Strategic Informative Advertising in a Horizontally Differentiated Duopoly

Size: px
Start display at page:

Download "Strategic Informative Advertising in a Horizontally Differentiated Duopoly"

Transcription

1 Strategi Informative Advertising in a Horizontally Differentiated Duopoly Levent Çelik Otober 006 Abstrat Consider a horizontally differentiated duopoly market where potential buyers are unertain about their mathes with either produt. Would informative advertising by a firm about its own produt dislose any information about the other produt when firms know how their as well as their rival s produt mathes buyers preferenes? I answer this question in the ontext of a television (TV) market that lasts for two periods in whih viewers are unertain about the attributes of the upoming programs. A symmetri perfet Bayesian equilibrium (PBE) in whih advertising deisions of the TV stations depend on the attributes of both programs exists, and is the only suh strategi equilibrium. Although not fully revealing, it enables viewers to narrow down their priors. When this PBE is unattainable, the only other equilibrium is one in whih the advertising deision of a station is independent of the other program s attributes. While it is welfare improving to ban suh advertising if the latter PBE arises as the market outome, this is not neessarily true for the former one. This raises an obvious empirial question: Do TV stations at strategially while advertising their own programs? Keywords: Informative Advertising, Tune-ins, Unertainty, Sampling, Signaling. JEL Classifiation: D83, L3, L8, M37 I would like to thank my dissertation advisors at the University of Virginia, Simon Anderson and Maxim Engers, for their invaluable help during the progress of this paper. CERGE-EI (a joint workplae of the Center for Eonomi Researh and Graduate Eduation, Charles University, and the Eonomis Institute of the Aademy of Sienes of the Czeh Republi), Politikyh Veznu 7,, Praha, Czeh Republi. Levent.Celik@erge-ei.z.

2 Introdution There is a broad range of onsumer markets where the differentiation among produts is mainly in their physial attributes. Although the information about the existene of these produts may be ommon knowledge, many people may have limited or even no information about their attributes. This lak of information may be due to the fat that the produts are newly introdued, or that the osts assoiated with gaining information are relatively high. Television (TV) industry is a good example. It is almost impossible for people to know the attributes of all of the programs at different TV stations. Gaining aurate information through TV guides or internet is often ostly. Furthermore, individuals have limited memories. The present paper proposes a two-period model of informative advertising in a TV market with two TV stations when potential viewers are unertain about their math values with the programs in the latter period. A ruial element of the model is that the TV stations know how their own as well as their rival s program fits viewers preferenes. It is shown that this information struture leads to an equilibrium in whih the deision of a TV station to advertise its own program may strategially depend on its rival s program, and viewers orretly antiipate this strategi interation. The use of advertising has been inreasingly rising in reent years. Total U.S. spending on advertising in 003 had been reorded as $45.5 billion. Approximately 5% of this amount had been devoted to TV ommerials at network and able TV stations (network: 7.%, able: 7.7%). A ompany had to pay over $600,000 for a 30-seond ommerial during the popular show Amerian Idol in 004. Three major broadast stations, CBS, ABC and NBC, reported advertising revenues over $5 billion for the year 003. The prie of a 30- seond ommerial during Super Bowl has been over $ million sine 999 ($.6 million in 006), yet the TV stations airing the event have ontinued to devote approximately 0% of the non-program time to tune-ins (preview advertisements of their own programs). During 000 Super Bowl, 6.5 of a total of 87 non-program minutes were used for tune-ins. These simple statistis reflet the importane of tune-ins for TV stations. Had viewers already been fully informed about the attributes of these programs, there would be no need for tune-ins.

3 Çelik (006) takes a look at the extent to whih a single TV station is willing to air a tunein. The model is developed in a simple Hotelling framework in whih there is a ontinuum of potential viewers distinguished by their ideal programs. This is represented by assigning a unique loation to eah potential viewer along the unit line. As usual in Hotelling models, a viewer s net utility is lower the further away the atual program is from her ideal program. There is a single TV station that airs two onseutive programs. The loation of the first program is assumed to be ommon knowledge. This may be thought of as the evening news program. The loation of the seond program is ex-ante unknown by viewers. However, the viewers know that the TV station is privately informed about its loation. Therefore, they rationally antiipate that the TV station would ommuniate this piee of information with the first-period audiene unless it is worse off by doing so. The ost of airing a tune-in is the forgone revenue from a ommerial advertisement during the first program. In this setting, it is shown that there exists a unique perfet Bayesian equilibrium (PBE) in whih the TV station airs a tune-in as long as the advertising revenue generated by the viewers ontinuing to wath offsets or exeeds the ost of airing it. In the absene of a tune-in, no one from among the first-period audiene keeps wathing TV. In order to extend the analysis above to inlude a seond station, one has to introdue the possibility of swithing from one station to the other. In fat, Çelik (006) introdues as an extension the possibility of swithing off after sampling a few minutes of a program. While a PBE similar to the one desribed above remains to exist, it is no longer unique. For ertain parameter values, there exists another PBE in whih the TV station never airs a tune-in. In this paper, I move one step further by inorporating viewers swithing behavior into the same setup when there are two TV stations. I assume that the amount of time required for learning the atual loation of a program is fixed and the same for all programs and individuals. However, this proess entails an opportunity ost if an individual does not ontinue to wath the program she hose to sample. The proess of ostly sampling plays a ruial role for two reasons. First, for an equilibrium that involves the use of tune-ins to exist, sampling ost (or equally swithing ost) has

4 to be positive. Had it been zero, viewers ould ostlessly learn the programs at both stations and make their deisions without any unertainty. Therefore, there would be no need for tune-ins. Seond, a positive sampling ost may reate an inentive for a station to hoose not to air a tune-in. This is beause the ost of sampling beomes sunk one a viewer hooses to engage in sampling. That is, when there is ostly sampling, some individuals may end up wathing a program that they would not hoose to wath with omplete information. By the same token, an individual s final deision may not be the one that maximizes her utility with omplete information. That a positive sampling ost is neessary for the existene of tune-ins is empirially onfirmed by the statistis given earlier. It is harder to establish empirial support for the seond one beause of limited individual-level data. However, Shahar and Emerson (000) report that 65% of viewers ontinue to wath the same network station, inluding the times when a tune-in has not been aired. When the TV stations are informed about eah other s program ontent, their deision to air a tune-in may transmit information about not only their own program but also their rival s. Sine sampling is ostly, a station is relatively more inlined to air a tune-in in order to lok-in its urrent viewers when its rival has a more similar program. However, this may signal to the reipients of that tune-in that the program at the other station is more likely to be a good math than what they thought before. Similarly, if a station does not advertise its upoming program, it does not neessarily mean that it is a bad math for that station s viewers. It ould rather be the ase that it is a better math than the other program. In this paper, I am primarily interested in exploring the nature of suh strategi behavior, and ultimately in finding out if an equilibrium in whih viewers priors are hanged at an interim stage exists. I show that suh an equilibrium exists although it is not unique. Without any restrition on viewers beliefs, there is another equilibrium in whih viewers beliefs about either program are unhanged regardless of the tune-in deisions of the stations. Signaling has traditionally been investigated within the ontext of vertially differentiated produts. When onsumers are uninformed about the atual quality of an experiene good, it has been shown that a high-quality seller an redibly signal this information by setting 3

5 a high prie or by spending a non-trivial amount of money on uninformative advertising. My findings suggest that signaling is also possible in horizontally differentiated markets. Signaling ours whether a station hooses to or not to air a tune-in. In the former ase, only information about the other program is signalled. In the latter, information about both programs is signalled. However, a fully separating equilibrium is not possible in the urrent setting; viewers annot loate the programs with ertainty. For ertain program loations, the model an also be interpreted as one with vertial differentiation. To be more speifi, when a station s upoming program is better suited to all of its urrent viewers than the other station s upoming program, the two programs are effetively vertially differentiated for those viewers. In suh a situation, I find that the former station does not air a tune-in. Although this result is strikingly different than what traditional models of signaling predit, a diret omparison may be misleading sine TV programs are not experiene goods. Neverthless, it is interesting to note that signaling is possible even in the absene of advertising. I also analyze the welfare effets of a possible ban on the use of tune-ins. I find that when it is not a redible strategy for a station to behave strategially, it may be welfare improving to ban tune-ins. In suh a situation, the stations advertise their programs more often. Although viewers enjoy a higher surplus as a result of improved information, soial welfare is redued beause the derease in revenues of the TV stations overweights the inrease in onsumer surplus. Previous Literature Diretly informative advertising has been the topi of several previous studies. Butters (977) was the first to model the informative role of advertising. In his paper, produts are homogeneous and advertising onveys information about pries, hene also about the existene of the produts indiretly. However, muh advertising involves informing onsumers about produt attributes other than just about pries. Grossman and Shapiro (984) study an extended model in whih onsumers are heterogeneous in their preferenes and advertising 4

6 informs them not only about the existene but also about the harateristis of the produts. Common to both of these papers is that the advertising tehnology is exogenous and people annot hange their likelihood of reeiving an ad. The urrent paper has several similarities with the latter of the mentioned papers; onsumers are heterogeneous in their preferenes and seek to purhase the produt yielding the highest (expeted) benefit, produts are horizontally differentiated, and advertising provides information about produt attributes. I assume that it is free to wath TV, and that the number of total non-program breaks is given exogenously. Therefore, my analysis does not involve prie advertising. However, I depart from Grossman and Shapiro (984) in several ways, mainly in how advertising is modeled. Advertising in this paper is exlusive; only the viewers who wath the first program may reeive a tune-in of the seond program at that station. It is also strategi in the sense that a station s deision to air or not to air a tune-in onveys information about the programs at both stations. Confining attention to the literature that fouses on informative advertising in an oligopoly market with horizontally differentiated produts, a related paper is Meurer and Stahl (994). They analyze the welfare properties of informative advertising in a duopoly where a fration of buyers are uninformed about the produt harateristis. There are two types of buyers. One type is ideally mathed with one firm and the other type is ideally mathed with the other firm. As in Butters (977), Grossman and Shapiro (984) and many others, a firm hooses its advertising intensity and a random fration of onsumers reeive the ad. Advertising informs a buyer of her best math. Firms hoose their pries after advertising takes plae. They treat produt information as a publi good, whih implies that information about one produt provides information about the others as well. They haraterize a unique subgame perfet Nash equilibrium in whih the level of advertising provided may be more or less than soially optimal. While advertising improves the math between onsumers and produts, it gives firms a higher market power by inreasing brand loyalty. Within the same strand of literature, another related paper is Anand and Shahar (006). They use the same setup with that of Meurer and Stahl (994) with three major differenes. 5

7 First, a firm an only advertise through one or both of the two available media hannels, and onsumer preferenes over produt attributes are perfetly orrelated with their hoie of media hannel. So, for instane, if onsumers of media hannel are ideally mathed with produt, then firm an target these onsumers by advertising through media hannel. Seond, advertising messages are noisy in the sense that onsumers may get the wrong idea from a firm s informative ad. Therefore, firms advertise more than one. Finally, firms do not hoose pries, whih are therefore suppressed in the analysis. In suh a setting, Anand and Shahar (006) haraterize a separating equilibrium in whih a firm advertises only to those onsumers for whom that produt is the ideal one. As long as the ads are not ompletely noisy in whih ase the ads would equally be interpreted right or wrong there exists a threshold amount of advertising whih asertains a onsumer that the advertised produt is her best math. Thus, regardless of the ontent of the ad, eah onsumer purhases the produt that she was advertised to. There are major differenes between my model and those of Meurer and Stahl (994) and Anand and Shahar (006). First, in both of these papers, produts are experiene goods, so onsumers do not have the option of obtaining produt information by a ostly searh. In the urrent paper, I treat TV programs as searh goods sine program sampling is a ommon pratie in real life. If I rather treated them as experiene goods, the unique symmetri equilibrium would involve no strategi behaving by the stations. Therefore, sampling plays a ruial role for the results in this paper. Seond, there are only two distint types of onsumers in both papers, one ideally mathed with one produt and the other with the other produt. In Meurer and Stahl (994), this assumption implies that an informative ad by one firm neessarily informs the reipient about the other firm s produt, and therefore plays a ritial role for their results. In Anand and Shahar (006), it is a neessary assumption for perfet separation. In my model, on the other side, there is a ontinuum of people who may or may not be ideally mathed with either program. Therefore, the tune-in deision of a station is a funtion of the program loation of the other station. Third, advertising in my model is purely informative unlike as in Anand and Shahar (006), and reahes a 6

8 nonrandom group of onsumers unlike as in Meurer and Stahl (994). In this sense, I use a different advertising tehnology in the urrent paper. The urrent paper is also weakly related to the literature on quality signaling. To the best of my knowledge, the only two papers that address quality signaling when firms have ommon knowledge of produt qualities are Matthews & Fertig (990) and de Bijl (997). In Matthews & Fertig (990), this is introdued in the ontext of an inumbent-entrant setup where produt quality of the entrant is known to both firms while that of the inumbent is ommon knowledge. Pries are exogenous and the inumbent may advertise in order to inform onsumers about the produt quality of the entrant; i.e. may ounterat misleading attempts by a low-quality entrant. In sharp ontrast to the existing models of quality signaling, they show that a high-quality entrant an suessfully signal its quality by spending an infinitesimal amount on advertising. De Bijl (997) analyzes entry-deterrene in a market for searh goods when produt quality of the entrant is known to both firms while that of the inumbent is already established. It is shown that when the inumbent s prie is informative about the produt quality of the entrant, entry of a high-quality entrant is failitated. 3 The Model The basi setup is that of Çelik (006) with the exeption that there are now two TV stations, station Y and station Z, eah airing two programs in two onseutive time periods. The programs are haraterized by their loations on the unit line. They are of the same length and have zero prodution osts. There are A available non-program breaks during eah program in eah period. Thereisalargenumberoffirms that are willing to pay up See also Hertzendorf & Overgaard (00) who analyze signaling with prie-only when firms have ommon knowledge about produt qualities. The assumption that the number of non-program breaks is fixed is ertainly restritive. However, while U.S. broadasters are free to hoose the number of their ommerial breaks, advertising eilings are imposed on broadasters in most European ountries. Therefore, in most ases, espeially in the prime time, the number of ommerial breaks that maximize a broadaster s revenues falls below the imposed eiling. I believe that this empirial fat onstitutes a good justifiation. Aside from the empirial side, there are tehnial reasons for this assumption. First, if TV stations were allowed to hoose the number of non-program breaks, then people would rationally form priors about it. Seond, and most importantly, 7

9 to $p per viewer reahed for plaing an advertisement during a program in eah period. On the other side of the market, there is a ontinuum of N potential viewers who are uniformly distributed on the unit line with respet to their ideal program types. To eah possible program type on the unit line, there orresponds a viewer for whom that program is the ideal one. Individuals have the same program preferenes during both periods. An individual derives v units of utility from wathing her ideal program that arries A nonprogram breaks. 3 Formally, a viewer who is loated at a distane of d units from a program obtains a net viewing benefit v d. Not wathing TV yields zero benefits. 4 The parameter λ will be used to represent the loation of an individual, and a partiular individual will be referred to as she when it is onvenient. The loations of the first programs is assumed to be ommon knowledge. Although people know that eah station offers two onseutive program, they do not know where on the unit line the seond programs are loated. Denoting the loation of seond program of station Y with y and that of Z with z, I assume that viewers priors are given by y, z 0,, ª.From their perspetive, eah of these three loations is equally likely to be the atual loation of eah program. The stations know the loation of their own as well as their rival s program, and people know that the stations have this information. They may devote one of the nonprogram breaks in the first period to a tune-in. 5 A tune-in may only inlude information about the atual loation of the upoming program at the same station. I assume that the TV stations annot lie, i.e. they are legally bound to advertise a preview of the atual upoming program in the tune-in. The objetive of the TV stations is to maximize total advertisement revenues (for simpliity, it is assumed that there is no disounting). the number of non-program breaks in the first period would provide information about the seond-period programs. 3 The base utility, v, alsoapturestheeffets of the disutility assoiated with interruptions during a program. Speifially, the effet of an inrease (a derease) in the nuisane ost of a non-program break on a viewer s utility an be aptured by lowering (raising) the base utility. 4 We an as well inlude a onstant, t, infrontofd that measures the disutility assoiated with one unit of distane from the ideal program type. However, sine the value of not wathing TV is zero, we an easily express the utility as r d, wherer = v t. 5 They would never air more than one tune-in beause tune-ins are assumed to be fully informative, and viewers do not swith stations in the first period. 8

10 Viewers have the option of swithing to the other station or simply turning the TV off after sampling a few minutes of a program. I assume that the amount of time required for learning the true loation of a program is fixedandsameforbothprogramsandforall individuals. This sampling proess entails a ost of, and is referred to as the sampling ost. A viewer inurs one unit of the sampling ost if she samples the programs at both stations and ends up wathing the one that yields a higher utility. If an individual deides the turn her TV off after sampling one of the programs, then her net utility is. If she does so after sampling both programs, then her net utility is. Sine the loations of the first programs are known beforehand, viewers do not engage in sampling in the first period. However, sampling one or both of the stations may be optimal in the seond period. An individual s objetive is to make a deision at eah time that maximizes her total utility. I maintain the following three assumptions throughout the analysis. Assumption + <v<, where>0. 4 Assumption 4 + A <v< A,whereA>0. Assumption 3 The firstprogramsatstationsy and Z are loated at 4 and 3 4, respetively, and this is ommon knowledge. The first and the seond assumptions are made in order to rule out unreasonable equilibria. Thisshallbemorelearastheanalysisproeeds. Notethatitimposesanupper bound on the value of the sampling ost, and a lower bound on the number of non-program breaks. To be more speifi, it is implied that 0 << and A>6. The third assumption 8 is made in order to simplify the analysis. Combined with the first assumption, it implies that viewers on the lower half of the unit line wath station Y and the ones on the upper half wath station Z. Thetimingofthemovesisasfollows. First,peoplemaketheirfirst period viewing deisions. Then the first program starts, and the TV stations make their tune-in deisions during the first program. Having wathed the first program, people update their beliefs 9

11 about the seond programs depending on whether or not they were exposed to a tune-in. The seond programs start and people make their optimal sampling deisions. After eah individual ompletes sampling one or both (or none) of the stations, they make their final seond period viewing hoies and the payoffs are realized. 3. Equilibrium The equilibrium onept used is perfet Bayesian equilibrium (PBE). That is, the TV stations make optimal tune-in deisions taking the loation of their rival s program and the rationality of people into aount, and people make optimal sampling and viewing deisions after observing the tune-in deision of the station they have wathed. In partiular, people s inferenes (or posterior beliefs) after the first period about the loations of the seond programs must be orret, and the TV stations should not have any inentive to deviate. As disussed in the Introdution, the TV stations may hoose to behave strategially due to their knowledge of the rival station s program. However, regardless of the loation of the rival s program, a station learly never airs a tune-in for a program that none of its urrent viewers would like to wath. This ase arises for station Y when y =, and for station Z when z =0. Given that a station annot ommuniate any information with the viewers of the other station, it does not pay off foreitherstationtoairatune-inforsuhprograms. Let β i (y, z) beabinaryvariablethatassumesavalueof if station i airs a tune-in when the two programs are loated at (y, z), and0 otherwise. So, if station Y airs a tune-in for y =0when z =0,thenwehaveβ Y (0, 0) =. The following lemma is immediate. Lemma β Y (,z)=0for all z, andβ Z (y, 0) = 0 for all y. Next, onsider a situation in whih neither of the stations air a tune-in for their upoming programs regardless of their loations. Suppose that these strategies onstitute a PBE. In suh a no tune-in equilibrium, people s priors would be unhanged. This means that all viewers are indifferent between sampling either station. So, if sampling ours, a random half of viewers initially sample Y and the remaining ones initially sample Z. Suppose a λ-type 0

12 viewer hooses to sample one of the programs. If λ is suh that 0 λ v, then this viewer knows that she would only wath a program loated at 0. If the program that she first samples is not at 0, should she also sample the program at the other station? Unless the other program happens to be loated at 0, she would turn her TV off, and her net utility would be sine she would have sampled both programs and ended up taking the outside option. So, the expeted utility of sampling the other station is (v λ)+ ( ). On 3 3 the other hand, if she swithes off without sampling the other station, she would enjoy a utility of. Hene, she should engage in a seond sampling if (v λ)+ ( ), 3 3 or equivalently if v λ. Theleft-handsideisdereasinginλ, soifthisinequalityis satisfied at λ = v, it has to be true for all λ v. Evaluating at λ = v, we get v whihisalwaystruebyassumption(). We also need to hek if engaging in sampling is optimal at all for this person. Expeted utility of doing so is (v λ)+ (v λ)+ ( ), where the seond term is due to thefatthatitisalsooptimaltosample theotherstationwhen thefirst program sampled is not at 0. If this is nonnegative, then it is optimal to engage in sampling for viewers with loations λ v. Rearranging, expeted utility beomes [v λ ], whihisthe 3 same ondition as in the previous paragraph, and therefore is nonnegative. Now, take a viewer with loation λ v, 4 and suppose that this viewer samples station Y.ShestaysatY if y is loated at 0. If it turns out that y =,shemayalsowant to hek out station Z inthehopeoffinding out z =0. But there is also the hane that z is or. If z =, she would swith bak to station Y. If, on the other hand, z =, she would be indifferent between the two stations. So, the expeted utility of swithing to station Z when y = is (v λ)+ 3 3 v + λ. If this expression is greater than the utility of staying at Y, v λ, she should swith to and sample the program at station Z. Thisissatisfied when λ< 3. So, when y =, it is optimal to also sample 4 Z for the viewers with loations v λ< 3. Finally, suppose it turns out that 4 y =. The expeted utility of swithing to Z is (v λ)+ 3 3 v + λ + ( ) 3 whih equals 3 v 4.Thisisgreaterthan when v >, whih is again true

13 by Assumption (). The analysis above equally applies to other possibilities as well. So, as a general rule, stopping sampling is optimal when the loation of the program first sampled is at most at adistane + 3 from a viewer s own loation. We an now express the audiene shares 4 of stations Y and Z for all possible values of (y, z) under the assumption that there are no tune-ins. Suppose, for instane, that (y, z) = 0,. A random half of the viewers sample station Y first. Among these viewers, those with λ + 3 stay at Y while the rest swith 4 to Z. Sinez =,thosewithλ> + v + turn their TVs off. From among the other half who hose to sample Z first,theoneswithλ 3, stay at Z while the others swith to Y. Those with 3 <λstay at Y. The same is not true for λ> The 4 4 program y =0is not favorable for them, so those with loations λ 3 + 3, + v + 4 swith bak to station Z whiletherestswithoff. Arguing along similar lines, we get the following audiene shares: z = 0 z = z = v+ y = 0 v + 4 y = v + + v + v v+ y = v + 4 Table a. Audiene share of station Y in the no tune-in PBE z = 0 z = z = v+ y = 0 v + + v + 4 y = v y = v + v + + v+ 4 Table b. Audiene share of station Z in the no tune-in PBE Now, suppose Y aired a tune-in when (y,z) =(0, 0). For the indifferent viewer from the first-period audiene of station Y, the expeted utility of swithing to Z is (v λ)+ 3 3 v + λ + (v λ), where the first term is the utility she would enjoy at Z when 3 z =0, the seond term is the utility she would enjoy at Z when z =,andthethirdterm is the utility she would enjoy at Y when z =. This expression equals the utility of staying at Y, v λ, for the viewer loated at 4 +, so the viewers with λ 4 + do not swith to

14 Z. Sine this is a unilateral deviation, the behavior of the first-period viewers of station Z remains the same. The ones who swith to Z do not ome bak to Y sine they would inur the sampling ost. So, station Y wouldgainanextraaudieneof + 4 v+ = v by 4 airing a tune-in, and thus its seond-period advertising revenue would go up by ANp v 4. The ost of airing a tune-in is the revenue forgone in the first period from a single ommerial, whih is Np. Thus, it is profitable to deviate as long as v. A It will prove useful to analyze in more detail the inentive for airing a tune-in when either station starts from a no tune-in situation. I will heneforth all this situation the no tune-in regime. Suppose the program loations are (y, z) =,. If neither station airs a tune-in, they eah reeive an expeted audiene size of v + in the seond period. From the previous analysis, if station Y airs a tune-in, viewers with loations λ, 4 ontinue to stay with Y while the others, λ<,swithtoz. The ones who swith to Z will 4 stay there one they disover that z =, sine swithing bak to Y means missing the first few minutes of the program at Y. When this is a unilateral deviation by Y,behaviorofthe first-period viewers of Z does not hange. A random half of them still swith to Y right after the first period ends. Among these viewers, the ones with loations λ, stay at Y. The others go bak to Z to hek out the program there. One they disover that z =, those with loations at most v + apart from hoose one of the stations at random as their final destination. Similarly, among those who stayed at Z at first, λ 3 + 3, also 4 sample Y and a random half of λ 3 + 3, + v + stay at Y. Hene, station Y ollets 4 a total audiene size of (v + ) as opposed to v +. Sine this is a symmetri game, station Z will have the same inentives. When both stations air a tune-in, they eah get an audiene of v +, the same as before but with different omposition. Thus, we get the following audiene sizes when (y, z) =,, β Z = 0 β Z = 3v β Y = 0 v +, v + +, v β Y = v + +, 3v + v +, v Table. Audiene sizes of (Y,Z) in a no tune-in regime when (y, z)=, 3

15 The unique Nash equilibrium in this game is (β Y,β Z )=(, ) provided that v A. This is true by Assumption () and thus the stations fae a Prisoners Dilemma situation. That is why a no tune-in regime annot be maintained in an equilibrium. Lemma By Assumptions () and (), it must be true that β Y (0, 0) = β Y, = β Z, = βz (, ) = is satisfied in a symmetri PBE. Note that when (y, z) = 0, or, 0, deviating from a no tune-in regime is profitable for station Y if A + 4 4,orequivalentlyifA. Although this ondition is different from what was shown to be neessary for deviation when (y, z) (0, 0),, ª,it is in general more restritive ompared to v. Together with Assumption (), A A implies v. However, v does not neessarily imply A. An important A A thing to note is that viewers optimal sampling behavior depends on their inferenes from the observed tune-in deisions of the TV stations. As will be argued shortly, a strategy in whih station Y airs a tune-in only when (y, z) (0, 0),, ª annot atually be part of a PBE. So, it is not nesessary to assume that A for this outome to arise. To see this, onsider an equilibrium in whih station Y airs a tune-in only when (y, z) (0, 0),, ª,andstationZ does so only when (y, z), ª, (, ). For these strategies to onstitute a PBE, viewers inferenes from observed tune-in deisions must be orret. Therefore, when station Y advertises y =0, the first-period viewers of Y infer that z =0as well. This means that eah station ends up with an audiene size of v as eah viewer will wath the first station they hoose to sample. Both stations are atually worse off ompared to the no tune-in regime. However, it is in fat optimal for station Y to swith bak to the no tune-in regime if Z isgoingtoairatunewhen(y, z), ª, (, ).Ifaλ-type viewer who is initially indifferent between the two stations ontinues to stay at Y after not seeing a tune-in, she will infer (inorretly) that z is either or upon seeing that y =0. If λ> +, it is worth heking out station Z, too. But when she disovers that z is also 4 0, shewillonemoretimebeindifferent between the two stations provided that λ v +. Similarly, if she starts at Z and sees that z =0, she will infer that y is either or, andwill 4

16 swith to Y if λ> v+ +. The seond-period audiene size of station Y is thus as opposed 4 to v, whih means that station Y has an inentive to not air a tune-in when (y, z) =(0, 0). But viewers antiipate this orretly and it was previously shown that this annot be an equilibrium either. One way to get around this problem is airing a tune-in more often. That is, when a TV station airs a tune-in for a partiular program loation, its viewers should not be able to infer the exat loation of the other program. For station Y, the strategy of airing a tune-in for y =0only when z =0, (similarly, the strategy β Y,z =only when z =, ) annot happen in equilibrium. This is beause station Y would also air a tune-in when (y, z) = 0, so as to (inorretly) signal to its viewers that z is either 0 or. So,nofirstperiod viewer of Y wouldswithtoz, and thus Y would get an audiene size of v. Ifinstead Y did not air a tune-in as would be antiipated by viewers in a PBE all of its urrent viewers would swith to station Z and would infer that y is either 0 or upon seeing that z =. In this ase, those viewers with λ< would swith bak to station Y and stay 4 there upon disovering y =0. So, airing a tune-in is profitable when v,whih 4 A is true by Assumption (). Note that this ondition is satisfied even when the sampling ost is infinitesimally small. This leaves us with two possible strategies. For station Y, these strategies are (i) air a tune-in unless y is, (ii) air a tune-in unless y or z is. Similarly, airing a tune-in unless z =0and unless z or y =0are the only two possible strategies for station Z. In what follows, I will refer to a strategy in whih a station s tune-in deision does not depend on the program of the other station as a non-strategi behavior, and to an equilibrium that involves non-strategi behavior as a non-strategi equilibrium. Similarly, a tune-in strategy that depends on the program of the other station will be referred as a strategi behavior, and the orresponding equilibrium as a strategi equilibrium. Suppose eah station behaves strategially. How would viewers behave if this were a PBE? Sine the two stations are idential in every aspet exept for the loations of the first programs, the viewing behavior of people in the seond period will be symmetri with 5

17 respet to whih station they wathed in the first period. Therefore, I will only find the optimal sampling and final viewing deisions of the viewers who hose to wath Y in the first period. There are three ases; Y airs a tune-in for y =0, Y airs a tune-in for y =, and Y does not air a tune-in. Case (): Y airs a tune-in for y =0. In this ase, the viewers of Y infer that z 0, ª. Those with loations loser to will have a tendeny to swith to Z. Whatever the loation of z turns out, none of these people would ome bak to Y. So, the solution is simple; λ stay with Y,theothersswithto 4 Z. Those who swith to Z will have the sampling ost sunk, and therefore <λ v + 4 will stay with Z when z =0. The others just swith off in this ase. If z turns out,then all of them stay with Z. Case (): Y airs a tune-in for y =. In this ase, the viewers of Y infer that z 0, ª. Those with loations loser to 0 will have a tendeny to swith to Z. Similar with ase (), λ 4 stay with Y, the others swith to Z. Those who swith to Z will have the sampling ost sunk, and therefore (v + ) <λ will stay with Z when z =.Ifzturns out 0, then all of them stay with Z. Case (3): Y does not air a tune-in. The inferene of viewers in this ase is that Y did not air a tune-in beause either y =or z =(or both). There are five possibilities: ½ µ µ (y, z) (0, ),,, (, 0),, ¾, (, ) So the posterior probability that y =0is same with the probability that z =0,whihis. 5 Similarly, Pr y = =Pr z = =,andpr (y =)=Pr(z =)= 3. This means that 5 5 viewers are indifferent between the two stations, and a random half will hoose Z first. For those who stayed with Y, the atual loation of y will determine their further behavior. If y =0, they infer that z =. So viewers with loations less than v + stay with Y, and the rest swith off. Notethatforv<λ v + swithing off yields a disutility of, so it is better to stay tuned. 6

18 If y =,theyinferthatz =. So viewers with loations (v + ) λ stay with Y, and the rest swith off. If y =, they infer that z 0,, ª, eah with equal probability. Viewers with loations 0 λ< (v + ) would stay with Z when z =0, should they sample it. So, the expeted utility of sampling Z, E UZ λ, given that station Y does not air a tune-in, β Y (0) = (,z), is, E UZ λ β Y (0) = (,z) = 3 (v λ) 3 () Note that the highest utility a viewer may get in this ase is v, sine she started sampling with station Y and inurred the sampling ost. Viewers would stay tuned if the expeted utility of sampling Z is not less than. Otherwise they turn their TVs off right after the first program ends. For λ = (v + ), the expeted utility of sampling is 3 v (). 3 This is at least as great as if v, whih is true by Assumption (). Sine E UZ λ β Y (0) = (,z) is dereasing in λ, all of these viewers would hoose to sample Z. Viewers with loations (v + ) <λ 4 expeted utility is, E U λ Z β Y (0) = (,z) = 3 would stay with Z unless z =. So, their µ µ (v λ)+ v λ () = µ v 4 3 This expression is greater than or equal to when v, whihisthesame ondition as before. Hene, it is satisfied for all λ, 4. The hoies of viewers with loations on, 4 arejustsymmetriwiththoseon 0, 4,sotheyallsampleZ as well. If theprogramturnsouttobeloatedat0 or, station Z gets an audiene size of N (v + ). If z =,everyoneswithesoff. For those of 0 λ who swithed to Z initially, the subsequent hoies are similar. Now, I need to hek if sampling one of the stations is desirable at all, onditional on not seeing a tune-in. For 0 λ< (v + ), the expeted utility of starting sampling with station Y is, E U λ Z β Y =0 = 5 (v λ)+ 5 ( )+3 5 E U λ Z β Y (0) = (,z) 7

19 Similarly, for (v + ) λ< 4,itis, E U λ Z β Y =0 = 5 (v λ)+ 5 µv + λ E UZ λ β Y (0) = (,z) We need this value to be nonnegative for a viewer to sample Y. For 0 λ< (v + ), E UZ λ β Y =0 = (v λ) (). This is negative if λ is greater than 3 v. If 5 5 (v + ) is less than (or equal to) 3 v, then all of these people engage in sampling. (v + ) 3 v if. By Assumption (), we must have + <, whih 8 4 implies <. By monotoniity of E U λ 8 Z β Y =0 (inreasing up to λ =, and dereasing 4 thereafter), we an onlude that sampling is desirable onditional on β Y =0. We are now ready to alulate the audiene share of a station. The table below gives the total fration of the population hoosing station Y to wath (after sampling, if any) in the seond period for all possible program loations. z = 0 z = z = y = 0 v y = +(v + ) v + (v + )+ 4 4 y = v + (v + ) 4 4 Table 3. Audiene share of Y in the strategi PBE Does station Y have any inentive to deviate? Suppose (y,z) =(0, 0). If station Y deviates and does not air a tune-in, then a random half of its viewers stay with it while the other half swith. Those who stayed would think that z =upon seeing that y =0,andthe ones with loations less than v + would ontinue staying. Those who initially swithed to Z would think that y =upon seeing z =0, and therefore none of them would swith bak to Y.So,stationY would end up with an audiene share of v+.itisprofitable to deviate if µ A 4 v + < where the left hand side is the marginal per-viewer revenue of a tune-in and the right hand side is the per-viewer ost of a tune-in. So, Y would not deviate if v + +. The A same is true for (y, z) = 0,,, 0 and,. Notethatdeviationisnotprofitable when 8

20 y =sine station Y an only ommuniate with its own viewers, and none of them would wath a program loated at. It remains to analyze if it is profitable for Y to deviate when (y, z) =(0, ) or,. In both ases, station Y is already getting the highest possible audiene share from its first period without a tune-in. So, airing a tune-in annot inrease Y s audiene size. Therefore, deviation is not profitable in these two ases, either. Proposition The following onstitutes a symmetri PBE if v + + A : Y airs a tune-in unless y or z is, Z airs a tune-in unless y or z is 0. When v + + >, people have no reason to expet the strategies in Proposition () A to be played by the TV stations. This ondition is satisfied when v + is large and/or the number of non-program breaks is small. Intuitively, a larger value of v is assoiated with a higher audiene size sine more viewers end up wathing TV. A higher sampling ost means that if sampling ours in the absene of a tune-in, a higher fration of those who sample stay tuned. When the number of non-program breaks is small, the marginal benefit of promoting the upoming program is lower. So, in all three ases, the inentive for passing up on airing a tune-in is higher. From viewers point of view, the ex-ante expeted value of station Y s per-viewer profits is the weighted average of the profits in eah of the possible nine ases. Per-viewer revenue in the first period is pa in eah ase. Per-viewer revenue in the seond period is the average of the audiene shares given in the table for all of the nine ases, multiplied with pa. Sine Y is expeted to air a tune-in in four of the nine ases, its expeted per-viewer osts are 4p 9 times the audiene share in the firstperiod(whihis ). So, the ex-ante expeted per-viewer profits of station Y an be expressed as (the supersript S stands for strategi), E Π S j = A + (6 (v + )+)A 9 9 p, j = Y,Z What happens when v + + >? Based on the analysis so far, one possibility is when A eah station airs an additional tune-in relative to the PBE in Proposition (). For station Y,thisiswhenβ Y (0,z)=for all z and β Y,z =unless z =,orβ Y,z =for all 9

21 z and β Y (0,z)=unless z =(symmetri for Z). These are summarized in the following table (for station Y only): Strategy Strategy z = 0 z = z = z = 0 z = z = y = 0 y = 0 0 y = 0 y = y = y = Table 4. The value of β Y (y, z) in two alternative regimes When Y does not air a tune-in, all of its viewers will swith to Z sine it is highly likely that y =.Ifzturns out 0 or, then they are ertain that y =, and none of them ome bak to Y. When it turns out that z =, however, viewers will get onfused. Station Y mighthaveplayedthefirst or the seond strategy. If it played the first strategy, y ould be or with equal hanes. If it played the seond one, on the other hand, y is 0 or. Without any further information, viewers just assume that two strategies are equally likely to be played, and therefore their inferene will be Pr (y =0)=Pr y = =, Pr (y =)=. 4 But sampling Y would be optimal for all λ 0, with these posteriors. This means that station Y ould have done better by deviating, and reverting bak to the strategy in Proposition (). Sine viewers antiipate this beforehand, we annot have either of these strategies being played in a symmetri PBE. A seond, and the only other, possibility when v + + > is the non-strategi equilibrium in whih the TV stations air a tune-in unless their program is loated at the other A end of the unit line. In this ase, the priors of viewers who wath Y in the first period about z are unhanged regardless of the tune-in deision of Y. Case (): Y airs a tune-in for y =0. Sine there is also the hane that z =, only the viewers with λ> + sample Z. If z 4 turns out to be loated at, theoneswithλ v ome bak to Y. If z =0or,noneof them ome bak. 0

22 Case (): Y airs a tune-in for y =. This ase is symmetri with Case (). Case (3): Y does not air a tune-in. In this ase, it is inferred that y =, and therefore none of the urrent viewers of Y will wath it. Calulating the audiene share of station Y for all possible program loations gives, z = 0 z = z = y = v 4 4 y = + +(v + ) v + v y = v + v Table 5. Audiene share of station Y in the non-strategi PBE Note that deviation is not possible in this ase, sine none of Y s urrent viewers would keep wathing or would ome bak later when β Y =0. So,theuniquesymmetriPBEwhen v + + A > is the one in whih the two stations play non-strategially. Proposition When v + + >, the unique symmetri PBE is the one in whih Y airs A atune-inunlessy =,andz airs a tune-in unless z =0. Arguing along the same lines as before, the ex-ante expeted per-viewer profits of a station an be expressed as (the supersript NS stands for non-strategi), p, j = Y,Z E A Π NS (6v +4 +)A j = Simple omparison yields that E Π S j is always greater than E Π NS j. Even though it is on average more profitable to behave strategially, the existene of profitable deviations indues the TV stations to behave non-strategially. When v+ A >,evenaninfinitesimally small value of the sampling ost gives rise to the non-strategi equilibrium. When v + +, both equilibria an be supported as PBEs. However, as long as A viewers rationally expet the TV stations to play the less ostly strategies, the non-strategi

23 equilibrium an be ruled out. To be more preise, provided that v + + A,itisalways optimal to play strategially for the TV stations when the viewers expet them to do so. However, if the viewers are pessimisti in the sense that they only expet the worse when they do not see a tune-in, the unique PBE is the non-strategi one. 3. Soial Value of Tune-ins In this setion, I analyze the effets of a possible ban on the use of tune-ins. I ompare the expeted soial welfare under a hypothetial no tune-in regime with that under no restritions. In the Appendix, I find the expeted utility of a random viewer in all of the possible three situations: the strategi equilibrium (S), the non-strategi equilibrium (NS), and a no tune-in equilibrium (NT). In a regime of no tune-ins, ex-ante expeted per-viewer profit of a station in the seond period is just the average of the audiene shares given in Table, multiplied with the number of ommerials and the per-viewer prie. So, the total ex-ante expeted per-viewer profits of a station are given by, E Π NT j = A 6(v + )+ + p, j = Y,Z 9 Let W denote the soial welfare whih is definedasthesummationofstationprofits and viewer well-being. Then, the hange in expeted soial welfare when the non-strategi PBE arises is expressed as, E W NS W NT = N E λ U NS λ Uλ NT +E Π NS j Π NT j µµ µ 5 p = N 6v A 9 Note that 5 6v 4A < 0 by Assumption () (even a muh smaller value of A would imply the same result). So, E W NS W NT = N 5 6v 4A p 9 3 < 0 for all parameter values. This means that it is welfare improving to ban the use of tune-ins when v + + >, sine non-strategi equilibrium is the unique symmetri PBE for these A parameter values. Although viewers are obviously better off when there are tune-ins, it may

24 be the ase that lost revenues are too high, and therefore it is better to ban tune-ins. The primary reason for why the stations lose that muh revenue is that fewer people wath TV when there are more tune-ins in general. In the absene of a ban, the no tune-in regime is not sustainable as an equilibrium beause of unilateral deviations. The same result does not arry over to the strategi equilibrium. The reason is that the expeted audiene size in the strategi equilibrium is equal with that in the no tunein regime. Realling that E h i Π S j = A + (6(v+)+)A p, the hange in expeted soial 9 9 welfare when the strategi PBE is the outome is, E W S W NT = N E λ U S λ Uλ NT +E Π S j Π NT j µ = N 3 4p 9 whih is negative when p> 3 4. Proposition 3 If the outome is the strategi PBE, it is welfare improving to ban tune-ins only when p> 3. If it is the non-strategi PBE, on the other hand, it is always welfare 4 improving to ban tune-ins. It immediately follows from Proposition (3) that it may be welfare improving if the two stations ollude and maximize total advertisement revenues. It is optimal to air no tune-ins in suh a ase, and as long as the onditions of Proposition (3) hold, this is better for the soiety as a whole. Tune-ins are learly benefiial for viewers. Without tune-ins, viewers would engage in too muh sampling and some of them would end up wathing TV although this yields a negative utility. If viewers had omplete information about program attributes, TV stations would serve to a smaller audiene size. However, information is inomplete and it is not feasible to inform everyone about TV programs. In a non-strategi equilibrium, TV stations are fored by market fores to air too many tune-ins. This is due to two fators. First, an equilibrium with no tune-ins is not feasible beause of the oligopoly struture; without tune-ins, more people would swith away. Seond, strategi equilibrium is not redible when and/or is A 3

This is a PDF file of an unedited manuscript that has been accepted for publication in Omega.

This is a PDF file of an unedited manuscript that has been accepted for publication in Omega. This is a PDF file of an unedited manusript that has been aepted for publiation in Omega. The manusript will undergo opyediting, typesetting, and review of the resulting proof before it is published in

More information

Texas Transportation Institute The Texas A&M University System College Station, Texas

Texas Transportation Institute The Texas A&M University System College Station, Texas 1. Report No. FHWA/TX-04/0-2101-3 2. Government Aession No. 3. Reipient's Catalog No. Tehnial Report Doumentation Page 4. Title and Subtitle FLEXURAL DESIGN OF HIGH STRENGTH CONCRETE PRESTRESSED BRIDGE

More information

Unit 6 Writing About Research April/May

Unit 6 Writing About Research April/May Teahers College Reading and Writing Projet Writing Curriular Calendar, Third Grade, 2017-2018 Unit 6 - Writing About Researh 1 Welome to the Unit Unit 6 Writing About Researh April/May Think of this unit

More information

PMT EFFECTIVE RADIUS AND UNIFORMITY TESTING

PMT EFFECTIVE RADIUS AND UNIFORMITY TESTING PURDUE UNIVERSITY DEPARTMENT OF PHYSICS PMT EFFECTIVE RADIUS AND UNIFORMITY TESTING AUTHORS: MIHAI CARA, RUDY GILMORE, JOHN P. FINLEY January 14, 2002 ABSTRACT... 3 1. NOTATION... 3 2. RAW DATA FORMAT...

More information

Experiments in Digital Television

Experiments in Digital Television EUROGRAPHICS 99 / P. Brunet and R. Sopigno (Guest Editors) Volume 18 (1999), Number 3 Experiments in Digital Television Philipp Slusallek, Milton Chen, Brad Johanson Computer Siene Department, Stanford

More information

AP Music Theory 2003 Scoring Guidelines

AP Music Theory 2003 Scoring Guidelines AP Musi Theory 2003 Soring Guidelines The materials inluded in these files are intended for use by AP teahers for ourse and exam preparation; permission for any other use must be sought from the Advaned

More information

Treatment of Minorities in Texas Government Textbooks

Treatment of Minorities in Texas Government Textbooks Treatment of in Texas Government Textbooks Debra P. Avara, Amarillo College John David Raush, jr, West Texas A&M University abstrat: The authors ompare Texas Government textbooks publishes between two

More information

Planet Earth. Vocabulary Aa Bb. 1 Complete the crossword. Vocabulary extension. 3 Complete the sentences with these prepositions.

Planet Earth. Vocabulary Aa Bb. 1 Complete the crossword. Vocabulary extension. 3 Complete the sentences with these prepositions. Planet Earth Voabulary Aa Bb 1 Complete the rossword. 2 1 3 4 6 3 4 5 7 8 5 6 9 Aross 1 a long line of very big hills 4 a long turning flow of water 5 an area with a lot of trees, plants and animals 8

More information

A New Method for Tracking Modulations in Tonal Music in Audio Data Format 1

A New Method for Tracking Modulations in Tonal Music in Audio Data Format 1 A New Method for Traking Modulations in Tonal Musi in Audio Data Format 1 Hendrik Purwins, Benjamin Blankertz, and Klaus Obermayer CCRMA, Stanford Tehnial University Berlin, FR 2-1, FB 13, Franklinstr.

More information

Final Project: Musical Memory

Final Project: Musical Memory Final Projet: Musial Memory Jeff Kaufman May 12, 2008 Astrat This paper presents a mahine learning system for notes, apale of learning some aspets of tunes. Input is in the form of notes played on a penny

More information

Monopoly Provision of Tune-ins

Monopoly Provision of Tune-ins Monopoly Provision of Tune-ins Levent Çelik December 28 bstract This paper analyzes a single television station s choice of airing tune-ins (preview advertisements). I consider two consecutive programs

More information

A Wave-Pipelined On-chip Interconnect Structure for Networks-on-Chips

A Wave-Pipelined On-chip Interconnect Structure for Networks-on-Chips A Wave-Pipelined On-hip Interonnet Struture for Networks-on-Chips Jiang Xu and Wayne Wolf Dept. of ELE, Prineton University jiangxu@prineton.edu, wolf@prineton.edu Abstrat The paper desribes a strutured

More information

What happened? Vocabulary. Goal: describe past experiences. Grammar: past simple and past continuous. Vocabulary: describing feelings and events

What happened? Vocabulary. Goal: describe past experiences. Grammar: past simple and past continuous. Vocabulary: describing feelings and events 2A What happened? Goal: desribe past experienes Grammar: past simple and past ontinuous Voabulary: desribing feelings and events C E A D B Voabulary 1 Look at the photos and disuss the questions. 1 What

More information

Color Management of Four-Primary Digital Light Processing Projectors

Color Management of Four-Primary Digital Light Processing Projectors olor Management of Four-Primary Digital Light Proessing Projetors Journal of Imaging Siene and Tehnology vol. 50, no. 1, Jan./Feb. 2006 David. Wyble and Mithel. osen Shool of Eletrial Engineering and omputer

More information

QUESTIONS. EImplicit. Diagnostic Assessment Booklet. Making. Topic. Development. Explicit. Name: Connections

QUESTIONS. EImplicit. Diagnostic Assessment Booklet. Making. Topic. Development. Explicit. Name: Connections Topi ANSWER KEY Name: QUESTIONS Ontario Seondary Shool Literay Test (OSSLT) Diagnosti Assessment Booklet St. Ignatius of Loyola Note: You are not permitted to use ellphones, audio- or videoreording devies,

More information

PROFESSIONAL D-ILA PROJECTOR

PROFESSIONAL D-ILA PROJECTOR PROFESSIONAL D-ILA PROJECTOR CONTENTS Prefae 3 Projetor Development History and Bakground 3 From ILA TM Projetors to D-ILA TM Projetors 4 Struture and Basi Operating Priniples of D-ILA TM 5 Features of

More information

Arduino Nixie Clock Modular Revision 2 Construction Manual

Arduino Nixie Clock Modular Revision 2 Construction Manual Arduino Nixie Clok Modular Revision 2 Constrution Manual ModularNixieClokConstrutionManualRev2 Contat Information If you want to get in ontat with us, please email to: nixie@protonmail.h We'll usually

More information

Using Each Guide. Safety Instructions/Support and Service Guide. User's Guide (this guide) Quick Start Guide. 3D Glasses User's Guide

Using Each Guide. Safety Instructions/Support and Service Guide. User's Guide (this guide) Quick Start Guide. 3D Glasses User's Guide User's Guide Organization of the Guide and Notations in the Guide Using Eah Guide The guides for this projetor are organized as shown below. Safety Instrutions/Support and Servie Guide Contains information

More information

Aural Skills Quiz (Introduction)

Aural Skills Quiz (Introduction) 03/22/07 Trevor de Clerq Aural Skills Quiz (Introdution) For this aural skills quiz, I have targeted an audiene of students ho should be relatively omfortable ith hearing sale degrees in both maor and

More information

Using Each Guide. Safety Instructions/Support and Service Guide. User's Guide (this guide) Quick Start Guide. 3D Glasses User's Guide

Using Each Guide. Safety Instructions/Support and Service Guide. User's Guide (this guide) Quick Start Guide. 3D Glasses User's Guide User's Guide Organization of the Guide and Notations in the Guide Using Eah Guide The guides for this projetor are organized as shown below. Safety Instrutions/Support and Servie Guide Contains information

More information

Characterization of transmission line based on advanced SOLTcalibration: Review

Characterization of transmission line based on advanced SOLTcalibration: Review IOSR Journal of Eletronis and Communiation Engineering (IOSR-JECE) e-issn: 2278-2834,p- ISSN: 2278-8735.Volume 9, Issue 4, Ver. II (Jul - Aug. 2014), PP 73-78 Charaterization of transmission line based

More information

Designs and Implementations of Low-Leakage Digital Standard Cells Based on Gate- Length Biasing

Designs and Implementations of Low-Leakage Digital Standard Cells Based on Gate- Length Biasing Researh Journal of pplied Sienes, Engineering and Tehnology 5(10): 2957-2963, 2013 ISSN: 2040-7459; e-issn: 2040-7467 Maxwell Sientifi Organization, 2013 Submitted: September 15, 2012 epted: Otober 31,

More information

Using Each Guide. Safety Instructions/Support and Service Guide. User's Guide (this guide) Quick Start Guide. 3D Glasses User's Guide

Using Each Guide. Safety Instructions/Support and Service Guide. User's Guide (this guide) Quick Start Guide. 3D Glasses User's Guide User's Guide Organization of the Guide and Notations in the Guide Using Eah Guide The guides for this projetor are organized as shown below. Safety Instrutions/Support and Servie Guide Contains information

More information

Using Each Guide. Safety Instructions/Support and Service Guide. User's Guide (this guide) Quick Start Guide. 3D Glasses User's Guide

Using Each Guide. Safety Instructions/Support and Service Guide. User's Guide (this guide) Quick Start Guide. 3D Glasses User's Guide User's Guide Organization of the Guide and Notations in the Guide Using Eah Guide The guides for this projetor are organized as shown below. Safety Instrutions/Support and Servie Guide Contains information

More information

Dream On READING BEFORE YOU READ

Dream On READING BEFORE YOU READ UNIT 9 READING Dream On BEFORE YOU READ Read the following statements and deide whih ones are true for you. Then hoose one statement and disuss it with a partner. I have diffiulty realling my dreams. My

More information

Security of IoT Systems: Design Challenges and Opportunities

Security of IoT Systems: Design Challenges and Opportunities Seurity of IoT Systems: Design Challenges and Opportunities Teng Xu, James B. Wendt, and Miodrag Potkonjak Computer Siene Department University of California, Los Angeles {xuteng, jwendt, miodrag}@s.ula.edu

More information

This article appeared in a journal published by Elsevier. The attached copy is furnished to the author for internal non-commercial research and

This article appeared in a journal published by Elsevier. The attached copy is furnished to the author for internal non-commercial research and This artile appeared in a journal published by Elsevier. The attahed opy is furnished to the author for internal non-ommerial researh and eduation use, inluding for instrution at the authors institution

More information

Technical Appendices to: Is Having More Channels Really Better? A Model of Competition Among Commercial Television Broadcasters

Technical Appendices to: Is Having More Channels Really Better? A Model of Competition Among Commercial Television Broadcasters Technical Appendices to: Is Having More Channels Really Better? A Model of Competition Among Commercial Television Broadcasters 1 Advertising Rates for Syndicated Programs In this appendix we provide results

More information

Review pages of the Glossary of Usage for information on the correct use of the following words or word groups:

Review pages of the Glossary of Usage for information on the correct use of the following words or word groups: Glossary of sage A Review pages 596-97 of the Glossary of sage for information on the orret use of the a, an aept,exept affet, effet ain't all the farther, all the faster a lot and et. anyways, anywheres,

More information

Sherlock Holmes Short Stories

Sherlock Holmes Short Stories level 5 Teaher s notes Sir Arthur Conan Doyle How ould a respetable businessman be seen at the window of an opium den and his lothes found there with no trae of the man himself? Surely the tramp with the

More information

FILTRON DP BUILT IN

FILTRON DP BUILT IN FILTR 246 + DP BUILT IN The FILTR 246 bakflushing ontroller designed and manufatured by TALGIL to meet the demands of a low ost easy to use ontroller. The FILTR 246 exists in 3 sizes - with 2, 4 or 6 stations.

More information

Welfare effects of public service broadcasting in a free-to-air TV market

Welfare effects of public service broadcasting in a free-to-air TV market MPRA Munich Personal RePEc Archive Welfare effects of public service broadcasting in a free-to-air TV market Rothbauer, Julia and Sieg, Gernot TU Braunschweig 27. September 2011 Online at http://mpra.ub.uni-muenchen.de/33779/

More information

LED TV. user manual. Still image warning. Important Warranty Information Regarding Television Format Viewing. Securing the Installation Space

LED TV. user manual. Still image warning. Important Warranty Information Regarding Television Format Viewing. Securing the Installation Space LED TV user manual Figures and illustrations in this User Manual are provided for referene only and may differ from atual produt appearane. Produt design and speifiations may be hanged without notie. Important

More information

Give sequence to events Have memory y( (short-term) Use feedback from output to input to store information

Give sequence to events Have memory y( (short-term) Use feedback from output to input to store information Chapter 3 :: equential Logi esign igital esign and Computer Arhiteture avid Money Harris and arah L. Harris Chapter 3 :: Topis Introdution Lathes and Flip-Flops ynhronous Logi esign Finite tate Mahines

More information

Grammar Past continuous I can use the past continuous.

Grammar Past continuous I can use the past continuous. Adventure Voabulary Landsapes A I an desribe landsapes Complete the labels Put the letters in order to make adjetives that desribe landsapes Then irle the landsape feature that an go with eah adjetive

More information

LINCOLNSHIRE POSY Works for Wind Ensemble

LINCOLNSHIRE POSY Works for Wind Ensemble Eloq uene LINCOLNSHIRE POSY Works for Wind Ensemble GRAINGER PERSICHETTI KHACHATURIAN HARTLEY ROGERS Eastman Wind Ensemble Frederik Fennell 1 2 3 4 5 6 7 8 9 0! @ $ % ^ & PERCY GRAINGER (1882-1961) Linolnshire

More information

ARTHROPOD MANAGEMENT

ARTHROPOD MANAGEMENT The Journal of Cotton Siene 13:189 195 (2009) http://journal.otton.org, The Cotton Foundation 2009 189 ARTHROPOD MANAGEMENT Comparative Effiay of Seleted Insetiide Alternatives for Boll Weevil (Coleoptera:

More information

automatic source-changeover system with 2 devices

automatic source-changeover system with 2 devices MEL GE AC-EC292-1 MEL GE AC-EC292-1 U U U U Masterpat: funtions and harateristis mati soure-hangeover systems 025186 Masterpat mati soure-hangeover system 05061 05060 05058 Masterpat soure-hangeover systems

More information

SHARP News. Conferences 1. Contents. Volume 25, Number SHARP 2016 Reflections. Global Book History at Paris

SHARP News. Conferences 1. Contents. Volume 25, Number SHARP 2016 Reflections. Global Book History at Paris SHARP News Volume 25, Number 2 2016 Conferenes SHARP 2016 Refletions SHARP 2016 was a whirlwind of intelletual disussion in Paris. It was my first time attending a SHARP onferene, and I was really struk

More information

International Journal of Modern Trends in Engineering and Research e-issn No.: , Date: 2-4 July, 2015

International Journal of Modern Trends in Engineering and Research  e-issn No.: , Date: 2-4 July, 2015 International Journal of Modern Trends in Engineering and esearh www.ijmter.om e-iss o.:349-9745, Date: -4 July, 5 A eview on VLSI Implementation of Multiplierless FI Filter ased On Distriuted Arithmeti

More information

Û Û Û Û J Û . Û Û Û Û Û Û Û. Û Û 4 Û Û &4 2 Û Û Û Û Û Û Û Û. Û. Û. Û Û Û Û Û Û Û Û Û Û Û. œ œ œ œ œ œ œ œ. œ œ œ. œ œ.

Û Û Û Û J Û . Û Û Û Û Û Û Û. Û Û 4 Û Û &4 2 Û Û Û Û Û Û Û Û. Û. Û. Û Û Û Û Û Û Û Û Û Û Û. œ œ œ œ œ œ œ œ. œ œ œ. œ œ. Basi patterns (Maxixe): R 3 Samba Samba evolved from maxixe around the 190s Two elements were ruial for the definition of its style: the patterns reated by new and old perussion instruments that would

More information

Effect pressure INTODUCTION. a swirl-type. in this study. marine diesel. engines. The. agent, urea is. (UWS), con- NH 3 slip, and 1 G.

Effect pressure INTODUCTION. a swirl-type. in this study. marine diesel. engines. The. agent, urea is. (UWS), con- NH 3 slip, and 1 G. SNAK, 014 Int. J. Nav. N Arhit. Oean Eng. (014) 6:7~38 http://dx.doi.org/10.478/ijnaoe-013-01611 pissn: 09-678, eissn: 09-67900 Taewha Park 1, Yonmo Sung 1, Taekyung Kim 1, Inwon Lee, Gyungmin Choi 3 and

More information

GRAMMAR AND LISTENING. Work it out. B Night was falling and the Moon was shining. Beethoven. A One day in the 1920s, the great American composer

GRAMMAR AND LISTENING. Work it out. B Night was falling and the Moon was shining. Beethoven. A One day in the 1920s, the great American composer Inspiration Read, listen and talk about artists and writers; inspiration; important moments. Pratise the Past Simple and the Past Continuous; time expressions. Fous on reounting past events; phrasal verbs.

More information

research is that it is descriptive in nature. What is meant by descriptive is that in a

research is that it is descriptive in nature. What is meant by descriptive is that in a CHAPTER III RESEARCH METHOD A. Type of Researh The researh onduted by the researher is using desriptive qualitative method. Aording to Wahyuni (2012:12), one of the harateristis of qualitative researh

More information

UNIT-1 19 Acoustics 04 Microphones and Loud speakers 10 Magnetic recording 05. UNIT-2 20 Video disc recording 06 Monochrome TV 10 Remote controls 04

UNIT-1 19 Acoustics 04 Microphones and Loud speakers 10 Magnetic recording 05. UNIT-2 20 Video disc recording 06 Monochrome TV 10 Remote controls 04 Department of Tehnial Eduation DIPLOMA COURSE IN ELECTRONICS AND COMMUNICATION ENGINEERING Fourth Semester Sujet: Audio and Video Systems Contat Hrs/Week:4 Contat Hrs/Sem: 64 GENERAL EDUCATIONAL OBJECTIVES:-

More information

Follow this and additional works at:

Follow this and additional works at: SHARP News Volume 23 Number 1 Artile 1 Winter 2014 Volume 23, Number 1 Follow this and additional works at: http://sholarworks.umass.edu/sharp_news Reommended Citation (2014) "Volume 23, Number 1," SHARP

More information

- - QUICK START. GUIDE. ~ Batteries. Welcome to your new TV! ~ AC/DC Adapter. Included in this box I. Attach the TV to the Stand.

- - QUICK START. GUIDE. ~ Batteries. Welcome to your new TV! ~ AC/DC Adapter. Included in this box I. Attach the TV to the Stand. QUICK START. GUIDE Welome to your new TV! The following instrutions over assembling, onneting, and setting up your new TV. Make sure you have the aessories listed below. Inluded in this box I Remote Controls

More information

The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier Book Two

The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier Book Two The Impliations of Bah's Introdution of New Fugal Tehniques and Proedures in the Well-Tempered Clavier Book Two Tomita, Y. (2011). The Impliations of Bah's Introdution of New Fugal Tehniques and Proedures

More information

A Survey of Local Library Cataloging Tool and Resource Utilization

A Survey of Local Library Cataloging Tool and Resource Utilization I A Survey of Loal Library Cataloging Tool and Resoure Utilization Shawne D. Miksa This stujy addresses lhl: support ofalaloging prol:dures by examining the loal ataloging environment of the North Texas

More information

Market Evaluation & Identification of Key Prospects

Market Evaluation & Identification of Key Prospects Market Evaluation & Identifiation of Key Prospets Summary 2 1. Estimation of TV hannels numbers 3 2. Segmentation by TV-hannel ategory 5 3. Segmentation by ountry ategory 7 4. Different ategories of installations

More information

LETTER. Preplay of future place cell sequences by hippocampal cellular assemblies

LETTER. Preplay of future place cell sequences by hippocampal cellular assemblies doi:./nature Preplay of future plae ell sequenes y hippoampal ellular assemlies George Dragoi & Susumu Tonegawa During spatial exploration, hippoampal neurons show a sequential firing pattern in whih individual

More information

2008 English Standard Grade. Foundation, General and Credit Reading. Finalised Marking Instructions

2008 English Standard Grade. Foundation, General and Credit Reading. Finalised Marking Instructions 2008 English Standard Grade Foundation, General and Credit Reading Finalised Marking Instrutions Sottish Qualifiations Authority 2008 The information in this puliation may e reprodued to support SQA qualifiations

More information

Stringed instruments and technology of their making in Italian acoustics

Stringed instruments and technology of their making in Italian acoustics Stringed instruments and tehnology of their making in Italian aoustis S. Cingolani Dipartimento di Ingegneria Meania, Università degli Studi di Bresia Via Branze 38, I-25123 Bresia, Italy e-mail: ingolan@ing.unibs.it

More information

Unawareness and Strategic Announcements in Games with Uncertainty

Unawareness and Strategic Announcements in Games with Uncertainty Unawareness and Strategic Announcements in Games with Uncertainty Erkut Y. Ozbay February 19, 2008 Abstract This paper studies games with uncertainty where players have different awareness regarding a

More information

Class Piano Resource Materials

Class Piano Resource Materials Class Piano Resoure Materials Level One Fifth Edition Compiled and Edited y W. Daniel Landes Smith Creek Musi Class Piano Resoure Materials Level One (Fifth Edition) Compiled and edited y W. Daniel Landes

More information

LED TV. user manual. Still image warning. Securing the Installation Space. xif you use parts provided by another manufacturer, it may result in a

LED TV. user manual. Still image warning. Securing the Installation Space. xif you use parts provided by another manufacturer, it may result in a LED TV user manual Figures and illustrations in this User Manual are provided for referene only and may differ from atual produt appearane. Produt design and speifiations may be hanged without notie. Still

More information

season ActingCompany.org THE ACTING COMPANY BOX OFFICE THEATER AND BOX OFFICE 815 B STREET YUBA CITY, CA (530) THE ACTING COMPANY

season ActingCompany.org THE ACTING COMPANY BOX OFFICE THEATER AND BOX OFFICE 815 B STREET YUBA CITY, CA (530) THE ACTING COMPANY THE ACTING COMPANY THE ACTING COMPANY BOX OFFICE Regular hours are Monday through Friday Noon to 2:00 P.M., exept holidays. During performanes, the Box Offie is open 30 minutes prior to showtime. 2019

More information

S. Patta, Canzon francese, "La Gironda", Sacrorum canticorum. Liber secundus (1613), ed. N. M. Jensen, 2016

S. Patta, Canzon francese, La Gironda, Sacrorum canticorum. Liber secundus (1613), ed. N. M. Jensen, 2016 S. Patta, Canzon franese, "La Gironda", Sarorum antiorum. Liber seundus (1613), ed. N. M. Jensen, 2016 Canzon franese a due: Canto e basso "La Gironda" Cantus Serafino Patta Edited by Niels Martin Jensen

More information

A conductor's study of George Rochberg's three psalm settings

A conductor's study of George Rochberg's three psalm settings Louisiana State University LSU Digital Commons LSU Maor Papers Graduate Shool 2002 A ondutor's study of George Rohberg's three psalm settings David Lawrene Louisiana State University and Agriultural and

More information

I am proud of the fact that I never invented weapons to kill - Thomas Edison. All the News that we could jam into a little under 8 pages

I am proud of the fact that I never invented weapons to kill - Thomas Edison. All the News that we could jam into a little under 8 pages GILDERFLUKE & C o. 0 SOUTH FLOWER STREET BURBANK, CALIFORNIA 00 /0 00/ FAX /0 EAST COAST/FLORIDA OFFICE 0 GRAND NATIONAL DRIVE, SUITE d ORLANDO, FLORIDA 0/ FAX 0/ I am proud of the fat that I never invented

More information

Teaching Old Tricks to Young Pups

Teaching Old Tricks to Young Pups TeahingOTtoYP /6/07 :5 AM Page b e f w h e k m n q t Teahing Old Triks to Young Pups Gat Beginnings and Strategies for Suess that Develop Musi Literay through Listening and Singing Skills, Rhythmi and

More information

Introduction to Orff Schulwerk We Sing, We Move, We Play, We Create

Introduction to Orff Schulwerk We Sing, We Move, We Play, We Create Introdution to Orff Shulwerk We Sing, We Move, We Play, We Create with Kerri Lynn Nihols, Patrik Ware and Brent Holl Speeh and Song In the Shulwerk Kerri Lynn Nihols - Presenter www.kerri-oke.om Choral

More information

Teachers College Reading and Writing Project Reading User s Guide, Kindergarten, Emergent Reading (If Then )

Teachers College Reading and Writing Project Reading User s Guide, Kindergarten, Emergent Reading (If Then ) Teahers College Reading and Writing Projet 1 A User s Guide for Emergent Reading (If...Then ) Otober/November Benhmark Reading Level: Emergent Storybooks & Shared Reading Texts and A/B with Book Intro

More information

1. Preliminary remark regarding the connection of terminology, method and theory

1. Preliminary remark regarding the connection of terminology, method and theory Herbert Ernst Wiegand Hybrid text onstituent strutures of ditionary artiles. A ontribution to the expansion of the theory of textual ditionary strutures Abstrat Firstly it is indiated with whih different

More information

Is Having More Channels Really Better? A Model of Competition Among Commercial Television Broadcasters

Is Having More Channels Really Better? A Model of Competition Among Commercial Television Broadcasters Is Having More Channels Really Better? A Model of Competition Among Commercial Television Broadcasters Yong Liu, Daniel S. Putler, and Charles B. Weinberg June 2003 Assistant Professor of Marketing, School

More information

Sounds Abound! Junction City/Fort Riley School District April 17, 2017

Sounds Abound! Junction City/Fort Riley School District April 17, 2017 April 17, 2017 Sounds Abound! Brent Holl Desription In this session we ll elebrate the timbres of the Orff instruments as we look at their ustifiation and use in the musi lassroom We will play arrangements

More information

Follow this and additional works at:

Follow this and additional works at: SHARP News Volume 23 Number 2 Artile 1 Spring 2014 Volume 23, Number 2 Follow this and additional works at: http://sholarworks.umass.edu/sharp_news Reommended Citation (2014) "Volume 23, Number 2," SHARP

More information

EXCHANGE PARTNERS COURSE EQUIVALENCIES REPORT Report Date: Wednesday, June 13, 2018

EXCHANGE PARTNERS COURSE EQUIVALENCIES REPORT Report Date: Wednesday, June 13, 2018 LBU013B10 LITERATURE & THE ARTS FROM 1870 TO THE 1960'S (0.5) ARTH 1UNS (0.5) E 06-Oct-06 LBU026B05 THE DUTH GOLDEN AGE ARTH 2UNS/3.0 E 17-Dec-14 LBU034B05 VISUAL AND TEXTUAL ULTURE OF THE GOLDEN AGE LBU013B10

More information

Mushroom Soup for Percussion Ensemble SAMPLE. By Michael Varner

Mushroom Soup for Percussion Ensemble SAMPLE. By Michael Varner Mushroom Soup for Perussion Ensemle By Mihael Varner Mushroom Soup is a flashy fusion omposition for 11 players featuring drumset and Eletri Bass Although the drumset, ass, and perussion parts are written

More information

Class Piano Resource Materials

Class Piano Resource Materials Class Piano Resoure Materials Level To Fifth Edition Compiled and Edited y W Daniel Landes Smith Creek Musi Class Piano Resoure Materials Level To (Fifth Edition) Compiled and edited y W Daniel Landes

More information

Follow this and additional works at:

Follow this and additional works at: SHARP News Volume 23 Number 4 Artile 1 Fall 2014 Volume 23, Number 4 Follow this and additional works at: http://sholarworks.umass.edu/sharp_news Reommended Citation (2014) "Volume 23, Number 4," SHARP

More information

Non-Chord Tones. œ œ. () œ. () œ. () œ œ. ( œ œ œ œ) œ

Non-Chord Tones. œ œ. () œ. () œ. () œ œ. ( œ œ œ œ) œ Non-Chord Tones Non-Chord Tones (NCT) - Notes that are not part of the strutural harmony (also alled emellishing tones) - sed to smooth out and deorate eah melodi line - Typially preeded and followed y

More information

A Functional Representation of Fuzzy Preferences

A Functional Representation of Fuzzy Preferences Forthcoming on Theoretical Economics Letters A Functional Representation of Fuzzy Preferences Susheng Wang 1 October 2016 Abstract: This paper defines a well-behaved fuzzy order and finds a simple functional

More information

Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA.

Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA. Database as Genre: The Epi Transformation of Arhives Author(s): Ed Folsom Soure: PMLA, Vol. 122, No. 5, Speial Topi: Remapping Genre (Ot., 2007), pp. 1571-1579 Published by: Modern Language Assoiation

More information

1900 Garden of the Gods Road, Colorado Springs, Colorado, U.S.A

1900 Garden of the Gods Road, Colorado Springs, Colorado, U.S.A MODELS 180AAR 181A /AR and plug-ins OSCLLOSCOPES TECMWCAL DATA 1 MAY 1968 0 t 1900 Garden of the Gods Road, Colorado Springs, Colorado, U.S.A Tel (303) 636.5111 Europe: 54 Route des Aaias. Geneva, Switzerland.

More information

TeSys contactors LC1-D09pp (5) LC1-D12pp (5) 0.325

TeSys contactors LC1-D09pp (5) LC1-D12pp (5) 0.325 Referenes For motor ontrol up to 75 kw at 400 V, in ategory AC-3 Control iruit: a.., d.. or low onsumption 3-pole ontators for onnetion by srew lamp terminals or onnetors (1) 810356 Standard power ratings

More information

Strategic use of call externalities for entry deterrence. The case of Polish mobile telephony market

Strategic use of call externalities for entry deterrence. The case of Polish mobile telephony market Strategic use of call externalities for entry deterrence. The case of Polish mobile telephony market Maciej Sobolewski, Mikołaj Czajkowski Faculty of Economics, University of Warsaw Presentation for ICMC

More information

TABLE OF CONTENTS. Lesson 1: Major and Minor Key Signatures.. 1. Lesson 2: Scales 17. Lesson 3: Intervals Lesson 4: Modes...

TABLE OF CONTENTS. Lesson 1: Major and Minor Key Signatures.. 1. Lesson 2: Scales 17. Lesson 3: Intervals Lesson 4: Modes... TABLE OF CONTENTS Lesson 1: Major and Minor Key Signatures.. 1 Lesson 2: Sales 17 Lesson : ntervals... 29 Lesson : Modes... 9 Lesson 5: Triads and nversions... 51 Lesson 6: Primary and Seondary Triads.

More information

Simultaneous Experimentation With More Than 2 Projects

Simultaneous Experimentation With More Than 2 Projects Simultaneous Experimentation With More Than 2 Projects Alejandro Francetich School of Business, University of Washington Bothell May 12, 2016 Abstract A researcher has n > 2 projects she can undertake;

More information

The welfare and equity implications of competition in television broadcasting: the role of viewer tastes

The welfare and equity implications of competition in television broadcasting: the role of viewer tastes J Cult Econ (2006) 30:127 140 DOI 10.1007/s10824-006-9007-6 ORIGINAL ARTICLE The welfare and equity implications of competition in television broadcasting: the role of viewer tastes Yong Liu Daniel S.

More information

The best thrilling scenes arising from people in all over the world have been carried

The best thrilling scenes arising from people in all over the world have been carried The best thrilling senes arising from people in all over the world have been arried through the best quality images and voies by TACHII's Cable Tehnology. TACHII will ontinuously work to arry people's

More information

Film Cities, Film Services: Political economy of production, distribution, exhibition

Film Cities, Film Services: Political economy of production, distribution, exhibition DRAFT. Comments atively invited This aer is in onstant develoment. Comments are most welome. Last udated: 20/1/2013. This version resented at Conferene: Arhaeology of the Future / Arhélogie du future.

More information

A Good Listener and a Bad Listener

A Good Listener and a Bad Listener A Good Listener and a Bad Listener Hiromasa Ogawa This version:march 2016 First draft:september 2013 Abstract This paper investigates how a listener s sensitivity, which represents the extent to which

More information

Jaggies as aliasing or reconstruction phenomena: a tutorial

Jaggies as aliasing or reconstruction phenomena: a tutorial Jaggies as aliasing or reonstrtion phenomena: a ttorial Isaa Amidror Roger D. Hersh Downloaded From: http://eletroniimaging.spiedigitallibrary.org/ on //4 Terms of Use: http://spiedl.org/terms Jornal of

More information

Class Piano Resource Materials

Class Piano Resource Materials Class Piano Resoure Materials Level Three Fifth Edition Compiled and Edited y W. Daniel Landes Smith Creek Musi Class Piano Resoure Materials Level Three (Fifth Edition) Compiled and edited y W. Daniel

More information

The Orff Source. Sample. 89 Orff arrangements of traditional folk songs and singing games

The Orff Source. Sample. 89 Orff arrangements of traditional folk songs and singing games The Orff Soure 89 Orff arrangements of traditional folk songs and singing games Correlates to Musiplay 1-5 sequened aording to tone set: sm lsm smd mrd s mrd ls mrd d l,s, ls mrd l,s, major minor by Denise

More information

Style: a matte, of g'rave Importance? Form follows fiction: three on the back is better Ireland: a World of Possibilities $5.00. The Journal of the

Style: a matte, of g'rave Importance? Form follows fiction: three on the back is better Ireland: a World of Possibilities $5.00. The Journal of the The Journal of the Ontano. Assoiation of Arhitets.' l Volume 6 Number I Spring 1998 $5.00 Style: a matte, of g'rave Importane? f Form follows fition: three on the bak is better Ireland: a World of Possibilities

More information

EXCHANGE PARTNERS COURSE EQUIVALENCIES REPORT Report Date: Friday, March 24, 2017

EXCHANGE PARTNERS COURSE EQUIVALENCIES REPORT Report Date: Friday, March 24, 2017 AH 10010 THE AGE OF THE BAROQUE,.1600-70 ARTH 1UNS E 03-Nov-09 AH 10030 ART AND THE MODERN WORLD ARTH 1UNS/3.0 E 26-Jul-12 AH20010 IRISH PAINTING 1640-1940 ARTH 2UNS/3.0 10-May-12 AH20070 ART & ARHITETURE

More information

G. B. Riccio, Canzon: Basso e soprano, Il primo libro delle divine lodi (1612), ed. N. M. Jensen, 2015

G. B. Riccio, Canzon: Basso e soprano, Il primo libro delle divine lodi (1612), ed. N. M. Jensen, 2015 * * G. Riio, Canzon: Basso e soprano, Il primo liro delle divine lodi (1612), ed. N. M. ensen, 2015 Canzon: Basso e soprano overo alla quarta assa: Flautino e asso Canto Basso. Giovanni Battista Riio Edited

More information

Game Theory 1. Introduction & The rational choice theory

Game Theory 1. Introduction & The rational choice theory Game Theory 1. Introduction & The rational choice theory DR. ÖZGÜR GÜRERK UNIVERSITY OF ERFURT WINTER TERM 2012/13 Game theory studies situations of interdependence Games that we play A group of people

More information

Jersey Competition Regulatory Authority ( JCRA ) Decision M799/11 PUBLIC VERSION. Proposed Joint Venture. between. Scripps Networks Interactive Inc.

Jersey Competition Regulatory Authority ( JCRA ) Decision M799/11 PUBLIC VERSION. Proposed Joint Venture. between. Scripps Networks Interactive Inc. Jersey Competition Regulatory Authority ( JCRA ) Decision M799/11 PUBLIC VERSION Proposed Joint Venture between Scripps Networks Interactive Inc. and BBC Worldwide Limited The Notified Transaction 1. On

More information

Balafon SAMPLE. Marching Percussion Symphony. By Dr. Michael Varner

Balafon SAMPLE. Marching Percussion Symphony. By Dr. Michael Varner Balafon Marhing Perussion Symphony By Dr. Mihael Varner Marhing Perussion Feature perfet for indoor marhing ompetition. Balafon features Afrian sounds and grooves, ith advaned ontemporary marhing tehniques.

More information

PV 10AT PV 10BT Compact Mixer

PV 10AT PV 10BT Compact Mixer PV AT PV BT Compat Mixer /4 -Hi-Z CH.4 Only.5mm STEEO USB A FS MAIN OUTPUTS DIECT OUT DIECT OUT DIECT OUT DIECT OUT 4 5/6 7/8 5 6 PAIING 9 SEND STEEO IN PV AT INPUT STEEO MIXE WITH DIGITA EFFECTS, MEDIA

More information

Performance Suggestions

Performance Suggestions Thank you for purhasing this CuthbertPraise! download produt Your download entitles you to unlimited opies of parts sores ontained herein for your speifi ministry or personal use Please do not pass opies

More information

EXCHANGE PARTNERS COURSE EQUIVALENCIES REPORT Report Date: Wednesday, December 12, 2018

EXCHANGE PARTNERS COURSE EQUIVALENCIES REPORT Report Date: Wednesday, December 12, 2018 AH2002 ART, ULTURE AND POLITIS, FROM 1900 TO NOW ARTH 226/3.0 E 04-Sep-18 AH1003 EUROPEAN ART & ARHITETURE IN THE ARTH 2UNS (0.5) E 22-Jan-10 SEVENTEENTH AND EIGHTEENTH ENTURIES (0.5) AH3130 APPROAHES

More information

Finding the right pop music to teach can be a challenge.

Finding the right pop music to teach can be a challenge. resoure uide: My top 10 pop sons or beinner piano students Findin the riht pop musi to teah an be a hallene. Sometimes students will brin in musi that they want to play, or just say "I'd really like to

More information

FEATURES. I Highly Reliable Playback System I

FEATURES. I Highly Reliable Playback System I Sine the introdution of the worlds first 0-1 Component Oigital VTR, the OVR-1000/0VPC-1000, SonyO-1 VTRs have earned a well deserved reputation for exellene in omponent digital signal reording. Component

More information

EXCHANGE PARTNERS COURSE EQUIVALENCIES REPORT Report Date: Wednesday, June 13, 2018

EXCHANGE PARTNERS COURSE EQUIVALENCIES REPORT Report Date: Wednesday, June 13, 2018 AH 10010 THE AGE OF THE BAROQUE,.1600-70 ARTH 1UNS E 03-Nov-09 AH 10030 ART AND THE MODERN WORLD ARTH 1UNS/3.0 E 26-Jul-12 AH20010 IRISH PAINTING 1640-1940 ARTH 2UNS/3.0 10-May-12 AH20070 ART & ARHITETURE

More information

MPEG4 Traffic Modeling Using The Transform Expand Sample Methodology

MPEG4 Traffic Modeling Using The Transform Expand Sample Methodology MPEG4 Traffi Modelig sig The Trasform Expad Sample Methodology Ashraf Matrawy Ioais Lambadaris Chagheg Huag Broadbad Networks Laboratory Departmet of Systems ad Computer Egieerig Carleto iversity {amatrawy,

More information

Pandering to Persuade

Pandering to Persuade Pandering to Persuade By Yeon-Koo Che and Wouter Dessein and Navin Kartik An agent advises a principal on selecting one of multiple projects or an outside option. The agent is privately informed about

More information