Music for Winds. Dedicated to the J.P. Taravella High School Wind Orchestra; Coral Springs, Florida. Nikk Pilato PERUSAL SCORE

Transcription

1 Music or Winds Dedicated to the Taravella High School Wind Orchestra; Coral Srings, lorida Nikk ilato Tänze aus Tersichore rom Michael raetorius' Collection o Dance Music, circa 1612 Coyright 2011 All Rights Reserved Nikk ilato nikknakksnet

2 Music or Winds INSTRUMENTATION iccolo lute I-II Ooe I-II English Horn* Bassoon I-II E-lat Sorano Clarinet* B-lat Sorano Clarinet I-II-III E-lat Alto Clarinet* B-lat Bass Clarinet E-lat Alto Saxohone I-II B-lat Tenor Saxohone E-lat Baritone Saxohone B-lat Trumet I-II-III Horn in I-II-III-IV Tenor Tromone I-II Bass Tromone Euhonium String Bass Har (or iano) Timani ercussion I ercussion II ercussion III ercussion IV ercussion Instruments Needed Bass Drum Castanets Cymals (crash and susended) Glockensiel (Orchestral Bells) Marima Snare Drum Tam Tam Tamourine Tenor Drum (or ield Drum) Triangle (medium or large) Tuular Bells (Chimes) Virahone Wood Block (medium or high) Xylohone * ad li imortant arts are cued in other instruments The ass tromone art is a true ass tromone art I a ass tromone is not availale, the tromonist should take the uer notes henever they are given Coyright 2011 All Rights Reserved Nikk ilato nikknakksnet

3 Music or Winds ROGRAM NOTES k I came to areciate Renaissance music much later in lie than some o my colleagues I aid the requisite attention in Music History class as an undergraduate, ut my head as simming in music y Barer, Coland, rokoiev, and Shostakovich to e comletely honest, the trials and triulations o trouadours and trouvères, and the intrigues o courtly dances did not interest me much That all changed hen I ran across a ind and setting o Renaissance dance music y Bo Margolis, atly titled Tersichore (Tersichore also eing the name o a collection o dance music assemled y German comoser Michael raetorius, and ulished in Wolenüttel, Germany, in 1612) Margolis suite dre rom several dances ound in the Tersichore, and is highly recommended or advanced ensemles looking or a challenge Around this time, I also discovered a onderul ork or strings entitled Cariol Suite y eter Warlock (a en name or hili Heseltine) This ork dre insiration rom another collection o Renaissance dance music, Thoinot Areau s Orchesograhy Not long ater discovering the Areau tome, atrick Dunnigan, Director o Bands at lorida State University, ulished his on Selections rom the Danserye, ased on yet another collection o Renaissance-era music, Tielman Susato s Het derde musyck oexken, etter knon as The Danserye My introduction to these three orks (and y extension, the three collections o dance music uon hich they are ased) all took lace ithin a year o each other, and the music simle, charming, elegant continues to ascinate and delight me In utting together this suite, I had a clear goal in mind: To rite something that ould not e terrily diicult in the hoes o making the suite accessile to most high school ind ands (and erhas even some daring middle school ands) To that end, most o the imortant arts in Tänz aus Tersichore (literally, dances out o Tersichore ) are cued in other instruments, and some o the more exotic instruments are otional (and also extensively cued) Many o the original meters have een transormed into time signatures that ill give eer rolems to a young ensemle (eg, 6/4 ecomes 6/8, etc) Not anting to coy hat Mr Margolis had already accomlished in his excellent ork, I took ains not to use the seciic dances he had reviously orchestrated, though they do remain some o my avourite music rom the Tersichore Hoever, in the end, I couldn t hel mysel, and comromised y setting some o those amous ancient melodies in the rie interludes eteen movements These interludes are otional, and are exlained in urther detail in the Interlude Score (included) Though this is a suite o music derived rom the Tersichore, I also couldn t hel ut include a nod to Warlock s and Dunnigan s settings, as oth inluenced me greatly It is my sincere hoe that this suite ill hel introduce the onderul music o the Renaissance to a ider audience The order o the movements (and the interludes) is comletely at the discretion o the conductor; the sequence in hich they aear here is merely a suggestion that seems to lo ell Sincerely, Nikk ilato k Coyright 2011 All Rights Reserved Nikk ilato nikknakksnet

4 Music or Winds Each movement o the suite ocuses on one orm o Renaissance dance, incororating the music o several o these tyes: Movement I is ased on the circle dances knon as Bransles (ronounced ran-slah ) The Bransle as a 16 th Century dance o rench origin, in hich the dancers move mainly rom side to side, and is erormed y coules in a line or a circle The style eventually migrated to Italy, Scotland, and Sain, ut curiously never ecame oular in England In his ritings, Areau strongly imlies that the Bransle as a dance mainly erormed y commoners The irst movement includes the olloing dances (in order o introduction): o Bransle doule 1 (XII) o Bransle doule 3 (XII) o Bransle simle 1: La, la, la, e ne l ose dire (I) Movement II is ased on the athletic, imrovised dances knon as Gaillardes (galliard in England, gagliarda in Italy) The Gaillarde as characterised y leas, ums, hos, and other similar igures In ritings o the eriod, it is suggested that the most imortant and deining asect o this dance as its last to eats, consisting o a large um, ith one leg landing ahead o the other in a osture In this suite, hoever, the irst o the Gaillardes has een transormed into a regal, stately intrada, giving ay to a more athletic dance to close out the movement I couldn t resist aying homage to Bo Margolis in this movement, articularly in the ercussive riting and the manner in hich the movement ends The second movement includes the olloing dances (in order o introduction): o Gaillarde (CCCVI) o Gaillarde (CCC) Movement III is ased on the Ballet, a dance that originated in the late iteenth century in Italy Originally a dance interretation o encing, the allet as develoed urther in the rench court during the seventeenth century, eventually alling into decline in the early nineteenth century It as reintroduced to Euroe y the Ballets Russes dance comany, headed y Sergei Diaghilev, ho also introduced many choreograhic and style innovations that oularised Ballet throughout the orld The third movement includes the olloing dances (in order o introduction): o Ballet (CCLXXIII) o Ballet de Monsieur de Nemours (CCLIII) o Ballet des Baccanales (CCLXXVIII) Movement IV is ased on La Canarie (XXXI), a curious entry in the Tersichore, as it aears to stand alone ithout much relation to any o the roader orms o dance encountered The dance as named or the Canary Islands, here it originated It has een set here as a call-andresonse Movement V is ased on the Courante, a tye o trile meter dance that as oular rom the late Renaissance eriod into the Baroque era As ith many o these dances, there ere to tyes: The rench Courante, a moderately ast dance ith many cross-accents tyically notated in 3/2 or 6/4, and the Italian Courante, hich as signiicantly aster and more ree-loing ( asolutely the most serious [dance] one can ind rote ohann Walther aout the rhythm o the Italian Courante) or the urose o this suite, the dance has een converted into more conventional meter signatures The ith movement includes the olloing dances (in order o introduction), ith the Courante CXXV eing used tice in altered orms o Courante (CXXV) o Courante: La Rosette (CIX) Coyright 2011 All Rights Reserved Nikk ilato nikknakksnet

5 Score iccolo lute I-II Ooe I-II 2 Stately, unhurried ( h = ) TÄnze aus Tersichore rom Michael raetorius' Collection o Dance Music, circa 1612 I Bransles NIKK ILATO English Horn Bassoon I-II E Clarinet B Clarinet I B Clarinet II-III Alto Clarinet Bass Clarinet Alto Sax I-II Tenor Sax Baritone Sax Trumet I-II-III Horn I-II-III-IV Tromone I-II + Bass Euhonium String Bass Har (or iano) Timani ercussion I ercussion II ercussion III ercussion IV All Rights Reserved 2 2 Tamourine Tam Tam Tenor Drum Tuular Bells 1 semre lv < Coyright 2011 Nikk ilato < < < nikknakksnet Revision 11 8

6 Tänze aus Tersichore, age 2 icc l 1-2 Trt 1 Trt 2 Trt 3 Tns Euh H Tim erc 1 erc 2 m m % Sus Cymal A suito a a a ~~~~~~~~~~~~~~~~~~~~~~~~ 5 lv lv - - a erc 3 erc lv 13 14

7 Tänze aus Tersichore, age 3 l a -2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh a N N H Tim erc % erc 2 Tam Tam Sus Cymal erc 3 erc Glockensiel

8 Tänze aus Tersichore, age 4 icc l Tt 1-2 Trt 3 Tn 1 Tn 2 B Tn Euh B Ooe II English Horn Bassoon a a N a H Tim erc 1 Triangle 1 1 erc 2 erc 3 erc

9 Tänze aus Tersichore, age 5 icc l C Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H Tim Í Í Í Í Í Í ~~~~~~~~~~~~~~~~~~~~~~~ erc erc 2 erc 3 erc Tuular Bells

10 Tänze aus Tersichore, age 6 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H Tim Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ izz molto ritardando accel i this note not availale, lay don one octave n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n erc 1 Glockensiel erc 2 erc 3 erc 4 n

11 Tänze aus Tersichore, age 7 l 1-2 D Somehat aster ( h = ) III Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh n arco H Tim erc 2 erc 3 erc Xylohone

12 Tänze aus Tersichore, age 8 icc l Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh n n n a2 n n ( ) Tim erc 1 erc 3 Tuular Bells erc

13 l 1-2 erc 2 l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh E Ooe II n II n izz Somehat Sloer ( h = c ) Ooe I Triangle n n n n n n n n n n n n n lay lay a arco 62 - n n Tänze aus Tersichore, age n ª ª 64 Tim erc % Crash Cymals

14 Tänze aus Tersichore, age 10 icc molto ritardando l Trt 1 Trt 2 Tn 1-2 B Tn Euh U U U U U U U U U U U U U U Ooe I N N Ooe II III N n n n n n n n n n n n n u u u u u n u u u u H Tim erc erc erc 3 erc

15 Tänze aus Tersichore, age 11 icc l Andante ( h = 92 ) II Gaillardes n n A A -2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh 3 2 n N N H Tim erc 1 Crash Cymals erc 2 erc 3-4 Sus Cymal

16 Tänze aus Tersichore, age 12 l 1-2 G Ÿ n n Ÿ erc 3 Triangle ª ª l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh English Horn n n n n n n Tim erc 1 erc 4 Tuular Bells

17 icc l H 6 8 Lilting ( q = 76 ) 2 Tänze aus Tersichore, age 13 Clar Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H Tim erc 1 erc Bass Drum 5 Tamourine erc 3 erc Tenor Drum Marima

18 Tänze aus Tersichore, age 14 icc lay 2nd x only - l 1-2 O EH - lay 2nd x only Trt 1 Tt 2-3 Hn 1-4 Tn 1-3 Euh lay 2nd x only *see note - - lay 2nd x only lay 2nd x only lay 2nd x only izz - n lay 2nd x only - - lay 2nd x only - lay 2nd x only - H Tim lay 2nd x only erc erc 2 erc 3 erc 4 lay 1st x only Xylohone lay 2nd x only *Note: I a sorano sax is availale, it is the reerred instrument rom here to the end o the movement

19 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H Tim erc 1 n I lay 1st x only Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n n ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ 5 ^ ^ ^ ^ ^ ^ 5^ 5^ 5^ ^ ^ ^ ^ ^ ^ ^ n lay 1st x only n n lay 1st x only lay 1st x only lay 1st x only lay 1st x only 1x con sord 2x sans sord lay 1st x only 5^ lay 1st x only lay 1st x only n n n n lay oth times 1x con sord 2x sans sord (not muted) lay oth times ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Tänze aus Tersichore, age 15 lay oth times erc 2 erc 3 erc ^ 118 ^ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ^ lay 1st x only ^ Tacet 2x ^ use ooden art o eater lay 1st x only 119 lay oth times

20 Tänze aus Tersichore, age 16 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H Tim erc 1 erc 2 erc 3 erc 4 lay oth times arco lay oth times lay oth times lay oth times lay oth times Í Í % Snare Drum Virahone lay oth times sans sord sans sord 125 Í Í 126 a2 % Tenor Drum lay oth times

21 Tänze aus Tersichore, age 17 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H Tim erc 1 erc 2 erc 3 erc 4 n ^ % ^ 131 ^ ^ 132 n n ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ 1 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ 2 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ 2 ^ ^ ^ ^ 135

22 Tänze aus Tersichore, age 18 l Leisurely ( q = 116 ) III Ballets H erc 1 erc Triangle Glockensiel 1 1 ª ª icc l 1-2 H erc m m ª ª 149 icc n U 7 l 1-2 u u U U U H U erc 4 u

23 Tänze aus Tersichore, age 19 Trt 1 Trt 2 Tn 1 Tim erc 1 l 1-2 H BRASS QUINTET* Sus Cymal 156 Solo Solo Solo Solo Somehat Sloer ( q = c 104 ) I Solo 157 WOODWIND QUINTET* Solo Solo Solo Solo Ooe Bassoon II Solo n ª ª n n n n 164 erc 1 erc 4 Triangle Virahone n n 172 *Note: I ossile, measures 157 through 172 should e layed y a rass quintet and a oodind quintet situated on oosite sides o the ensemle (or erhas even out in the audience, on a alcony ing, or in ront o the stage) I these otions are not availale, these measures can e layed ithin the ensemle, ut the instrumentation must remain that o a rass or oodind quintet, ie, one to art Cues should only e layed i an ooe or assoon is not availale Horn 1 solo - Brass Quintet Horn 2 solo - Woodind Quintet

24 Tänze aus Tersichore, age 20 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh + Ensemle tutti tutti tutti tutti tutti n n II K II H n izz n Tim erc 1 erc n 178

25 Tänze aus Tersichore, age 21 icc l 1-2 n n I Solo n n n I Solo I Solo Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H n n n n n n arco tutti n n n n n n n Bassoon II Solo Tim erc 3 erc Tuular Bells n

26 Tänze aus Tersichore, age 22 l Trt 1 Trt 2 Tn 1 Tn 2 B Tn Euh H Tim L WOODWIND QUINTET* I Solo n Ooe n n n n n n n I Solo II Solo a2 Solo Solo +BRASS QUINTET* n n n n n n n Ÿ~~~~~~~~~~~~~~~~~ n n tutti n tutti n erc 1 erc 2 Triangle erc 3 n erc 4 n n n *Note: Measures 185 through 188 are layed y the Woodind quintet The Brass quintet oins them in measures The ull grou egins to enter in measures 192 and 193

27 Tänze aus Tersichore, age 23 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh Tim erc 1 tutti tutti tutti tutti tutti tutti tutti Crash Cymals % erc 2 1 Bass Drum erc 3 erc

28 Tänze aus Tersichore, age 24 icc molto ritardando l 1-2 U U Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh U U U u U U u U u H u U erc

29 Tänze aus Tersichore, age 25 icc l l aunty ( q = ) 8 IV La Canarie Tt 1-3 Hn 1-4 Tn 1-3 Euh 12 8 accomanyingly izz accomanyingly H Tim erc 1 Tenor Drum Castanets erc 2 erc 3 erc Tamourine Virahone

30 Tänze aus Tersichore, age 26 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh M English Horn English Horn English Horn H Tim erc 1 erc 2 erc erc

31 Tänze aus Tersichore, age 27 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh English Horn H Tim erc 1 erc 2 erc erc

32 Tänze aus Tersichore, age 28 icc N l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H Tim erc 1 erc 2 erc erc

33 icc l Tänze aus Tersichore, age 29 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh izz H Tim erc 1 Triangle erc 2 erc 3 erc Ÿ~~~~~~~~~~~~ %

34 Tänze aus Tersichore, age 30 V Courantes l Sentimental ( q = ) n Solo a2 n Trt Ooe I Bassoon 231 Ooe (+ straight mute) ª ª l Trt 1 Tim erc 2 Sus Cymal

35 Tänze aus Tersichore, age 31 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh Tim erc 2 O arco ª ª Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh 249 n erc

36 Tänze aus Tersichore, age 32 icc l Sirited ( q = ) Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh 12 8 n n n n izz H Tim Tenor Drum erc 1 erc 2 erc 3 erc Triangle Virahone

37 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh 1 only con sord Q n n Tänze aus Tersichore, age 33 n H Tim erc 1 Tamourine Wood Block (med or high) erc 2 erc 3 Bass Drum erc

38 Tänze aus Tersichore, age 34 icc l n R n n n n n n n n n n n n n n n n n Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh n n n n n n n n n n n n n n n n n n n sans sord n n n n n n n n n H n n n n n n n Tim use ooden art o eater n n n Tenor Drum erc 1 erc 2 Castanets Sus Cymal erc 3 erc 4 Triangle 1 Glockensiel Bass Drum 270 n n n n

39 Tänze aus Tersichore, age 35 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh n n n n n arco H Tim erc 1 erc 2 erc 3 erc Tuular Bells

40 Tänze aus Tersichore, age 36 icc - - S l n n n n n n n n n Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh n n n n n N n n n n n - - H Tim Wood Block erc 1 erc 2 erc 3 erc

41 Tänze aus Tersichore, age 37 icc l 1-2 Trt 1 Trt 2 Trt 3 Tn 1 Tn 2 B Tn Euh H n n n molto ritardando n - - u - - u - - u U n u U - - u a temo Tim erc 1 erc 2 erc 3 Tenor Drum Snare Drum ^ ^ ^ ^ erc

42 iccolo lute Ooe Bassoon B Clarinet I Bass Clarinet Baritone Sax icc l O Bsn B Score Allegretto ( q = c 104 ) Ÿ Ÿ Ÿ Ÿ m - m m - - m TÄnze aus Tersichore -Interludes- -I- - - Ÿ Ÿ Ÿ Ÿ MICHAEL RAETORIUS arr Nikk ilato m - m - m - m -

43 2 TÄnze aus Tersichore - Interludes icc - l - O - Bsn B icc l O Bsn B

44 TÄnze aus Tersichore - Interludes 3 -II- B B Cl 2 B Cl 3 B Cl 4 B B Cl 2 B Cl 3 B Cl 4 B B Cl 2 B Cl 3 B Cl 4 Leisurely ( h = 63 )

45 4 TÄnze aus Tersichore - Interludes B B Cl 2 B Cl 3 B Cl 4 B B Cl 2 B Cl 3 B Cl 4 B n n n n , n n n n n B Cl 2 B Cl ,, B Cl 4,,

46 TÄnze aus Tersichore - Interludes 5 -III- B Tt 1 B Tt 2 Hn 1 Tn Allegretto ( h = 72 ) B Tt 1 B Tt 2 B Tt 3 Hn 1 Tn Euh B Tt 1 B Tt 2 2 B Tt 3 Hn 1 Tn Euh

47 6 TÄnze aus Tersichore - Interludes B Tt 1 B Tt 2 B Tt 3 Hn 1 Tn Euh B Tt 1 B Tt 2 B Tt 3 Hn 1 Tn Euh B Tt 1 B Tt 2 B Tt 3 Hn 1 Tn Euh U U U U u u u

48 TÄnze aus Tersichore - Interludes 7 -IV- S Sx Lively ( q = 74 ) S Sx S Sx - - S Sx rit