Frits Leffef Arrangeur, Compositeur, Interprete, Editeur, Professeur

Transcription

1 rits Lee Arrangeur Comositeur Interrete Editeur roesseur ays-bas Aeldoorn A roos de l'artiste Born 28 set 1948 Aeldoorn The Netherlands and still living there Music teacher (lute and rass) musician (lute trumet tromone and tua) and comoser/arranger Also creator o ie the lute and many other methods or more inormation see his English wesite htt://wwwritsleesheetmusicnl/indexhtml or Dutch sites: htt://wwwritsleeladmuzieknl/indexhtml htt://wwwritsleeuitvaartmuzieknl/indexhtml Site Internet: htt://wwwritsleesheetmusicnl/indexhtml A roos de la ièce Titre: Comositeur: Arrangeur: Licence: Editeur: Style: Commentaire: 20 Duets or rench Horn and Tromone Vol1 Shueruk Richard Lee rits rits Lee All rights reserved Lee rits Classique ulished in 1920 y RSheuruk or trumet and tromone rits Lee sur ree-scorescom htt://wwwree-scorescom/artitions_gratuites_rits-leehtm Contacter l'artiste Commenter cette artition Aouter votre interrétation M Accès artition et écoute audio avec ce QR Code : Aoutée le : Cette artition ne ait as artie du domaine ulic Merci de contacter l'artiste our toute utilisation hors du cadre rivé Interdiction de diusion sur d'autres sites We Dernière mise à our le : :42:14

2 TODAY S MUSIC SERIES 20 DUETS BY RICHARD SHUEBRUK volume i: No 1-12 arranged or rench horn Tromone BY rits lee BL 211 BL - MUSIC HOLLAND

3 BL 211 TODAY S MUSIC SERIES reace These 20 duets are irst ulished in1920 y Richard Shueruk or trumet and tromone Born in Bristol England August he came to the US in 1876 He oined the Boston Symhony trumet section in the season and ecame rincial trumet the next season or one year In the 1920s and 190s he was a music teacher in New York City and also layed in the rederick Neil Innes ( ) Band His advices as a teacher are still very useul: Don't low harder or the high notes; inch tighter instead / It is never necessary to lay noisily Anyody can lay loud Artists only can lay sot and well / As much conidence and attention is required to lay with one other erormer as with a hundred others Thereore duet ractice is the est sustitute or laying in the and / Duets are like conversation: you must listen as well as talk The duets are written with great imagination in authentic styles They are very melodious with eautiul harmonic and olyhonic structures Here you will ind them arranged or rench Horn and Tromone hence some changes had to e made to ollow Richard s ideas Because o today s conusion aout how to interret old school music notation instructions have een added which are exlained here in logical order Clarity - Make the music at most a lively discussion lay sentences divide them into logical hrases and take a rhythmic rest in-etween that contriutes to the low This has also the advantage that you can take a logical or even unnoticed reath Be sure that your astest runs are still understandale Doule-time - I the eat o a meter is divided y two the irst art seems to have more volume; i divided y our the irst and third art seem to e louder and so on This imression is indeendent o the real volume and originates rom our sense o meter and our inary hearing Along with the accent(s) o the meter we hear thereore other strong and weak eats also By giving in to this imression art o the original eat can e layed as the new eat in such a way that a single ar emraces more weaker ars with the original meter count This is called doule-time and comosers use it to revent a sentence getting too much loud irst eats to let more temi e heard simultaneously and or standing out Generally one is trusted to recognize it without notiication (see also Temo mark) Inégale - This is laying the irst hal o the eat (in doule-time the irst hal o the new eat) a little it longer than the second one Normally the lengthening must e less than i the two arts were a trilet hence it is not ossile to write that in notes It makes the eat audile (and is an exression tool) Syncoation - This is laying or comosing a note originally on a strong eat earlier or later Being even shited to another strong eat or the original eat eing relaced y a weak note or a rest it is not always easy to discover a syncoe The est way to eel it is laying a syncoe or ossile one at irst a ew times on the eat you exect it came rom A syncoe is a surrise and must thereore e striking: give it at least the accent o the eat it suggests a suito iano a gliss or whatever olyhony - This means the accomaniment is a melody also An accomaniment can e total olyhonic or has notes or harmony and olyhonic ones as well So aart rom ovious olyhonic hrases use the rule: I the solo isn t moving might e still laying it s my turn Let s talk! Temo mark - This is a short text aove the sta that indicates the seed imression o the shortest signiicant notes A mark with conlicting terms indicates doule-time (Andante moderato Allegro maestoso) Although the earliest descrition o these laying styles reers to aroque music they are hardly racticed in classical music today No wonder most erormances o music rom great masters as Bach Hotteterre Mozart Quantz Telemann and more sound very eculiar But now you can easily decide wether a three count iece is ust that or a latin or related azz walz or has to e layed sostenuto (a style very oten used y these masters ut only heard in classical azz) You are now enlightened and will never misinterret a iece with eats divided in our as a kind o sychotic march an insult to the comoser eing incaale o writing a roer one at all Enoy laying this heart-warming music rom a great comoser rits Lee Aril 201 Contents 1 rocessional 2 Minuet The Cadets 4 Emilie 5 Barcarolle 6 Schottische Hunting Scene At the Smithy Redowa The Sentry Waltz The Band asses NOT UST A REMARK: NIET ZOMAAR EEN OMERKING: You coying rom this work without ermission uttering your read with or without commission remind the day is doomed your wasted lie will linger or it's in act my ood that eeds your ilthy inger Wanneer i die uit dit werke koiëert dik o dun e oterhammen smeert moet e edenken dat e eens zal kwinen want in eite zin het wel de mine coyright 201 y BL - MUSIC The Netherlands

4 2 C Maestoso {q = 60} C n 1 rocessional - Ó Richard Shueruk - - Ó Ó Coyright 201 BL-MUSIC Holland

5 25 Ó allargando 7 - U U BL 211 Arranged or rench Horn and Tromone y rits Lee -

6 4 The addition 'moderato' in the temo mark means doule-time which gives an exuerant eect; so the sixteenth notes are inégale (see reace) Allegro moderato {q = 16} 2 Minuet N n x~ x 4 - ƒ 4 Richard Shueruk (inégale) 6 12 ƒ 18 n < < < < < < < - cresc n cresc Coyright 201 BL-MUSIC Holland - 0 ine 24 DC al ine and then the TRIO

7 5 TRIO n 47 n 52 cresc n cresc n 6 n 57 cresc 42 7 BL 211 Arranged or rench Horn and Tromone y rits Lee -

8 6 March temo {q = 100} x ~ x (inégale) The Cadets Richard Shueruk n n n 26 n n n Coyright 201 BL-MUSIC Holland

9 n n n n BL 211 Arranged or rench Horn and Tromone y rits Lee

10 Trio n n n n 71 n n n n n n 92 n n n n BL 211 Arranged or rench Horn and Tromone y rits Lee

11 n n 99 n n BL 211 Arranged or rench Horn and Tromone y rits Lee n n n n n 9

12 10 4 Allegretto {q = 140} molto legato e esressivo Emilie Coyright 201 BL-MUSIC Holland Richard Shueruk

13 11 < 1 6 e ~ e 41 e~ e BL 211 Arranged or rench Horn and Tromone y rits Lee ine rit U DC al ine U

14 art BL 211 Arranged or rench Horn and Tromone y rits Lee

15 ^ BL 211 Arranged or rench Horn and Tromone y rits Lee < accel ^ ^

16 14 Allegretto {q = 60} Richard Shueruk molto legato e esressivo < < Gondellied < n < < 21 5 Barcarolle < < n Coyright 201 BL-MUSIC Holland

17 15 < < dim allargando 41 dim U a temo U tranquillo rall BL 211 Arranged or rench Horn and Tromone y rits Lee < < <

18 16 This is Alla reve so lay a ar in rincile with a decrescendo Eighth notes are doule doule-time so give them more air-seed The sixteenth notes eing inégale are sharening the rhythm 6 Schottische C Moderato {q = 80} 1 C 2-and 1 - and maestoso and Richard Shueruk sim < < < < < < and < << < Ó Coyright 201 BL-MUSIC Holland

19 n 0 17 Trio 5 n Ó Ó dolce n 5 BL 211 Arranged or rench Horn and Tromone y rits Lee

20 18 A six count meter is in act a three count meter with sotened even ars U Allegro agitato {q = 90} 6 8 ƒ Hunting Scene U Richard Shueruk U rit U a temo ƒ Coyright 201 BL-MUSIC Holland ƒ

21 cresc U n n ƒ U accel accel cresc ƒ U ƒ U 46 ƒ BL 211 Arranged or rench Horn and Tromone y rits Lee U U U U

22 20 The eighth notes are duel-time and the sixteenth inégale 2 4 Allegretto {q = 86} At the Smithy n Richard Shueruk n 6 Coyright 201 BL-MUSIC Holland

23 - - n 4 50 n oco accel U 71 U n rall BL 211 Arranged or rench Horn and Tromone y rits Lee rit - - rall a temo n - 21

24 22 9 Redowa Allegretto {q = 120} e~ e 4 4 e~ e 6 Richard Shueruk Tsech dance n dim n 0 Coyright 201 BL-MUSIC Holland

25 6 % Trio dolce (2nd ) (2nd ) 48 (2nd ) << n ine BL 211 Arranged or rench Horn and Tromone y rits Lee - - DS al ine

26 24 Slow March temo {q = 80} c c 5 Ó 15 Richard Shueruk De wacht e~ e The Sentry e~ e dolce e~ e e» e Ó e~ e e» e cresc accel n n x~ x n 20 x~ x U U accel U U 24 ƒ U Ó U U Andante {q = 66} n U Ó Coyright 201 BL-MUSIC Holland

27 e~ e a temo e~ e rit dolce - - Ó Ó Ó n π Ó suito suito BL 211 Arranged or rench Horn and Tromone y rits Lee

28 26 11 Waltz n Temo di Valse {q = 120} 4 < < 4 legato 5 < < < n n n 28 n - n n Coyright 201 BL-MUSIC Holland 11 Richard Shueruk n n n e~ e n

29 < < 44 BL 211 Arranged or rench Horn and Tromone y rits Lee < 27 volti suito n

30 28 % BL 211 Arranged or rench Horn and Tromone y rits Lee ine 84

31 BL 211 Arranged or rench Horn and Tromone y rits Lee 104 DS al ine

32 0 The eighth notes are duel-time and the sixteenth inégale c Ó March temo {q = 90} - - c The Band asses cresc - cresc Richard Shueruk Coyright 201 BL-MUSIC Holland n

33 22 25 Ó Ó 7 BL 211 Arranged or rench Horn and Tromone y rits Lee -