Frits Leffef Arranger, Composer, Interpreter, Publisher, Teacher

Transcription

1 rits Lee Arranger Composer Interpreter ulisher Teacher Netherlands Apeldoorn Aout the artist Born 28 sept 1948 Apeldoorn The Netherlands and still living there Music teacher (lute and rass) musician (lute trumpet tromone and tua) and composer/arranger Also creator o iep the lute and many other methods or more inormation see his English wesite or Dutch sites: ersonal we: Aout the piece Title: Composer: Arranger: Licence: ulisher: Instrumentation: Style: Comment: 20 Duets or Two lutes Vol 1 Shueruk Richard Lee rits rits Lee All rights reserved Lee rits 2 lutes Classical ulished in 1920 y RSheuruk or trumpet and tromone rits Lee on ree-scorescom Contact the artist Write eedack comments Share your M recording We page and online audio access with QR Code : irst added the : This work is not ulic Domain You must contact the artist or any use outside the private area rohiited distriution on other wesite Last update : :22:59

2 TODAY S MUSIC SERIES 20 DUETS BY RICHARD SHUEBRUK volume i: No 1-11 arranged or TWO lutes BY rits lee BL 215 BL - MUSIC HOLLAND

3 BL 215 TODAY S MUSIC SERIES reace These 20 duets are irst pulished in1920 y Richard Shueruk or trumpet and tromone Born in Bristol England August he came to the US in 1876 He oined the Boston Symphony trumpet section in the season and ecame principal trumpet the next season or one year In the 1920s and 190s he was a music teacher in New York City and also played in the rederick Neil Innes ( ) Band His advices as a teacher are still very useul: Don't low harder or the high notes; pinch tighter instead / It is never necessary to play noisily Anyody can play loud Artists only can play sot and well / As much conidence and attention is required to play with one other perormer as with a hundred others Thereore duet practice is the est sustitute or playing in the and / Duets are like conversation: you must listen as well as talk The duets are written with great imagination in authentic styles They are very melodious with eautiul harmonic and polyphonic structures Here you will ind them arranged or two lutes hence some changes had to e made to ollow Richard s ideas Because o today s conusion aout how to interpret old school music notation instructions have een added which are explained here in logical order Clarity - Make the music at most a lively discussion lay sentences divide them into logical phrases and take a rhythmic rest in-etween that contriutes to the low This has also the advantage that you can take a logical or even unnoticed reath Be sure that your astest runs are still understandale Doule-time - I the eat o a meter is divided y two the irst part seems to have more volume; i divided y our the irst and third part seem to e louder and so on This impression is independent o the real volume and originates rom our sense o meter and our inary hearing Along with the accent(s) o the meter we hear thereore other strong and weak eats also By giving in to this impression part o the original eat can e played as the new eat in such a way that a single ar emraces more weaker ars with the original meter count This is called doule-time and composers use it to prevent a sentence getting too much loud irst eats to let more tempi e heard simultaneously and or standing out Generally one is trusted to recognize it without notiication (see also Tempo mark) Inégale - This is playing the irst hal o the eat (in doule-time the irst hal o the new eat) a little it longer than the second one Normally the lengthening must e less than i the two parts were a triplet hence it is not possile to write that in notes It makes the eat audile (and is an expression tool) Syncopation - This is playing or composing a note originally on a strong eat earlier or later Being even shited to another strong eat or the original eat eing replaced y a weak note or a rest it is not always easy to discover a syncope The est way to eel it is playing a syncope or possile one at irst a ew times on the eat you expect it came rom A syncope is a surprise and must thereore e striking: give it at least the accent o the eat it suggests a suito piano a gliss or whatever olyphony - This means the accompaniment is a melody also An accompaniment can e total polyphonic or has notes or harmony and polyphonic ones as well So apart rom ovious polyphonic phrases use the rule: I the solo isn t moving might e still playing it s my turn Let s talk! Tempo mark - This is a short text aove the sta that indicates the speed impression o the shortest signiicant notes A mark with conlicting terms indicates doule-time (Andante moderato Allegro maestoso) Although the earliest description o these playing styles reers to aroque music they are hardly practiced in classical music today No wonder most perormances o music rom great masters as Bach Hotteterre Mozart Quantz Telemann and more sound very peculiar But now you can easily decide wether a three count piece is ust that or a latin or related azz walz or has to e played sostenuto (a style very oten used y these masters ut only heard in classical azz) You are now enlightened and will never misinterpret a piece with eats divided in our as a kind o psychotic march an insult to the composer eing incapale o writing a proper one at all Enoy playing this heart-warming music rom a great composer rits Lee April 201 Contents 1 rocessional 2 Hunting Scene Barcarolle 4 Minuet 5 The Cadets 6 The Sentry 7 Emilie olonaise Militaire 9 Sonatina Allegro Theme and variations Rondo 10 Waltz 11 The Band asses NOT UST A REMARK: NIET ZOMAAR EEN OMERKING: You copying rom this work without permission uttering your read with or without commission remind the day is doomed your wasted lie will linger or it's in act my ood that eeds your ilthy inger Wanneer i die uit dit werke copiëert dik o dun e oterhammen smeert moet e edenken dat e eens zal kwinen want in eite zin het wel de mine copyright 201 y BL - MUSIC The Netherlands

4 2 C C rocessional Maestoso {q = 60} - Ó 21 - Richard Shueruk - Ó Ó Copyright 201 BL-MUSIC Holland

5 allargando BL 215 Arranged or lute Duet y rits Lee - - Ó - U a tempo U

6 4 A six count meter is in act a three count meter with sotened even ars Allegro agitato {q = 90} 6 8 ƒ Hunting Scene Richard Shueruk U sim U U rit U ƒ a tempo ƒ sim Copyright 201 BL-MUSIC Holland ƒ

7 accel cresc U ƒ U cresc n accel a tempo ƒ 8 42 ƒ U ƒ BL 215 Arranged or lute Duet y rits Lee U 46 U U U U 5

8 Richard Shueruk molto legato e espressivo - Barcarolle Gondellied Allegretto {q = 60} p Copyright 201 BL-MUSIC Holland

9 dim U rall a tempo U BL 215 Arranged or lute Duet y rits Lee tranquillo allargando dim 7

10 The addition 'moderato' in the tempo mark means doule-time which gives an exuerant eect; so the sixteenth notes are inégale (see reace) 4 Minuet x ~ x (= inégale) Allegro moderato {q = 16} 4 - N - 12 ƒ ine Richard Shueruk - DC al ine cresc cresc and then the TRIO n Copyright 201 BL-MUSIC Holland

11 TRIO 7 47 n 57 cresc n n n 6 cresc n cresc BL 215 Arranged or lute Duet y rits Lee

12 10 The eighth notes are duel-time and the sixteenth inégale 2 4 n Richard Shueruk 5 The Cadets March tempo {q = 100} n 26 n n n Copyright 201 BL-MUSIC Holland

13 n 1 n n 5 11 BL 215 Arranged or lute Duet y rits Lee 24 24

14 Trio n n n 78 n n BL 215 Arranged or lute Duet y rits Lee

15 99 11 n n n dim n n 1 BL 215 Arranged or lute Duet y rits Lee -

16 14 c c 5 p Ó p 10 6 The Sentry e~ e Slow March tempo {q = 80} Richard Shueruk De wacht e~ e dolce 15 Ó n n n n n n n cresc accel x ~ x n n n n n n n 20 x~ x U U 24 accel ƒ U Ó Copyright 201 BL-MUSIC Holland e~ e Andante {q = 66} U n U U U Ó p U e~ e p

17 28 15 dolce rit Ó 46 tempo primo p n n Ó n 51 n n Ó π suito p Ó BL 215 Arranged or lute Duet y rits Lee suito p

18 16 4 Allegretto {q = 140} molto legato e espressivo 7 Emilie Richard Shueruk Copyright 201 BL-MUSIC Holland

19 1 6 e~ e e~ e BL 215 Arranged or lute Duet y rits Lee 2 rit ine 17 U DC al ine and then art 2 U

20 18 art BL 215 Arranged or lute Duet y rits Lee

21 ^ ^ BL 215 Arranged or lute Duet y rits Lee n - n accel ^ - U U

22 20 This is a doule-time piece (see reace) Sostenuto is playing in an impelling way y eginning each eat with more emphasis and using aster air-speed throughout each note 4 Tempo di polacca {q = 100} x~ x ƒ 8 olonaise Militaire U - sostenuto U ƒ 7 Richard Shueruk ƒ ƒ 25 1 ƒ ƒ n n Copyright 201 BL-MUSIC Holland

23 21 % 7 TRIO ine ^ BL 215 Arranged or lute Duet y rits Lee U DS al ine rall U

24 22 9 Sonatina Richard Shueruk e~ e c Allegro {q = 154} c e~ e e~ e e» e e» e 11 e~ e e ~ e e» e e ~ e Ó 16 n 20 Ó 24 Copyright 201 BL-MUSIC Holland

25 2 Ó 28 Ó Ó BL 215 Arranged or lute Duet y rits Lee e» e e~ e e~ e e» e - - Ó n 4 n 4

26 24 Because it is ovious that Var 1 is doule-time and Var 2 is not the composer added semplice in the Theme as a warning not to play it doule-time also (would give Latin) The tempo mark indicates the speed o the astest music and that is Var 1 Thus the Theme and Var 2 are less ast Theme and variations e~ e 4 Allegretto {q = 90} n e~ e Var 1 x~ x 4 e» e n e~ e n x~ x e» e e ~ e e» e 21 e» e n e~ e e~ e n e~ e e» e semplice e~e Copyright 201 BL-MUSIC

27 n 25 n U 25 U 29 e~ e Var sostenuto dolce e~ e n n e» e e~ e n 24 n BL 215 Arranged or lute Duet y rits Lee 24

28 26 2 x~ x Rondo Allegretto {q = 77} x~ x n ^ ^ ^ ^ - - x-» x x-~ x x» x BL 215 Arranged or lute Duet y rits Lee x~ x

29 79 84 x~ x a tempo x» x 88 - n ƒ ƒ U x» x x» x x ~ x x» x - x ~x - rit BL 215 Arranged or lute Duet y rits Lee 27 dim rit x» x U x~ x

30 28 Tempo di Valse {q = 120} legato n e~ e e~ e Richard Shueruk Waltz Copyright 201 BL-MUSIC Holland

31 n BL 215 Arranged or lute Duet y rits Lee volti suito

32 0 % To Coda fi BL 215 Arranged or lute Duet y rits Lee

33 fi CODA BL 215 Arranged or lute Duet y rits Lee - 1 DS al ine

34 2 The eighth notes are duel-time and the sixteenth inégale c March tempo {q = 90} 4 8 Ó 11 The Band asses Shueruk Richard c - - cresc cresc Copyright 201 BL-MUSIC Holland n

35 22 Ó BL 215 Arranged or lute Duet y rits Lee p Ó p - -