CATALOGUE 2013/2014 HAL LEONARD AUSTRALIA CURRICULUM CONNECTIONS NEW SHOWS THEATRICAL RESOURCES

Transcription

1 y Aladdin KIDS Disney Cinderella KIDS Disney The Aristocats KIDS Disney The Jungle Book KIDS Disney Sleeping Beauty KIDS ie The Pooh KIDS Annie KIDS A Year with Frog and Toad KIDS Disney Aladdin JR. Disney Alice in Wonderland JR. Disney Bea he Beast JR. Disney High School Musical JR. Disney High School Musical 2 JR. Disney Mulan JR. Annie JR. Captain Louie JR. Edwina JR. Fiddler on the Roof JR. Guys and Dolls JR. Honk! JR. Into the Woods JR. The Music Man JR. Once on This Island JR. T om Tollbooth JR. The Pirates of Penzance JR. School House Rock Live! JR. Seussical JR. Millie JR. Disney Aladdin KIDS Disney Cin IDS Disney The Aristocats KIDS Disney The Jungle Book KIDS Disney Sleeping Beauty KIDS Winnie The Pooh KIDS Annie KID r with Frog and Toad KIDS Disney Aladdin JR. Disney Alice in Wonderland JR. Disney Beauty and the Beast JR. Disney High Sch al JR. Disney High School Musical 2 JR. Disney Mulan JR. Annie JR. Captain Louie JR. Dear Edwina JR. Fiddler on the Roof JR and Dolls JR. Honk! JR. Into the Woods JR. The Music Man JR. Once on This Island JR. The Phantom Tollbooth JR. The Pirates of nce JR. School House Rock Live! JR. Seussical JR. Millie JR. Disney Aladdin KIDS Disney Cinderella KIDS Disney The Aristocats y The Jungle Book KIDS Disney Sleeping Beauty KIDS Winnie The Pooh KIDS Annie KIDS A Year with Frog and Toad KIDS D in JR. Disney Alice in Wonderland JR. Disney Beauty and the Beast JR. Disney High School Musical JR. Disney High School Mus JR. Disney Mulan JR. Annie JR. Captain Louie JR. Dear Edwina JR. Fiddler on the Roof JR. Guys and Dolls JR. Honk! JR. Into th ds JR. The Music Man JR. Once on This Island JR. The Phantom Tollbooth JR. The Pirates of Penzance JR. School House Rock Live! ical JR. Millie JR. Disney Aladdin KIDS Disney Cinderella KIDS Disney The Aristocats KIDS Disney The Jungle Book KIDS Disne ing Beauty KIDS Winnie The Pooh KIDS Annie KIDS A Year with Frog and Toad KIDS Disney Aladdin JR. Disney Alice in Wond CATALOGUE 2013/2014 CURRICULUM CONNECTIONS NEW SHOWS THEATRICAL RESOURCES HAL LEONARD AUSTRALIA

2 ...ALL OUR DREAMS HAVE NO LIMITATION... THAT S WHAT IT S ALL ABOUT! Why Choose the MTI Broadway Junior Collection? Kid-tested and teacher-endorsed, the MTI Broadway Junior Collection is the perfect way to introduce your school to the joys of musical theatre. Studies have shown that students involved in theatre develop better cognitive skills, exhibit higher selfesteem, build collaborative and social skills, display better study habits and consistently perform higher on standardized tests. 2

3 THEATRE AS EDUCATION Hal Leonard Australia (HLA) is one of Australia and New Zealand s leading dramatic licensing agencies. On behalf of Music Theatre International (MTI), we grant schools and theatres around the world the rights to perform the largest selection of great musicals from Broadway and beyond. HLA is particularly dedicated to the idea of theatre as education. In 1997, MTI created the MTI Broadway Junior Collection for younger performers. With an MTI Broadway Junior Collection show, putting on a musical will be the most cost-effective program you can establish for your organisation and it has clear benefits for all involved. For once, here s a project that can involve a nearly unlimited number of students without costing an arm and a leg. Ensembles in MTI Broadway Junior Collection shows can be as numerous as 100 students, making the material s extremely affordable. Teachers won t have to spend hours writing original musicals to fit their students acting skills and vocal ranges. The process of putting on a show cultivates school spirit and generates community support. Curriculum Connections: A musical helps students make connections across a variety of subjects. Teachers can use the musical as context in teaching History,, and English. Art, Music, and Physical Education classes can be geared towards creating props, learning songs, and practicing dance steps. Over 30,000 Success Stories and Growing Since 1997, over 30,000 productions of shows from the MTI Broadway Junior Collection have taught kids and entertained audiences around the world. The success of our shows is best measured in the self-confidence, discipline, character, cooperation and self-esteem instilled in the children who have participated in the shows, as they master the diverse skills necessary to present a musical. 3

4 The music is written in keys appropriate for young voices. All shows can be expanded to accommodate as many performers as can fit on your stage. The MTI Broadway Junior Collection divides into two categories to accommodate different age ranges: 30-MINUTE MUSICALS FOR PERFORMANCE BY PRIMARY SCHOOL STUDENTS MTI KIDS shows are specifically designed for the energies (and attention spans!) of primary school students. At just half an hour in length, MTI KIDS shows are long enough to tell a complete story through script, song and dance, while short enough to be well within your cast s abilities. MTI KIDS titles include adaptations of classic Disney films, such as Sleeping Beauty and The Aristocats, to beloved children s books, such as A Year With Frog And Toad. 60-MINUTE MUSICALS FOR PERFORMANCE BY MIDDLE SCHOOL STUDENTS Picking a musical for middle-schoolers can be challenging. You not only have to find a show that will excite your students, you also have to make sure the score can accommodate young voices some of which could change at any time. Successfully staging a two-hour musical can seem impossible! 4 That s why we created MTI JR. titles. Every MTI JR. show is specifically adapted for adolescent voices, saving your students from struggling through numbers they won t be prepared to tackle for a few more years. Since all shows are roughly minutes long, these adaptations are better suited for the stamina of younger actors and the attention spans of younger audiences! MTI JR. shows range from Disney favorites (Beauty & The Beast, High School Musical) to Broadway classics (Fiddler On The Roof, Guys And Dolls) to modern works (Once On This Island, Dear Edwina). We also license shows written only for MTI JR., like Disney s Mulan and Disney s Winnie the Pooh KIDS. With a variety of subject matter and required skill levels, MTI JR. musicals redefine the middle school theatre experience.

5 The newly-designed ShowKit will make it even easier for students and teachers to stage their favorite musicals. The MTI Broadway Junior Collection ShowKit It s like Getting a Musical in a Box! With the MTI ShowKit TM that comes with every MTI Broadway Junior Collection show, there s no way to fail! Even teachers with no theatrical training or experience can easily put on a successful production. All ShowKits contain helpful materials enabling you to make your musical the ultimate interdisciplinary teaching tool. We even include a Director s Guide, a first-timer s handbook about producing Broadway s most beloved musicals, as well as an accompaniment CD to make rehearsals and performances a snap. Timothy Allen McDonald, Artistic Director (itheatrics) The MTI Broadway Junior Collection ShowKit CAN INCLUDE: 30 Actor Scripts 2 Rehearsal/Accompaniment CDs 1 Piano/Vocal Score 1 Director s Guide 1 Choreographic DVD 30 Family Matters Books (Showkit contents can vary from show to show. Visit our website for show specific contents) Newly Designed Showkit MTI and itheatrics have redesigned the look, feel and content of the ShowKits to ensure they remain the absolute best educational musicals anywhere.one of the most exciting new elements is the fully re-concieved Director s Guide, patterned after Broadway production show books. Features of the new Director s Guide include: A three-ring binder allowing you to carry all of your production information in one place and expand and customise the binder to meet your production needs. The Actor s Script section of the Guide features a full-sized script for easier viewing. Expanded resources in all production and curriculum aspects that reach three levels of directing experience: beginning, intermediate and advanced. A Media disk of resources including audition sides and editable forms including a fully editable program. Now available in ShowKit Binder: Annie KIDS Fame JR Guys & Dolls JR Phantom Tollbooth JR Disney s Winnie the Pooh KIDS... More shows coming soon! FIRST PICK First-time users: look for the FIRST PICK symbol these are shows that have proven easy to produce no matter the size or experience of your group. 5

6 PERFECT FOR LARGE ENSEMBLES, YOUNGER CHILDREN, STRONG FEATURED ROLES Music by Alan Menken Lyrics by Howard Ashman and Tim Rice Music Adapted and Arranged and Additional Lyrics Orchestrated by Bryan Louiselle Book by David Simpatico Based on the 1992 Disney Film Aladdin Welcome to Agrabah, City of Enchantment, where every beggar has a story and every camel has a tail! All of your favorite characters are here in this stage adaptation of the Disney hit, including Aladdin, Jasmine, and of course, the Genie. Filled with magic, mayhem, and flying carpet rides, Aladdin KIDS will have audiences spirits soaring with excitement. Most of all, the tuneful Academy Award -winning score includes such hits as A Whole New World and Friend Like Me. It will certainly make this musical a favorite for many years to come! Arabian Nights, One Jump Ahead, One Jump Ahead (Reprise), Friend Like Me, Prince Ali, A Whole New World, Prince Ali (Reprise) 6 principals, 3 featured roles, plus ensemble Both the Vendors and Junior Djinn help in creating the magic of the story and can include additional performers. Cast strong singers for Aladdin and Jasmine, but all other solo lines can be spoken if necessary. The music is incredibly accessible for first-time performers, as it s largely ensemble singing in unison or simple two-part harmony. Most roles can be played by boys or girls. Designed for unit set, this show is easy to stage. Identify a local marketplace that has a variety of different shops. This could be a farmer s market, a mall or a craft fair. Have your students talk to these merchants about the things they do to support their business. Then invite the different merchants to help with the set of the show by donating their time, skills and maybe even goods to the Agrabah Marketplace. Aladdin KIDS can be easily staged with very little choreography. Simple step-by-step instructions for the magic flying carpet are included in the Director s Guide. Classic Legends, 1001 Arabian Nights Mathematics Money Used in the Marketplace Caves, Hourglass and Telling Time Music Musical Instruments Used in Middle Eastern Culture Social s Middle Eastern Culture, The Wonders of the World, Arabian Marketplace, Poverty How does difference in class affect a society? Do you see any similarities in the challenges facing the world today? JUNIOR THEATRE FESTIVAL,

7 PERFECT FOR LARGE ENSEMBLES, YOUNGER CHILDREN, STRONG FEATURED ROLES Music and Lyrics by Richard M. Sherman and Robert B. Sherman, Al Rinker and Floyd Huddleston, Terry Gilkyson Music Adapted and Arranged and Additional Music by Bryan Louiselle Book Adapted and Additional Lyrics by Michael Bernard Based on the 1970 Disney Film The Aristocats Madame s jealous butler, Edgar, cat-naps Duchess and her Aristokittens and abandons them in the Parisian countryside. What s a cat to do? Luckily, Thomas O Malley and his rag-tag bunch of Alley Cats come to their rescue! This feline adventure is sure to get your audiences tapping their feet to its hip, jazzy beat, which includes the Disney favorites The Aristocats, Scales and Arpeggios and Ev rybody Wants to Be a Cat. Prologue/The Aristocats, Scales and Arpeggios, Night, Kittens, Use Your Nose, Thomas O Malley Cat, The Gabble Girls, Ev rybody Wants to Be a Cat 8 principals, 9 featured roles, plus ensemble You can add any number of Alley Cats to this production to give as many students as possible an opportunity to be a part of the show. Solos for Thomas O Malley, Edgar, Scat Cat, and Roquefort. There are solo lines for many of the other featured roles. The rest of the music is simple to learn and the majority of the numbers are mostly unison singing. The Director s Guide gives you an easy way to establish both Paris and Madame s home by using a minimal amount of scenery. Aristocats KIDS is a great show for students who like up-beat music and would enjoy playing animal characters. Either girls or boys can play most of the roles making this a perfect show for a large female cast. Visit your local animal shelter and talk about the process of pet adoption. Spend time watching the animals and noticing how the different animals move. Cast members can use this information to help with their character s physicality. You can also invite the shelter to set up a table and display at your performances. They might even be able to bring actual animals with them for your audience to see. Adaptations, Foreign Languages, Poetry Music Scales, Jazz Music, Instruments Animal Behavior, Habitats, Health French Culture, Maps, Transportation How can you best work with different types of people? What are the problems with judging someone only by their appearance? JUNIOR THEATRE FESTIVAL,

8 PERFECT FOR LARGE ENSEMBLES, YOUNGER CHILDREN, STRONG FEMALE LEAD Music and Lyrics by Mack David, Al Hoffman and Jerry Livingston Book Adapted and Additional Lyrics by Marcy Heisler Music Adapted and Arranged by Bryan Louiselle Based on the Screenplay by Ken Anderson and Homer Brighton The timeless fairy tale meets the magic of Disney in this adaptation of the treasured animated film. Poor Cinderella is endlessly mistreated by her wicked stepmother and stepsisters, and denied a chance to go to the Royal Ball. With a little help from her mice friends, and a lot of help from her Fairy Godmother, Cinderella goes to the ball, meets the Prince, and falls in love! With a beautiful score including A Dream Is a Wish Your Heart Makes and the classic Bibbidi-Bobbidi-Boo, this musical will charm its way into your heart, and remind you that dreams really can come true. The Tale Of Cinderella, A Dream Is A Wish Your Heart Makes, The Work Song, Bibbidi-Bobbidi-Boo 12 principals, plus ensemble The Chorus of Mice can be expanded infinitely a great opportunity to involve primary age children. Although there are four narrators indicated in the script, you can cast many more dividing up the scenes and lines as required by the size of your cast. The music demands of this show are very light, with solos for Cinderella, Fairy Godmother, and a few lead mice. Most numbers are ensemble, with very simple unison singing. Simple instructions for transforming the pumpkin into a magical carriage are included on the Choreographic DVD included in the ShowKit. Cinderella KIDS has many great featured speaking roles, with minimal solo singing. A perfect show for large ensembles, most roles can be played by boys or girls, and do not require strong vocal skills. Talk to your local adoption or foster care agency and invite the staff members to talk to your cast about the troubles the children can face. Invite all the families they work with to come see your production. Mathematics Time, Measurements Transportation Horse vs. Car Social s Living with Non-traditional Families Rulers of Countries (Kings vs. Presidents) Compare and contrast Cinderella stories from other countries Is it important to get along with your brothers and sisters? How do you keep on believing in your dream? NORTH SHORE MUSIC THEATRE, BEVERLY, MA 8

9 PERFECT FOR LARGE ENSEMBLES, STRONG FEATURED ROLES, GOOD COMEDIANS, ALL AGES Music and Lyrics by Richard M. Sherman, Robert B. Sherman and Terry Gilkyson Book Adapted and Additional Lyrics by Marcy Heisler Music Adapted and Arranged by Bryan Louiselle Based on the Screenplay by Larry Clemmons Based on the Novel The Jungle Book by Rudyard Kipling The jungle is jumpin with jazz in this exciting Disney classic! Join Mowgli, Baloo, King Louie and the gang as they swing their way through madcap adventures and thwart the ferocious tiger, Shere Khan. Specially adapted for the stage from the beloved film, this musical includes all your favorite Disney tunes, like The Bare Necessities, and I Wan na Be Like You. With colorful characters and toe-tapping rhythm, Disney s The Jungle Book KIDS is sure to be a crowd-pleaser for audiences of all ages. Jungle Prologue, Trust In Me, Colonel Hathi s March, The Bare Necessities, I Wan na Be Like You, That s What Friends Are For 8 principals, plus ensemble The Chorus can be expanded to include various animals, trees, plants, rocks, or any other jungle inhabitants you can think of! The Monkey Chorus and Elephant Troops also provide great opportunities for filling the stage. Featured solo parts for Mowgli, Baloo, Bagheera, Kaa, King Louie, and others. Many numbers involve the full chorus in easy unison singing. The Jungle Book KIDS has a large, expandable ensemble and many strong featured roles for good singers, all of which can be performed by boys or girls. Several roles, including Baloo and King Louie, are great for kids with strong comedic skills. Take your cast to a nearby zoo and have them study the animals. Arrange to have a zookeeper talk to your class. A few of the larger ensemble numbers have great dance opportunities. Rudyard Kipling s Stories Locations of Jungles, History of India Jungle Animals, Food Chain, Jungle Habitat Social s The Co-habitation of Different Types of People, Responsibility of Teaching Who do you trust the most and why? How hard is it to make the right decision? GOWANDA MIDDLE SCHOOL, GOWANDA, NY 9

10 PERFECT FOR LARGE ENSEMBLES, STRONG SINGERS, MINIMAL TECHNICAL REQUIREMENTS Music and Lyrics by Pyotr Ilyich Tchaikovsky, George Bruns and Tom Adair, Winston Hibler and Ted Sears, Sammy Fain and Jack Lawrence Music Adapted and Arranged and Additional Music by Bryan Louiselle Book Adapted and Additional Lyrics by Marcy Heisler Based on the 1959 Disney Film Sleeping Beauty and the Story Sleeping Beauty in the Wood by Charles Perrault It s Princess Aurora s sixteenth birthday, and Flora, Fauna and Merryweather must use their fairy magic to save her from the spell of evil sorceress Maleficent! This classic fairy tale told Disney-style has many roles for a large chorus, from King Stefan and Queen Stefanie s Loyal Subjects to Maleficent s slimy Goons. Everyone will want to sing and dance along to the classic Once Upon a Dream and fun new numbers like Goon Conga and Let s Have Some Magic Now. Hail to Princess Aurora, Maleficent!, A Curse on the Princess, Merryweather s Gift, Briar Rose, Find the Girl!, I Wonder, Once Upon a Dream, A Little Magic Now, Goon Conga, The Battle, No Time to Lose, Happy Ending/Finale 7 principals, 6 featured roles, plus ensemble Maleficent can certainly have lots of Goons and Briar Rose needs all the Fairy help she can get. There are solos for Briar Rose, Maleficent, and the Fairies. The majority of the songs in the show are ensemble numbers and the music is slightly more difficult than other shows in MTI KIDS. The production can be staged very simply with a few specific props. Sleeping Beauty KIDS is a great show for a large group of students. Between the Fairies, the Goons, and the Forest Animals there are plenty of roles that should excite all different types of performers. The songs in the show are all based on Tchaikovsky s classic score, which makes the score slightly more difficult than some other shows, but it is still completely accessible for a student audience. Without the forest Briar Rose would have had nowhere to hide from Maleficent. Talk to a local forest ranger about arranging a visit to a local forest. Take a tour and learn about the different kinds of trees that grow well in your area. Then find an area in your community where you can plant new trees. Fairy Tales, Folklore Music Mathematics Birthdays, Ages Forest Ecology Social s Hierarchal Societies, Medieval Times How do your dreams help you get through the day? Is someone ready to be an adult at age 16? PALO JUNIOR ALTO CHILDREN S THEATRE THEATRE, FESTIVAL, PALO 2007 ALTO, CA 10

11 PERFECT FOR LARGE ENSEMBLES, FEATURED ROLES, ALL AGES Music and Lyrics by Robert B. Sherman and Richard M. Sherman and Robert Lopez and Kristen Anderson-Lopez Music Adapted & Arranged and Additional Music & Lyrics by Will Van Dyke Book and Additional Lyrics by Cheryl Davis Based on the stories of A.A. Milne and the 2011 Disney Animated feature film NEW TITLE! DISNEY S WINNIE THE POOH KIDS welcomes audiences to the Hundred Acre Wood, where Winnie the Pooh is once again in search of honey. Along the way, he meets his pals Tigger, Piglet, Rabbit, and Owl, but soon discovers that Christopher Robin has been captured by the Backson! As they prepare for a rescue operation, the animals learn about teamwork, friendship and sharing snacks. Winnie the Pooh, The Tummy Song, The Wonderful Thing About Tiggers, Pooh and Piglet, Honey!, The Backson Song, Halfway Down, Hip Hip Pooh Ray, Everything is Honey. 5 principals, 6 feature roles, plus ensemble The Word Chorus, Animal Chorus and Bees can be expanded to include your desired cast size. Solos for Winnie the Pooh, Tigger, Piglet, Rabbit and Owl. There are short solos for many other features roles. The rest of the music is simple to learn and most of the numbers are mostly sung in unison. Most roles can be played by boys or girls. Designed for unit set, this show is easy to stage. You could visit a local animal shelter or zoo. Study the movements of the animals and their behaviours. It could also be beneficial to have someone come to speak on forest preservation and our care for the environment. Winnie the Pooh KIDS staged easily with very little choreography. Simple step-by-step instructions can be found on the choreographic DVD. A.A. Milne, Winnie-the-Pooh, The House at Pooh Corner Mathematics Sharing Honey-making, animal habits Maps, Forestry, Community How can you best work with different types of people? Who is the most important person to you and why do you value them? CREEKVIEW SCHOOL, MARYSVILLE, OH 11

12 PERFECT FOR LARGE ENSEMBLES, ALL AGES, STRONG FEMALE LEADS Book by Thomas Meehan Music by Charles Strouse Lyrics by Martin Charnin Based on "Little Orphan Annie by Permission of The Tribune Media Services, Inc. NEW TITLE! With equal measures of pluck and positivity, little orphan ANNIE charms everyone s hearts, despite a next-to-nothing start in 1930s New York City. She is determined to find her parents, who abandoned her years ago on the doorstep of a New York City Orphanage run by the cruel, embittered Miss Hannigan. With the help of the other girls in the Orphanage, ANNIE escapes to the wondrous and magical world of NYC. In adventure after fun-filled adventure, ANNIE foils Miss Hannigan s evil machinations and befriends President Franklin Delano Roosevelt. She finds a new home and family in billionaire Oliver Warbucks, his personal secretary Grace Farrell, and a lovable mutt named Sandy. Maybe, It s the Hard-Knock Life, Tomorrow, Little Girls, Easy Street, N.Y.C., I Don;t Need Anything But You, You re Never Fully Dressed 15 principals, plus large featured ensemble You can have unlimited number of Orphans, Servants at Warbucks mansion, or New Yorkers for N.Y.C. Large solos for Annie, Warbucks, Miss Hannigan, Grace, Rooster and Lily, with many other featured solos throughout. There are many full chorus or small group numbers with easy unison most of the time. Annie KIDS has many stand-out feature roles, both singing and non-singing and roles for strong boys and girls. Cast size is flexible and the age range of the parts makes the show ideal for productions involving different grade levels. Arrange to have you students spend time working at a local food kitchen or homeless shelter. Encourage your students to talk to some of the people at the shelter and listen to their stories. The choreographic DVD will assist you in breaking down the production numbers into simple steps. Letter Writing The Great Depression, FDR, The New Deal Radio Broadcast Social s Orphanages, Adoption How important is your pet to you? What would your life be like without your parents? ENRICO FERMI MIDDLE SCHOOL, YONKERS, NY 12

13 PERFECT FOR LARGE ENSEMBLES, STRONG LEADS, SMALL BUDGETS 3 principals, 5 featured roles, plus ensemble Because the show is divided into different animal groups you can fill your stage with as many Snails, Moles, Birds, and Squirrels as you like. There are a large number of solos for Frog and Toad, and a small solo for Turtle. The rest of the music is simple ensemble singing. This production is one of the easiest to stage and the Choreographic DVD in the ShowKit gives you ideas on how to create the sledding hill. Music by Robert Reale Book and Lyrics by Willie Reale Based on the Books by Arnold Lobel Arnold Lobel s well-loved characters hop from the page to the stage in Robert and Willie Reale s musical adaptation. Conceived by Mr. Lobel s daughter, Adrianne Lobel, A Year With Frog And Toad KIDS remains true to the spirit of the original stories as it follows two great friends, the cheerful and popular Frog and the rather grumpy Toad, through four fun-filled seasons. A score that bubbles with melody and wit, its jazzy upbeat sound is a perfect match for the hopping, crawling and flying denizens that inhabit Frog and Toad s world. Adapted from the Broadway production, and destined to become a classic, A Year With Frog And Toad KIDS is inventive, exuberant and totally enchanting. A Year With Frog And Toad, Getta Loada Toad, Cookies, Down The Hill, Merry Almost Christmas You will need two good actors and singers for the roles of Frog and Toad. The majority of the other characters work and sing in larger groups. It is the perfect show to cast different classrooms as each of the different animal groups in the show. Have your cast start a mentor program with younger students in your school. Get copies of the Frog and Toad books from the library and have the students practice reading one or more of the stories out loud. Once they are comfortable with the stories, arrange a time for them to visit the pre-school or youngest students at your school and read the stories to them. Then invite these students to come and see a performance of your show. Adaptations, Letter Writing Animal Behavior, Seasons, Weather Systems Social s Habitats, Family Groups Postal System What does it mean to be a true friend? What are your favorite activities in each of the different seasons? JUNIOR THEATRE FESTIVAL,

14 PERFECT FOR LARGE ENSEMBLES, FEATURED ROLES, STRONG SINGERS Music By Alan Menken Lyrics by Howard Ashman and Tim Rice Book Adapted and Additional Lyrics by Jim Luigs Music Adapted and Arranged by Bryan Louiselle Based on the Screenplay by Ron Clements and John Musker Ted Elliott and Terry Rossio Welcome to Agrabah, City of Enchantment, where every beggar has a story and every camel has a tail! All of your favorite characters are here in this stage adaptation of the Disney hit, including Aladdin, Jasmine, and of course, the Genie. Filled with magic, mayhem, and flying carpet rides, Aladdin JR. will have audiences spirits soaring with excitement. Most of all, the tuneful, Academy Award -winning score with songs including A Whole New World and Friend Like Me will certainly make this musical a favorite for many years to come! Arabian Nights, One Jump Ahead, Why Me?, Friend Like Me, Prince Ali, A Whole New World 10 principals, plus ensemble You can have as many Citizens of Agrabah and Genie s Assistants as your stage will hold! Although there are five Narrators indicated in the script, you can cast many more dividing up the scenes and lines as required by the size of your cast! There are solos for Aladdin, Jasmine, Genie, and Jafar, plus individual solo lines for the Narrators. Many numbers involve the full chorus in easy unison singing or simple two-part harmony. Aladdin JR. has plenty of parts featuring young performers with solo lines throughout the score. Most roles can be played by boys or girls, with the exception of Jasmine, Aladdin, and Jafar, all of whom should be strong singers. Identify a local marketplace that has a variety of different shops. This could be a farmer s market, a mall or a craft fair. Have your students talk to these merchants about the things they do to support their business. Then invite the different merchants to help with the set of the show by donating their time, skills, and maybe even goods for the Agrabah Marketplace. Simple instructions for the magic flying carpet are included on the ShowKit Choreographic DVD. CROSS CURRICULAR THEMES AND IDEAS EXPLORED Arabian Nights, Folklore, Ali Baba and the Forty Thieves Islamic Calendar, Islamic History, Arabian Marketplace Parchment Making, Hourglass and Telling Time Social s Slavery, Poverty, Freedom, Pre-arranged Marriages, Running Away Would having all your wishes come true hurt or help you? How do you deal with your parents forcing you to do something? JUNIOR THEATRE FESTIVAL,

15 PERFECT FOR STRONG ENSEMBLES, STRONG MALE AND FEMALE LEADS, ALL AGES Music and Lyrics by Sammy Fain and Bob Hilliard, Oliver Wallace and Cy Coban, Allie Wrubel and Ray Gilbert, Mack David, Al Hoffman and Jerry Livingston Music Adapted and Arranged and Additional Music and Lyrics by Bryan Louiselle Book Adapted and Additional Lyrics by David Simpatico Based on the 1951 Disney Film Alice in Wonderland and the Novels The Adventures of Alice in Wonderland and Through the Looking Glass by Lewis Carroll Join Alice s madcap adventures in Wonderland as she chases the White Rabbit, races the Dodo Bird, gets tied up with the Tweedles, raps with a bubble-blowing Caterpillar, and beats the Queen of Hearts at her own game! Roles are plentiful, including three Cheshire Cats and dozens of other wonderfully wacky characters. This fast-paced stage adaptation of Alice in Wonderland features updated dialogue and new arrangements of such classic Disney songs as I m Late, The Un-birthday Song and Zip-A-Dee-Doo-Dah. Dodgsonland, The White Rabbit, I m Late!, Very Good Advice, The Caucous Race, How D ye Do and Shake Hands, The Golden Afternoon, Zip-A-Dee-Doo-Dah, The Unbirthday Song, Painting the Roses Red, Simon Says, Whooooo Are Youuuuu? 10 principals, 9 featured roles, plus ensemble There are lots of Wonderland characters you can add throughout the musical including Flowers, Sea Creatures, Royal Cardsmen, etc. You can also have any number of children in the opening and closing scene in the park. There are quite a few solo numbers and solo lines in this score which makes it one of the more challenging MTI JR. shows. However, this show is a great showcase if you have students of all different musical skill levels. This show allows for a great variety of staging in the crazy Wonderland world. Ideas for the how to stage Alice falling through the Rabbit Hole are found in your Director s Guide. Alice in Wonderland JR. is the perfect show if you have large number of talented singers and actors. Because of the episodic nature of the show every character will have their chance to be the focus of the story. The majority of the show takes place in Wonderland, which will allow you to be as creative as you can with the scenery, costumes and characters. Talk to your local parks department about working with them for a weekend. Your cast can help with park and playground clean up or even possibly plant your own flower garden. If you get to plant your own garden, use the flowers and characters from the story for inspiration for your planting and layout choices. Lewis Carroll, Adaptations, Storytelling, Imagination Mathematics Division, Multiplication Earth Layers Trials, Courtrooms How can you learn about yourself just by meeting other people? What kind of world would you imagine if you had to pick a dream place to visit? JUNIOR THEATRE FESTIVAL,

16 PERFECT FOR LARGE ENSEMBLES, STRONG LEADS, SMALL BUDGETS 11 principals, 9 featured roles, plus ensemble The featured roles of the Narrators and the Silly Girls can be expanded to include as many performers as possible. In addition, the show includes two ensembles comprised of townspeople and servants in the castle. Music by Alan Menken Lyrics by Howard Ashman and Tim Rice Book by Linda Woolverton Belle yearns to escape her provincial life...and her brute of a suitor, Gaston. But when she finds her father in danger, she sacrifices her freedom to save him and becomes a captive in the Beast s enchanted castle. Dancing flatware, menacing wolves, and singing furniture fill the stage with thrills in this beloved fairy tale about very different people finding strength in one another and learning how to love. Beauty And The Beast ran on Broadway for 13 years and has played in more than 20 countries, making it an international sensation! Belle, Belle (Reprise), Home, Gaston, Gaston (Reprise), Be Our Guest, Something There, Human Again, Beauty and the Beast, The Mob Song, Home (Reprise), Finale The show includes quite a bit of music, with several solos for Belle and solo songs for Gaston, Lumiere and Mrs. Potts. A few of the ensemble songs include challenging harmony and provide an opportunity to showcase a musically talented cast. While the castle and the magic of the Beast s transformation are some of the highlights of this production, many of the effects can be achieved with very simple theatrical conventions. Tricks and tips are outlined in the Director s Guide. The ensemble numbers do not require any complex choreography but there are many opportunities to showcase the strong dancers in your cast. Beauty And The Beast JR. has dozens of stand-out featured roles and several strong leading roles for both boys and girls. Due to its fairy tale setting, there is a wonderful opportunity for creative production elements. Follow Belle s love for books and hold a book drive for your community s local library. Perhaps invite a librarian to discuss his or her career and how this particular story evolved over time. Fairy Tales, Symbolism Inventions Social s Tales and Timelines of Technology Why are we scared of what we don t know? How do our first impressions and perceptions change as we get to know someone better? SWELL PRODUCTIONS, SA

17 PERFECT FOR LARGE ENSEMBLES, STRONG LEADS, SMALL BUDGETS 12 principals, 5 featured roles, plus ensemble There can be as many Wildcats and East High Students as desired. Some of the melodies sit high in the vocal range, particularly for the male roles. All songs are in a pop/rock idiom, but most numbers involve the full ensemble in easy unison or simple two part harmony. Book by David Simpatico Based on a Disney Channel Original Movie written by Peter Barsocchini Songs by Matthew Gerrard & Robbie Nevil, Ray Cham, Greg Cham & Andrew Seeley, Randy Petersen & Kevin Quinn, Andy Dodd & Adam Watts, Bryan Louiselle, David N. Lawrence & Faye Greenberg, Jamie Houston Music Adapted, Arranged, and Produced by Bryan Louiselle Disney Channel s smash hit musical comes to life on your stage! Wildcat basketball star Troy Bolton and brainiac Gabriella Montez raise eyebrows among thier friends when they decide to audition for the high school musical. Cliques clash and friendships are tested in this modern retelling of Romeo and Juliet. The students of East High must decide whether to stick to the status quo or break free to find out what s truly important. Wildcat Cheer, Start of Something New, Get cha Head in the Game, What I ve Been Looking For, Stick to the Status Quo, Counting On You, We re All in This Together, Bop to the Top, Breaking Free, High School Musical Megamix (Bows) The ShowKit Choreographic DVD provides step-by-step movements for some of the ensemble members. This show brings the iconic characters of Troy Bolton and Gabriella Montez to the stage and might attract many students to the theatre for the first time. It can easily be expanded to accommodate students in many grade levels. Since the show takes place in a modern day school, the sets and costumes are easy to come by. Due to the popularity of the Disney Channel movie, there might be great opportunities to perform for younger audiences in the community. Also, research your community s legacy and be sure to include prominent members in Counting on You. Romeo & Juliet/West Side Story Source Material Similarities of Muscle Movement and Physics found in Basketball and Theatre Social s Legends of Our Time Write a newspaper editorial explaining why cliques should or should not exist. JUNIOR THEATRE FESTIVAL,

18 PERFECT FOR LARGE ENSEMBLES, STRONG LEADS, SMALL BUDGETS 11 principals, 3 featured roles, plus ensemble The Sharpettes and Pool Boys can include as many performers as you like in addition to the ensemble of Wildcats. Book by David Simpatico Based on a Disney Channel Original Movie written by Peter Barsocchini Songs by Matthew Gerrard & Robbie Nevil, David N. Lawrence & Faye Greenberg, Randy Petersen & Kevin Quinn, Jamie Houston, Andy Dodd & Adam Watts Music Adapted, Arranged, and Orchestrated by Bryan Louiselle The gang s all here for an action-packed summer extravaganza as Troy, Gabriella and the rest of the Wildcats finish junior year and blast onto the summer scene. At the Lava Springs Country Club, Sharpay reigns supreme while the Wildcats get to work - literally! Featuring every ounce of the light-hearted fun that makes High School Musical a household name, this buoyant sequel takes on the questions of real kids facing the realities of the adult world. Friendships are tested, summer romances go haywire, and the meaning of success is redefined. Growing with the characters, the show doesn t miss one fabulous beat as the kids from East High get a taste of what it means to grow up. Rockin songs, action-packed dance numbers, and ample opportunities to highlight a strong ensemble make this an ideal show for young actors. Jump into the pool with the Wildcats as you swim along with this crowd-pleasing, fun-filled charmer. What Time Is It, Fabulous, What Is It, Work This Out, You Are the Music in Me, Fabulous, Humuhumunukunukuapua a, You Are the Music in Me (Rock Version), I Don t Dance, Gotta Go My Own Way, Every Day, All For One (Finale), High School Musical 2 Megamix (Bows) While the music itself is not very challenging, there are several ensemble numbers to learn and rehearse. Some of the vocal lines are high in the vocal range, particularly for the male roles. Production numbers can be staged very simply with minimal technical requirements. High School Musical 2 JR. can be performed as a follow-up to High School Musical JR. or as an introduction to everyone s favorite Wildcats. It can easily be expanded to accommodate students in many grade levels. There are great opportunities to showcase the various talents of your cast. Have your cast talk to a lifeguard about what their job entails. Talk to local high school students about their summer jobs and what the commitment requires. Write a Skit that Could Be Used in a Variety Talent Show Mathematics Economics of Running a Country Club Seasonal Climate Changes in the Southwest United States vs. Other Geographical Locations Social s Polynesian Islands Write a cover letter applying for a summer job. JUNIOR THEATRE FESTIVAL,

19 PERFECT FOR LARGE ENSEMBLES, STRONG MALE AND FEMALE LEADS, GOOD SINGERS Music and Lyrics by Matthew Wilder and David Zippel, Stephen Schwartz, Jeanine Tesori and Alexa Junge Music Adapted and Arranged and Additional Music and Lyrics by Bryan Louiselle Book Adapted and Additional Lyrics by Patricia Cotter Based on the 1998 Disney Film Mulan and the Story Fa Mulan by Robert D. San Souci Travel back to the legendary, story-telling days of ancient China with this action-packed stage adaptation of Disney s Mulan. The Huns have invaded, and it is up to the misfit Mulan and her mischievous sidekick Mushu to save the Emperor! Mulan JR. is a heartwarming celebration of culture, honor and a fighting spirit. The score includes favorites like Reflection, Honor to Us All and I ll Make a Man Out of You as well as new songs that will get your audience up on its feet! Written in Stone, Honor to Us All, Reflection, Keep Em Guessin, I ll Make a Man, A Girl Worth Fighting For, Finale 11 principals, 10 featured roles, plus ensemble Mulan JR. allows for a large ensemble of Soldiers, Brides-To-Be and Family Members. The show is also written to use a large ensemble of actors supporting the show as a chorus. With many solos and solo lines for Mulan, the 5 Ancestors, Shang, Mushu, the three soldiers and ensemble singing with harmonies, this show is musically one of the more challenging of the MTI JR. titles. There are a number of solo line opportunities if you have a large and talented cast. The ShowKit Choreographic DVD will give you lots of ideas on how to stage the large group numbers, and includes a demonstration of the rope trick performed during, I ll Make a Man Out of You. Mulan JR. has a large number of both female and male principal characters who all need to be able to sing solo lines. Because the musical centers on a woman pretending to be a man, there are 6 or 7 major roles that definitely need be played by boys. There are also a good number of small, featured roles in the show to showcase your ensemble members. Try to find a member of your local community or in a community nearby who can come in to talk to your cast about traditional Chinese customs and heritage. If possible have them read a version of the original Mulan poem to your cast in the Chinese language. Finally, work with a local restaurant to plan a dinner where you give the students the opportunity to sample traditional Chinese food. Folktales, Legends, Chinese Language Natural Disasters, Weather Maps Social s Family Values and Traditions Chinese History, Chinese Culture, Maps How can you honor the past while acknowledging the future? How do you believe in yourself when no one else does? JUNIOR THEATRE FESTIVAL,

20 PERFECT FOR LARGE ENSEMBLES, STRONG MALE & FEMALE LEADS, ALL AGES Music and Lyrics By Stephen Schwartz Book By David Stern NEW TITLE! Pinocchio must prove himself brave, truthful and unselfish, but what about the toymaker? Raising a perfect child might not be as easy as it looks. The Blue Fairy and her Fairies in Training lead Geppetto on a hilarious journey through this fractured fairytale in order to discover what it means to be A real father. Oscar and GRAMMY Award - winner Stephen Schwartz adds a brand new score to the classic Disney hits, When You Wish Upon a Star and I ve Got No Strings. MY SON PINOCCHIO JR. is the perfect show for a dynamic cast of middle school performers. When You Wish Upon A Star, Toys, Empty Heart, Geppetto and Son, Rise and Shine, I ve Got No Strings, Bravo Stromboli, Just Because It s Magic, Satisfaction Guaranteed, Pleasure Island, Since I Gave MY Heart Away. 7 principals, 12 featured roles, plus ensemble There can be many children in your toy store and many delinquents on Pleasure Island. The Blue fairy needs lots of Fairies in Training, and Geppetto can also encounter many animals on his journey. There are solo songs for Geppetto, Stromboli, Pinocchio & Blue Fairy and many featured lines for other characters. There is 2 and 3 -part harmony in sections which is simple and usually sustained chords. Disney s My Son Pinocchio JR is the perfect show for a large cast including large numbers of young children. There are many featured parts for strong singers and some speaking roles also. A visit to a local toy maker or factory could prove interesting to your performers and give them some background to the period of this story. As this story focuses on the wishes we all have, perhaps a performance could be opened up to a charity community group (i.e. Make-a-Wish Foundation). There are no big choreographic numbers in this show, so it is perfect for beginning dancers. Storytelling, Italian culture Animal Behaviour Visual Arts Living with Non-traditional Families Peer pressure & acceptance The consequences of deceit How can you learn about yourself by meeting other people? When was there a time you had to stop and let your conscience be your guide? JUNIOR THEATRE FESTIVAL,

21 PERFECT FOR LARGE ENSEMBLES, ALL AGES, STRONG FEMALE LEADS Book by Thomas Meehan Music by Charles Strouse Lyrics by Martin Charnin Based on "Little Orphan Annie by Permission of The Tribune Media Services, Inc. Based on the legendary Broadway musical, Annie JR. tells of a spunky Depression-era orphan determined to find her parents, who abandoned her years ago on the doorstep of a New York City Orphanage run by the cruel Miss Hannigan. In adventure after fun-filled adventure, Annie foils Miss Hannigan s evil machinations, befriends President Franklin Roosevelt and finds a new family in billionaire Oliver Warbucks, his personal secretary Grace Farrell and a lovable mutt named Sandy. Maybe, Hard-Knock Life, Tomorrow, Little Girls, I Think I m Gonna Like It Here, N.Y.C., Easy Street, You Won t Be An Orphan For Long, You re Never Fully Dressed Without A Smile, I Don t Need Anything But You 15 principals, plus large featured ensemble You can have unlimited numbers of Orphans, Servants at Warbucks mansion, or New Yorkers for NYC. There are large solos for Annie, Warbucks, Miss Hannigan, Grace Farrell, Rooster, Lily, with many other featured solos throughout the score. There are many full chorus or small group numbers with easy unison singing or simple harmony. Annie JR. has dozens of stand-out featured roles, both singing and non-singing, and several strong leading roles for boys and girls. Cast size is flexible, and the age range of the parts makes the show ideal for productions involving different grade levels, or for middle schools where students may be maturing at different rates. Arrange to have your students spend time working at a local food kitchen or homeless shelter. Encourage your students to talk to some of the people at the shelter and listen to their stories. Several production numbers requiring dance are broken down into simple steps on the ShowKit Choreographic DVD. Letter Writing The Great Depression, FDR, The New Deal Radio Broadcast Social s Orphanages, Adoption How important is your pet to you? What would your life be like without your parents? JUNIOR THEATRE FESTIVAL,

22 PERFECT FOR STRONG ENSEMBLES (ANY SIZE), SMALL BUDGETS, LIMITED TECHNICAL REQUIREMENTS 7 principals, plus ensemble The majority of the show takes place in Louie s old neighborhood with his gang of friends. You can make this gang of friends quite large to give more students a performance opportunity. There are large solo numbers for Louie and featured solos for select members of his gang. This is a good show for both beginning music students and students just learning harmony. Based on The Trip by Ezra Jack Keats Book by Anthony Stein Music and Lyrics by Stephen Schwartz NOW AVAILABLE! Based on the popular picture book, The Trip by Ezra Jack Keats, and featuring a score from the composer of Wicked, Captain Louie JR. tells the story of the magical trip Louie makes in his Red Plane and the lessons he learns. Young Louie feels lonely in his new neighborhood. Looking for something to cheer himself up on Halloween Night, Louie returns to his old neighborhood in an imaginary journey on the wings of his favorite toy, his little red plane. The book by Anthony Stein is full of tricks and treats, and features the incomparable music and lyrics of Stephen Schwartz. Most of all, Captain Louie JR. is about friendship the ability to make new friends and the importance of old ones. New Kid In The Neighborhood, Big Red Plane, A Welcome For Louie, Shadows, Trick Or Treat, Looza On The Block, Spiffin Up Ziggy s, Captain Louie, Home Again The choreography demands of this show are light, but there are a few numbers that allow for creative staging (i.e., flying a plane, decorating a house.) Captain Louie JR. has a great score which students love to sing. It also has a large number of small featured roles so many of your students will have their moment to shine in the show. The kids in the show help Julio decorate his house and get it ready for Halloween. Take this idea a step farther and have your cast plant flowers and trees throughout their neighborhood as a beautification project. Ezra Jack Keats, Adaptations Flying Visual Arts Shadows, Dioramas Holidays, Cultural Differences How do you make friends when you go somewhere new? What would you miss most if you had to move to a new city? JUNIOR THEATRE FESTIVAL,

23 PERFECT FOR FEMALE PERFORMERS, LARGE OR SMALL ENSEMBLES, SMALL BUDGETS Music by Zina Goldrich Book and Lyrics by Marcy Heisler At last, a musical that features a cast of nearly all girls! Follow the adventures of advice-giver extraordinaire, Edwina Spoonapple, as she directs the kids in the neighborhood in production number after hilarious production number in her Advice-A-Palooza extravaganza. Written in the style of Schoolhouse Rock Live! and You re A Good Man, Charlie Brown, Dear Edwina JR. is the perfect girl power musical for a new generation. Paw-Paw Michigan, Up On The Fridge, Dear Edwina, Here Comes A Letter, Aphrodite, Say No Thank You, Another Letter, Abigail, Frankenguest, Carrie, Fork Knife Spoon, Time For Intermission, Here Come More Letters, Periwinkle, Hola Lola, Ziggy, Put It In The Piggy, Thanks For Coming, Edwina, Sing Your Own Song 8 principal roles, plus ensemble There are endless featured parts that are sometimes doubled/tripled by small groups of performers assign these lines to individual performers to expand your cast! There are many featured solos, and lots of simple ensemble singing this show is good for showcasing kids of all musical skill levels. Dear Edwina JR. provides a rare opportunity to feature many strong female performers. While there are still roles for boys, this show is the solution for groups that can never find enough boys to be in their musicals. The heavily doubled roles can provide limitless featured spots for many performers, or dynamite tour-de-force performances for a few talented individuals. Start a pen pal system with another school in your area. Plan a way for these new pen pals to come and see your production. The musical numbers can be staged simply, making this a perfect show to have kids help choreograph. Letter Writing, Newspaper Columns Greetings from Other Cultures, Foods from Other Cultures Mathematics Currency, Spending Social s Table Manners, Making New Friends How do you deal with an annoying brother or sister? Who do you ask for help? NORTH SHORE MUSIC THEATRE, BEVERLY, MA 23

24 PERFECT FOR LARGE ENSEMBLES, STRONG FEATURED ROLES WITH VARIED SKILLS Conceived and Developed by David De Silva Book by José Fernandez Lyrics by Jacques Levy Music by Steve Margoshes Title song Fame written by Dean Pitchford & Michael Gore 14 principals (incl. 3 actors, 4 dancers, 3 musicians, 4 teachers), plus featured ensemble The ensemble can be expanded to any size. Divide the featured solo parts according to the demands of your cast size. NEW TITLE! From the hit motion pictures, television series, and international stage success, FAME is nothing short of a global phenomenon. Set during the last years of New York City s celebrated High School for the Performing Arts on 46th Street ( ), FAME JR. is the bittersweet but ultimately inspiring story of a diverse group of students as they commit to four years of gruelling artistic and academic work. With candour, humour and insight, the show explores the issues that confront many young people today. With its topical subject manner, multi-ethnic cast of actors, singers, dancers and instrumentalists and high-energy, contemporary pop score, FAME JR. is an ideal musical for young performers. Hard Work, I Want to Make Magic, Sophomore Year, Let s Play A Love Scene, Bring On Tomorrow, The Teacher s Argument, Junior Year, The Junior Festival, Mabel s Prayer, Senior Year There are a number of solo for Nick, Carmen, Serena, Shlomo, Ms Bell, Miss Sherman and Mabel. The score has a contemporary feel which should allow your kids to explore their inner pop star. The choreography varies depending on the dance class or scene. The ShowKit Choreographic DVD will assist you with more difficult sequences. Fame JR is perfect for a strong singing and dancing ensemble with many featured solos. Display the talents of your musicians, actors, singers and dancers of various styles. Invite a performing artist to come to your school and speak about their time in school and what challenges and inspirations they found in their colleagues and teachers. Literacy, History of the Arts, Ballet/Dance, Opera, Musicals, Orchestral/Band music New York City Geography Social s Peer Pressure, Influences Cultural Differences Music Instruments of the Orchestra, Styles of Music How can you ensure that your performing aspirations do not affect your performance in your school work? What are some of the important lessons you learn in school? JUNIOR THEATRE FESTIVAL,

25 PERFECT FOR LARGE ENSEMBLES, STRONG MALE AND FEMALE LEADS, STRONG SINGERS AND DANCERS 14 principal roles, plus ensemble Put the entire village of Anatevka on your stage have as many Villagers and Russian Soldiers as your theatre will allow! Based on Sholem Aleichem Stories by Special Permission of Arnold Perl Book by Joseph Stein Lyrics by Sheldon Harnick Music by Jerry Bock In the little village of Anatevka, Tevye, a poor dairyman, tries to instill in his five daughters the traditions of his tight-knit Jewish community in the face of changing social mores and the growing anti-semitism of Czarist Russia. Its legendary charm, humor, warmth, honesty and universal themes cut across barriers of race, class, nationality and religion, touching audiences throughout the world. An epic piece of theatre, Fiddler On The Roof JR. covers the full range of human emotions, presenting young performers with a unique acting challenge especially the mature young man starring as Tevye, among the most memorable and rewarding roles in musical theatre. Tradition, Matchmaker, If I Were A Rich Man, Sabbath Prayer, To Life, Sunrise Sunset, Do You Love Me?, Far From The Home I Love, Anatevka With many featured solos and large amounts of ensemble singing, this score requires slightly stronger singers than other MTI JR. titles. Numbers involving the entire company are usually in unison or two-part harmony. Strong dancers are required for some featured choreography, and the ensemble should be able to move fairly well. The ShowKit Choreographic DVD provides step-by-step instructions for choreographing the larger numbers. Fiddler On The Roof JR. has some of the most memorable and rewarding roles in musical theatre, providing kids with an opportunity to explore emotionally complex characters and highly dramatic situations. With a lot of singing and dancing, this show is a little more challenging than other titles. Have your students research when your community was founded and the heritage of the individuals who founded it. Arrange a meeting with your cast and the older members of your local community center to learn about their history. Sholem Aleichem Stories Russian History, Czars vs. Presidents Social s Jewish History, Matchmakers, Faiths of the World Mathematics Product Selling, Supply and Demand What are the pros and cons of arranged marriages? How do people of different faiths learn to respect each other? KETTERING MIDDLE SCHOOL, KETTERING, OH 26 25

26 PERFECT FOR STRONG MALE & FEMALE LEADS, LIMITED TECHNICAL REQUIREMENTS Music by Burton Lane Lyrics by Yip Harburg Book by Fred Saidy and Yip Harburg Adaptation by Deena R. Harburg NEW TITLE! Finian McLonergan, who has emigrated from Ireland to the town of Rainbow Valley in the mythical state of Missitucky with his daughter Sharon, is intent on burying a stolen pot of gold in the shadows of Fort Knox, in the belief it will grow and multiply. Hot on their heels is Og, a leprechaun intent on recovering his treasure, before the loss of it turns him permanently human. Complicating matters are a corrupt senator but in the end, Sharon marries the handsome, young Woody Mahoney; and Woody s mute sister, Susan, acquires the power of speech and falls in love with Og, who decides that being human is not so bad after all. This Time of Year, How Are Things in Glocca Morra, Look to the Rainbow, Old Devil Moon, Necessity, Something Sort of Grandish, If This Isn t Love, That Great Come-And-Get-It Day, Dance of the Golden Crock, When the Idle Poor Become the Idle Rich, Fiddle-Faddle, The Begat, When I m Not Near the Girl I Love, 9 principals, 14 feature roles plus ensemble Feel free to add extra Sharecroppers, Gospeleers and Workers to give more students the opportunity to be involved. There are large solos for Sharon, Woody, Og, Lucy, Howard. There are many full chorus or small group numbers with easy unison singing or simple harmony. Several production numbers requiring dance are broken down into simple steps on the ShowKit Choreographic DVD. Finian s Rainbow JR is chock full of fun featured roles for performers of all shapes, sizes, genders and singing and dancing abilities. Invite someone from the Immigration Department to your school to speak of the many backgrounds of those who have migrated to this country. They can also discuss what people need to do in order to migrate. In return you may like to organise a performance staged especially for a local migrant group. Irish folklore and mythology Rainbows Social Civil Rights, The haves and have-nots, Melting Pot When have you ever felt judged because of whom you are or the way you look? How to people learn to respect each other and live harmoniously in a societal melting pot? JUNIOR THEATRE FESTIVAL,

27 PERFECT FOR LARGE ENSEMBLES, STRONG MALE AND FEMALE LEADS, MANY FEATURED ROLES Book by Abe Burrows and Jo Swerling Music and Lyrics by Frank Loesser Based on a Story and Characters by Damon Runyon Set in Damon Runyon s mythical New York City, and considered one of the best musicals of all time, this Broadway classic introduces us to colorful characters who have become legends in the canon: Sarah Brown, the up right but uptight mission doll, out to reform the evildoers of Times Square; Sky Masterson, the slick, high-rolling gambler who woos her on a bet and ends up falling in love; Adelaide, the nightclub performer whose chronic cold is brought on by the fact she s been engaged to the same man for 14 years; and Nathan Detroit, her devoted fiancé, desperate to find a spot for his infamous floating dice game. Fugue For Tinhorns, Follow The Fold, The Oldest Established, I ll Know, A Bushel And A Peck, Adelaide s Lament, Guys And Dolls, If I Were A Bell, I ve Never Been In Love Before, Luck Be A Lady, Sit Down You re Rockin The Boat, Marry The Man Today 12 principals, plus featured ensemble Add more players to the Mission Band, or double the number of Hot Box Girls. If you still need to expand more, simply add more guys and dolls! There are solos for Adelaide, Sarah, Sky, Nathan, Nicely, Benny, and Rusty Charlie all requiring fairly strong singers. The full ensemble and small groups numbers will occasionally engage your students in three-part harmony or counterpoint singing. Guys And Dolls JR. is considered by many to be the perfect musical comedy, because it has a great score, fun, fast-paced book, and some of the most memorable characters ever seen on a stage. With enough featured roles to accommodate a large cast and highlight kids of all talent levels, this show is an ideal introduction to the American musical. Gather clothing and other items to donate to the Salvation Army. When your cast members deliver the items, see if it is possible to talk to someone at the site about the history of the Salvation Army. The ShowKit Choreographic DVD provides step-by-step instructions for choreographing the ensemble numbers s Slang, Literature Referencing Mathematics Statistics, Probability New York City Geography, Cuban Culture Catching a Cold, Psychosomatic Symptoms How is gambling helping or hurting society? How can people change when different people surround them? GOWANDA MIDDLE SCHOOL, GOWANDA, NY 27

28 PERFECT FOR LARGE ENSEMBLES (ALL AGES), STRONG MALE AND FEMALE LEADS Music by George Stiles Book and Lyrics by Anthony Drewe Produce the show that beat The Lion King out of the Olivier Award (the British equivalent to the Tony Award )! Honk! JR. is a contemporary retelling of Hans Christian Andersen s classic story, The Ugly Duckling, and features a strong melodic score that kids everywhere will enjoy. Honk! JR. can be performed with simple sets and costumes no feathers or fur necessary making it the perfect musical! A Poultry Tale, The Joy Of Motherhood, Hold Your Head Up High, Look At Him, Different, Play With Your Food, Every Tear A Mother Cries, The Wild Goose Chase, Warts And All, The Blizzard, The Transformation 8 principals roles, plus featured ensemble Fill the entire farm with all the poultry you can find ducks, geese, turkeys, or any other bird that seems appropriate! For the Warts and All number, fill the stage with frogs a great opportunity to involve younger children. There are solos for Ugly, Ida, Drake, The Cat, The Bullfrog, and many other featured characters, and several full ensemble numbers utilizing easy unison singing or simple two-part harmony. Numbers can be staged very simply, with minimal technical requirements. Honk! JR. has many great featured roles for boys and girls, and a strong ensemble. Cast size is flexible, and the age range of the parts makes the show ideal for productions involving different grade levels. Bring your cast down to the police station and have all of the students get fingerprinted and registered to protect themselves in case they are ever lost or missing. Next, have them organize a community wide sign-up for all of the children. Fairy Tales, The Ugly Duckling Animals, Food Chain, Ecosystems Mathematics Compass Skills, Map Reading Social s Tolerance, Prejudice How do you learn to be comfortable with who you are? What are some ways to solve problems rather than running away from them? HOLY TRINITY HIGH SCHOOL, HICKSVILLE, NY 28

29 PERFECT FOR STRONG SINGERS, SMALL CAST SIZE, STRONG MALE AND FEMALE LEADS 16 principals, 4 featured roles There is no chorus/ensemble in Into The Woods JR. If you want to involve more cast members, consider double casting some of the roles (two actors learn one role, performing at alternate performances). The score is more difficult than other MTI JR. titles, requiring nearly all roles to tackle featured solos at some point. Most ensemble numbers are written in unison or simple twopart harmony. Music and Lyrics by Stephen Sondheim Book by James Lapine Choreography and technical requirements are minimal. The Choreography DVD included in your ShowKit provides step-by-step instructions for choreographing the ensemble numbers. The Brothers Grimm go Broadway as Sondheim and Lapine offer up a cockeyed fairy tale where all of your favorite characters Cinderella, Little Red Riding Hood, Jack (and his beanstalk) and The Witch meet and interact on their journeys. With unforgettable roles, little dancing and no chorus, Into The Woods JR. showcases a medium-sized ensemble of talented singers and actors. The sophisticated score has been adapted to make it easier though still challenging for young performers. Into The Woods JR. is a fun and engaging way to get young people to think about the stories with which they ve grown up and the ethical issues raised therein. Opening Sequence, Hello Little Girl, I Guess This Is Goodbye/ Maybe They re Magic, Rapunzel, I Know Things Now, A Very Nice Prince, Giants In The Sky, Agony, It Takes Two, Stay With Me, On The Steps Of The Palace, Finale Into The Woods JR. is a good show for strong featured performers, providing kids an opportunity to explore emotionally complex characters and highly dramatic situations. With a lot of solo singing, this show could be more challenging than other titles, and might be better for older children. Bring your students to a national park and have them explore the woods. Have one of the park rangers talk to them about what kind of animals specifically live in that forest and the dangers of being in the woods alone. Next, work with the park rangers to bring branches and other natural items from the woods back into your school to use as scenery. Fairy Tales, Folklore, Jack & The Beanstalk, Cinderella, Little Red Riding Hood Animal Habitats, Forestry Mathematics Value vs. Cost, Supply vs. Demand Social s Ethics, Responsibility How do you go about trying to achieve your wishes? How do you stay safe while exploring new things? SWELL PRODUCTIONS, SA

30 PERFECT FOR LARGE ENSEMBLES, FEATURED ROLES, STRONG MALE AND FEMALE LEADS, ALL AGES 12 principal roles, plus large ensemble Fill the stage with the entire population of River City great for using a wide age range of children. And if you still need to add more, don t forget the band! There are large solos for Harold and Marian, with many other featured solos throughout the score. Ensemble numbers feature unison singing or simple two or three-part harmony. Four strong singers will be required for the Barbershop Quartet (simplified for young voices). Book, Music and Lyrics by Meredith Willson Based on a Story by Meredith Willson and Frank Lacey Strong dancers are required for some featured choreography, and the ensemble should be able to move fairly well. The Choreography DVD included in your ShowKit provides step-by-step instructions for choreographing the larger numbers. The Music Man is an American musical classic, following fasttalking traveling salesman Harold Hill and his visit to River City, Iowa where he meets and falls in love with the willful spinster librarian, Marian Paroo. With his fast-talking style, Professor Hill convinces the town to form a marching band and adopt his revolutionary music program, The Think System, or face the moral decline of the youngsters of River City. Chaos ensues as Hill s credentials are questioned and he is forced to prove himself to the citizens of River City. The Music Man JR. is the perfect musical for young people. Rock Island, Iowa Stubborn, Ya Got Trouble, Piano Lesson/ If You Don t Mind, Goodnight My Someone, Seventy-Six Trombones, Sincere, Pick-A-Little Talk-A-Little, Wells Fargo Wagon, Shipoopi, Gary Indiana, Til There Was You The Music Man JR. features star turns for a young male and female performer, but is also rich with great roles for performers of every level. In fact, the show features over twenty-four speaking roles, meaning lots of featured parts for young performers. The score also provides opportunities to showcase students with strong vocal or dance abilities. Have your students visit a retirement community and talk to some of the residents about attending community social events in their past. Discuss similarities between scenes from the show and the real life experiences of these new people they have just met. Censorships, Learning Concepts, Research Techniques Mathematics Rhythm, Tempo Wells Fargo Wagon Social s Non-traditional Families, Ethics How do you learn to trust people? Would getting presents be as exciting if you got a new one every day? ST. MARTIN SCHOOL, LONDON, ONTARIO 30

31 PERFECT FOR LARGE ENSEMBLES, SMALL BUDGETS, MINIMAL TECHNICAL REQUIREMENTS 11 principal roles, plus featured ensemble Make the Choir of Storytellers as big or small as you d like. There are solos for most principal roles, including Ti Moune, Erzulie, Papa Ge, and Daniel. Many numbers involving the ensemble are written in unison, or simple harmony. Book and Lyrics by Lynn Ahrens Music by Stephen Flaherty Based on the Novel My Love, My Love by Rosa Guy This is the story of Ti Moune, an island peasant girl who rescues and falls in love with Daniel, a young man from a wealthy family. When Daniel is returned to his people, the Gods who rule the island guide Ti Moune on a quest to test the strength of her love against the powerful forces of prejudice, hatred and death. With its touching story and catchy pop and Caribbean-flavored score by the creators of Seussical and the Broadway smash Ragtime, Once On This Island JR. is a multi-cultural feast for the heart, mind, and soul. Prologue/We Dance, One Small Girl, Waiting For Life, And The Gods Heard Her Prayer, Rain, Discovering Daniel, Pray, Forever Yours, Ti Moune, Mama Will Provide, The Human Heart, The Ball, Ti Moune s Dance, Andrea Sequence, Promises, Wedding Sequence, A Part Of Us, Why We Tell The Story With virtually no set and little technical requirements, the ensemble functions very prominently in the action. Creative dance or movementdriven staging is also part of the show s style, calling upon performers to portray trees, wild animals and a fierce rainstorm. Told in a presentational style, Once On This Island JR. is equally effective regardless of its cast size and features minimal though colorful sets and costumes that capture the imagination of the audience. There are opportunities to highlight individual singers and dancers, while still focusing mainly on an ensemble feel. Have a local ethnic dance troupe come to your school to work with your students on an ethnic dance. Discuss with the troupe the cultural origins of this traditional dance, and encourage the students to explore cultural dance traditions in their own heritage. Fairy Tales, The Little Mermaid Weather, Island Properties Social Family Pressure, Social Status Caribbean Culture Is love the strongest emotion? Is it difficult to give something without expecting something in return? CYPRESS ELEMENTARY SCHOOL, CEDAR PARK, TX 31

32 PERFECT FOR LARGE ENSEMBLES, GOOD SINGERS, STRONG MALE AND FEMALE LEADS 11 featured roles, plus ensemble Add additional Demons, Lethargarians, or Shoppers and Vendors in the Dictionopolis marketplace! This is one of our more musically difficult shows. Strong singers are a must for the principle roles. There are a fair amount of ensemble numbers. Since a complicated set isn t necessary for this show, choreography can play a large part in the show. The ensemble numbers offer many opportunities for storytelling movement and you don t need a dance background, just use your imagination! Based on the Novel by Norton Juster Music by Lyrics by Arnold Black Sheldon Harnick Book by Norton Juster and Sheldon Harnick NOW AVAILABLE! Milo is bored. So bored, in fact, that the Demons of Ignorance appear in his room to ensure that he ll continue to do nothing, thus becoming their next victim. But when the Phantom Tollbooth mysteriously arrives, Milo hops in and begins the adventure of his life. With the help of the watchdog, Tock, Milo has to persuade the dueling rulers of Dictionopolis and Digitopolis to rescue their sisters, Rhyme and Reason, thus ending the strangeness that plagues both cities. Prologue, Another Boring Afternoon, Gotcha, The Birth of the Booth, The Whether Man, The Lethargarian Shuffle, Tock s Narrative, At the Market, Do I Dare?, Giant/Midget, Hail, Digitopolis, Subtraction Stew, Gotcha (Reprise), Milo, The Return of Rhyme and Reason, Finale Since The Phantom Tollbooth JR. is set in a world of the imagination, let your creativity run wild in designing sets and costumes. Your students will have a lot of insight, too! There are many ensemble parts and featured roles, some of which can be double-cast if you have a limited number of students. This is a great piece to showcase your stronger singers. When most people are bored, a magical tollbooth doesn t whisk them away they have to think up things to do on their own. One excellent way to combat boredom is to channel your energy towards helping someone else. Have your students learn about volunteer activities in their area by inviting organizers to speak at your school, and by seeing firsthand how those organizations help those who need it. Urge your students to volunteer at one of those organizations, or find ways to help their community on their own. Plays on Words, Grammar, Spelling Units to Measure Noise, How Hearing Works, Mining Social Sibling Relationships and Rivalries, Respecting Differences Mathematics The Value of Numbers and Math in Everyday Life, Mathematical Puzzles, Geometric Shapes Why are Rhyme and Reason so important? What is the most exciting way you ve used your imagination? JUNIOR THEATRE FESTIVAL, EDCAT2013_V1_Resized.indd 32 18/06/13 11:57 AM PE

33 PERFECT FOR LARGE ENSEMBLES, GOOD SINGERS, STRONG MALE AND FEMALE LEADS 10 Principals, plus ensemble You can always give the Major General more daughters, or fill out the ranks of policemen. And if nothing else, your stage should be filled with lots of pirates! There are solos for all principals, and many featured sections for the ensemble. There is a lot of ensemble and small group singing, with parts written in unison or simple two-part harmony. While not a lot of dance is required, the Major General s daughters could highlight a few female dancers. If the pirates or policemen have any physical comedy or acrobatic skills, those could certainly come in handy. Book and Lyrics by Sir William S. Gilbert Music by Sir Arthur S. Sullivan Wacky, irreverent and as entertaining today as it was when it first opened in 1879, The Pirates Of Penzance JR. spins a hilarious farce of sentimental pirates, bumbling policemen, dim-witted young lovers, dewyeyed daughters and an eccentric Major-General, all morally bound to the often-ridiculous dictates of honor and duty. Pour O Pour The Pirate Sherry, When Fredric Was A Little Lad, Oh Better Far To Live And Die, Oh False One You Have Deceived Me, Climbing Over Rocky Mountain, Stop Ladies Pray!, Oh Is There Not One Maiden Here, Poor Wandering One!, Stay We Must Not Lose Our Senses, I Am The Very Model Of A Modern Major General, Oh Men Of Dark And Dismal Fate, Oh Dry The Glistening Tear, When The Foeman Bares His Steel, When You Had Left Our Pirate Fold, Tarantara Tarantara!, A Rollicking Band Of Pirates We, With Cat-Like Tread Upon Our Prey We Steal, Now What Is This And What Is That?, Finale The Pirates Of Penzance JR. is a great show for a large ensemble with plenty of good singers. There are many great featured parts to showcase all talents and levels of ability including some great roles for performers with comedic skills. In the show, Frederick has been raised since childhood by Ruth, his nursemaid. Have your students go to a local pre-school or day care center and perform a few of their numbers from the show. Let them stay awhile after the performance to interact with the younger children and gain a deeper understanding of the responsibilities of caring for children. Advanced Vocabulary Leap Year Calendar Social Conflict Rresolution, Orphans Piracy, The Military What would life be like living on the sea? Why do people pretend to be tougher than they are? JUNIOR THEATRE FESTIVAL,

34 PERFECT FOR ANY SIZE ENSEMBLE, ALL AGES, MINIMAL TECHNICAL REQUIREMENTS From the Series Created by George Newall and Tom Yohe Based on an Idea by David McCall Book by Scott Ferguson, George Keating and Kyle Hall Music and Lyrics by Lynn Ahrens, Bob Dorough, Dave Frishberg, Kathy Mandry, George Newall and Tom Yohe Tom, a school teacher nervous about his first day of teaching, tries to relax by watching TV. Suddenly, the Schoolhouse Rock bunch appear in his rec room and proceed to show him how to win his students over with imagination and music, through beloved Schoolhouse Rock songs that cover a variety of subjects: Math,, History and Grammar. Like the classic television series, Schoolhouse Rock Live! JR. is a hip, entertaining and educational treat that shows young people that learning can be as fun as you choose to make it. Schoolhouse Rocky, A Noun Is A Person Place Or Thing, Three Is A Magic Number, Unpack Your Adjectives, Just A Bill, The Preamble, Do The Circulation, Conjunction Junction, Great American Melting Pot, Elbow Room, Interplanet Janet, Interjections 6 principals, plus ensemble Originally conceived for a cast of six, the MTI JR. version is designed to allow you to expand your cast to six principals with a choir that can be as large as your stage can accommodate. There are solos for the six principals, plus featured solos to be assigned from The Choir. With most numbers involving the full ensemble, the songs are arranged for unison or simple two-part harmony. The loose, revue-like structure allows for a great deal of flexibility in staging and cast size from number to number as well as for the entire show. Set and costume design can be as simple or complex as your budget or imagination will allow! One of the easiest MTI JR. shows to produce, Schoolhouse Rock Live! JR. can be performed simply or grandly, using whatever level of staging and design you are able to contribute. And because most of the songs are so familiar and easy to learn, rehearsals are bound to be a snap! Have your students research the heritage of the people of your community to discover their hometown s own Great American Melting Pot. Plan a performance of the show that you can invite people from all of these different ethnic backgrounds to attend and then join the cast for a reception following the show. Grammar, Parts of Speech Mathematics Addition, Multiplication The Human Body, The Solar System Constitution, Law, Congress Is learning more fun when the material is presented in a new way? If you could write a new law for the country what would it be? JUNIOR THEATRE FESTIVAL,

35 PERFECT FOR LARGE ENSEMBLES, STRONG MALE AND FEMALE LEADS, MINIMAL TECHNICAL REQUIREMENTS Music by Stephen Flaherty Lyrics by Lynn Ahrens Book by Lynn Ahrens and Stephen Flaherty Co-Conceived by Lynn Ahrens, Stephen Flaherty and Eric Idle Based on the Works of Dr. Seuss Music Supervised, Adapted and Produced by Bryan Louiselle After all those years being stuck on a page, Did you ever imagine you d see me on stage? So says the mischievous Cat in the Hat at the onset of this fantastical, magical, musical extravaganza! Lynn Ahrens and Stephen Flaherty have lovingly brought to life all of our favorite Dr. Seuss characters, including Horton the Elephant, Gertrude McFuzz, Lazy Mayzie, and all of the Whos of Whoville! The score is a Seussian Gumbo of musical styles, ranging from Latin to pop, swing to gospel, and R&B to funk! So let your toes tap, your fingers snap, and your imagination run wild! Oh, The Thinks You Can Think!, Biggest Blame Fool, Here On Who, How To Raise A Child, It s Possible, Alone In The Universe, Amayzing Mayzie, Monkey Around, Notice Me, Horton, How Lucky You Are, Egg, Nest And Tree, Solla Sollew, All For You 10 principals, 6 featured roles, plus ensemble You can cast as many Wickersham Brothers and Bird Girls as you like to fill out those songs and numbers. Additionally, the jungle, underwater and circus scenes allow for as many characters as you want to add. There are large Solos for Horton, JoJo, Mayzie, Gertrude, Sour Kangaroo and Cat In The Hat. Most of the ensemble music in the show is simple to learn but some of the songs are quite wordy and will need good diction. Production can be staged very simply with a few levels and fun props. Look to your Director s Guide for simple and creative ideas. Seussical JR. is a great show for large groups of students who enjoy singing. It is also a good show for a cast of students who enjoy playing larger than life characters. You will need to have a number of strong singers who are also good dancers or movers to play the Wickersham Brothers and the Bird Girls. Talk to your local library or bookstore to see if you can find a time to have some of your cast members read stories to young children. Choose one of the stories that features one of the characters found in Seussical JR. Beyond being a good way to give back to your community, this project will also improve your cast members storytelling skills. Dr. Seuss, Adaptations Mathematics Rhythm, Poetry Animal Behavior, Microscopes, Jungle Habitat Legal Systems, Maps How can you help a person accept their responsibilities? How do you stick up for what you believe in? JUNIOR THEATRE FESTIVAL,

36 PERFECT FOR LARGE ENSEMBLES, GOOD SINGERS AND DANCERS, STRONG FEMALE LEAD 8 principals, plus ensemble You can have as many secretaries as you d like working with Millie and Mr. Graydon and there is plenty of room for lots of Dancers, and Jail Birds. There are some strong solo demands for Millie and Jimmie, and the ensemble numbers are complicated, but musically logical. Also, Bun Foo, Ching Ho, and Mrs. Meers must both speak and sing in Mandarin during the show. New Music by New Lyrics by Jeanine Tesori Dick Scanlan Book by Richard Morris and Dick Scanlan Thoroughly Modern Millie is a high-spirited musical romp that has everyone dancing the Charleston. It s the zany new 1920 s musical that took Broadway by storm! Taking place in New York City in 1922, Thoroughly Modern Millie JR. tells the story of young Millie Dillmount, who moves to the city in search of a new life for herself. Full of intrigue and jazz and based on the popular movie, the stage version of Thoroughly Modern Millie JR. includes a full score of new songs and bright dance numbers. Frisky flappers, dashing leading men and a dragon-lady of a villainess audiences love to hate make this show a perfectly constructed evening of madcap merriment. And with the role of Millie Dillmount, musical theatre has found a new heroine for the ages. Not For The Life Of Me, Thoroughly Modern Millie, They Don t Know, What Do I Need With Love?, Only In New York, Jimmy, Forget About The Boy, Muqin, Long As I m Here With You, Gimme Gimme This show has a lot of numbers involving choreography including some that include basic tap dancing. The Choreography DVD included in your ShowKit provides step-by-step instructions for choreographing some of the numbers. Thoroughly Modern Millie JR. is set in the 1920 s and has a great jazzinfused score. Also, don t be afraid of the Mandarin in the show. Your ShowKit comes with full pronunciation guides. And while the music in the show is perfect for tap dancing, you can easily modify all of the dances to be done without tap. Bun Foo and Ching Ho both speak Mandarin during the show. Find a native Mandarin speaker that you can bring to talk to your students! Foreign Languages, Dictation Social s White Slavery, The Modern Woman Mathematics Rhythm, Patterns The 1920 s, Speak Easys, New York City What would it be like to move to a new city with no friends? What are different reasons people fall in love? JUNIOR THEATRE FESTIVAL,

37 Future Releases: Socially I see students relating to and interacting with others from different grades they normally would not have even talked with or noticed. Through teamwork and striving for a mutual goal, bonds develop. Mary Ann Hay, Production Advisor IS 10Q Middle School, New York City CONNECT WITH US FOR ALL THE LATEST RELEASES AND INFORMATION! Become a Friend of HLA on our website And don t forget to follow us on... 37

38 Theatrical Resources to enhance and enliven your production. Whether you are on stage or behind the scenes, these resources can provide support and instruction for all members of your cast and production team. Use these professionally designed logos on posters, programs, handbills, fliers and websites. Each Logo Pack CD includes logos in colour and black and white with multiple digital format files (TIFF and EPS format). Easy to use and ready to go! Slides are sent on a DVD that can be easily run on a computer slide presentation program. Each slide package has been designed by one of Broadway s top scenic designers. Slides can take the place of blackdrops. Allows you to record your performance and distribute hard copies to family, friends and neighbours. (Only available on select titles). Hear professional young performers sing every track from the show. Students can learn parts by singing along at home. Makes a memorable souvenir of the student s experience. AVAILABLE FOR SELECT TITLES IN: 38 Visit our website for more information.

39 FIND YOUR NEXT SHOW IN 3 EaSY STEpS... NEED HElp making YOUR DEcISION? NEW! WHaTS ON NEaR YOU? 3. Apply Now! NEW! WaNT TO HEaR THE music? IS YOUR SHOW available TO apply FOR? 1. Search & Find 2. View Details explore our new website! HallEONaRD.cOm.aU

40 The MTI BROADWAY JUNIOR COLLECTION allows our school to come alive. Each year the students ask earnestly, What show are we performing? and How soon can we get started? They have ownership over the production and it is always something they are proud of each time. It gives us a sense of family and community. The Scholars Academy Scan this QR Code with your smart phone to Find a Show in our catalogue ausshows@halleonard.com.au