BRASS PUBLICATIONS BY DR. DAVID MATHIE

Transcription

1 BRASS PUBLICATIONS BY DR DAVID MATHIE TROMBONE CHOIR Beethoven - Drei Equali or Tromone Quartet/Choir (Original and transosed versions) To e ulished Sring 2011 y Cherry Classics Vancouver BC [cherry-classicscom] Catalog numer TBA Brahms - Songs or Tromones or our-art Tromone Quartet/Choir Pulished y Alessi Pulications Ne York [alessiulicationscom] Catalog numer ALPUB6 Deussy & Dukas - To Orchestral anares or Eight-art Tromone Choir Pulished y Alessi Pulications Ne York [alessiulicationscom] Catalog numer ALPUB7 *A erormance o the Dukas anare y the University o Michigan Tromone Choir Dr David ackson conducting may e seen here: htt://musicumichedu/deartments/inds_erc/studio/tromone/videohtm Hassler - our Hassler Madrigals or our-art Tromone Quartet/Choir Pulished y Kagarice Brass Editions [kagaricecom] Catalog numer KE098 Hassler - Three Madrigals or ive-art Tromone Quartet/Choir Pulished y Cherry Classics Vancouver BC [cherry-classicscom] Catalog numer Tromone Ensemle 159 Hassler - Verum caro actum est or Six-art Tromone Choir Pulished y Alessi Pulications Ne York [alessiulicationscom] Catalog numer ALPUB51 Ives ive Ditties or Solo Tromone and our-art Tromone Quartet/Choir Pulished y Alessi Pulications Ne York [alessiulicationscom] Catalog numer ALPUB62 Schuert - Songs or Tromones or our-art Tromone Quartet/Choir Pulished y Alessi Pulications Ne York [alessiulicationscom] Catalog numer ALPUB5

2 TUBA-EUPHONIUM ENSEMBLE Schuert Eleven Songs or Tua-Euhonium Quartet/Choir Pulished y Tua-Euhonium Press Baltimore MD [iteaonlineorg] Catalog numer TEP11050 BRASS ENSEMBLE Garieli uggi Pur Se Sai or Eight-art (to our-art choirs) Brass Choir Pulished y Balquhidder Music Los Angeles [alquhiddermusiccom] Catalog numer BQ-122 Garieli - Gloria rom Sacrae Symhoniae or Telve-art Brass Choir Pulished y Cherry Classics Vancouver BC [cherry-classicscom] Catalog numer Brass Ensemle 9 Garieli - uilate Deo or Eight-art Brass Choir Pulished y Balquhidder Music Los Angeles [alquhiddermusiccom] Catalog numer BQ-106 Garieli Scherza Amarilli e Clori or Six-art Brass Ensemle To e ulished all 2011 Balquhidder Music Los Angeles [alquhiddermusiccom] Catalog numer TBA

3 REVIEWS *Deussy & Dukas - To Orchestral anares Alessi Pulications; International Tromone Association ournal revie y Keith David ones (Winnieg Canada) uly 2009: These to ieces (and their resective comosers) are a ascinating contrast and the transcritions or tromone choir are suer Ranges are not extreme 1st and 2nd arts to out at -lat' ut extreme recision o rhythm and articulation is required Production o score and arts is exemlary *Schuert Songs or Tromones Alessi Pulications; International Tromone Association ournal revie y Michael Davidson (University o Kansas) uly 2010: Alessi Pulications rovides irst-rate engraving These ork equally ell or quartet/quintet or tromone choir Please consider these great additions to the literature onderul as material or teaching concets most deinitely are or the concert hall and aroriate or intermediate-level erormers to roessional ensemles *Brahms Songs or Tromones Alessi Pulications; International Tromone Association ournal revie y Michael Davidson (University o Kansas) Octoer 2010: These are ine additions to the literature; they ut together easily and lay ell Audiences enoy them They are ust like the Schuert Songs aroriate or intermediate-level erormers to roessional ensemles You ill e glad these are in your lirary * Hassler - Three Madrigals Cherry Classics Music; International Tromone Association ournal revie y Andre arina (Detroit MI) anuary 2011: The three madrigals ork excellently together *Garieli Gloria rom Sacrae Symhoniae Cherry Classics Music; International Tromone Association ournal revie y rank Gazda (Delaare State University) Aril 2011: The quality o the musical content makes it orthhile or college and roessional ensemles

4 TROMBONE CHOIR

5 TWO ORCHESTRAL ANARES 1 ANARE POUR PRÉCÉDER "LA PERI" PAUL DUKAS ANARE TO ACT III LE MARTYRE DE SAINT SÉBASTIEN CLAUDE DEBUSSY OR 8-PART TROMBONE CHOIR TRANSCRIBED BY DAVID MATHIE

6 ABOUT THE MUSIC Paul Dukas: anare our récéder "La Peri" (1912) Dukas' inal ork as an exansive tone oem or ull orchestra titled La Peri Written in a lush late Romantic style the ork is roaly knon est or the short rass anare that oens the ork Even though Dukas lived until 195 this tone oem as his inal ulication The anare as scored or our horns three trumets three tromones and tua This transcrition retains all the original harmonies dynamics and articulations Claude Deussy: anare to Le Martyre de Saint Séastien Act III (1911) Although an imortant ork ritten y a maor comoser Le Martyre is rarely erormed today The music as comosed in 1911 as incidental music or a lay y Gariele D'Annunzio ut the one-hour ork only remains today in ragments While not indicated in the ragment o the score the oening Prelude o the third act has to short rass anares that no exist only in arts ulished y Durand The irst is a dramatic ork o aroximately three minutes the second is a very short eight-ar restatement o the theme o the irst These anares ere ritten or our trumets six horns three tromones tua and timani (hich only adds rhythmic emhasis) Again this transcrition o the longer irst anare retains all o Deussy's harmonies dynamics and articulations

7 SCORE ANARE our récéder "La Peri" (1912) Tromone 1 Tromone 2 Tromone Tromone Tromone 5 Tromone 6 Tromone 7 Tromone 8 Modérément animé (q = c 76) B > B > B > > > > > > > > > > > > > > > > > > > > n # # > > > > > > n # # > > > > > n n > > > > > > n n > > > > > > n n > > >>> > > n n > > >>> > > n n > Paul Dukas ( ); trans David Mathie ^ sost n^ sost ^ sost ^ n^ ^ ^ 2007 Alessi Pulications

8 2 Tn 1 Tn 2 Tn Tn 6 1 B B B n n Tn 5 Tn 6 Tn 7 Tn 8 n n

9 Tromone 1 SCORE B Le Martyre de Saint Seastien III Le Concile des aux Dieux Prelude Modere q» º Claude Deussy ( ) trans David Mathie Tromone 2 Tromone B - - Tromone Tromone 5 Tromone 6 Tromone 7 - > - > - > - > - Tromone Alessi Pulications

10 2 Tn 1 Tn 2 Tn B B Cedez ä ä U - U - 1 a temo - - Tn Tn Tn Tn 7 Tn 8 - -

11 IVE DITTIES BY CHARLES IVES 1 The Side Sho 2 Nature s Way A Christmas Carol Memories 5 Slugging a Vamire CHARLES IVES OR SOLO TROMBONE AND -PART TROMBONE QUARTET/CHOIR DEDICATED TO DANIAL HOWARD TRANSCRIBED BY DAVID MATHIE

12 ABOUT THE MUSIC Charles Ives as orn in Danury Connecticut on Octoer His musical training egan ith his ather ho exosed him to the orld o ark ands and nurtured Ives love o musical exerimentation He received ormal music training using traditional Germanic models rom Horatio Parker at Yale and sent ourteen years as a church organist Hoever he made his ortune y ounding the largest insurance irm o its time and did most o his comosing at night His orks are usually categorized into three hases: the irst traditional eriod (est knon are his irst Symhony and the Variations o America or organ) is surrisingly traditional and shos a e glimses into innovative comosing; the second eriod is much more radical (his Second and Third Symhonies the early string quartets) and shos his ascination ith itonality olyrhythms and quotes rom Americana; the inal eriod (eginning around 1910 and reresented y orks such as the Concord Sonata the Unansered Question and the Three Places in Ne England) is heavily exerimental and dissonant In 1918 Ives suerered a heart attack and retired rom the insurance usiness Although this let him more time to comose he gave u riting music or good in 1927 asserting that nothing sounded right to him anymore He died in Ne York city in 195 Much o Ives music as unknon during the time he comosed ut eginning in the 190 s musicians egan erorming his orks Henry Coell ulished many o Ives ieces in the Ne Music Quarterly and his Third Symhony on the Pulitzer Prize in much to Ives delight Ater his death in 195 he ecame more and more oular and eventually as recognized as one o America s most imortant comosers The 11 Songs cover an extended eriod in Ives career: and ere ulished y Ives himsel in 1922 The range o musical ideas in these songs is extraordinary rom nostalgic tunes (Memories included in this collection) to arodies (The Side Sho also included here ith the droed eats in altz time ending in a quotation rom Tchaikovsky s Sixth Symhony) to exerimental songs requiring virtuoso caailities on the art o the erormers Some include otional rass arts and others ere reritten into his instrumental orks The ive songs transcried here are some most suited to erormance y rasses and ere taken rom the original 1922 version All musical indications in the originals such as dynamics and articulations are retained in these transcritions; all editorial additions have een ket to a minimum and are clearly marked in arentheses - (rit) - to distinguish them rom Ives originals Temo suggestions indicated y metronome markings ere added y me The original song Memories as in to arts ith the irst song (Very Pleasant included here) segueing into a very dierent second art; in this transcrition a short ending as added y me The title Ives loved good old-time ditties layed y the tromone (listen to the end o the Second Symhony) These songs ere ondly ritten or Danial Hoard ass tromonist in the Boise Philharmonic and ormer student o mine at Boise State

13 Score The Side Sho Solo Tromone Tromone 1 Tromone 2 Tromone Moderate altz q» B - ) - ) ( < < l - ) n ( simile ) ( simile ) ( simile ) n Charles Ives ( ); arr David Mathie Bass Tromone ( - - ) ( simile ) Solo 8 A # Tn 1 B n A # Tn 2 Tn B Tn 2010 Alessi Pulications

14 2 Solo 1 # # n N n # Tn 1 B Tn 2 # Tn # > > # B Tn Solo 18 # 5 n n Tn 1 Tn 2 B 5 5 n > > ( rit ) ( rit ) Tn N > # 5 n ( rit ) B Tn 5 ( rit ) ( rit )

15 Score A Christmas Carol Solo Tromone Tromone 1 Tromone 2 Tromone Bass Tromone Larghetto e» º P - - Charles Ives ( ); arr David Mathie Solo Tn 1 Tn 2 Tn B Tn 7 A P Alessi Pulications

16 Score Slugging a Vamire Solo Tromone Tromone 1 Tromone 2 Tromone Bass Tromone Allegro con uoco q» c c ƒ c ƒ c ƒ c ƒ n n n n U ƒ U U U (Solo; loer notes i ossile) och U n n Charles Ives ( ); arr David Mathie semre marcato # semre marcato semre marcato semre marcato # N Solo 5 c # Tn 1 c # Tn 2 # # # c Tn N # c # B Tn c 2010 Alessi Pulications

17 SONGS OR TROMBONES VOLUME 1 1 An den rühling 2 Die Nacht ischerlied Der Geistertanz 5 ünglingsoone 6 Leise leise laßt uns singen 7 Räuerlied 8 Trinklied RANZ SCHUBERT OR -PART TROMBONE QUARTET/CHOIR TRANSCRIBED BY DAVID MATHIE

18 ABOUT THE MUSIC The early years o the nineteenth century ere noted or music comosed or educated middle-class amateurs In this genre e see the great chorus and orchestra orks y Mendelssohn and Schumann iano ieces y Beethoven and Brahms and the smaller choral orks o Schuert and Brahms hich ere meant to e erormed inormally at home Schuert rote almost one hundred o these ieces or various cominations o male voices tenty-our o hich are or unaccomanied our-art (TTBB) men's chorus These transcritions o the tenty-our songs or men's chorus are taken rom the comlete orks o Schuert (Neue Ausgae sämtlicher Werke Bärenteiter-Verlag Kassel 197) The orks included in Volume I are: An den rühling D 8 text y Schiller c 1816; original in G transcrition in Die Nacht D 98 text y Krummacher 182; original in D transcrition in D= ischerlied D 6 text y von Salis-Seeis c ; original and transcrition in G Der Geistertanz D 9 text y von Matthisson 1816; original and transcrition in c; (note that this ork is ritten or ive arts) ünglingsoone D 98 text y von Matthisson 182; original in C transcrition in B= Leise leise laßt uns singen D 65 text unknon c 1819; original and transcrition in C Räuerlied D 5 text unknon c 1816; original and transcrition in Trinklied aus dem 16 ahrhundert D 87 text y Gräer 1825; original in C transcrition in B= All musical indications in the originals such as dynamics and articulations are retained in these transcritions; the translations rom the original German are mine All editorial additions have een ket to a minimum and are clearly marked: added slurs are ritten ith dashes and other musical suggestions have een ut in arentheses - (rit) - to distinguish them rom Schuert's Temo suggestions indicated y metronome markings ere added y me These transcritions should alays e erormed in a vocal manner never too aggressive and ith a clear consensus aout style throughout the arts All dynamics are Schuert's ut in general the transcritions sound etter hen layed one level higher than marked

19 SCORE Tromone 1 Tromone 2 Tromone Tromone Bass Tromone Tn 1 Geschind (Wild) q» Der Geistertanz [The Sirit Dance] (1816) c - - c - - c - - c - - c n simile simile simile simile simile n n ranz Schuert ( ); trans David Mathie A Tn 2 N Tn N Tn nn B Tn 2007 Alessi Pulications

20 Tn 1 Tn 2 Tn Tn B Tn Tn 1 Tn 2 Tn Tn B Tn 2 n N rit rit rit rit rit A Mäßig (moderate) R R R r A legato legato legato A legato r A legato n U U n n U U U n A Geschind n n - N ( ) ( ) A n A A A ( ) - - n N n n > Z > Z > Z n > Z n > Z

21 SCORE Tromone 1 Tromone 2 Tromone Bass Tromone Etas langsam(a little sloly) q» Räuerlied [Roer's Song] (1816) (leggiero) (leggiero) (leggiero) (leggiero) # N ranz Schuert ( ); trans David Mathie Tn 1 Tn 2 Tn 6 # n n ƒ ƒ ƒ (marcato) (marcato) (marcato) n n B Tn ƒ (marcato) 2007 Alessi Pulications

22 SONGS OR TROMBONES 1 O one esu 2 Adoramus te Ich sching mein Horn ins ammertal reiillige her! 5 Geleit 6 Marschieren 7 Get acht! OHANNES BRAHMS OR -PART TROMBONE QUARTET/CHOIR TRANSCRIBED BY DAVID MATHIE

23 ABOUT THE MUSIC The early years o the nineteenth century ere noted or music comosed or educated middle-class amateurs In this genre e see the great chorus and orchestra orks y Mendelssohn and Schumann iano ieces y Beethoven and Brahms and the smaller choral orks o Schuert and Brahms hich ere meant to e erormed inormally at home Brahms rote a numer o choral orks or omen's chorus mixed chorus and men's chorus The seven songs included here are rom the Drei Geistliche Chöre (Three Sacred Choruses) O 7 ulished in 1866 or our-art emale chorus; and ün Lieder ür Männerchor (ive Songs or Men's Chorus) O 1 ritten in and ulished in 1867 or our-art men's chorus All transcritions are taken rom the comlete orks o Brahms (ohannes Brahms Sämtliche Werke Breitko & Härtel Wiesaden 1965) The orks included here are: Ous 7: O one esu liturgical text; original in Adoramus te liturgical text; original in a Ous 1: Ich sching mein Horn ins ammertal text is old German; original in B= reiillige her! text y Lemcke; original in c Geleit text y Lemcke; original in E= Marschieren text y Lemcke; original in c Get acht! text y Lemcke; original in c The third song in O 7 Regina coeli is scored or to solo voices and omen's chorus and is not included here All musical indications in the originals such as dynamics and articulations are retained in these transcritions; the translations rom the original German are mine All editorial additions have een ket to a minimum and are clearly marked: added slurs are ritten ith dashes and other musical suggestions have een ut in arentheses - (rit) - to distinguish them rom Brahms' Temo suggestions indicated y metronome markings ere added y me Given that Brahms' ather as a horn layer it is not surrising that these orks are remarkaly instrumental in nature All dynamics are Brahms' ut in general the transcritions sound etter hen layed one level higher than marked

24 Tromone 1 Tromone 2 Tromone Bass Tromone SCORE Moderato esressivo q» O Bone esu [O Good esus] # # ohannes Brahms ( ); trans David Mathie n N n Tn 1 Tn 2 Tn B Tn 7 () () # # # # n n # 2007 Alessi Pulications

25 Tromone 1 Tromone 2 Tromone Bass Tromone SCORE Allegro con uoco q» reiillige her! [A Volunteer!] n # n ohannes Brahms ( ); trans David Mathie n A Tn 1 Tn 2 6 n > > > > > > Tn > > > B Tn > > > 2007 Alsessi Pulications

26 Tromone 1 Tromone 2 Tromone SCORE Temo di Marcia moderato q» c c c Geleit [Escort] S S S ohannes Brahms ( ); trans David Mathie n n Bass Tromone c S Tn 1 Tn 2 Tn 7 N N N A N B Tn n 2007 Alessi Pulications

27 ABOUT THE MUSIC Equali ere orks ritten or equal or similar instruments; in the eighteenth century they ere almost alays used or uneral services and usually emloyed a quartet o tromones The most amous o these ere the three Beethoven rote or the Linz Cathedral in Austria on All Soul s Day 1812 To o these ere adated later or male voices and ere sung at Beethoven s uneral These ieces are some o the most amous orks or tromones no dout due to the act that they ere comosed y Beethoven They ere commissioned y ranz Xaver Glöggl Kaelmeister o the city o Linz hile Beethoven as visiting his rother According to later accounts y Glöggl s son although his ather had a comlete collection o tromones (sorano alto tenor ass or quart) the three Equali ere erormed y a traditional quartet o alto tenor and ass tromones Why another edition o these orks given that any enterrising tromonist may ind them in the comlete orks on age 15 irst the originals contain technical challenges or all ut the most exerienced layers The irst art reaches a high C in the third movement lus numerous B lats in the irst and the second movement is in D maor a key that makes good intonation a challenge Second hile the irst movement is thoroughly marked in terms o dynamics exressive indications and other musical suggestions the last to are comletely ithout such markings (save or the dolce indication in the second) Tromone tradition usually resents the last movement as a esante inale ut determining the nuances o the second movement oten makes or long rehearsals Also I elieve many editions have succumed to the ractice o overediting inally the alto cle in the irst and second arts and the tenor cle in the third art make the original inaccessile to many tromone choirs This edition oers a comromise: the original score and arts are given exactly as ritten in the comlete orks and a version designed or the less exerienced layers: the three movements are transosed don one ste edited ith minor musical suggestions and all our arts are ritten in ass cle

28 Beethoven - Drei Equali or -art Tromone Choir (Original and Transosed Keys and Cles) To e ulished y Cherry Classics 2011

29 Score Tromone I Tromone II Tromone III No 1 Andante h» º C C C n DREI EQUALE ür vier Posaunen n n Ludig van Beethoven ( ); edited y David Mathie n Tromone IV C Tn I Tn II Tn III 11 n # n n n n cresc cresc cresc S S n S Tn IV cresc S Tn I Tn II Tn III Tn IV 21 S S S S cresc cresc cresc cresc S n S S S S S S S rit rit rit rit n a temo a temo a temo a temo n 2009 David Mathie

30 C C C C Tromone 1 Tromone 2 Tromone Tromone Poco Adagio h» P dolce P dolce P dolce P dolce Tn 1 Tn 2 Tn Tn 8 # n rit rit rit rit P a temo P a temo P a temo P a temo Tn 1 Tn 2 Tn Tn 17 No 2

31 Tromone 1 Tromone 2 Tromone Tromone No Poco sostenuto h» esante esante esante esante n n A Tn 1 Tn 2 Tn Tn 6 Tn 1 Tn 2 Tn Tn 11 N ƒ ƒ ƒ N ƒ P rit P rit P P rit rit

32 VERBUM CARO ACTUS EST {AND THE WORD WAS MADE LESH} HANS LEO HASSLER OR 6-PART TROMBONE CHOIR TRANSCRIBED BY DAVID MATHIE

33 ABOUT THE MUSIC Hans Leo Hassler ( ) son o an organist as orn in Nuremerg and received his initial training in music rom his ather As a young man he studied in Venice and ecame amiliar ith the great olyhonic music eing ritten there at that time; later he ecame close riends ith Giovanni Garieli oth eventually studying comosition ith Giovanni's uncle Andrea Hassler returned to Germany in 1585 then ecame an organist in Augsurg; in addition to his instrumental career he gained a reutation as an innovative comoser and also traveled throughout Germany as a consultant in the construction o ie organs He died in 1612 ending his career as choral director and organist in Dresden His successors ere Heinrich Schütz and Michael Praetorius Hassler is est rememered as erhas the inest organist o his time and one o the irst comosers to rite in the Venetian style outside o Italy His sacred motet Verum caro actum est comosed in 1591 and scored or unaccomanied choir {SSAATB} is an excellent examle o his riend Giovanni Gareili's inluence The text is taken rom the Prologue o St ohn's Gosel: And the Word as made lesh and delt among us and e sa his glory the glory as it ere o the only egotten o the ather ull o grace and truth This transcrition is taken rom the comlete orks (Hans Leo Hassler: Sämtliche Werke ed CR Crosy {Wiesaden 1961 } [C i]) There are o course no indications o dynamics articulation style or temo in the original Thus all editorial markings ere added y me; they ere ket to a minimum and or the most art relect the musical lines and the text This transcrition should e erormed in a vocal manner never too aggressive and ith care that all voices e heard and layed in a similar style The antihonal nature o the music ill e enhanced y arranging the ensemle ith arts 1- on one side -6 on the other

34 Score Verum caro actum est {Thus the Word as Made as lesh} Moderato qȻ Hans Leo Hassler ( ); trans David Mathie Tr 1 Choir 1 Tr 2 Tr B () () () n n Tr Choir 2 Tr 5 Tr 6 () () () n A 2008 Alessi Pulications

35 Tr B n A n Ch1 Tr 2 n A n n Tr Tr Ch 2 Tr 5 Tr 6 Tr 1 Ch1 Tr 2 Tr Tr 12 B n n n n n A n n () () () A Ch 2 Tr 5 n Tr 6

36 BRASS ENSEMBLE

37 Score uilate Deo ["Sing Out to the Lord"] 1597 Playing time: ' Giovanni Garieli ( ); trans David Mathie Moderato q» Trumet 1 in B Trumet 2 in B Trumet in B Trumet in B Tromone 1 Tromone 2 Tromone & & & & # Tromone 2008 Balquhidder Music BQ-106 score

38 Tr 1 Tr 2 Tr Tr Tn 1 Tn 2 Tn Tn Tr 1 Tr 2 Tr Tr Tn 1 Tn 2 Tn Tn 2 7 & & & & 1 & & & & BQ-106 score # # # n n # # # n n n n A P P P P P P P P # #

39 Score UGGI PUR SE SAI [1590] Playing Time: ' Giovanni Garieli ( ); trans David Mathie Trumet in B 1 Trumet in B 2 Choir 1 Tromone 1 * Tromone 2 Trumet in B Trumet in B Choir 2 Tromone * Tromone & & & & Moderato q = 88 # Moderato q = 88 # # # n # n # # # n # # n # # * Horn arts are included that can sustitute or Tromones 1 & 2010 David Mathie

40 2 UGGI PUR SE SAI B Tt 1 B Tt 2 Ch 1 Tn 1 Tn 2 6 & & # # # n # P P P P # B Tt B Tt Ch 2 Tn Tn & & P # P n P P # # B Tt 1 12 & # # n # # B Tt 2 Ch 1 Tn 1 Tn 2 & n n B Tt & # # n # B Tt Ch 2 Tn Tn & N n #

41 Score Playing time: ' GLORIA rom Sacrae Symhoniae 1597 or 12 art Brass Ensemle Giovanni Garieli ( ) transcried y David Mathie Trumet in B 1 Moderato q = 88 Trumet in B 2 Choir I Tromone 1 Tromone 2 Trumet in B Trumet in B Choir II Tromone Tromone Trumet in B 5 Trumet in B 6 Choir III Tromone 5 Tromone 6 Coyright 2008 David Mathie Pulished and distriuted y Cherry Classics Music Cherry-Classicscom

42 Gloria rom Sacrae Symhonie 2 B Tt 1 7 m B Tt 2 Choir I Tn 1 m m Tn 2 B Tt B Tt Choir II Tn m m m m Tn B Tt 5 m B Tt 6 Choir III Tn 5 Tn 6

43 TUBA- EUPHONUIM ENSEMBLE

44 Euhonium 1 Euhonium 2 Tua 1 Tua 2 Tua Euh 1 Geschind (Wild) q» c c c c c Der Geistertanz (1816) [The Sirit Dance] # simile simile simile n simile n simile ranz Schuert ( ); trans David Mathie N Euh 2 N Ta 1 N Ta 2 # a Ta David Mathie 2009

45 2 Euh 1 Euh 2 Ta 1 Ta 2 Ta Euh 1 Euh 2 Ta 1 Ta 2 Ta # a Mäßig (moderate) rit rit A rit rit rit R R r r legato legato legato A legato r legato n U A U U n U U n # A n n - N - Geschind A n A A A # N n n > Z > Z Z> # Z > # Z >

46 Euhonium 1 Euhonium 2 Tua 1 Tua 2 # Gra und Mond [The Grave and the Moon] (1826) Langsam (sloly) q» # # # (legato throughout) (legato throughout) (legato throughout) # (legato throughout) n # # ranz Schuert ( ); trans David Mathie > > > > (rit) n (rit) (rit) (rit) U # U a U U Euh 1 Euh 2 Ta 1 Ta 2 9 # # # # > # > # > > # N # > # > # > > # N U U U U David Mathie 2009

47 Euh 1 Euh 2 Ta 1 Ta # A # # # n n n U U U U B n n n n Euh 1 Euh 2 Ta 1 Ta 2 25 > > > >

48 Euhonium 1 Euhonium 2 Tua 1 Tua 2 Etas langsam(a little sloly) q» (leggiero) (leggiero) (leggiero) (leggiero) Räuerlied [Roer's Song] (1816) # N ranz Schuert ( ); trans David Mathie Euh 1 Euh 2 6 # # # ƒ ƒ (marcato) (marcato) # Ta 1 ƒ (marcato) # Ta 2 ƒ (marcato) David Mathie 2009

49 Euh # N Euh 2 # N Ta 1 # Ta 2 Euh 1 16 (leggiero) # # Euh 2 (leggiero) # # Ta 1 (leggiero) Ta 2 (leggiero)