accent n the beginning r ending the nte. * LV: Let the the ian, duble bass, cell r vilin vibrate as lng as ssible r until the end the sunds is indicated. * The arr shs a transrmatin ne ay laying/singing t anther, e.g. rm mlt vibrat (MV) t senza vibrat (), r rm sul tast (ST) t sul nticell () r t indicate a change in the seed a treml r a trill * Crescend rm niente. It is als used t indicate decrescend t niente. * : Senza vibrat; MV: Mlt vibrat (raid and narr vibrat).when vibrat markings are nt seciied, errmers may use their reerred vibrat. * LV: Let the instrument vibrate as lng as ssible r until the end the sund is indicated. It is als indicated ith a tie. ARITOE/VOICE * The use chir is ad libitum. I chir des nt sing, ust ignre the chir art. * tes ith tenut lines must be interreted as a natural accent, as in natural seaking. When a musical accent is required, it is ntated as an accent. * Glissands shuld be sung as smthly as ssible, ithut any accent n the beginning r ending the glissand. * Recitativ style. The singer shuld sing accrding t the nature the Sanish language ith the required itches. The rhythm and tem shuld be understd in an exressive ay and the meaning the rds must be very clear. Please nte that ithin these assages culd aear sme ntes that are lnger than thers. * When is required, the dynamic level shuld alays be high enugh t enable the audience t still understand the rds. * When is indicated, the singer shuld nt sing luder than the rest the ensemble. In these assages the vice is used as anther instrument. * Parland/seaking sectins shuld be recited naturally, resecting the exact rds and hrases that are ritten in each bar. CELESTA/PIAO This art as ritten r ne errmer. S, the celesta must be next t the Pian in rder t mve rm ne t anther. The ian art as made r being layed by dierent kinds glissand n. Please nte and make the distinctin beteen all the dierent kinds glissands hich are ritten in the scre. STRIGS * When sustained ntes are required, they shuld be layed ith imercetible b changes. * : Sul nticell. Playing very clse t the bridge./ ST: Sul tast. * : rmal (used t cancel and ST). * Cnstantly alternating sul nticell and sul tast ad libitum and gradually. * Change gradually t mlt vibrat t senza vibrat. A similar indicatin is used r changing rm sulnticell t sultast.

3 Laberint de Dahne Orchestral versin PERCSSIO * Take int accunt the imrtance the resnance all instruments in the iece. The kind sund clur and the tye mallets must be understd in terms this idea. ass drum: The skin must be tuned as l as ssible in rder t create a very dark and l texture. Wind chimes: D nt lay an rdinary glissand, ust a gentle tuch n chimes and let them vibrate. FLTES * Glissands must be layed as smthly as ssible. se the embuchure t get the glissands and d nt lay an accent in the arrival nte. Air tnes. se the ingering needed t rduce the ntated itch. Hever, dn t rduce the nrmal tne; ust bl air thrugh the instrument. In the grahic examle the air tne is in the secnd nte. * These assages must be layed like the rebund a ball, in retrgrade. In that sense, each nte is shrter than the revius nes. The number reetitins each chrd in a assage is ree. * Change gradually rm a nrmal tne t an air tne. * When the cnsnants are indicated bel the ntes, hiser the given hnemes accrding t the internatinal hnetic alhabet. S Salt in English [s] T Table in English [t] Frrr rame in English but keeing a lnger rrr [r] LYRICS Oh, inas! Qué me hiz el bes de Chle Sus labis sn más suaves que la seda, Su bca es más dulce que la miel, Per su bes es más scur que la esalda de la luna He besad muchas veces mis cabrits y sus veas recién nacidas. i las manzanas, ni el tmill lrid tienen erume tan dulce Su bes esina el alma y enlquece cm miel nueva. Su bca era más dulce que miel, sus labis más suaves que la seda Parece que su bes me envenenó! Si resir me alta el aire, mi crazón alita, mi alma languidece Chle! Pr tu bes grit sl cm si las bestias me aztaran Y a esar de td, tus bess aun dese más. Oh!Ls ruiseñres cantan er mi lauta sigue muda Oh! uegan ls cabrits y sig sentad ba el árbl Oh!Las lres destellan y te rams ni guirnaldas. Oh! inas! Oh! Suerte desdichada! Mal cuy nmbre n cnzc! Habrá Chle tmad venen antes de besarme Cóm entnces ella n ha muert Flrecen acints y viletas mientras Dahne se marchita. Oh, ymhs! What did that kiss d t me Her lis are ster than silk; Her muth is seeter than hney. ut, her kiss is much darker than the back the mn. I have ten kissed my little gats and nebrn shee. either the ales nr the blming rsemary have such a seet erume. Her kiss stings the sul and delights me like resh hney. Her lis ere ster than silk; her muth as seeter than hney. ut it seems that this kiss has isned me! I I breathe, I run ut air, my heart thrbs, my sul languishes; Chle! ecause yur kiss I scream in lneliness as i the beasts ere hiing me and desite all I ant yur kisses still much mre. Oh! the little gats lay and I remain seated under the tree. Oh! the nightingales sing but my lute stays mute. Oh! lers glitter but I am nt making bunches r garlands. Oh! ymhs! Oh, retched ate! Evil hse name I d nt kn! I nder i Chle might have taken isn bere kissing me! H is it, then, that she has nt died Hyacinths and vilets blm hile Dahne ithers. * The translatin is ered r a better understanding the text. The cmsitin shuld, hever, alays be sung in Sanish.

4 Flute I/ iccl Flute II Obe I Obe II/ English hrn Clarinet in b I ass clarinet in b assn Cntrabassn Hrn in F I, II III Trumet in b I Trumet in b II Trmbne I ass trmbne II Timani Percussin I Percussin II aritne Pian n b b Har Vilin I Vilín II Vila sl Vila I Vila II Cell I Cell II Duble bass I Duble bass II Dlrs e cntinu q= dlce snr e cntinu melanchlique Oh, izz. izz. arc Ÿ~~~~~~~~~~~~~~ b r r Oh, arc m snr e cntinu izz. be R Ô b b m m m b b / / r t the edge m subit m cresc. b b 1 (n accent) All harmnic sunds 8va. higher b 1 csz sz b b b b b esress. e snr sl. b b izz. b b b izz. arc b b b b izz. b b legat izz. b b Tamtam L sus. cymbal Chrmatic glissand. A tem, n ith lectrum. cdegabb b izz. Laberint de Dahne Dramatic scene r baritne rchestra In Memriam Claude Debussy m ëù Scrae rm center iu intens arc in sz r r b SCORE SAMPLE.auarias.cm 1 as! "ss" LV! Fast shrt High register Fast shrt High register Au Arias

5 Fl. I 7 Pc iu mss Pc rit Agitand e acellerand q= A Laberint de Dahne Orchestral Versin Fl II. in G I b m m m Flz b dlce, c grave m m Flz b legat cresc. mlt b r n bb b æ n n æ æ æ æ b b Hrn. I, II, III Tt. I Tt. II Tim. Mar. Perc. I aritne b b b b (*) b Pn. n Hr. I sl I II Cell I Cell II Db. I Db. II m m (arc) Qué me hi snr e cntinu m m sz sz m cresc. mlt m cresc. mlt z_el be s... Qué me hi z_el be s de Chl cresc. m m / ass drum intrigued LV! sz iu intens legat b cresc. mlt cresc. mlt * Marimba: T layers laying the assage i needed. tes in brackets shuld be layed nly hen t errmers are laying the art. Otherise, hen ust ne layer is in charge the art he/she must ignre ntes in brackets b m ast shrt glissand. ttm register lc Fast shrt High register 1 b be sz sz m cresc. mlt ast shrt glissand. ttm register b b b b b b b n b n n egabbcd (izz.) (arc) (arc) b (arc) b b. n (izz.) nn div. (izz.) arc b b n b b b (izz.) b b b <n> b b SCORE SAMPLE.auarias.cm b b b b b n n b b n b b b b e m cresc. mlt e

6 Laberint de Dahne Orchestral Versin Fl. I 11 b b Pc rit. Tem rim ma iu mss q=8 b m Fl II. in G b b m b b b b b m I T Eng. Hrn. b b b m Hrn. I, II, III Tt. I, II Tim. Mar. aritne Pn. n Hr. e cresc. mlt mlt! sus dlce m b b b b n b b b n æ b æ b sz m cresc. mlt la bis sn mas sua ves que la se e b be e e e b be b b b b æ b sz b b b b SCORE SAMPLE.auarias.cm æ æ r sz b b b I I II b b æ legat æ æ mlt! b b Cell æ b æ Ṉ b

7 Fl. I Fl II. in G I 1 b b Pc liber Allargand Dlrs e cntinu q= b b æ æ æ æ b æ b Flz b æ æ æ æ b æ Flz Laberint de Dahne Orchestral Versin æ æ æ æ æ Suddenly st Suddenly st Hrn. I, II, III Tt. I, II Tim. Mar. Perc. I aritne Pn. n Hr. I I Cell I Cell II b legat b m cresc. mlt legat da m iu intens su cs b ca es mas dul ce que la miel cs cs b æ b senza vibrat cs cs æ mlt Suddenly stb b b b b / / b b n R snr e cntinu Div. æ æ æ æ cs cs Suddenly st Suddenly st Suddenly st nn div. SCORE SAMPLE.auarias.cm æ Suddenly st Suddenly st Suddenly st Suddenly st Suddenly st

8 Laberint de Dahne Orchestral Versin Fl. I Fl II. in G Hrn. I, II, III Tt. I, II Tim. Perc. I aritne Pn. n Hr. I sl I Cell I Cell II b 0 Pc rit Flesible, esressiv q=8 m m m m dlcissim dlce m men e r su be esress. ï b b K r b b b b dubtul / / s es mas s cu r que la_es alda de la luna he besad muchas veces mis ca bri ts Tamtam LV! arc m esress. Sul b G m m izz. b b b m izz. arc b b b m csz With he Dahne remembers Chle elice b b b b n div. izz. izz. b sl n div. arc n b b seaking b b n b b b b b Ȯ Fast lng. High register. SCORE SAMPLE.auarias.cm div. div. ~ b O O b ~ ~! b b

9 Fl. I Fl II. in G Hrn. I, II, III Tt. I, II Tim. Perc. I aritne Pn. n Hr. I I I II Cell 7 b b b b b C Piu mss q= cresc. aetus mlt y sus veas recien naci das ni cresc. cresc. b b b b b b b b b b b b b b / / b b mlt b b b b b b b b b b b b b mlt mlt mlt b b b b div. b mlt men ab cdbe g izz. æ b b æ b æ b æ mlt m las man bb b b b b b b b b b bb SCORE SAMPLE.auarias.cm b b b b b b b b b b b bb b Laberint de Dahne Orchestral Versin b b b b b

10 Laberint de Dahne Orchestral Versin Fl. I 1 b b m m m m Rit. Tem recedente b n cs c cresc. b b b Fl II. in G b m m m m b n cs b b cs m b b b b b m m m m cs b cs b Hrn. I, II, III Tt. I Tim. Perc. I aritne Pn. n Hr. I I Cell I Cell II b b m cs b b b cresc. b b r b cs m n / / za cs cs cs cs cs nas ni_el t mi ll l ri d tie ne_un er u me tan dul ce, su be m m mlt s e dim. cs iu rte e assinat b b b b DESKS cantabile, segend la vce m DESKS cantabile, segend la vce m cs DESKS cantabile, segend la vce s es m cs DESKS div. m cs cs m men cs DESKS arc (g ) cs ab cdbe g n very even m b n DESKS b b b b b b b r b m DESKS m b r b b b æ r b nn n b b b b b b b b b b b b b b æ æ æ arc n n K r b b b b æ b b b b b SCORE SAMPLE.auarias.cm b b b b b b b b b b r b b b r

11 Laberint de Dahne Orchestral Versin Fl. I Fl II. in G Hrn. Hrn. I, II, III Hrn. III Tt. I Tt. II Tim. Perc. I aritne b b s b b s <b> s s n s s n b b s n s s. / æ Pn. n Hr. I I Cell I Cell II Mlt rit. / s s i na_el al ma y_en lquece cm miel nue va s s ass drum seaking b Dragging indeendently rm the rchestra. Mlt liber b æ Ȯ s b b æ r n~ s b n s su bca era mas dulce que la miel sus labis mas suaves que la seda... T Picc T lute in C Large sus. cymbal er arece que este bes me envenenó! n n n n n b æ æ R n b SCORE SAMPLE.auarias.cm æ r n Ȯ æ r n Ȯ ~ ~. n s.

12 Laberint de Dahne Orchestral Versin Picc. Fl. II Hrn. Hrn. II Hrn. III Tt. I Tt. II Tim. Perc. I Dahne Pn. n Hr. I Cell 9 mlt b cs Large sus. cymbal / æ D cs cs cs cs cs Agitand q= mlt m mlt lc m legat mlt mlt mlt mlt mlt mlt Pc liber si res i r me alta_el æ mlt legat m Flz Picc. Flute in C legat / d nt let vibrate it diserat Flz æ cdebgab > O R O R æ > > legat Flz n æ n b b b n n legat nn n n n > æ æ æ æ Very ast glissandi ith bth hands. Frm high t l register SCORE SAMPLE.auarias.cm æ æ æ Ȯ æ Ȯ æ O æ æ æ æ æ æ æ

13 Laberint de Dahne Orchestral Versin Picc. Fl. II Hrns. I, II, III Tt. I Tt. II Tim. Perc. I Dahne n Pn. n Hr. I Agitand q= mlt m legat legat m m mlt iùs iùs iùs iùs mlt ai re mi crescend mlt lc legat m legat Flz mlt mlt mlt nn b / / d nt let vibrate it iu intens, n r cra zón al i ta mi al ma langui æ cdbegabb > nn b æ > > > n n æ legat n n nb b b nn æ Very ast glissandi ith bth hands. Frm high t l register Flz SCORE SAMPLE.auarias.cm b æ b æ b b æ Ȯ æ æ æ Ȯ æ O æ æ æ mlt æ Cell æ æ æ mlt æ mlt

14 Laberint de Dahne Orchestral Versin Picc. Fl. II Hrns. I, II, III Tt. I, II Tim. Perc. I Dahne Pn. n Hr. I Cell Allargand Mlt liber, ma cn mt Flz. æ n mlt mlt mlt de ce Div. æ E subit subit subit Flz. subit Flz. æ / / subit subit ssible subit Chl e Seaking rather ast mlt agitat e diserat hal shuting hal singing Oh, ls dragging indeendetly rm the ensamble and cnductr e gac d LV leggier e legat rui se ñ rescantan e r mi lau ta si gue mu da leggier e legat e crescend mlt! subit subit n Div. n div. div. æ Tamtam e crescend mlt! ï subit e crescend mlt! subit subit n div. Div. æ Mute the timani Mute the tamtam e crescend mlt! subit subit e crescend mlt! subit subit ï æ Flz. æ Vibrahne Mute the timani æ, Mute the bass drum r tu bes grit sl cm si las bestias me aztaran y a esar de td, tus bess aún dese mas... n n div. div. Div. æ æ n div. æ æ æ æ æ æ æ singing ith breathy vice subit seaking SCORE SAMPLE.auarias.cm Ȯ n n * Each ermata shuld be lnger than the revius n. * W: d nt breathe ater the ermata.

15 Piu larg Laberint de Dahne Orchestral Versin Picc. Fl. II Hrn. Tt. I, II Tim. Vib. Dahne 8 Flz. Flz. æ æ Pn. n Hr. I (simile) Flz. sz ï Flz. ï æ æ µ subit subit sz subit subit subit subit Flz. Flz. æ æ subit subit Flz. Flz. Frm ast treml t sl treml æ æ subit subit sz subit subit Oh, leggier e legat uegan ls cabrits y y si g sentad ba _un ar bl Oh, leggier e legat subit subit n n æ æ Mute the timani Mute the timani (simile) las lres destellan y n te rams ni guir nal das Oh mlt mlt n rest and dragging. Imrvise ith the ntated itches. Hever, use alays ne breathing s n agnic æ sz æ subit subit sz / LV æ æ subit LV subit Tamtam LV! m!!!! T lute in C L sus. cymbal ëù scrae rm center t the edge æ ass drum æ LV! SCORE SAMPLE.auarias.cm Fast glissand n. L register, nin as! Cell æ æ subit subit sz æ æ subit subit sz Ȯ Ȯ æ æ subit subit sz div. * Dahne clarinet shuld match the same G gradually. As i vice and clarinet ere lking r each ther.

16 Laberint de Dahne Orchestral Versin Flute I Flute II Hrn. Trt. I, II, III Tim. Perc. I Dahne ymhs I ymhs II b e m Tamtam / Pn. n Hr. I I Cell I Cell II 1 Mlt Liber, calm Dlrs e cntinu q= (*) Seaking ith breathy vice. Indeendently. (*)Seaking ith breathy vice. Indeendently. F lc sl En alguna arte, alguna vez, hace diez mil añs, hub un árbl, una manzana, un libr r, un alaci, en un bsque cnsagrad a las ninas. Frm alternating hisers and seaking ith breathy vice t rdinary singing. All the ymhs indeendent rm each ther and changing the rder sentences. Frm alternating hisers and seaking ith breathy vice t rdinary singing. All the ymhs indeendent rm each ther and changing the rder sentences. En alguna arte, alguna vez, hace diez mil añs, hub un árbl, una manzana, un libr r, un alaci, en un bsque cnsagrad a las ninas. leggier e legat. Indeendently rm the rest the ensemble En alguna arte, alguna vez, hace diez mil añs, hub un árbl, una manzana, un libr r, un alaci, en un bsque cnsagrad a las ninas. En alguna arte, alguna vez, hace diez mil añs, hub un árbl, una manzana, un libr r, un alaci, en un bsque cnsagrad a las ninas. Ÿ~~~~~~~~~~~~~~~~~~ b b b b b m / (*)Seaking ith breathy vice. Indeendently. Windchimes snr e cntinu csz m csz semre e legat m csz semre m semre e legat m m semre e legat m csz m m csz Ÿ~~~~~~~~ b n b (arc) be b be e izz. µ e b b (*) Flutes I II and Trumets I, II III shuld d the seaking art nly hen the chir is nt taking art in the errmance. En alguna arte, alguna vez, hace diez mil añs, hub un árbl, una manzana, un libr r, un alaci, en un bsque cnsagrad a las ninas. e e be b izz. b LV izz. Oh! dlrs nn div. arc b nn div. (arc) izz. izz. arc Ÿ~ b b b b b b b b b b n n n b SCORE SAMPLE.auarias.cm µ e b b izz. b b b b b b b n b b b bbȯ Ȯ b Ȯ

17 Flute I Flute II Hrn. Trt. I, II, III Tim. Vib. Dahne ymhs I ymhs II ymhs III Pn. n Hr. I I Cell I Cell II Vibrahne b n b nb < Ÿ >~~~ <b>! Ȯ Ȯ G / P m subit alsett r b b n mal, suer te des dicha da, mal, cu y nm bre n cnz hisering sz suer te des di cha da mal, hisering cuy nmbre n csuer te des dicha da mal, cuy nmbre n cnz c seaking ith breathy vice seaking ith breathy vice seaking ith breathy vice suer suer te des di cha da mal, cuy nmbre n cnz c te des di cha da seaking ith breathy vice cuy nmbre n c (*) suer te des dicha da seaking ith breathy vice suer te des dicha da seaking ith breathy vice hisering mal, hisering <b> <b>ȯ Ȯ Y Flute in C Flute in C < Ÿ>~~~~~~~~~~~~ b b b b. r b b b b b Ȯ (*) Duble bass Cell shuld d the seaking art nly hen the chir is nt taking art in the errmance. n a n n b cu y nm bre n c nz n n b Playing ad libitum acrding t the nature texture. Change the 8vas. ad libitum Let hand: cnstant circular glissand in all registers (*) R (*) b b b mal, cuy nmbre n cnz c hisering mal, cuy nmbre n cnz c (*) suer te des di cha da mal, cuy nmbre n cnz c n n n n SCORE SAMPLE.auarias.cm b b Ȯ b Ȯ b b b Laberint de Dahne Orchestral Versin Y Y n b

18 Laberint de Dahne Orchestral Versin Fl. Fl. 1 Mlt liber, tess Lent b b b Hrns. I, II, III Tt. I Tt. II Tim. Vib. Dahne ymhs I ymhs II ymhs III b æ æ s b b Pn. n Hr. I Cell s s / seaking very slly, exressively and srrully b b Habrá Chle tmad un Cóm entnces c venen antes de besarme ella n ha muert l re cen ls acin ts y vi le tas mientras b nzc l re cen ls a cin ts y le tas ST æ æ P l re cen ls a cin ts y le tas l re cen ls a cin ts y vile tas nzc (*) l re cen ls a cin ts y vi le tas (*) l re cen ls a cin ts y vi le tas s s (*) l re cen ls a cin ts y vile tas seaking ith breathy vice Circular cdegabb ST Div. æ b seaking ith breathy vice SCORE SAMPLE.auarias.cm b b seaking ith breathy vice æ seaking ith breathy vice

19 Fl. Fl. Hrn. Tt. I Tim. Vib. Dahne ymhs I ymhs II ymhs III b b b b b Pn. n Hr. Sl vln. I Sl vln. II I sl Cell Dah ne m se mar ssible H chi ta ssible semre b / ssible tus a la bras mueven mis la bis (*) Tus a la bras mueven mis la bis en mis (*) tus a la bras mueven mis Dahne se marchita se mar chita tus a la bras mueven mis la bis Dah ne se marchita se mar chita tus a la bras mueven mis la bis en mis Dah ne se marchita se mar chita tus snr e cntinu P nn div. a la bras mueven mis Dah ne se marchita Dah ne se marchita Tamtam Dahne se marchita izz. nn div. (*) rass shuld d the seaking art nly hen the chir is nt taking art in the errmance ssible LV! P (*) izz. div. izz. nn div. izz. nn div. b Y Y Y Y Y SCORE SAMPLE.auarias.cm Laberint de Dahne Orchestral Versin

20 Laberint de Dahne Orchestral Versin Mrend al ine Fl. Fl. 7 esress. m m Hrns. I, II, III Tt. I Tim. Vib. Dahne ymhs I ymhs II ymhs III Y Y Pn. n Hr. Sl vln. I en mis í ds suena tu vz tus s te ven dentr de mi Y í ds suena tu vz tus s te ven dentr de mi de mi la bis en mis í ds suena tu vz tus s te ven dentr de mi ëù sus. cymbal / mrend al ine en mis í ds suena tu vz tus s te ven dentr de mi <> í ds suena tu vz tus s te ven dentr de mi de mi la bis en mis í ds suena tu vz tus s te ven dentr de mi mrend al ine m LV! csz (LV!) b b csz Fast glissand. High register esress. Fast glissand.! Middlehigh register SCORE SAMPLE.auarias.cm! Sl vln. II <> I sl Cell * Laberint de Dahne as cmleted in Ptchestrm, Suth Arica n the th August, 01. It as rchestrated in La Plata, Argentina during the inter 01.

Carmine Emanuele Cella ALL OF A SUDDEN. for orchestra FULL SCORE EDIZIONI SUVINI ZERBONI - MILANO

Carmine Emanuele Cella ALL OF A SUDDEN. for orchestra FULL SCORE EDIZIONI SUVINI ZERBONI - MILANO Carmine Emanuele Cella ALL F A SUDDEN r rchestra FULL SCRE EDIZINI SUVINI ZERNI - MILAN !!!!!! Figure'1:'First'drat''the'iece'(2015). Rest suddenly ssessed the discreet vaulted cell, rest warm and brding