Sebastian Hilli. Paraphrase. for oboe, clarinet, piano and double bass
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1 2 20 Sebastian Hilli Paraphrase for oboe, clarinet, piano and double bass 201
2 Copyright by the Cooser All Rights Reserved No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the cooser Distribution: Music Finland Music Library Urho Kekkosen katu 2 C, th floor FI Helsinki Finland musiclibrary@musicfinland.fi Helsinki, 201
3 Sebastian Hilli Paraphrase (Ob, Cl, Pno, Cb) 201
4 2 Score in C Notes Written to the 10th anniversary year celebrations of Jean Sibelius. The piece is inspired by the poem "På verandan vid havet" by Viktor Rydberg that Sibelius also wrote a song to. På verandan vid havet Minns du de skymnande böljornas suck, att vid målet de hunnit endast en jordisk kust, icke det evigas strand? Minns du ett vemodssken från himlens ovanskliga stjärnor? Ack, åt förgängelsens lott skatta de även till slut. Minns du en tystnad, då allt var som sänkt oändlighetsträngtan, stränder och himmel och hav, allt som i aning om Gud? Rydberg, Viktor ( ) First performance Klang Concert Series Camerata, Helsinki Music Center Premiered by Zagros ensemble Instrumentation Ob (+Eh), Cl (+Bcl), Pno, Cb Duration 9 minutes
5 Oboe Melancolico, tranquillo q = 0 Paraphrase Written for Zagros ensemble Sebastian Hilli (201) con sord. p p Clarinet in Bb * very airy ord p p *gradually from very airy sound to ordinary Piano sfz ** ** "harmonics" press the keys with your left hand silently. Let the harmonics vibrate in the ped. Contrabass *** flaut. *** flautando= extremly soft. Very little bow pressure. Stop almost as a harmonic. Copyright Sebastian Hilli The sound should be dominated by airy sound. (until bar ) 201
6 4 p p sfz p p f p p
7 9 p p p mf sfz p p p 7 III. p mf p p
8 12 mf p p p mf p mf mf p sfz p p p p III. f p mf p p mf p p p
9 A 17 p mf p mf 7 p mf p mf mf p mf sfz 9 p mf p mf 10 sfz cresc. II. mf p mf mf mf mf ord. s.p ord. mf
10 8 22 f f f 7 f 12 mf 12 dim. sfz mf ord. s.p ord. mf mf mf mf I. II.
11 2 9 mf 7 sfz p p p III.IV. III. p p p p
12 10 29 p p p p sfz
13 p p p p p 11 senza sord. p p p sfz III. p p p p p
14 12 B 40 Tristamente f mf f p mf (C) (Eb) (C) (B) f 9 7 dim. poco a poco f dim. poco a poco
15 4 1 (A) sf (Eb) (Ab) sf sf sf (C) (Db) (Db)
16 14 C 48 f mf p f mf p dim. poco a poco (E) (Bb) (C) sf sf f 9 7 f dim. poco a poco
17 2 1 p p (B) sf sf sf (E) (Eb) (C#) (E) (C) (C) (G) (B) sf sf (A) (C#) (E) p (A) p
18 1 D 0 f mf f p f mf f p (Cis) (F) (Bb) f 9 7 dim. poco a poco f p mf
19 4 To Eng. Hn. 17 p p p (E) sf (F) (Bb) sf (D)
20 18 9 English Horn To B. Bass Clarinet in Bb p (C#) sf (B) (C) (Eb) (C) sf p (Bb) p
21 Eng. Hn. 7 E Fuocoso q = 80 cresc. fff Calmato, solenne 19 con sord. p B. cresc. 7 fff p 7 p cresc. fff 7 cresc. fff p *the bow changes should be done ierceptibly * p
22 20 Eng. Hn. F Fuocoso 84 p p cresc. B. p p cresc. 7 7 ff p p
23 Eng. Hn. 9 ff Calmato, solenne use different fingerings p 21 B. ff 7 p ff f f ** Harmonics * étouffée * Da the indicated strings with your fingertips between the crosswise metal bar and agraffes. th harm. ** Da the strings with your fingertips between the bridge and the daers. The smaller notheads indicate the sounding pitches. Play the fundamentals on the keyboard with your lef hand. ff p
24 22 Eng. Hn. 10 p B. p mf 9th harm. 17th harm. p 4th harm. p p
25 Eng. Hn. 117 G Fuocoso ff ff Calmato, solenne 2 B. ff ff 7 7 ff 7 ff ff ff
26 24 Eng. Hn. 120 p p p p p p f B. p mf mf (étouffée) p p nf
27 Eng. Hn. 10 H q = 0 p 2 B. p ffff q = 0 p
28 2 Eng. Hn. 19 p B. p f mf p
29 Eng. Hn B. (air) p Col legno lengthwise on the string. The result should be a very soft sound without pitch. ord. accel. m.s.t. rit. ord. accel. m.s.t. rit. p ord. accel. m.s.t. rit. ord.
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