04/17/07 Trevor de Clercq TH521 Laitz HARMONY HOMEWORK
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1 04/17/07 Trevor de Clerq TH21 Laitz HARMONY HOMEWORK This harmony homework serves as an introdution to the sumediant harmony in some ommon settings or oth maor and minor modes. have tried to devise exerises that egin with passive identiiation exerises and move towards more ative tasks. For example, the sore exerpts give a hane or students to identiy the sumediant within real musial settings, whih do not neessarily have a onsistent harmoni rhythm, although these examples are airly uniorm to help identiiation. The horale harmonizations do not ump immediately into situations where the students would have too many hoies or hords; the possiilities in the irst three horal exerises are airly limited, ut the last one gives a more ree ontext. The iguration exerises at the end might e too easy sine have laeled the hords to use, ut it provides a hane or the students to develop a pseudo-ompositional texture. The other harmonies involved in all the examples have een limited to those the student would have proaly already enountered, i.e. toni, dominant, sudominant, and supertoni in irst and seond inversions
2 Violin HARMONY HOMEWORK Trevor de Clerq TH21 Laitz Part 1a: dentiy the dierent harmonies used in the exerpt elow. Lael hord hanges 04/17/07 with Roman numerals and igured ass elow the sore. Andante W. A. Mozart, Quartet No. 6, mvmt. 1 (K. 19) Violin Viola Cello B Part 1: dentiy the dierent harmonies used in the exerpt elow. Lael hord hanges with Roman numerals and igured ass elow the sore. Andante H. Purell, Suite in G maor, Prelude (Z. 660) p J J 6 J Ÿ. J
3 Part 2a: Fill in the inner voies using at least one sumediant harmony. Lael eah hord with Roman numerals underneath.. Trevor de Clerq TH21 Laitz 04/17/07. Part 2: Add a ass and tenor line using at least one sumediant harmony. Lael hords with Roman numerals. Part 2: Add a soprano and alto line using at least one sumediant harmony. Lael hords with Roman numerals. n Part 2d: Harmonize the melody using at least one sumediant. Lael hords with Roman numerals.
4 Trevor de Clerq TH21 Laitz 04/17/06 Part 3a: Harmonize the melody elow using the same pattern o keyoard iguration as in the irst measure. Follow the hords as indiated. n Dulin's Fair City (rish Folk Song). vi ii6 V.. J. 6 V V
5 Trevor de Clerq TH21 Laitz 04/17/06 Part 3: Harmonize the melody elow using the same pattern o keyoard iguration as in the irst measure. Follow the hords as indiated. My Singing Bird (rish Folk Song).... vi V V ii V V vi V ii6 vi V7
6 Violin HARMONY HOMEWORK Trevor de Clerq TH21 Laitz Part 1a: dentiy the dierent harmonies used in the exerpt elow. Lael hord hanges 04/17/07 with Roman numerals and igured ass elow the sore. Andante W. A. Mozart, Quartet No. 6, mvmt. 1 (K. 19) Violin Viola Cello B V6 vi 6 ii6% V7 vi Part 1: dentiy the dierent harmonies used in the exerpt elow. Lael hord hanges with Roman numerals and igured ass elow the sore. Andante H. Purell, Suite in G maor, Prelude (Z. 660) p J J V vi 6 V ii ii 6 J Ÿ. vi ii6 V 6 V ii6 V -_6$ V4-3 J
7 Part 2a: Fill in the inner voies using at least one sumediant harmony. Lael eah hord with Roman numerals underneath... Trevor de Clerq TH21 Laitz 04/17/07.. vi ii6 V6$ V Part 2: Add a ass and tenor line using at least one sumediant harmony. Lael hords with Roman numerals. V 6 V V6 vi V Part 2: Add a soprano and alto line using at least one sumediant harmony. Lael hords with Roman numerals. n i i V6 i v6 vi6 ii6 V V Part 2d: Harmonize the melody using at least one sumediant. Lael hords with Roman numerals. 6 V6$ V vi
8 Trevor de Clerq TH21 Laitz 04/17/06 Part 3a: Harmonize the melody elow using the same pattern o keyoard iguration as in the irst measure. Follow the hords as indiated. n Dulin's Fair City (rish Folk Song).... vi ii6 V.. J V V
9 Trevor de Clerq TH21 Laitz 04/17/06 Part 3: Harmonize the melody elow using the same pattern o keyoard iguration as in the irst measure. Follow the hords as indiated. My Singing Bird (rish Folk Song).... vi V V ii V V vi V ii6 vi V7
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